Monday, December 14, 2020

UNKNOWN Season, Episode, Palms (full version) - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Palms (full version) - AVAILABLE

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The suddenly saw his calling.

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That's every man's dream to have

occasion in that wonderful sand

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under those wonderful warm beaches.

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So that's the painting we

would put on the canvas today.

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What you see right there.

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Okay.

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The magic of oil painting

is made possible by a grant.

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From Aaron brothers art March.

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Isn't that fantastic being

on that beautiful sand beach.

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So let me show you how we

would put that on this canvas.

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Nothing is on it now.

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So, uh, space in your mind first.

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It was a time when I

measured and we did on today.

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I don't do it anymore.

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I just spaced roughly and fired in.

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So we have a happy sky.

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They're more like a tour car.

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Sky is solid and sky.

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I will use the kind of radiant

or what do you call that?

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I forget those names

always have that paint.

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It's a turquoise color.

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What you see here?

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You see how I put it on?

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Tell Audrey.

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Now it gets in my mind.

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Oh, you know, when you get older,

you forget, she can't use the paint

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so much, but it is a happy color.

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And you see it here.

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You see there and start off

from the, from the top down.

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Like we do our best as we create

the depth there, but understand

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leaving divide, use a touch of

yellow, a touch of yellow in that.

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No.

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Let me see, see attached, you edited

there and you bring it up because Vitus

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on the canvas, the magic writers on.

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I never, I'm sorry when I didn't mention

that because I always put the magic,

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but on before and the canvas is bad.

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You see the canvas always wet.

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And do I mix no with that yellow

and the tour cross color there.

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And I get the kind of happy farm farms.

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Kai.

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You see.

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Good.

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So we don't have to fill around anymore.

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The next half will be next comes.

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Next.

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First we paint the underbrush,

all the trees in the back,

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and I choose a Varma color.

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We use the same Taylor green.

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Look, I look how I take it off again.

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Maybe I should do that in between

Taylor green and attach of pressure and

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blue, make it a bit darker and attach

of Allergan, Clemson into that too.

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See that makes it a bit vArmour for, or,

and now start off from the highest street.

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We say there is a high tree and

you know, does the Saudi trees,

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I am not living there and

I cannot get used to that.

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I think when you live in the IC

con car country, we have our trees.

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I always think I was pleased a better,

I can say like that because what you're

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used to, I think that's the whole thing.

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Okay.

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You have to paint him sometime

the perspective and I let

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him go down, let him go down.

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Nothing was done.

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Nothing we're down there, then that's all.

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I call it background music.

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See it gets slider, darker, darker,

darker as you come forward with.

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And that's the way you do it.

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Then fill the whole thing up.

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Now, light very, be obvious shown on dark.

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If you have dark, you have light.

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That's a funny talk either

either neither, neither.

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Um, in my classes we have on the zoom much

percentage of color of light in our paint.

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In order to show light,

you have to have dark.

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Then the light shows up.

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Okay.

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V I, I just prepared the background

here upside down, downside up, see

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how easy it is next comes next.

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They only campaign on that

because I have to have that dark

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and leave it, leave it like

not a in leave it all over.

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Okay.

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I would like to put a bit more dark

in the water, a bit more darker, dead.

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Okay, good.

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Maybe here.

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Eight limbered up a little bit.

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The limit after a little

bit, it became too blocky.

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That's your yellow would be nice.

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And then back up a little bit.

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There, there, yeah.

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Hey, the next step will be, I already

have prepared the whole canvas.

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The next step for me, I put the Palm trees

and so it will look like white and yellow.

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I use a smaller brush for this.

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You can use the knife.

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You can use anything if you want,

but in order to make it fast here.

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Have one, three Crockett, one,

three years straight, one, three

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years overlapping that three.

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The, and you just fire it in like

that first fire in like that.

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next three here.

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The next few there the next few

days, the next day they're there.

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They're there.

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They're there.

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They're there.

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Whatever you want.

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again and again, until you have all

the trees you think until you have all

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the things you think the, if you are

closer, if you painted closer, then

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the trees will be bigger and more.

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Uh, you can put more care into that,

but in that distance here, you just see

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a by tree trunks or light tree trunks.

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no, I have to fiddle it

on the three trunks there.

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and he wants to see so many anyway.

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Okay.

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There's one there there's one there's

one, one there's one there's one

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fee that you start getting.

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Life puts the whole thing

right into the water to put it

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right into the water to you see

everything, push it into the water.

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Yeah.

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Don't be very fussy.

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right into the water there too.

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all right.

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Now the next step will be.

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The next day.

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If you make a mistake as December,

sometime your hand is going like

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this, you see here, I got two trees

there and I got no trees on top.

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Then add the other three right on top.

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I just like to talk about it because in

my classes, when people made a mistake

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or one of my students made a mistake

or God, it was a big riot going on,

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then I say, my God, you made a mistake.

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Fix it up on top.

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And then it's no mistake.

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You cannot make mistakes.

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There's no such thing as making mistakes.

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And then some people are very fussy.

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They think it got to be,

it got to be like that.

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Oh my God.

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And if you really see trees come and

go disappear, and that's all I know the

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next step I will use my fan brush and I

will, I will put more sunshine in there.

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The, I will highlight

certain spots as Amber.

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There, there you see.

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And with the fan brush, it

does the devil have a good job.

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They dank the sun hits

certain trees harder and less.

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And.

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More and, and just give him just

some sunspots can be on the bottom.

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It can be on top.

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The end of that, all of

a sudden comes to life.

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Now you must think that the sun is behind

here and through the leaves and branches

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that pops up here, it pops up there.

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It pops up there.

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Nice up there, lights up.

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Bullshit lies up three trunk.

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The first that the tree

trunks be a little bit darker.

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C works easy.

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You can have a tree shown

there or there or there.

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They're hiding behind the come

out from behind that brush there

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And that gives you light that I was on

lights up, whatever you wants to do there.

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See how nice it looks already.

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It's just too much common sense

that whole, that whole painting

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business as so much come scent, you

can work with not come send a few.

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Yeah, no, I better not talk about it.

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You heard a lot of people.

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Everyone has his own ideas about what

one is running the ones over the canvas,

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the other shoveling the bikes over the

canvas, all the ticks, the elephant tail.

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And he smears the canvas up too.

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And there are great artists.

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So whatever you want, whatever

you think is the best take it.

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Highlighting here and there.

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That's beautiful.

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Okay.

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The next step will be you'll

put the top on the trees.

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So we were, we were used alizarin,

Crimson, Taylor green, and we just.

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Push it off like this

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no, that's what takes time all the

time, you know, just to get that roughly

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in the way you think it should be

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and the distance.

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Maybe here one there, one there, um,

you know, I hate to work on things like

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an assembly line that makes it bad,

really, but you have to do it when your

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pain, especially on your pain grapes or.

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uh, okay.

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But anyway, it will come alive.

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It will come to life.

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I think that maybe here we

bring one enough to try height.

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naturally.

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If we come closer, then we

will have to do something more.

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You can do that.

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There's no problem.

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No problem.

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See, and many are finished

with Aldo's top stair

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bang, bang, bang, bang, bang.

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I'm not used to this kind of trees,

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but I like to be there.

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just add somewhere other,

wherever behind in front.

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There's one popping up again.

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Oh, I'll make it big ad there.

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That D because he had close to see,

unless you come close to everything

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was bigger perspective, right?

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Uh, God, or make him beggar.

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No, you can highlight those first.

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We highlight the back the whole

background, yellow sunshine.

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He's on trying but sunshine

in there in the back.

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There, there, little bit there, the

bed pops up here, pops up there.

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he let us own pop up forever in the Bush.

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There.

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that the louder sunshine comes in there.

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Now we would highlight

us tops on the pond teas.

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Give him a bit sunshine

too, like this, like this,

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um, that is unhidden there.

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And they're always from the sunny side.

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Eh, that makes it nice.

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Uh, it was from the sunny side.

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But against the light, light

and light is not too good.

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Try to work it out.

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So this is still shown there.

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Yeah.

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See,

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now he can make it better

shown and against the dog.

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Hey, that makes it nicer.

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So no, if we get finished with

that, that kind of a thing.

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So the next step I will do, you

don't have to highlight all of them

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because some are in the shed of the

other big tree and, and some not.

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And so you just highlight what you think

it would show better and that's it.

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That said the next step.

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Very B you can, you can use this

brush or you can use the knife.

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Let's use the knife for

that yellow and white.

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And you're on in our mighty sun beach.

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Uh, my decision they're

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like that.

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Okay.

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yeah, my descent beach, yellow and white.

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That's what I use right now.

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yellow and white.

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I'll make it nice vide beach because

we need the other room there.

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Yeah, make it perspective, right?

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Pull it out.

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This vide, as you can, as wide as you can.

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Now that room,

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uh, that.

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Yeah,

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no, the next step will be, I use

my fan brush and you put a bit

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more dark and in the background

now here they were dark there.

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Taylor green is a nice,

nice, nice warm color.

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Push it up like that.

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Yeah.

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And as you come forward, you can add a

little bit of Allegiant Clemson into that.

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You see it gives you more dark.

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Okay.

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How many like this.

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All right.

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And you can, if you want to bring

that a bit more, that same color,

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you can run on the button in there.

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And a little bit like this.

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Have you been making it a bit darker?

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That gives us a better by the curve there

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So now we use our big brush.

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I mighty brush clean wash your brush.

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Make sure you have a dry

brush and you pull it down.

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See how you pull it all down.

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Nicely, all the lines

coming down like this.

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And then you just

straightened it out like this.

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Hey and all ready?

256

00:22:02,179 --> 00:22:04,939

You got your sand beach there.

257

00:22:08,310 --> 00:22:17,010

No the next step be you, you, you let

have some shadowed movements, dust PONTIS.

258

00:22:17,010 --> 00:22:21,180

They give you shadow movements on

the beach there, and that we're

259

00:22:21,600 --> 00:22:23,270

bringing out so much more or

260

00:22:27,470 --> 00:22:29,300

he something like this.

261

00:22:37,545 --> 00:22:38,015

Yes.

262

00:22:38,015 --> 00:22:39,375

Something like this.

263

00:22:42,225 --> 00:22:42,465

Yeah.

264

00:22:44,465 --> 00:22:44,715

Yes.

265

00:22:44,715 --> 00:22:45,905

Something like this.

266

00:22:57,395 --> 00:22:57,635

Yeah.

267

00:22:57,635 --> 00:22:58,145

And you do it.

268

00:22:58,710 --> 00:23:01,230

Over the horn long beach long.

269

00:23:01,230 --> 00:23:06,750

That was, and all that sand has

nice because you have the sun in the

270

00:23:06,750 --> 00:23:12,780

back and the Doris beautiful little

happy shadows over that beach there.

271

00:23:13,560 --> 00:23:15,090

It's still an early morning.

272

00:23:22,250 --> 00:23:22,700

Hey.

273

00:23:26,910 --> 00:23:27,300

Yeah.

274

00:23:27,710 --> 00:23:29,760

Yeah, we're on the next step.

275

00:23:29,790 --> 00:23:34,170

There'll be you have a little

lazy reef in front of it.

276

00:23:34,530 --> 00:23:37,800

You can use a touch of light there.

277

00:23:37,860 --> 00:23:44,640

You create a kind of a lazy, sometimes

you see a lazy Valter movements there.

278

00:23:46,080 --> 00:23:46,440

Eh,

279

00:23:52,495 --> 00:23:53,105

That makes sense.

280

00:23:53,135 --> 00:23:53,885

Nice.

281

00:23:54,095 --> 00:23:59,345

It's always a nice feeling that little

bit of up and down on the water there

282

00:24:00,635 --> 00:24:05,675

and they can have a bit more here,

maybe the other Royal in the back there.

283

00:24:12,875 --> 00:24:13,265

No.

284

00:24:14,774 --> 00:24:19,665

The next step, pure brush everything

up to why you think it should be.

285

00:24:21,855 --> 00:24:22,784

There would be one, three.

286

00:24:22,784 --> 00:24:23,745

I leave it the right.

287

00:24:23,745 --> 00:24:29,895

And the Ferrante by going over, you,

you, I leave a lot of trees in the

288

00:24:29,895 --> 00:24:32,415

back and a lot of coming in the front.

289

00:24:32,415 --> 00:24:33,915

Now you see how I do it?

290

00:24:34,215 --> 00:24:35,685

Bang, just certain trees.

291

00:24:35,715 --> 00:24:37,595

You think they should be in front of it?

292

00:24:39,135 --> 00:24:42,885

no, you can see they're standing

behind each other next to each other.

293

00:24:42,885 --> 00:24:44,985

And, and that's the why you do it.

294

00:24:46,695 --> 00:24:50,235

Maybe here, this one we bring in

the front and maybe here a bit more

295

00:24:50,235 --> 00:24:51,885

highlight there, but more highlights.

296

00:24:52,185 --> 00:24:53,145

Just brush it up.

297

00:24:53,415 --> 00:24:54,765

Spend your time.

298

00:24:55,035 --> 00:24:56,145

I don't have the time.

299

00:24:56,145 --> 00:24:57,254

Then you got home.

300

00:24:57,765 --> 00:25:00,615

I have to get that

painting done in time here.

301

00:25:01,140 --> 00:25:02,480

But I D is there.

302

00:25:02,490 --> 00:25:05,730

See, you know, the depth that

will be with other type of trees.

303

00:25:05,730 --> 00:25:06,540

The same thing.

304

00:25:07,080 --> 00:25:09,390

If I have a field, I

set my trees in there.

305

00:25:09,390 --> 00:25:10,320

I do it the same.

306

00:25:10,320 --> 00:25:13,320

Why have one first?

307

00:25:13,320 --> 00:25:17,490

I, the why you saw me doing it, that

means you have a depth of trees.

308

00:25:17,930 --> 00:25:22,790

Some is coming up like this and, and

maybe that's one, we bring forwards too.

309

00:25:23,880 --> 00:25:25,410

Right to the sand beach.

310

00:25:26,100 --> 00:25:30,600

And so if you want, you can strengthen it

a bit more on the water here and there.

311

00:25:31,590 --> 00:25:34,710

Like this one was a bit too.

312

00:25:36,060 --> 00:25:36,510

Yeah.

313

00:25:41,180 --> 00:25:41,270

Okay.

314

00:25:41,510 --> 00:25:43,880

And we got that painting together.

315

00:25:48,410 --> 00:25:49,910

You got that pain together.

316

00:25:51,554 --> 00:25:55,635

And then no time and no

time you have it done.

317

00:25:56,264 --> 00:25:58,365

So I show you a technique.

318

00:25:59,145 --> 00:26:04,355

No, naturally when that painting is dry, I

would go over that and, and add whatever.

319

00:26:04,355 --> 00:26:06,064

I think it should be done better.

320

00:26:06,754 --> 00:26:10,804

The it's not the things you cannot

add when it's, when it's wet.

321

00:26:11,615 --> 00:26:12,875

Let that be dry.

322

00:26:12,935 --> 00:26:14,705

And then it's no problem there.

323

00:26:16,324 --> 00:26:17,735

Not to be dry.

324

00:26:17,975 --> 00:26:19,415

Now I use my big brush.

325

00:26:20,010 --> 00:26:21,510

Cut that out here.

326

00:26:22,530 --> 00:26:26,010

Cause that's the down

and brush it out nicely.

327

00:26:28,260 --> 00:26:29,460

Hey, there we are.

328

00:26:32,910 --> 00:26:39,570

And the happy, happy

beach scene is finished.

329

00:26:39,840 --> 00:26:40,710

You like it.

330

00:26:41,100 --> 00:26:42,629

I thank you for watching me.

331

00:27:03,175 --> 00:27:08,274

In response to overwhelming viewer

requests, K O C E has prepared a

332

00:27:08,305 --> 00:27:12,024

personal guide to bill Alexander's

magic of oil painting three.

333

00:27:12,595 --> 00:27:16,825

To receive your copy of this instructional

book on bill Alexander's painting

334

00:27:16,825 --> 00:27:20,215

technique, please send $8 to magic.

335

00:27:20,245 --> 00:27:25,135

Three post office box to seven

Oh three Huntington beach,

336

00:27:25,165 --> 00:27:28,254

California nine two six four seven.

337

00:27:33,140 --> 00:27:38,000

The magic of oil painting is made possible

by a grant from Aaron brothers art marts.

End .srt file.

UNKNOWN Season, Episode, Palms - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Palms - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,120 --> 00:00:03,810

Isn't that fantastic being

on that beautiful sand beach.

00:00:04,380 --> 00:00:08,250

So let me show you how we

would put that on this canvas.

00:00:08,580 --> 00:00:09,450

Nothing is on it.

00:00:09,450 --> 00:00:09,840

No.

00:00:10,260 --> 00:00:13,260

So space it in your mind first.

00:00:14,625 --> 00:00:18,585

It was a time when I

measured and we did on today.

00:00:18,585 --> 00:00:19,845

I don't do it anymore.

00:00:19,995 --> 00:00:23,235

I just space it roughly and fire them.

00:00:23,565 --> 00:00:25,065

So we have a happy sky.

00:00:25,065 --> 00:00:26,895

They're more like a tour car.

00:00:26,905 --> 00:00:29,025

Sky is solid and sky.

00:00:29,265 --> 00:00:35,105

I will use the kind of, or what

you call it that I forget those

00:00:35,105 --> 00:00:36,845

names, Alvarez of that paint.

00:00:37,115 --> 00:00:38,495

It's a turquoise color.

00:00:38,555 --> 00:00:39,425

What you see here?

00:00:39,785 --> 00:00:41,195

You see how I put it on.

00:00:44,550 --> 00:00:45,420

Payload green.

00:00:45,420 --> 00:00:46,650

Now it gets in my mind.

00:00:47,210 --> 00:00:51,470

Oh, you know, when you get older,

you forget, you can't use the pain

00:00:51,470 --> 00:00:53,600

so much, but it is a happy color.

00:00:53,750 --> 00:00:57,800

Actually, when you see it here,

you see there and start off

00:00:57,800 --> 00:01:00,650

from the, from the top down.

00:01:00,830 --> 00:01:02,030

Like we do all vices.

00:01:02,030 --> 00:01:05,840

We create a depth there, but

understand leaving the right.

00:01:06,050 --> 00:01:09,710

I will use a touch of yellow,

a touch of yellow in that.

00:01:10,520 --> 00:01:11,030

No.

00:01:12,105 --> 00:01:13,555

Let me see, see attached.

00:01:13,755 --> 00:01:17,105

He edited there and you bring

it up because Vitus on the

00:01:17,105 --> 00:01:19,325

canvas, the magic writers on.

00:01:19,565 --> 00:01:23,585

I never, I'm sorry when I didn't mention

that because I always put the magic,

00:01:23,585 --> 00:01:25,385

but on before and the canvas is bad.

00:01:25,805 --> 00:01:30,215

You see the canvas all by sweat

and do I mix no with that yellow

00:01:30,515 --> 00:01:32,225

and the tour cross color there.

00:01:32,615 --> 00:01:37,775

And I get the kind of happy farm farms.

00:01:37,805 --> 00:01:38,405

Kai.

00:01:38,495 --> 00:01:39,425

There, you see.

00:01:40,125 --> 00:01:40,455

Good.

00:01:40,635 --> 00:01:42,105

So you don't have to

fill it around anymore.

00:01:43,005 --> 00:01:45,585

The next step will be next comes.

00:01:45,585 --> 00:01:46,035

Next.

00:01:46,065 --> 00:01:50,985

First we paint the underbrush,

all the trees in the back and

00:01:50,985 --> 00:01:52,625

then choose a warmer color.

00:01:52,985 --> 00:01:54,125

We use the same.

00:01:54,245 --> 00:01:57,725

Taylor green look, look

how I take it off again.

00:01:57,965 --> 00:02:01,325

Maybe we always should do that

in between Taylor green and

00:02:01,325 --> 00:02:02,675

attach of pressure and blue.

00:02:02,825 --> 00:02:07,415

Make it a bit darker and attach

of Allergan Crimson into that too.

00:02:08,160 --> 00:02:13,960

See that makes it a bit warmer for,

or, and now start off from the highest

00:02:13,980 --> 00:02:18,540

trees we say there is a high tree and

you know, it does sound and trees.

00:02:22,200 --> 00:02:28,290

I am not living there and

I cannot get used to that.

00:02:29,040 --> 00:02:33,720

I think when you live in the IC

car, car country, we have our trees.

00:02:34,230 --> 00:02:35,489

I always think I was pleased.

00:02:35,519 --> 00:02:40,590

I better try and say like that because

what you're used to, I think that's

00:02:40,590 --> 00:02:48,000

the whole thing, but then you have to

paint him sometime the perspective and

00:02:48,000 --> 00:02:50,340

I let him go down, let him go down.

00:02:50,370 --> 00:02:51,329

Nothing was done.

00:02:51,359 --> 00:02:52,260

Nothing was done.

00:02:52,590 --> 00:02:53,970

Then, then that's all.

00:02:54,915 --> 00:02:56,745

I call it background music.

00:02:56,775 --> 00:03:00,095

See it gets slighter, darker, darker,

darker as you come forward with.

00:03:00,525 --> 00:03:05,445

And that's the way you do it,

then fill the whole thing up.

00:03:05,445 --> 00:03:08,475

Now, light will be obvious shown on dark.

00:03:08,505 --> 00:03:10,455

If you have dark, you have light.

00:03:10,965 --> 00:03:14,235

That's a funny talk either

either neither, neither.

00:03:15,285 --> 00:03:22,425

Um, in my classes we have on the zoom much

percentage of color of light in our paint.

00:03:23,145 --> 00:03:25,815

In order to show light,

you have to have dark.

00:03:26,625 --> 00:03:28,935

Then the light shows up.

00:03:29,880 --> 00:03:30,510

Okay.

00:03:31,640 --> 00:03:37,980

I, I just prepared the background

here upside down, downside up, see

00:03:37,980 --> 00:03:40,440

how easy it is next comes next.

00:03:42,420 --> 00:03:45,480

They only campaign on that

because I have to have that dark

00:03:50,399 --> 00:03:56,310

and leave it, leave it like not

a block, then leave it all off.

00:03:58,155 --> 00:03:58,545

Okay.

00:03:58,665 --> 00:04:03,495

I would like to put a bit more dark

in the water, a bit more darker there.

00:04:06,135 --> 00:04:07,215

Okay, good.

00:04:07,845 --> 00:04:09,855

Maybe here eight limbered up a little bit.

00:04:10,454 --> 00:04:14,144

The limit after a little

bit, it became too blocky.

00:04:15,315 --> 00:04:17,024

Tasha yellow would be nice.

00:04:18,175 --> 00:04:19,394

Remember up a little bit.

00:04:19,515 --> 00:04:20,835

There, there, yeah.

00:04:21,825 --> 00:04:24,515

Hey, the next step it'd be a red.

00:04:24,515 --> 00:04:26,555

You have prepared the whole canvas.

00:04:26,915 --> 00:04:32,225

The next step for me, I put

the Palm trees and so it's very

00:04:32,225 --> 00:04:35,045

look like white and yellow.

00:04:35,285 --> 00:04:37,145

I use a smaller brush for this.

00:04:37,385 --> 00:04:38,615

You can use the knife.

00:04:38,645 --> 00:04:42,875

You can use anything if you want,

but a lot of to make it fast here.

00:04:43,520 --> 00:04:49,229

Have one, three Crockett, one, three years

straight, one, three years overlapping

00:04:49,229 --> 00:04:55,799

that three, the, and you just fired

in like that first fired in like that

00:05:00,979 --> 00:05:01,940

next three years.

00:05:01,940 --> 00:05:05,849

The next few there, the next few

days, the next day they're there.

00:05:05,849 --> 00:05:06,799

They're there.

00:05:06,799 --> 00:05:07,599

They're there.

00:05:07,599 --> 00:05:09,200

They're whatever you want.

00:05:14,924 --> 00:05:20,135

again and again, until you have all

the trees you think until you have all

00:05:20,135 --> 00:05:26,315

the things you think the, if you are

closed, if you painted closer, then

00:05:26,315 --> 00:05:28,114

the trees will be bigger and more.

00:05:28,565 --> 00:05:36,575

Uh, you can put more care into that, but

in that distance here, you just see a

00:05:36,635 --> 00:05:39,034

vide tree trunks or light tree trunks.

100

00:05:45,965 --> 00:05:48,905

no, I have to fill it out

with three trunks there.

101

00:05:54,125 --> 00:05:56,195

and he wants to see so many anyway.

102

00:05:57,364 --> 00:05:58,804

Okay.

103

00:05:58,835 --> 00:06:02,525

There's one there there's one there's

one, one there's one there's one

104

00:06:06,195 --> 00:06:07,325

that you start getting.

105

00:06:08,739 --> 00:06:14,340

Life puts the whole thing right

into the water to put it right

106

00:06:14,340 --> 00:06:18,840

into the water to you see every

day, push it right into the water.

107

00:06:27,049 --> 00:06:27,409

Yeah.

108

00:06:31,369 --> 00:06:32,539

Don't be very fussy.

109

00:06:41,020 --> 00:06:42,860

right into the water there too.

110

00:06:52,670 --> 00:06:53,180

all right.

111

00:06:53,450 --> 00:06:55,310

Now the next step will be.

112

00:06:55,844 --> 00:06:56,555

The next step.

113

00:06:56,685 --> 00:07:00,044

If you make a mistake as December,

sometime your hand is going like

114

00:07:00,044 --> 00:07:04,065

this, you see here, I got two trees

there and I got no trees on top.

115

00:07:04,275 --> 00:07:05,955

Then add the other three right on top.

116

00:07:07,275 --> 00:07:11,625

I just like to talk about it because in

my classes, when people made a mistake

117

00:07:11,625 --> 00:07:15,795

or one of my students made a mistake

or God, it was a big riot going on,

118

00:07:16,185 --> 00:07:18,075

then I say, my God, you made a mistake.

119

00:07:18,285 --> 00:07:19,575

Fix it up on top.

120

00:07:19,755 --> 00:07:21,255

And then it's no mistake.

121

00:07:21,855 --> 00:07:23,295

You cannot make mistakes.

122

00:07:23,325 --> 00:07:25,755

There's no such thing as making mistakes.

123

00:07:26,865 --> 00:07:28,395

And then some people are very fussy.

124

00:07:28,395 --> 00:07:30,435

They think it got to be,

it got to be like that.

125

00:07:30,465 --> 00:07:31,005

Oh my God.

126

00:07:32,970 --> 00:07:38,310

And if you really see trees come and go

disappear and that's all it is now, the

127

00:07:38,310 --> 00:07:44,820

next step I will use my fan brush and I

will, I will put more sunshine in there.

128

00:07:45,810 --> 00:07:48,870

The, I will highlight

certain spots as Amber.

129

00:07:48,900 --> 00:07:51,270

There, there you see.

130

00:07:51,510 --> 00:07:54,240

And with the fan brush

it, it does a good job.

131

00:07:54,870 --> 00:07:56,640

They dance.

132

00:07:56,670 --> 00:07:59,660

The sun hits certain

trees harder and less.

133

00:07:59,670 --> 00:07:59,900

And.

134

00:08:00,210 --> 00:08:05,850

More and, and just give him just

some sunspots can be on the bottom.

135

00:08:05,940 --> 00:08:07,020

It can be on top.

136

00:08:07,830 --> 00:08:08,520

The end of that.

137

00:08:09,300 --> 00:08:10,950

All of a sudden it comes to life.

138

00:08:10,980 --> 00:08:16,470

Now you must think that the sun is

behind here and through the leaves

139

00:08:16,470 --> 00:08:18,060

and branches that pops up here.

140

00:08:18,060 --> 00:08:20,840

It pops up there that pops

up there, lights up there.

141

00:08:20,860 --> 00:08:23,580

The lights up bullshit

lies up at three trunk.

142

00:08:24,150 --> 00:08:26,790

The first at the tree trunks

be a little bit darker.

143

00:08:31,035 --> 00:08:32,505

Works easy.

144

00:08:39,305 --> 00:08:43,115

You can have a tree show

in there or there or there.

145

00:08:43,145 --> 00:08:46,235

They're hiding behind the come

out from behind that brush.

146

00:08:46,325 --> 00:08:46,625

Yeah.

147

00:08:56,955 --> 00:09:02,265

And that gives you light that I was on

lights up, whatever you wants to do there.

148

00:09:12,965 --> 00:09:14,735

See how nice it looks already.

149

00:09:16,475 --> 00:09:20,465

It's just too much common sense

that whole, that whole painting

150

00:09:20,465 --> 00:09:25,205

business as so much come scent, you

can work with not come send a few.

151

00:09:25,650 --> 00:09:27,540

Yeah, no, I better not talk about it.

152

00:09:28,170 --> 00:09:29,460

You heard a lot of people.

153

00:09:29,940 --> 00:09:33,990

Everyone has his own ideas about what

one is running the worms over the canvas,

154

00:09:34,860 --> 00:09:39,480

the other shoveling the bikes over the

canvas, all the ticks, the elephant tail.

155

00:09:39,480 --> 00:09:41,400

And he smears the canvas up too.

156

00:09:42,030 --> 00:09:43,560

And there are great artists.

157

00:09:44,760 --> 00:09:47,370

So whatever you want, whatever

you think is the best.

158

00:09:47,600 --> 00:09:48,080

Take it.

159

00:09:52,400 --> 00:09:53,240

Hey Daniel.

160

00:09:53,240 --> 00:09:53,480

Hi.

161

00:09:55,090 --> 00:09:56,820

The highlighting here and there.

162

00:10:04,460 --> 00:10:06,500

Yeah, that's beautiful.

163

00:10:06,920 --> 00:10:07,310

Okay.

164

00:10:07,310 --> 00:10:13,340

The next step would be you

put the top on the trees.

165

00:10:14,180 --> 00:10:22,460

So we were, we were used alizarin,

Crimson, Taylor green, and we just.

166

00:10:23,835 --> 00:10:25,545

Push it off like this.

167

00:10:30,425 --> 00:10:30,814

Yeah,

168

00:10:36,605 --> 00:10:41,525

no, that's what takes time all the

time, you know, just to get that roughly

169

00:10:41,525 --> 00:10:43,115

in the way you think it should be.

170

00:10:47,015 --> 00:10:48,064

And did this stems.

171

00:11:16,155 --> 00:11:22,665

Maybe here one there, one there, um,

you know, I hate to work on things like

172

00:11:22,665 --> 00:11:30,915

an assembly line that makes it bad,

really, but you have to do it when your

173

00:11:30,915 --> 00:11:34,605

pain, especially on your pain grapes or.

174

00:11:43,790 --> 00:11:44,780

uh, okay.

175

00:11:45,290 --> 00:11:47,479

But anyway, it will come alive.

176

00:11:47,540 --> 00:11:48,920

It will come to life.

177

00:11:53,670 --> 00:11:57,800

I think that maybe here we bring

one enough to try to height.

178

00:12:07,595 --> 00:12:08,135

naturally.

179

00:12:08,135 --> 00:12:12,095

If we come closer, then we

will have to do something more.

180

00:12:26,525 --> 00:12:27,605

You can do that.

181

00:12:27,665 --> 00:12:28,715

There's no problem.

182

00:12:31,355 --> 00:12:32,255

No problem.

183

00:12:37,565 --> 00:12:41,285

See, and then you're finished

with all Aldo's top stair

184

00:12:44,855 --> 00:12:47,025

bang, bang, bang, bang, bang.

185

00:12:51,930 --> 00:12:53,970

I am not used to this kind of trees,

186

00:13:01,699 --> 00:13:03,020

but I like to be there.

187

00:13:26,045 --> 00:13:32,555

just add somewhere other,

wherever behind in front.

188

00:13:33,125 --> 00:13:34,745

There's one popping up again.

189

00:13:46,609 --> 00:13:48,140

uh, I'll make it big add there.

190

00:13:48,140 --> 00:13:52,339

That D because he had close to see,

unless you come close to everything

191

00:13:52,339 --> 00:13:54,290

was bigger perspective, right?

192

00:13:54,680 --> 00:13:57,829

Uh, God, or make him beggar.

193

00:14:11,745 --> 00:14:14,595

No, you can highlight those first.

194

00:14:14,595 --> 00:14:19,965

We highlight the back the whole

background, yellow sunshine.

195

00:14:21,725 --> 00:14:25,295

He's on trying but sunshine

in there in the back.

196

00:14:25,295 --> 00:14:30,635

There, there, little bit there, the

bed pops up here, pops up there.

197

00:14:42,635 --> 00:14:45,695

see, let us own pop up

forever in the Bush.

198

00:14:45,725 --> 00:14:46,025

There.

199

00:15:07,805 --> 00:15:09,905

the louder sunshine comes in there.

200

00:15:10,535 --> 00:15:15,305

Now we would highlight

us tops on the pond teas.

201

00:15:16,845 --> 00:15:21,175

Give him a bit sunshine

too, like this, this,

202

00:15:25,295 --> 00:15:29,045

um, that's just unhidden

there and there I was from the

203

00:15:29,045 --> 00:15:33,515

sunny side that makes it nice.

204

00:15:37,175 --> 00:15:39,095

Uh, it was from the sunny side.

205

00:15:40,530 --> 00:15:43,709

But against the light, light

and light is not too good.

206

00:15:43,709 --> 00:15:45,300

Try to work it out.

207

00:15:45,300 --> 00:15:48,449

So this is still shown there.

208

00:15:53,989 --> 00:15:54,439

Yeah.

209

00:15:56,750 --> 00:15:57,260

Hey,

210

00:16:00,979 --> 00:16:04,699

now here you can make it better

shown and against the dark.

211

00:16:07,550 --> 00:16:08,810

Hey, that makes it nicer.

212

00:16:39,375 --> 00:16:44,564

So no, if we get finished with

that, that's kind of a thing.

213

00:16:45,194 --> 00:16:49,425

So the next step I will do, you

don't have to highlight all of them

214

00:16:49,425 --> 00:16:54,255

because some are in the shed of the

other big tree and, and some not.

215

00:16:54,314 --> 00:16:58,305

And so you just highlight what you think

it would show better and that's it.

216

00:16:59,010 --> 00:17:01,470

That said the next step.

217

00:17:01,500 --> 00:17:06,450

Very B you can, you can use this

brush or you can use the knife.

218

00:17:06,510 --> 00:17:11,370

Let's use the knife for

that yellow and white.

219

00:17:12,000 --> 00:17:20,089

And you're on in mighty sand

beach, my dessert and be there

220

00:17:23,329 --> 00:17:23,870

like that.

221

00:17:24,829 --> 00:17:24,920

Okay.

222

00:17:30,695 --> 00:17:35,195

yeah, my descent bitch, yellow and white.

223

00:17:35,465 --> 00:17:37,054

That's what they use right now.

224

00:17:48,095 --> 00:17:50,014

yellow and white.

225

00:18:00,695 --> 00:18:06,905

I'll make it nice vide beach because

we need the other room there.

226

00:18:14,960 --> 00:18:17,180

Yeah, make it perspective, right?

227

00:18:17,420 --> 00:18:18,110

Pull it out.

228

00:18:18,350 --> 00:18:22,670

This vide, as you can, as wide as you can.

229

00:18:24,020 --> 00:18:24,680

Now that room,

230

00:18:31,670 --> 00:18:34,280

uh, that.

231

00:18:38,180 --> 00:18:42,530

no, the next step will be, I use

my fan brush and you put a bit

232

00:18:42,530 --> 00:18:46,980

more dark and in the background

now here that were dark there.

233

00:18:51,050 --> 00:18:55,040

Taylor green is a nice,

nice, nice warm color.

234

00:18:58,580 --> 00:19:01,250

he push it up like that.

235

00:19:14,735 --> 00:19:19,895

and as you come forward, you can add

a little bit of alizarin Crimson.

236

00:19:19,895 --> 00:19:21,905

And to that you see it gives you more dark

237

00:19:33,750 --> 00:19:35,070

How many like this.

238

00:19:35,820 --> 00:19:36,510

All right.

239

00:19:36,629 --> 00:19:43,290

And you can, if you want to

bring that a bit more, that same

240

00:19:43,290 --> 00:19:50,610

color, you can run on the button

in there a little bit like this.

241

00:19:56,205 --> 00:19:57,885

Have you been making it a bit darker?

242

00:19:58,905 --> 00:20:02,775

That gives us a better,

better curve there.

243

00:20:12,425 --> 00:20:18,185

So now we use our big brush and

mighty brush clean wash your brush.

244

00:20:22,560 --> 00:20:26,639

Sure you have a dry brush

and you pull it down.

245

00:20:26,670 --> 00:20:28,139

See how you pull it all down.

246

00:20:28,139 --> 00:20:31,740

Nicely, all the lines

coming down like this.

247

00:20:33,210 --> 00:20:36,270

And then you just

straightened it out like this

248

00:20:39,600 --> 00:20:40,350

and all ready.

249

00:20:40,350 --> 00:20:43,139

You got your sand beach there.

250

00:20:46,500 --> 00:20:53,670

No the next step be you, you, you

let have some shadow movements,

251

00:20:54,180 --> 00:20:58,920

dust Pontes they give you shadow

movements on the beach there, and that

252

00:20:58,920 --> 00:21:01,460

we're bringing out so much more or

253

00:21:05,660 --> 00:21:07,490

he something like this.

254

00:21:15,735 --> 00:21:16,195

Yes.

255

00:21:16,195 --> 00:21:17,565

Something like this.

256

00:21:20,415 --> 00:21:20,655

Yeah.

257

00:21:22,655 --> 00:21:22,915

Yes.

258

00:21:22,915 --> 00:21:24,125

Something like this.

259

00:21:35,585 --> 00:21:35,825

Yeah.

260

00:21:35,825 --> 00:21:36,335

And you do it.

261

00:21:36,900 --> 00:21:39,420

Over the horn long beach long.

262

00:21:39,420 --> 00:21:44,940

That was, and all that sand has

nice because you have the sun in the

263

00:21:44,940 --> 00:21:50,970

back and the Doris beautiful little

happy shadows over that beach there.

264

00:21:51,750 --> 00:21:53,280

It's still an early morning.

265

00:22:00,440 --> 00:22:00,860

Hey.

266

00:22:05,195 --> 00:22:05,545

yeah.

267

00:22:06,115 --> 00:22:06,375

Yeah.

268

00:22:06,835 --> 00:22:12,365

On the next step, there'll be, you

have a little lazy rave in front of it.

269

00:22:12,725 --> 00:22:15,995

You can use a touch of light there.

270

00:22:16,055 --> 00:22:22,835

It creates a kind of a lazy, sometimes

you see a lazy Valter movements there.

271

00:22:24,275 --> 00:22:24,635

Eh,

272

00:22:30,690 --> 00:22:32,060

That makes it nice.

273

00:22:32,300 --> 00:22:37,550

It's always a nice feeling that little

bit of up and down on the water there.

274

00:22:38,840 --> 00:22:43,850

And they can have a bit more here with

the other Royal in the back there.

275

00:22:50,210 --> 00:22:50,690

SI.

276

00:22:52,965 --> 00:22:55,975

The next step, pure brush everything up.

277

00:22:55,975 --> 00:22:57,855

Do you think it should be?

278

00:23:00,045 --> 00:23:00,975

There would be one, three.

279

00:23:00,975 --> 00:23:01,935

I leave it right.

280

00:23:01,935 --> 00:23:08,085

And the Ferrante by going over, you,

you, I leave a lot of trees in the

281

00:23:08,085 --> 00:23:10,605

back and a lot of come in the front.

282

00:23:10,605 --> 00:23:12,105

Now you see how I do it?

283

00:23:12,405 --> 00:23:13,875

Bang, just certain trees.

284

00:23:13,905 --> 00:23:15,785

You think they should be in front of it?

285

00:23:17,325 --> 00:23:21,075

no, you can see they're standing

behind each other next to each other.

286

00:23:21,075 --> 00:23:23,175

And, and that's the way you do it.

287

00:23:24,885 --> 00:23:28,425

Maybe here, this one we bring in

the front and maybe here a bit more

288

00:23:28,425 --> 00:23:30,075

highlight there, but more highlights.

289

00:23:30,375 --> 00:23:31,335

Just brush it up.

290

00:23:31,815 --> 00:23:32,955

Spend your time.

291

00:23:33,225 --> 00:23:34,335

I don't have the time.

292

00:23:34,335 --> 00:23:35,415

Then you got home.

293

00:23:35,940 --> 00:23:38,850

I have to get that

painting done in time here.

294

00:23:39,330 --> 00:23:40,100

But I did.

295

00:23:40,100 --> 00:23:43,920

Is there, you know, that that, that

will be with other type of trees.

296

00:23:43,920 --> 00:23:44,730

The same thing.

297

00:23:45,270 --> 00:23:48,480

If I have a field, I set my

trees and there I do it the same.

298

00:23:48,650 --> 00:23:55,760

I have one first, the way you saw me doing

it, that means you have a depth of trees.

299

00:23:55,790 --> 00:24:00,980

Now, some is coming up like this and,

and maybe that's one we bring forward to.

300

00:24:02,070 --> 00:24:03,600

Right to the sand beach.

301

00:24:04,290 --> 00:24:07,409

And so if you want, you can

strengthen that a bit more

302

00:24:07,409 --> 00:24:08,790

on the water here and there.

303

00:24:09,780 --> 00:24:14,699

Like this one was a bit too there.

304

00:24:16,800 --> 00:24:17,080

Yeah.

305

00:24:19,699 --> 00:24:22,070

And we got that painting together.

306

00:24:26,600 --> 00:24:28,100

You got that pain together.

307

00:24:29,745 --> 00:24:33,825

And then no time and no

time you have it done.

308

00:24:34,455 --> 00:24:36,555

So I show you a technique.

309

00:24:37,335 --> 00:24:42,545

No, naturally when I paint yes, dry, I

would go over that and, and add whatever.

310

00:24:42,545 --> 00:24:44,254

I think it should be done better.

311

00:24:44,945 --> 00:24:51,065

The, as lot of the things you cannot add

when it's, when it's wet, let that be dry.

312

00:24:51,125 --> 00:24:52,895

And then it's no problem there.

313

00:24:54,514 --> 00:24:55,925

Not to be dry.

314

00:24:56,165 --> 00:24:56,435

No.

315

00:24:56,435 --> 00:24:57,605

Use my big brush.

316

00:24:58,230 --> 00:24:59,700

Cut that out here.

317

00:25:00,720 --> 00:25:04,200

Cause that's the down

and brush it out nicely.

318

00:25:06,450 --> 00:25:07,680

Hey, there we are.

319

00:25:11,100 --> 00:25:17,760

And the happy, happy

beach scene is finished.

320

00:25:18,030 --> 00:25:18,930

You like it?

321

00:25:19,290 --> 00:25:20,850

I thank you for watching me.

End .srt file.

UNKNOWN Season, Episode, Old Farm - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Old Farm - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:04,730 --> 00:00:09,770

Oh, I'm so happy to be back with

you again, because of you and Beck,

00:00:09,770 --> 00:00:12,560

because you phoned in and that is nice.

00:00:12,980 --> 00:00:16,880

You're never too old, but the Debbie,

I will show you some new tricks and

00:00:16,880 --> 00:00:19,190

shortcuts and whatever it will never be.

00:00:19,580 --> 00:00:23,930

Maybe it's finished, but I concentrate

more this time on teaching.

00:00:24,270 --> 00:00:28,770

I hope I leave the world and the people

should say that was a good teacher.

00:00:28,770 --> 00:00:29,640

That's another one.

00:00:29,970 --> 00:00:33,180

And that would really satisfy my hunger.

00:00:34,680 --> 00:00:36,300

Good, good XE.

00:00:36,390 --> 00:00:38,760

No, I put on mighty magic right on

00:00:41,790 --> 00:00:44,820

So he liked this and

it's always nice to too.

00:00:45,210 --> 00:00:49,710

We all need that little bit of power

when we start, you know, when you

00:00:49,710 --> 00:00:54,510

start is the beginning of something,

but sloppy, I ride this visor, I

00:00:54,870 --> 00:00:56,820

put that on mighty magic, right on.

00:00:57,000 --> 00:01:00,210

And, and the right advice

you mood gets higher.

00:01:00,390 --> 00:01:05,710

Your, your spirit is higher

and you fire and more.

00:01:05,890 --> 00:01:07,990

And boy, everything is coming your way.

00:01:08,710 --> 00:01:15,330

Every things go and

you . I'm a good singer.

00:01:15,360 --> 00:01:19,950

That's not, I didn't know that

everything is going your way and that

00:01:20,130 --> 00:01:24,360

that's the way it should be pleased

on put too much magic right on.

00:01:25,170 --> 00:01:28,020

Don't put too much magic

right down too much.

00:01:28,020 --> 00:01:30,540

You know, when you eat too

much, you know what happened?

00:01:30,900 --> 00:01:33,960

You can sleep all night and

then you drink too much.

00:01:34,020 --> 00:01:34,770

What happened?

00:01:35,820 --> 00:01:36,990

You can sleep all night.

00:01:37,600 --> 00:01:41,650

You know, you ruined your life

by over smoke, over drink, over

00:01:41,650 --> 00:01:44,200

overeat and too much magic, right?

00:01:45,100 --> 00:01:46,360

No painting for you.

00:01:46,780 --> 00:01:48,910

That means it's all about moderation.

00:01:48,970 --> 00:01:54,460

That seems to be the law, the law,

that's a human that's what she said.

00:01:54,460 --> 00:01:55,450

The golden rules.

00:01:56,310 --> 00:01:58,260

Everything just moderates this good.

00:01:58,920 --> 00:02:05,880

So I would put the happy, happy,

eh, kind of a happy current.

00:02:06,120 --> 00:02:11,070

And I planned, I plan the plan

that kind of, uh, kind of, uh, um,

00:02:11,850 --> 00:02:16,020

give me in home or Buffalo rooms.

00:02:16,680 --> 00:02:17,050

Buffalo.

00:02:17,050 --> 00:02:17,880

Room's good.

00:02:18,290 --> 00:02:23,970

I would make kind of a really old

home in the fields there and we all

00:02:24,000 --> 00:02:28,050

paint with a palette knife and just

don't care too much about the sky.

00:02:28,050 --> 00:02:31,410

There's kind of a happy blue

sky around and I make it a bit

00:02:31,410 --> 00:02:33,810

spotty and that's good enough.

00:02:34,090 --> 00:02:34,570

Good enough.

00:02:35,019 --> 00:02:36,549

Not too much time waste.

00:02:37,290 --> 00:02:42,000

Maybe we can put the little bit,

maybe here a little bit of in case you

00:02:42,000 --> 00:02:46,170

put the little bit of water in kind

of a reflection, sometime it loose.

00:02:46,170 --> 00:02:46,500

Good.

00:02:46,680 --> 00:02:48,280

And if not that we'd be covered up.

00:02:48,510 --> 00:02:49,019

Yes.

00:02:49,829 --> 00:02:53,459

Like you write the poem or you

write the song, a rhyme written

00:02:53,490 --> 00:02:57,030

harmony, and off you go, that's it.

00:02:57,030 --> 00:03:01,290

This guy and I were taking

my, on my team, the knife.

00:03:02,010 --> 00:03:03,600

My mighty naive.

00:03:03,600 --> 00:03:10,530

And I think every put some kind of

a green zap, green Taylor green,

00:03:11,220 --> 00:03:16,740

kind of a bit of black and mixed

kind of a color like there's maybe

00:03:16,740 --> 00:03:19,980

even a touch of olives in Crimson Z.

00:03:19,980 --> 00:03:21,480

And then we see what happened.

00:03:21,959 --> 00:03:23,250

That seems to be a good color.

00:03:23,490 --> 00:03:28,370

I sensed the color and I was a hear here.

00:03:28,560 --> 00:03:28,680

Okay.

00:03:43,550 --> 00:03:47,840

So he just kind of slippery, slippery

feelings you put together there,

00:03:48,050 --> 00:03:53,510

like villainous, the here would be

all the housing and maybe here's

00:03:53,520 --> 00:03:57,020

a little bit of a tree tree there.

00:04:00,900 --> 00:04:03,060

How many like this here?

00:04:03,060 --> 00:04:04,230

That's the last two.

00:04:07,750 --> 00:04:08,100

they're there.

00:04:08,390 --> 00:04:10,800

They're there.

00:04:10,860 --> 00:04:17,810

They're there the hats, but I

wouldn't have it a little bit dark

00:04:17,810 --> 00:04:19,820

and Dan, a little bit darker there.

00:04:20,600 --> 00:04:22,130

Little bit darker there.

00:04:22,340 --> 00:04:24,080

See how, how would you get it on.

00:04:24,900 --> 00:04:26,130

Something like this.

00:04:26,460 --> 00:04:30,359

And if you have a three obvious

ties to put the tree trunk in it,

00:04:30,380 --> 00:04:36,120

it makes it more like, like real,

you hear something sticking out

00:04:36,120 --> 00:04:37,669

there, something sticking out there.

00:04:37,669 --> 00:04:39,810

There, there, there,

there, there, there, there.

00:04:40,409 --> 00:04:46,919

And then, so even making it really

nice and violet and on this side,

00:04:47,250 --> 00:04:52,289

because there's a house, we don't have

to worry about whatever we're here.

00:04:53,790 --> 00:04:58,230

See all those movements because they

have a nice all that heart pain,

00:04:58,530 --> 00:05:03,930

and that will give you this kind

of, uh, movements in order to show

00:05:09,740 --> 00:05:10,250

he.

00:05:13,169 --> 00:05:21,020

Would it be kind of abstract ID, but leave

it like that because we painted too much.

00:05:21,590 --> 00:05:22,580

I'm already what?

00:05:22,580 --> 00:05:24,590

15, 16 years on TV.

00:05:24,890 --> 00:05:28,849

And all those times we

paint so many paintings.

00:05:28,849 --> 00:05:29,960

They're all the same.

00:05:30,169 --> 00:05:32,690

And I really wish I could get off that.

00:05:33,525 --> 00:05:35,085

Doesn't have to be like that.

00:05:35,984 --> 00:05:42,974

So here we would think about,

uh, uh, Oh, a bit of a re re

00:05:48,745 --> 00:05:52,815

um, maybe like this, the

tire up, make it down.

00:05:52,815 --> 00:05:54,164

This is the run stone.

00:06:00,344 --> 00:06:00,854

SI.

00:06:02,585 --> 00:06:04,575

No, you're very attached.

00:06:04,575 --> 00:06:06,034

You're right here.

00:06:06,664 --> 00:06:09,245

And maybe a touch of blue, right.

00:06:09,245 --> 00:06:14,344

And blue and the touch of

artists in Crimson that gives me

00:06:14,674 --> 00:06:18,155

kind of a happy house feeling.

00:06:27,180 --> 00:06:33,500

Hey like this, and then the

darker color Arvest underneath

00:06:33,560 --> 00:06:35,360

the roof is obvious, darker,

00:06:45,120 --> 00:06:46,550

something like this.

100

00:06:48,705 --> 00:06:49,125

Good.

101

00:06:50,175 --> 00:06:51,724

No, you, you

102

00:06:55,325 --> 00:06:57,215

We will have a art form.

103

00:06:57,215 --> 00:07:01,685

We put the art form together

and we vary from here.

104

00:07:02,045 --> 00:07:03,425

That's just the other roof.

105

00:07:03,485 --> 00:07:12,455

That's by the, by the other roof, this

by the UBIT on and on Geneva as your land

106

00:07:12,455 --> 00:07:15,875

machines, you have to put them down there.

107

00:07:16,680 --> 00:07:31,739

I report to Gabe and together there and

here C and then V V V uh, something like

108

00:07:31,739 --> 00:07:37,200

this, eh, beautify and then something like

109

00:07:41,219 --> 00:07:45,060

eh, and talk to yourself.

110

00:07:45,615 --> 00:07:52,935

But the good artist you are has

knife E and then we have blue here.

111

00:07:53,235 --> 00:07:54,315

So you set the off.

112

00:07:54,755 --> 00:07:57,545

He does, it has a debit

of a car in the dare

113

00:08:00,724 --> 00:08:06,784

that E and then we go

on and on and on and on.

114

00:08:07,445 --> 00:08:10,474

And then from here, I'm here.

115

00:08:10,474 --> 00:08:12,635

It's the other roof going down there.

116

00:08:13,560 --> 00:08:15,780

The, the C part of that.

117

00:08:15,810 --> 00:08:23,310

And, and, and, and you keep on talking

and you keep on dreaming and all of

118

00:08:23,310 --> 00:08:28,680

a sudden the home is grown and it's

coming together and I stare, and then

119

00:08:28,830 --> 00:08:33,000

don't forget that on mighty chimney

there, then chimney, the animator.

120

00:08:34,035 --> 00:08:38,655

You know, when you think you have

not lived in the time when we

121

00:08:38,655 --> 00:08:43,785

had real houses and what was the

real house that was a straw roof.

122

00:08:46,020 --> 00:08:50,700

the big stove, the stove

and the inside clay floor.

123

00:08:51,150 --> 00:08:55,320

And, and, uh, I tell you, it was

really something, it was wonderful.

124

00:08:55,800 --> 00:08:57,120

Now we live Soo bad.

125

00:08:57,120 --> 00:08:58,290

We are so poor.

126

00:08:58,560 --> 00:08:59,970

We have nothing.

127

00:09:00,270 --> 00:09:05,010

And, and we grumbly light that

part, but I don't can't understand.

128

00:09:05,610 --> 00:09:06,420

We have so much.

129

00:09:06,420 --> 00:09:10,200

And we grumbled like how, and

when we had nothing, everyone was

130

00:09:10,200 --> 00:09:12,180

busy to find something to eat.

131

00:09:13,545 --> 00:09:14,265

It's not something.

132

00:09:14,805 --> 00:09:15,885

And I see my kids.

133

00:09:15,885 --> 00:09:17,145

It's just sometimes funny.

134

00:09:17,145 --> 00:09:19,305

You think what the hell

they're talking about?

135

00:09:19,695 --> 00:09:25,065

They have are everyone has a bomb bad,

and they all have huge on their shoes

136

00:09:25,095 --> 00:09:27,855

just to have shoes for something personal.

137

00:09:29,655 --> 00:09:34,935

I know they have all shoes beautiful

and they live in beautiful, not

138

00:09:34,935 --> 00:09:38,295

a house like this, but I paint

a house where we used to live.

139

00:09:40,814 --> 00:09:42,105

Well, it was a nice house.

140

00:09:43,365 --> 00:09:46,965

So we, we, we give him

a little vendor here.

141

00:09:48,015 --> 00:09:49,935

That's why the guys

were sleeping up there.

142

00:09:54,125 --> 00:09:58,745

I know, but said the parents

that no one can get the girls up

143

00:09:58,745 --> 00:10:01,205

there, but the boys were smart.

144

00:10:01,985 --> 00:10:03,965

They had the letters standing here.

145

00:10:04,265 --> 00:10:06,725

Always let us stand in here.

146

00:10:07,349 --> 00:10:13,260

You see what happened does under hands

and they put it up and they climbed up

147

00:10:13,260 --> 00:10:16,760

and went to Devon there and there was fun.

148

00:10:17,300 --> 00:10:21,260

We had more fun than

ever living like that.

149

00:10:23,900 --> 00:10:25,069

I shouldn't talk like that.

150

00:10:25,910 --> 00:10:26,420

Sinner.

151

00:10:26,569 --> 00:10:27,140

I'm a sinner.

152

00:10:27,410 --> 00:10:28,459

Okay.

153

00:10:29,270 --> 00:10:30,319

But the happy center.

154

00:10:33,225 --> 00:10:40,454

He, he gave him a door there and then

we give him what we give him everything.

155

00:10:41,584 --> 00:10:45,515

Did you have to have a big imagination

to do all this crazy stuff?

156

00:10:46,444 --> 00:10:47,015

That's.

157

00:10:47,415 --> 00:10:52,155

Put a little fight on the bottom, the

something like this, make it quite

158

00:10:52,155 --> 00:10:55,755

nice and abstract, nice and abstract.

159

00:10:56,165 --> 00:11:07,695

And, and, and, and know have a bit of

yellow and green and have maybe here.

160

00:11:10,515 --> 00:11:13,935

See, we create a beautiful, old, old farm.

161

00:11:14,790 --> 00:11:15,300

162

00:11:15,540 --> 00:11:19,710

And again, diva, how I take it off a

test directly, take it off and mix a

163

00:11:19,710 --> 00:11:22,770

little touch of SAP green into that.

164

00:11:23,220 --> 00:11:27,390

And it gives you the highlights,

whatever you want to have there.

165

00:11:27,900 --> 00:11:28,470

The

166

00:11:33,540 --> 00:11:34,050

no, got that.

167

00:11:35,130 --> 00:11:35,850

And that's wonderful.

168

00:11:35,850 --> 00:11:35,910

169

00:11:39,390 --> 00:11:40,620

makes a nice painting.

170

00:11:43,965 --> 00:11:45,915

See, and again, they quit.

171

00:11:45,975 --> 00:11:51,675

Sometimes Tetra Vite gives you kind

of a beautiful learn down here.

172

00:11:53,055 --> 00:11:54,015

Look at the pain.

173

00:11:54,405 --> 00:11:58,485

If I didn't have that pain, I tell

you it's be impossible to live.

174

00:11:59,475 --> 00:12:02,985

It took me a lifetime to get

that paint device I wanted.

175

00:12:03,045 --> 00:12:04,665

And the paint is there now.

176

00:12:04,705 --> 00:12:06,675

It's just something us.

177

00:12:07,215 --> 00:12:08,535

It's just something else.

178

00:12:08,535 --> 00:12:08,835

No.

179

00:12:09,719 --> 00:12:12,660

And I always like to say you

guys, you should kiss me for,

180

00:12:12,689 --> 00:12:15,600

for, for giving you all of that.

181

00:12:21,350 --> 00:12:21,949

Oh.

182

00:12:22,339 --> 00:12:28,400

So, so now you go on with little bit

of highlights and this side by the

183

00:12:28,400 --> 00:12:31,760

sun is coming from the Invicta knife.

184

00:12:31,790 --> 00:12:37,610

You got this beautiful, beautiful,

uh, powerful movements in the knife.

185

00:12:37,969 --> 00:12:38,449

Look at that.

186

00:12:41,385 --> 00:12:48,525

I can hear a little bit yellow, Aras

highlighting, maybe here a little bit

187

00:12:51,795 --> 00:12:56,455

white, white, and yellow, and go

right into that green, that all

188

00:12:56,455 --> 00:13:00,015

that light green gives you some nice

189

00:13:11,280 --> 00:13:16,980

He, no, we were, we were, we were,

he was at Vite here and a bit of

190

00:13:16,980 --> 00:13:22,470

black and make a, kind of a gray

ish earth color, earth color there.

191

00:13:23,310 --> 00:13:26,670

The make a happy art color there.

192

00:13:32,010 --> 00:13:36,180

And here, here, here you have, and door.

193

00:13:39,635 --> 00:13:42,485

But more power for something.

194

00:13:42,545 --> 00:13:42,605

Yeah.

195

00:13:42,665 --> 00:13:44,885

Like this,

196

00:13:48,035 --> 00:13:51,545

and then we put a copy,

happy vendors in Vite.

197

00:13:51,635 --> 00:13:52,805

Blue-collar I take it off again?

198

00:13:53,165 --> 00:13:56,105

That like a tour cause color.

199

00:13:56,135 --> 00:13:56,345

Yeah.

200

00:14:00,095 --> 00:14:00,305

Yeah.

201

00:14:00,305 --> 00:14:04,295

And just put kind of like

last reflections up there.

202

00:14:13,445 --> 00:14:15,275

you just like reflections.

203

00:14:15,275 --> 00:14:20,075

You can square out the bed if you

want, but there's just abstract

204

00:14:20,075 --> 00:14:25,175

feelings down the like this.

205

00:14:26,730 --> 00:14:27,990

And it's amazing.

206

00:14:28,020 --> 00:14:34,530

It's amazing when you watch artists

as smaller as more, we paint

207

00:14:34,860 --> 00:14:39,950

as more looser we get because

208

00:14:47,600 --> 00:14:51,860

we have cameras now, but the camera

can do on mighty things as not.

209

00:14:52,220 --> 00:14:54,260

And if you paint like a camera.

210

00:14:56,100 --> 00:14:56,670

I don't know.

211

00:14:56,670 --> 00:15:01,860

I, I, in the beginning I painted

to perfect all the houses.

212

00:15:01,860 --> 00:15:03,300

There was just too perfect.

213

00:15:03,330 --> 00:15:07,830

There was, you could see the vendor

salads and the curtains and all that.

214

00:15:08,160 --> 00:15:10,440

And it, it, it, it really bothered me.

215

00:15:10,440 --> 00:15:10,800

Now.

216

00:15:10,980 --> 00:15:14,840

I feel, I want you to have some

personally for my imagination,

217

00:15:15,230 --> 00:15:17,300

the, this do it like this.

218

00:15:17,300 --> 00:15:23,930

And if you, once I have a bar in between,

you can get around it and like that good.

219

00:15:25,125 --> 00:15:27,465

See, and that makes it nice.

220

00:15:28,575 --> 00:15:29,655

And maybe here.

221

00:15:35,145 --> 00:15:36,545

Yeah, and just created.

222

00:15:36,545 --> 00:15:41,315

So the issue that you enjoy it,

you enjoy it, your serve this

223

00:15:41,315 --> 00:15:43,295

whole thing together on the end.

224

00:15:43,295 --> 00:15:47,255

When you really see the finished

product, you are very proud and

225

00:15:47,255 --> 00:15:48,665

you're very happy about that.

226

00:15:49,255 --> 00:15:52,715

You can even create an insight

here and then in vag and like

227

00:15:52,715 --> 00:15:55,655

the back of a vag and you like.

228

00:15:59,490 --> 00:16:00,750

And there's the weeds.

229

00:16:00,780 --> 00:16:05,550

You see the weeds there, the

it's just your imagination.

230

00:16:06,990 --> 00:16:08,219

It gives you that feeling.

231

00:16:08,430 --> 00:16:09,599

There's a stone as you see it.

232

00:16:09,599 --> 00:16:10,920

And you can say, Oh my God.

233

00:16:11,280 --> 00:16:12,060

Yeah, that's true.

234

00:16:12,060 --> 00:16:12,900

That's what it is.

235

00:16:12,900 --> 00:16:13,890

That's what it is.

236

00:16:14,550 --> 00:16:15,510

That's what it is.

237

00:16:16,079 --> 00:16:21,689

The, no, you, you, you on, and

you would leave it to knife.

238

00:16:21,689 --> 00:16:23,280

You can do fantastic things.

239

00:16:24,105 --> 00:16:25,155

Hey, look at that.

240

00:16:26,564 --> 00:16:32,625

Look at that, put it green.

241

00:16:32,745 --> 00:16:34,395

Call us a little bit into that.

242

00:16:43,515 --> 00:16:50,204

See maybe here and I have here I have

together it Taylor green and SAP green.

243

00:16:50,865 --> 00:16:52,605

Taylor green and SAP green.

244

00:16:52,845 --> 00:16:58,785

These I get after SAP green, but I

get after Taylor, it would be mr.

245

00:16:58,785 --> 00:16:59,625

In-between.

246

00:17:00,275 --> 00:17:01,025

Mr.

247

00:17:01,025 --> 00:17:02,135

In-between.

248

00:17:02,765 --> 00:17:03,215

Ms.

249

00:17:03,215 --> 00:17:04,504

Jan, virtually.

250

00:17:05,405 --> 00:17:05,855

Good.

251

00:17:08,254 --> 00:17:08,555

Hey.

252

00:17:09,300 --> 00:17:14,400

This is a bit too to Taylor green,

you know, to turquoise, then

253

00:17:14,400 --> 00:17:16,950

a bit more SAP, green period.

254

00:17:17,940 --> 00:17:23,160

CNN gives you all that

nice little grassy details.

255

00:17:23,250 --> 00:17:23,910

Look at that.

256

00:17:34,590 --> 00:17:37,020

He see what happened.

257

00:17:37,560 --> 00:17:41,900

And then you can act like, like a

voice, the pattern there, anybody

258

00:17:41,930 --> 00:17:48,040

doing it like this and doing it like

this caught on and went on and, and

259

00:17:51,800 --> 00:17:54,950

see, and it becomes a nice painting.

260

00:17:56,090 --> 00:17:57,200

You would enjoy it.

261

00:17:57,680 --> 00:17:58,830

You did it your Saturday.

262

00:17:59,900 --> 00:18:00,320

See.

263

00:18:00,825 --> 00:18:05,535

And the tutors, we will get more

leisure time, Deval, get more modern.

264

00:18:06,425 --> 00:18:11,285

And as the boys get more done,

we have more time on our hands.

265

00:18:11,525 --> 00:18:17,345

It's not nice when you can spend the

time creating things and it is all yours.

266

00:18:17,345 --> 00:18:20,495

You can really go to bed in

the evening and you can say, my

267

00:18:20,495 --> 00:18:22,805

God, that was a wonderful day.

268

00:18:22,835 --> 00:18:28,775

I created the painting, but on long

when I'm dead, people that still say.

269

00:18:29,415 --> 00:18:30,945

Dad has a wonderful painting.

270

00:18:30,945 --> 00:18:31,965

That's on the one day.

271

00:18:33,725 --> 00:18:37,325

And I think we all wants to be

loved and we all like to live

272

00:18:37,325 --> 00:18:41,165

forever, forever and ever.

273

00:18:41,645 --> 00:18:47,915

And if they still don't die, yes,

they live on in a nice, happy, happy.

274

00:18:48,065 --> 00:18:53,765

By the way, here, I just created kind of a

imagination, like a vaulter pattern there.

275

00:19:05,955 --> 00:19:10,965

E D E a bit of green

infiltrate that green there.

276

00:19:11,445 --> 00:19:16,514

And you see, I, I just paint with

the knife is kind of a wonderful ID.

277

00:19:18,794 --> 00:19:19,695

Wonderful.

278

00:19:19,784 --> 00:19:23,715

I dare under for, I dare.

279

00:19:36,314 --> 00:19:37,485

Oh, that's good.

280

00:19:38,324 --> 00:19:38,804

That's good.

281

00:19:39,225 --> 00:19:41,655

I always play in between

those two colors now.

282

00:19:43,320 --> 00:19:48,180

How far you want more SAP, green, or more

Taylor green, then you get that green.

283

00:19:48,330 --> 00:19:52,830

There's a certain other green you aim

sometime for this is a nice green.

284

00:19:53,340 --> 00:19:55,500

That is a beautiful green

285

00:20:14,325 --> 00:20:17,264

See me get it together.

286

00:20:20,645 --> 00:20:20,945

Yeah.

287

00:20:21,125 --> 00:20:23,014

We should get it together to get it.

288

00:20:23,075 --> 00:20:24,605

That's a wonderful board.

289

00:20:25,145 --> 00:20:29,605

It's a wonderful board, you know,

as older you get, and as long as

290

00:20:29,605 --> 00:20:36,095

you live as more, you feel together,

if we can learn to live together,

291

00:20:38,280 --> 00:20:44,970

And eat together and love together.

292

00:20:45,600 --> 00:20:50,580

Dan, I think we have, we have

lived in the void for all of

293

00:20:50,580 --> 00:20:53,310

us happy or we all enjoyed.

294

00:20:55,090 --> 00:20:56,250

We all enjoyed.

295

00:21:05,295 --> 00:21:05,655

SI.

296

00:21:05,885 --> 00:21:06,095

Yeah.

297

00:21:06,095 --> 00:21:07,835

With that, that little bit of gray.

298

00:21:07,835 --> 00:21:12,515

Can you see that little bit of art color

there, but the touch of white sometimes.

299

00:21:12,515 --> 00:21:12,905

Yes.

300

00:21:13,625 --> 00:21:14,525

Bring it in.

301

00:21:14,705 --> 00:21:15,995

Maybe hear a little bit.

302

00:21:16,055 --> 00:21:17,675

She just, just, this can all go.

303

00:21:18,545 --> 00:21:21,035

Ah, isn't that ever nice.

304

00:21:23,505 --> 00:21:27,195

You know, it's nice when you can

get excited with your touches for

305

00:21:27,195 --> 00:21:34,695

John, see the, how you bring the

colors together without call us.

306

00:21:34,695 --> 00:21:35,775

We wouldn't be here.

307

00:21:36,285 --> 00:21:41,385

These are the colors would make

us the oddest, the colors for your

308

00:21:41,535 --> 00:21:45,065

eyes and the music for your ear.

309

00:21:45,695 --> 00:21:51,815

But I mean, music, music,

beautiful harmonizing tunes.

310

00:21:54,645 --> 00:22:00,695

Hey, I'm sure long in this country,

I have not learned to like this funny

311

00:22:01,085 --> 00:22:04,205

noise, making the funny making noise.

312

00:22:04,385 --> 00:22:09,515

I cannot, and I wish I could sometime I

tried it on my heart to understand that.

313

00:22:10,085 --> 00:22:13,985

And I collapsed every time I tried

to, when I hear it, I got to shut

314

00:22:13,985 --> 00:22:18,004

it off and they always say, my

God, someone, what can hear that?

315

00:22:18,825 --> 00:22:24,345

What kind of animal would it be,

but looks like they all can hear it.

316

00:22:26,415 --> 00:22:27,255

I shouldn't talk like that.

317

00:22:27,465 --> 00:22:32,955

Rhyme random harmony that

will make our void that really

318

00:22:32,955 --> 00:22:37,595

make rhyme rhythm harmony.

319

00:22:37,835 --> 00:22:38,405

Now look at that.

320

00:22:38,415 --> 00:22:39,845

Get better and better as you want.

321

00:22:40,035 --> 00:22:42,965

See, make it underwater

water a little bit lighter.

322

00:22:43,605 --> 00:22:47,085

It's eh, uh, Yeah, that's a rhyme rhythm.

323

00:22:47,085 --> 00:22:50,415

Harmony is what makes you blood go right?

324

00:22:50,925 --> 00:22:52,785

Makes your heart pump right.

325

00:22:53,235 --> 00:22:55,395

Makes you live for a long time.

326

00:22:56,085 --> 00:22:59,595

You will not have any nuts

in your, in your blast.

327

00:22:59,595 --> 00:23:01,485

CMC here that little bit on edge.

328

00:23:02,025 --> 00:23:03,495

That little bit on the edge sometimes.

329

00:23:03,785 --> 00:23:04,355

Yes.

330

00:23:04,415 --> 00:23:06,965

Like this, this like,

331

00:23:13,115 --> 00:23:13,325

huh?

332

00:23:21,090 --> 00:23:21,450

Good.

333

00:23:21,720 --> 00:23:22,620

Good, good.

334

00:23:32,340 --> 00:23:38,090

He know what we do, what we do,

what we do, what we do, we will

335

00:23:38,120 --> 00:23:40,790

put maybe here or fence posts in.

336

00:23:41,520 --> 00:23:48,030

Uh, there, there are fence

posts and maybe here other one,

337

00:23:48,449 --> 00:23:50,459

Amy to us, the house there.

338

00:23:51,389 --> 00:23:52,620

There's other one.

339

00:23:54,149 --> 00:23:55,590

And here's the other one?

340

00:23:58,620 --> 00:24:00,949

C spective, right?

341

00:24:01,820 --> 00:24:02,419

Rhyme.

342

00:24:02,570 --> 00:24:03,979

Read them harmony.

343

00:24:04,550 --> 00:24:06,110

He, then we sleep good.

344

00:24:06,679 --> 00:24:07,760

We eat good.

345

00:24:08,959 --> 00:24:10,250

We love good.

346

00:24:11,055 --> 00:24:12,285

Everything is good.

347

00:24:13,275 --> 00:24:14,715

E then Weaver.

348

00:24:15,015 --> 00:24:19,395

Then we will highlight that

highlights, that visit Tetra for

349

00:24:19,395 --> 00:24:24,135

read and write the red and advise

350

00:24:28,715 --> 00:24:33,605

Yeah, pull it nice around, see, make

it so that it really looks good.

351

00:24:34,385 --> 00:24:35,435

He is the same.

352

00:24:37,110 --> 00:24:46,139

Rhyme rhythm, harmony rhyme, read

them harmony and health prosperity.

353

00:24:47,400 --> 00:24:48,120

Good living.

354

00:24:48,150 --> 00:24:48,930

Good thinking.

355

00:24:50,760 --> 00:24:51,570

Good living.

356

00:24:51,720 --> 00:24:52,680

Good thinking.

357

00:24:54,900 --> 00:25:04,639

If art can not make you happy, cannot make

you strong 10, not make you, uh, give you.

358

00:25:05,485 --> 00:25:11,145

Better tomorrow then don't ply ours

because then it's the wrong game

359

00:25:11,145 --> 00:25:20,705

you're in, you know, even put the

little bit of, uh, uh, ham it on there

360

00:25:20,705 --> 00:25:23,435

and a bit of there and a bit there.

361

00:25:25,990 --> 00:25:26,280

yeah.

362

00:25:26,790 --> 00:25:28,440

Yeah, the sea, the sea.

363

00:25:29,220 --> 00:25:30,060

Now you're one.

364

00:25:30,090 --> 00:25:37,110

If you want, you can run some virus across

like this, then you can run the next one.

365

00:25:37,110 --> 00:25:40,890

Like this, make the

obvious nice disappearing.

366

00:25:40,920 --> 00:25:44,340

You see that's all God is ever.

367

00:25:44,340 --> 00:25:44,790

Evan.

368

00:25:44,820 --> 00:25:46,860

I look at that.

369

00:25:47,160 --> 00:25:51,930

It leads you right into the

canvas there, and that is good.

370

00:25:52,830 --> 00:25:54,990

He living good.

371

00:25:55,830 --> 00:26:02,449

We filled that hole a little bit because

he a little bit darker behind me.

372

00:26:02,449 --> 00:26:03,649

We'll talk about behind.

373

00:26:04,399 --> 00:26:04,459

Yeah.

374

00:26:04,760 --> 00:26:05,780

So go ahead.

375

00:26:06,469 --> 00:26:13,129

Now we put a bit of a, well, the posts are

usually there's obvious grass around there

376

00:26:14,449 --> 00:26:16,850

is hard to cut grass around the post.

377

00:26:17,419 --> 00:26:20,899

He's usually there to sleep,

but the grass and, and.

378

00:26:21,735 --> 00:26:28,815

And here's a bit crass and here's

a little bit crass and nice.

379

00:26:28,815 --> 00:26:35,835

You can make a nice painting and you're

happy and everything has gone your way.

380

00:26:36,375 --> 00:26:42,595

Everything Waskow hand you.

381

00:26:43,535 --> 00:26:46,535

Like he, he.

382

00:26:49,515 --> 00:26:50,845

Wasn't the happy ending.

383

00:26:52,155 --> 00:26:56,595

My God, I had the happy Annie with

the happy tune and Luke in such

384

00:26:56,595 --> 00:27:02,805

a truck time, you have our check

in there and everyone is happy.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

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Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Palms - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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Bill Alexander's

The Magic of Oil Painting

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