Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Capistrano Flowers - AVAILABLE

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Yeah, I'm happy to be with you again.

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You ever know when the

swallows come in Capistrano?

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I don't know if they came in this year.

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Last time I was there,

they really didn't come in.

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But then some people said

they came in, so, all right.

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We say they came in, I painted a lot

in copper stone, right in the mission.

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And I thought, why not painting?

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You're part of that copy star,

no ID, uh, kind of avoid, but two

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arches and the beautiful flowers.

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Well, so many flowers there.

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So let's do that.

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How about we get in the cup of star

numbers, sun up the birds are singing.

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This follows came in.

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Everyone is happy because they came in.

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So I put the magic phrase

on, on my key magic white.

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And put my servant that on mighty moot.

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Now, every, I would say I just make a line

like that and think that this are kind

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of IC a piece of a mission part there and

a big arch in the middle and dark there,

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and then flowers and maybe some posts.

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And.

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Yeah, we had a couple flowers there

and make it a little bit of an abstract

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side and it would be lot of fun.

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So maybe we fire off.

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I put a little bit of

blue on the side here

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that shows a little bit of the sky,

little bit of whatever's around there

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and that there's a P and yonder.

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Good.

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Good.

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Good, good.

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And then I use my mighty knife, my knife.

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Isn't that ever fun?

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I liked that.

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And I will mix myself hard

paints, obviously solid hard pain.

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Indian, yellow is good for kind of a

stuck over there, Indian, yellow, and

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any bit of black tea that gives you

kind of an and leave it like more wee,

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because then you really can marble it up.

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I was a fire off like this.

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See, just, just thank you.

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Uh, if, if I can with stucco

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and you have to call us, let us

hang around, make it very powerful.

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He look at that.

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And dress, or there's a smear

surrounds and wraps around me here,

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here, here a little bit more against

that blue, maybe a bit more, uh,

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give him a bit more of this stuff.

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He can you see that heavy paint the value?

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Now you can see what I mean when, when.

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We need a heavy, solid pain, because

then you really can look at that.

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It pops up like crazy.

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It's fantastic.

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And then we go around.

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Here's the other paint on that

cost me a lot of money, but

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through it, it'd be powerful.

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It'd be very powerful.

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Oh, I didn't plan on.

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I have to make more

paint the colors faster.

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Again, like I said, Indian Gallo and

the touch of black is good with that.

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It gives you that the oldest

holds and look at that, uh,

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And the golden knife adds to

death because there's feeling

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you have some power in your hand.

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Oh, that's really nice.

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Yeah.

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I leave the arch open already here,

here, and you can look into that.

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No, we will, we will use black

pressuring blue olives in Crimson.

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And I mix here, watch how I do it.

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Just kind of a dork, but.

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But, but all kinds of movements and

maybe a bit more Alison Crimson that

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gives you a little bit of a fire.

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It has a bit of fire.

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I would cut in a big art stare.

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Oh, you talk deep.

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You have a deep tone.

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Oh, look at that.

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Isn't that nice.

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You bring it to life in minutes because

with all your mighty power, you make it

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happen and it was a life so wonderful

when you can sing high and you can

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viscerally happy tune and painting is fun.

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I leave it to her off the 10.

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Then the next step will be the

next step would be ever used a

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bit of a reddish reddish tool.

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Take a bit off here.

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Reddish, maybe a bit more Indian.

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Yeah, a little bit too red.

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It's kind of a rust or us to

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Ah, there you feel tied to get the end.

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Look at the end.

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Look.

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Hey, can you see it now?

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That is fun.

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Isn't it?

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Yeah.

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I was on leave at that in

lieu thickness of the wall.

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You can, it's up to you.

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You can make like brags, you can space

it out there or whatever, but I will do

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it just like in that kind of a direction.

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The, I always wish there, I would get

more time on TV then you really could.

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Do more details, maybe

he hadn't the curve.

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I would have a little bit of a shine

there and then it does appears up there.

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And so maybe on the bottom, a bit more

darker, but more red here change make it.

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So does it has a curve and the

curve is half a bit lighter in

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dare and then here and there.

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Good.

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Good.

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Good, good, good, good.

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No, I've uh, I've ever

I've ever go from here.

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See, so we haven't done Manatee so far.

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No, you can make an amends if you

want, if you want, you can, you can.

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I would say I would make, uh, Oh,

they use the, our charge as they have.

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Like ornaments.

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Yes.

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On top of that arch, there is a

kind of a big hole for air, for air

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and inside a, maybe something like

this and I, you played the same

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game, dark on this side in light and

on the other side, The dark here.

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Dark can here.

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Okay.

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Here, I imagine he lighter in this

case, I would use a little brush.

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Just Dillon brush would make it maybe a

bit easier for me to show the terrain.

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I will put it up here.

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Around there.

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It didn't have paint for the stick on

the thicker paint and you have a better

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Sergeant stare the dentist's down.

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And then you been there maybe a little

bit there and there, the Charles you,

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that shows you the thickness, the

thickness like this, the same ID, the.

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No, we jazz it up a little bit.

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That's it?

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It doesn't have to be so perfect.

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So I, you see that's the right cost nine.

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Good, good, good, good.

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No, no, we better be there.

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Hello.

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And blue turns, green Taylor, green,

spindle for ed, but bit of passion blue.

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Let it all the colors get together.

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Dare look what I do here I go.

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I test you are the ones that

will be, and you fire off there.

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Hey, doc, doc, there, doc, there,

uh, here, here, maybe you let some.

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a little bit of the sky have,

have that green and you can even

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let it come around sometime.

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It just is kind of a stuff.

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A tanks in the, in the stucco.

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There is, it's a.

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The like it's stuck there.

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It's got always some kind of

a green it's coming around.

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Hey, and use your mighty imagination,

whatever, and make it so as you really

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tied to enjoy the colors beside, uh,

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see, now that comes lighter.

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When you make a darker all around,

I was on that pops up so much more.

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So it's up to, you

know, to put it to life.

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He got no watch.

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See against the light,

the dark, the dark there.

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Against the light and then

against the dark D the light

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be smart

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C and it works all together.

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And then he is a bit dark there.

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I said he, yes, lower.

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You highlight this too.

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That will be all highlighted some by,

but I use larger paint on that and

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darker.

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No on the bottom darker, darker.

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I dunno, the paint.

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I thought they put lots of

paint on today on my palette.

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I always hate to too.

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I have on the 30 minutes and then they

start putting paint on that is not fair.

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That's not fair, but I showed

you how you should not do it.

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Visa time just for this, but

this time I put the lockdown,

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so it's blue and all the colors.

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And then, then the, yeah.

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Can you see how it comes to life?

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Leave the little openings that, that

keeps it to life and it keeps it alive.

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he aim for really dark here.

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Uh, I mean the older, the dog,

then the, you must think their

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towers and leaves and flowers

coming up there and they're on top.

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And then they build a shadow underneath.

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I paint the shadows underneath first.

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See, that is what I aim for right now.

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Funny, when you, you got to paint a

long time and audit do the next comes.

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Next comes.

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Next comes next.

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It's wrong to put the flowers on

and then put the dark underneath.

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That doesn't make sense.

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It's not you, you put the dogs

first and then the flowers on top

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because the shadows underneath.

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And if you go in that direction is

with all the things you paint, you

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start from far away and come closer.

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No.

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Uh, uh,

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we were, we were used make a fence

post cup of fence posts, polar photo

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fence, post kind of a, I would say.

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and then there's a painting and yonder.

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There's our defense was, she

was right in the middle of the

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dark and the Rachelle cried.

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Nice.

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Okay.

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And maybe all the fence was here.

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can make it very clumsy.

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Can make it rich.

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Why you think that's up to you?

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And I will give him a mighty highlight

from the light is coming from this side.

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D right.

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It's coming from this side.

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Yeah,

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the light is coming from this side.

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Oh, no, the next step for B.

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Um,

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the mix I'm on my disc.

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Scratch us for Charles to you.

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Some.

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Something is standing up there.

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Some branches see, and

know you fire off it.

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Colors.

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Red, red.

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But you have to clean the, by putting

that on like this, if you see what's

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happened on your knife, is that dark.

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And if you go on, that means you, you

have no clean colors, wipe it off.

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It's a shame.

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You lose all other paint.

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But that seems to be a part of that.

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Okay.

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Tied to forum the feeling

of, of a flower there.

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Yeah, that's red is popping up.

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Nice and decides that toe big.

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You want it?

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Dave fair here.

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I would have other rays when, all

right, come off of that at the fence,

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looking around after that fence.

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Yeah.

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E and that's wander.

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Oh God.

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And when you paint all of a sudden there.

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That painting gives you the strength to

go on because it looks so nice and gets

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nice and nice, and your temperature gets

higher and you get your mood is gone.

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You know, your heart is pounding and,

and with that, you, you, creative

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power becomes more powerful too.

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The in that is what I like on this,

on my technique, because you are

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so free, you don't copy anything

who you bring it out, your insight.

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I just remember now I right now

in Capistrano, when I remember

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us those old walls, then just

ID and then you find the color.

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See me against that dog.

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There should be.

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He called, you know, I was a magically.

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Oh, isn't that beautiful.

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Look at that a little bit on the abstract

side, but it makes it very, very nice.

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Very, very nice.

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Eh, maybe here.

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Yeah.

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And you find out all of a

sudden, the middle point there

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Um,

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then you can use a little bit of

white and red and bring out a bit

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of a different, the white and red

gives you a different highlight.

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There you can, uh, watch.

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He does

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he again, white and red and you

dish fire in a little bit of

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space in the dark here.

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You see that brings it out.

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Nice.

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Doesn't matter.

256

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Your unmatched nation will

tell you that's the insight.

257

00:20:51,770 --> 00:20:57,110

All of a sudden you create that by this

divide, you hold the knife, divide,

258

00:20:57,110 --> 00:20:59,390

you put it on the vial, you turn it.

259

00:20:59,660 --> 00:21:02,240

And all of a sudden the

here I got that feeling.

260

00:21:02,510 --> 00:21:03,230

It, it was done.

261

00:21:03,350 --> 00:21:07,460

Uh, there's the, this comes up.

262

00:21:07,520 --> 00:21:08,510

That's fucked up.

263

00:21:09,540 --> 00:21:14,460

Yeah, and that's an insight and

that is what I wish you could learn.

264

00:21:15,180 --> 00:21:18,330

There are so much fun by

doing those kinds of things.

265

00:21:26,490 --> 00:21:33,870

And don't worry if it is here that

sometime in the time they fell apart and

266

00:21:33,870 --> 00:21:39,060

they're hanging down here and hanging

down there as more fussy you are as

267

00:21:39,960 --> 00:21:41,850

it is not the oil painting anymore.

268

00:21:43,410 --> 00:21:47,960

The, we will, we will go on

thinking about the fence posts.

269

00:21:47,990 --> 00:21:50,690

Now this is the shadow side.

270

00:21:59,745 --> 00:22:07,035

That's the sunny side again, make

it here to you against the dock.

271

00:22:07,035 --> 00:22:08,145

That's not so bad

272

00:22:14,295 --> 00:22:15,345

here to

273

00:22:21,255 --> 00:22:21,825

see.

274

00:22:24,210 --> 00:22:30,270

No, you could think about what via

there could be some via in between.

275

00:22:30,450 --> 00:22:33,929

Then you can create that

kind of a buyer like this.

276

00:22:35,510 --> 00:22:40,940

SI I just pop up again here and there.

277

00:22:41,840 --> 00:22:46,970

See how nice it is, but the knife can

do for you at this just fantastic.

278

00:22:51,770 --> 00:22:58,040

Or you can use like two by sixes, heavy

wood popping out in between the that's.

279

00:22:58,040 --> 00:23:00,980

The other thing you can do now, I

started off at via then I better

280

00:23:00,980 --> 00:23:07,970

stick to my, to my via, but I just

wants to tell you what you can do.

281

00:23:09,260 --> 00:23:14,780

10 hours under becomes

a very close how maybe.

282

00:23:15,585 --> 00:23:19,425

Here we were right to the

flour and not to the other one.

283

00:23:20,925 --> 00:23:23,385

Then leave it open there

and we're on there.

284

00:23:23,685 --> 00:23:28,065

That means this is behind the buyer

and this is hanging over that wire.

285

00:23:29,415 --> 00:23:32,865

Can you see what you can

do at it's just wonderful.

286

00:23:35,865 --> 00:23:39,885

And you enjoy every minute,

every minute, because there's so

287

00:23:39,885 --> 00:23:42,435

much now you fit in the flowers.

288

00:23:42,435 --> 00:23:47,145

You think for you, it just

becomes a bit dead there.

289

00:23:47,145 --> 00:23:49,455

He needs some red there.

290

00:23:56,615 --> 00:24:00,935

um, maybe we make it a bit bigger

there and let it hang down.

291

00:24:04,560 --> 00:24:07,590

Do you find the middle point,

that dark leaves that dark there.

292

00:24:07,860 --> 00:24:14,040

And then if you want, again,

you can put that light on there.

293

00:24:21,750 --> 00:24:24,780

So all of a sudden the

whole thing comes to life.

294

00:24:25,170 --> 00:24:27,000

No, we stretch a little bit of that.

295

00:24:27,000 --> 00:24:27,900

Barb wire.

296

00:24:29,970 --> 00:24:31,410

There's no bar via.

297

00:24:32,610 --> 00:24:33,720

That's not the jail.

298

00:24:34,980 --> 00:24:39,780

It's just a nice, smooth via when

you, you can climb through a November.

299

00:24:39,780 --> 00:24:45,240

Save ward is not like when we were

stealing apples, any of us kids had

300

00:24:45,240 --> 00:24:50,100

to go to the barber and cut up, uh,

pens all the time and it was not fun.

301

00:24:50,730 --> 00:24:54,350

And mother find out, look, you

have apples in your own garden.

302

00:24:54,590 --> 00:24:55,340

Why the devil?

303

00:24:55,340 --> 00:24:58,070

You have to go to the neighbor

and steal the apples there.

304

00:24:59,960 --> 00:25:00,690

Better.

305

00:25:02,510 --> 00:25:03,230

It's crazy.

306

00:25:03,230 --> 00:25:03,700

Isn't it?

307

00:25:04,160 --> 00:25:07,010

The apples in the neighbor's

garden, they're always better than

308

00:25:07,010 --> 00:25:12,350

the average in your own garden

so that they are not BARR virus.

309

00:25:14,650 --> 00:25:15,320

Okay.

310

00:25:15,320 --> 00:25:18,410

Maybe here we let someone hang down there

311

00:25:22,760 --> 00:25:26,360

and maybe you can pop up with

a bit of different colors.

312

00:25:26,360 --> 00:25:27,980

Now, if you.

313

00:25:28,830 --> 00:25:30,959

See, you can brighten it up by,

314

00:25:36,409 --> 00:25:41,719

can you see it would, it would need,

it would need something there and you

315

00:25:41,719 --> 00:25:43,729

can even hang down here a little bit.

316

00:25:48,139 --> 00:25:48,620

SI.

317

00:25:49,370 --> 00:25:50,389

They knew how I do it.

318

00:25:50,419 --> 00:25:51,889

I just let it fire down.

319

00:25:52,370 --> 00:25:54,050

It just hanging down there.

320

00:25:54,705 --> 00:25:56,955

This, let it hang down like that.

321

00:25:57,525 --> 00:26:01,335

And I bet there's a yellow there

again with there, but on the side.

322

00:26:01,545 --> 00:26:09,675

So you got the nice, happy Barron's coming

up and the whole painting, the, and maybe

323

00:26:09,675 --> 00:26:12,525

I put the other hair right down there.

324

00:26:16,530 --> 00:26:23,030

So once you get to see it, the bus

charged and peaceful, and a reminder

325

00:26:23,030 --> 00:26:30,139

of that, our tea cup is drawn or cup

is drawn, or when this virus come in,

326

00:26:31,550 --> 00:26:36,260

um, maybe here to give him a little

bit of it, just cleaned it up in a bit.

327

00:26:43,215 --> 00:26:48,764

See, I think that's just

all I could show you.

328

00:26:50,054 --> 00:26:51,075

Did you enjoy it?

329

00:26:52,635 --> 00:26:58,514

A happy half an hour in copper strong

sun is shining and the smallest came in.

330

00:26:59,294 --> 00:27:00,554

Thank you for watching me.

331

00:27:00,915 --> 00:27:01,425

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Capistrano Flowers - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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