Bill Alexander's
The Magic of Oil Painting
Season 9, Episode 8, Lost Lagoon - AVAILABLE
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Then our term relieve falling
Dawn and leaves are the martyrdom.
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I like to paint a happy art scene and
I have the butter mess over began.
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I have to go right to the roads
where the leaves on the floor.
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And I have to dream up with art
and color, lots of colors now.
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And I think what I will do.
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I would create a little bit of a sky there
and maybe a little Hill is coming down
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me, little bit of a far by Hill there.
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And then onto the autumn leaves all
colors of plans and grows and, and
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that all fires into the water there.
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And that's the happy ending.
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How would you fire off a happy,
happy baby blues guy or this guy?
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guy.
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Uh, really nice to have some automated DS
in your heart too, is it's just beautiful.
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That's good.
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Nothing more.
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No, I would have far
like, kind of a far way.
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The blues, the blues, the
blue that's a bit too blue.
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He cooled off your blue with alizarin
Crimson, our vice Allergan cramps
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and blue has a beautiful day.
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He has a beautiful view.
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That's a nice, nice, distant,
no can have it to retire a, of
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a hair, but I want to see there.
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He, you wouldn't worry
too much about this.
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And I was down here, down here
into Yonda and no, we were, I
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would say I just outlined it
roughly come down to here to there.
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Uh, fire into hoarder.
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Good.
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It's are there, are there maybe I use
my own mighty knife and make it her
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arbitrary or rocket Stoney, and then
into dissolved green there, Stoney.
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I put the right up here.
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Heavy takes quite a bit
of pressure and blue.
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I live in Crimson.
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And mix my surfer, Stoney, Stoney D
like, can you see how it looks here?
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Like marble?
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Oh, I could put a little touch of what
little touch off pression blue here,
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more present, but that that's good.
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That's good.
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Now this call us.
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I don't mix the dead
and then you just, yes.
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A rough, whatever, whatever roughness
and the hair coming down stone,
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maybe one stone is sticking out.
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Furthermore up there of there.
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Hey again, the, because it's colorful,
it just has all the colors in.
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And if I mix it dead, I couldn't
get this, this movements.
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There is either chosen or there's so
many extra colors with one stroke.
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nah, something like this.
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Good.
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No, just let it run out and, and to the
green, or we will have, maybe I make it a
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little bit of more Stoney in between here.
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He just very rough, very rough
Stony head is coming down there.
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I have a bit more.
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Might be nice.
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Yeah.
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I like it a little bit darker in
some places here and the need.
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Uh that's that's good.
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See, I just that the knife to the
job I'm not working right now.
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I'm just watching what my hand is doing,
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but.
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And here that is off and me,
we had take a bit more right.
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And a touch of yellow already mixed
that together here and let a bit
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of a warmer colors come in there
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like Sanders as falling off
they're white and yellow and red.
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He something like this, call him.
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No,
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okay.
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Leave it like that.
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No.
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Ever use.
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My one inch brush and I
will have dark colors.
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First, let's play with dark
colors because the inside of
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that holding list, dark black.
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See, I take our black and
blue SAP green and I just, Hey
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dang.
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That's all lots of grout there.
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And here up to the snow line
is getting Stoney first.
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The dogs first, the dogs wouldn't
have the dogs and you can show lights.
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It's amazing when you're,
every time I go on TV.
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I have a debit of a time to
think about what can you paint?
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And we didn't paint before because they
would like to start with somebody new no
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more or less a landscape as a landscape,
no matter what, there's water, sky and
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trees and mountains or farms or beddings
or houses though, but it's all the same.
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No, I tried to create
my own little scenes.
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Let's see, hundred to now.
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See, I know what I have in my
mind or it's no, no problem.
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They're more dark, more dark here,
more dark the other, the dogs
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and go right down the right
field, the button first it docks.
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Then you put the lights on top of that.
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And that becomes easy then
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the dog.
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Oh no, we will create, uh, with
Carla's certain grout yellow.
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Green.
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I was a certain strokes.
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The create your own strokes there
for whatever you think it should be.
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The, it looks like a certain plant they're
sticking out it's yellow and tap green.
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I just try to.
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Yeah.
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And let it disappear into the dark sea.
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Oh, you get the idea about how
we, how we create our on scenes,
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more yellow.
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Yeah,
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then we can use reds, lots of color,
lots of autumn color, whatever that is.
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Watch.
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I just tried to get lots
of art colors in there.
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Have always tried to get the clean
brush because you touch that dirt
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and now time your colors are dirty.
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I done, he liked to have it
clean, nice and red up there.
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And as it got down, let
it disappear in the dirt.
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He doesn't to disappear in the dead in
the dirt, but always clean your brush
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because without a humic mud, I was say
here to something you read and there
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E
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and here to something you read now,
everyone started a different figure.
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He does a different figure.
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Like, yeah.
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Bush Bush, standing there
clean your brush, make sure,
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obviously you have a clean brush.
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Otherwise you make mud not ever
go into yellow and white in
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India is a nice sunny color.
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You know, we can have right in there.
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Yeah, the colors pop up, but
can, can you see the brush?
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How maybe I show it to here?
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Can you see how dirty
the brush get in no time?
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So it had all those nice light colors.
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So make sure, obviously
you've washed the brush.
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That's why we have
painting in here and, and
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that's good.
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Hey, maybe here we just.
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And let it disappear in the dark.
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That's good.
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Let's obviously disappear into the dark.
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Sometimes I clean my brush just
on the, on the paper there.
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Right.
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And yellow, maybe here would be nice.
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Do you judge your Creek pick the
spot where you think you should.
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You will be happy if it gets in
there, but I haven't light and dark.
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I can show you something.
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Watch I can go on again.
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If I had it all light and I
want you to start the new in new
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Bush, see, then I would have to
leave, wash it against a dark.
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I can start the new Bush again.
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Can you see that means that all of ours.
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Let's just ID make a dog.
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That is a bear again.
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See, it gives you a new beginning,
a new beginning, new beginning.
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And I know we were firing.
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We were firing sometime.
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You feel the strokes are not, not
the way you thought it should be.
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Then you.
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Hey, do it.
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Whatever you think is just, uh,
whatever pleases you, you, how I
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take it off Vite and yellow, make
sure the brush is obviously loaded.
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See how the brush is loaded.
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Can you see it here?
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Ah, that process load.
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No, you firing me right there.
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and then whisper only respond.
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And E when I can wash my brush off
right there, because I only need
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the tips, just the tips are dirty,
so I washed them off and that's it.
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That's it?
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No, I will have a red color.
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Again, I just look for colors now to
make it autumn, the mesh or the mesh,
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what would be wrong to have here?
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Sometime that's good too.
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Then you use your little liner brush
and you, you, you use alizarin Crimson.
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That's a good color.
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I'm happy to have the
tree going right in there.
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He asked good.
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Oh, no, he'd be gone.
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Wash, not the red in order
to boost that red up.
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That's the second stage.
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Now, in order to boost
that red, I use Vite.
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Bring it over here and the
red now, white and red.
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That gives you a nice
highlight for the race.
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Look at this.
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No.
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When you highlight this, watch this
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E
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coming from that side, wash it off again.
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Make sure you have a clean
brush and you fire him.
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It tends to paint sticks
on a ticker paint sometime.
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It's good to dim it down a little bit.
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So what I do, I go into the magic, right?
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And then I have a little thinner pain.
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Now, the sample, this red here,
you see how nice that turns out.
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All of a sudden, by highlighting it with
white and red, he cleaned the tips off.
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Get the dirt off and then
you can use this right there.
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Again, even here you can.
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Yeah.
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He gives you all the
fun you wants to find.
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Now I leave that thread and, and
we're into the Indian gallows and
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it gives you a beautiful watch.
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Just call us here.
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Yeah, I created a kind of a
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bottom line.
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I was to have, I show you, show you,
show you what will be happening soon.
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Maybe happened in the minute.
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Yeah, no, and it's extra for the edge.
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A lot of my brush with
all kinds of colors.
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And I will say here.
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Yeah, but because even when I
got through how the brush looks,
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can you make a close up on that?
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See how dirty it is.
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And it's only the tips of
the hair of the brush is not.
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So before I wash it all out, I just
scrape it off like this, on my paper.
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Just keep it off.
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I just got the dirt off.
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And then they can load the brush again.
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So I'm stingy.
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I don't want to lose so much
pain cost all the money that pain
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here.
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No, we were fired in here.
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Lots of autumn colors,
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lots of autumn color, very powerful.
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Very powerful.
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00:18:07,605 --> 00:18:13,305
And that's fun to create all those
beautiful colors on your, on your canvas.
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00:18:19,185 --> 00:18:22,875
You know, I have to wash off the
tips again, get rid of that dirt.
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That is a problem.
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00:18:25,305 --> 00:18:26,055
Our wife.
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00:18:28,020 --> 00:18:30,570
And then we fire in the,
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see now the next step would be
either pull that down, watch this.
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That's a nice see.
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I push your chest down with, with, with my
little brush or you can use a big brush.
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00:18:51,600 --> 00:18:57,240
Actually, the best thing to do is always
use for that kind of work, a big brush
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00:18:58,080 --> 00:19:06,409
because the big brush has more, more,
it covers more and watch do you watch?
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And I hold it, not this way.
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I hold it bit flat because it's
police at nice down the police.
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00:19:13,610 --> 00:19:14,389
Nice down.
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Uh, uh, two sides then clean
again, a clean, just the tips off.
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Then I go down again and turn it around.
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Yeah.
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That you can see the glue.
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00:19:28,695 --> 00:19:30,195
You'll see it clone there.
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00:19:30,195 --> 00:19:31,784
And that's what we'll sell.
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There's what make you happy?
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00:19:33,855 --> 00:19:36,165
And you make a happy buck.
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No, that's create a bit more
powerful colors there too ever use.
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Yellow and white.
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00:19:46,035 --> 00:19:48,795
I need that powerful colors there.
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00:19:49,845 --> 00:19:53,745
He, then I can have it in
the water there too easy.
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This is what we sell.
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no, again, take my paint off and
now we have a bit of red there.
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00:20:08,885 --> 00:20:10,145
I like to have that red.
242
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That's good.
243
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No, we got those colors done, right?
244
00:20:28,835 --> 00:20:37,115
Yeah, no, we go again, gathered big
brush and I pulled it all down again.
245
00:20:37,205 --> 00:20:38,615
It's even the two strokes.
246
00:20:39,420 --> 00:20:42,390
And then either, no, it gets too dirty.
247
00:20:42,540 --> 00:20:47,790
Then you wash the whole
brush, but it's up to you.
248
00:20:47,790 --> 00:20:48,720
You can feel it.
249
00:20:48,720 --> 00:20:49,320
You see it.
250
00:20:49,650 --> 00:20:54,450
If you can certain vibe, then you
can touch the, saw he here again.
251
00:20:56,940 --> 00:20:59,670
No, I tried to just get the tips off.
252
00:21:06,440 --> 00:21:07,790
No, I just, it, a bottom line.
253
00:21:08,625 --> 00:21:10,305
Yeah, I want a darker there anyway.
254
00:21:12,705 --> 00:21:14,445
No, we cleaned the brush.
255
00:21:14,865 --> 00:21:14,955
Okay.
256
00:21:15,545 --> 00:21:18,305
And don't use any soupy paint for that.
257
00:21:18,305 --> 00:21:23,345
What I do here, because you never
can, it will fell apart on you.
258
00:21:23,525 --> 00:21:26,015
You have to have a solid
hard paint for that.
259
00:21:27,605 --> 00:21:32,465
If I wants to have more power, when
you see it, now, this, this is nice.
260
00:21:32,825 --> 00:21:35,225
I would love to have a little bit more.
261
00:21:35,970 --> 00:21:38,879
More maybe here, right in the middle.
262
00:21:39,090 --> 00:21:40,320
Then I create that.
263
00:21:40,830 --> 00:21:45,780
Then I create that zero in here
and create first in the background.
264
00:21:46,260 --> 00:21:48,060
I need that background three.
265
00:21:48,060 --> 00:21:49,830
I lightened that up first,
266
00:21:53,100 --> 00:21:56,399
see, get rid of the dirt again.
267
00:21:57,270 --> 00:21:59,550
And then I fire it right into the water.
268
00:21:59,879 --> 00:22:01,660
The light is a hard to hold.
269
00:22:01,680 --> 00:22:02,430
No water.
270
00:22:03,390 --> 00:22:07,500
I overdo it because it
looks so, so overdone.
271
00:22:07,620 --> 00:22:11,850
But watch when I'm finished, it is, it
disappears a lot, but that would be good
272
00:22:11,850 --> 00:22:22,760
if I had a bit of light there, he know,
we know V very, very well watch this.
273
00:22:24,200 --> 00:22:28,610
The heart disappears, but it's a
loose is his half is on a brush.
274
00:22:28,640 --> 00:22:29,540
Can you see it there?
275
00:22:30,770 --> 00:22:31,190
See.
276
00:22:33,675 --> 00:22:37,995
And sometime upstroke I want you to
have it then the upstroke is good.
277
00:22:38,265 --> 00:22:42,855
The, otherwise I wants to
have it a bit closer up there.
278
00:22:43,445 --> 00:22:46,545
If he wants to have it closer
up, then you just, you, in this
279
00:22:46,545 --> 00:22:48,885
case, I can move it up a bit.
280
00:22:48,945 --> 00:22:53,535
Can you see the, you can move it down.
281
00:22:53,535 --> 00:22:54,315
You can move it up.
282
00:22:54,315 --> 00:22:55,785
It's all like rubber.
283
00:22:56,685 --> 00:22:57,525
Very good.
284
00:22:58,425 --> 00:23:00,195
Now we make water out of that.
285
00:23:00,885 --> 00:23:04,425
Oh, we let it blur that
little bit of a blur.
286
00:23:05,145 --> 00:23:06,495
It's just fantastic.
287
00:23:06,535 --> 00:23:07,245
Look at that.
288
00:23:07,685 --> 00:23:10,055
Oh, isn't that ever nice.
289
00:23:10,745 --> 00:23:11,885
You can eat it.
290
00:23:12,005 --> 00:23:12,815
It's so nice.
291
00:23:15,935 --> 00:23:17,855
You can eat it at its own.
292
00:23:17,945 --> 00:23:18,395
Nice.
293
00:23:18,905 --> 00:23:22,265
Now we were powering kind of a.
294
00:23:23,250 --> 00:23:27,360
Shoreline look what I do here,
white, yellow, and a touch of red.
295
00:23:27,360 --> 00:23:31,260
What they have here that gives
me a nice shoreline color.
296
00:23:31,470 --> 00:23:36,510
And I would like to dream up there is
coming out there is coming out there
297
00:23:39,740 --> 00:23:41,840
right from behind this little tree.
298
00:23:43,220 --> 00:23:43,700
And then
299
00:23:50,870 --> 00:23:51,350
he.
300
00:23:53,070 --> 00:23:53,550
Nice.
301
00:23:55,530 --> 00:23:56,060
Nice.
302
00:23:56,070 --> 00:23:56,670
I
303
00:24:01,980 --> 00:24:02,400
love it.
304
00:24:02,410 --> 00:24:05,310
That, and that's wonderful.
305
00:24:06,570 --> 00:24:09,530
Then you kind of, well, as high
up as he wants to have that
306
00:24:09,530 --> 00:24:12,320
bank there, he, I put it down.
307
00:24:12,320 --> 00:24:17,150
They go just up a little bit, as
long as it pleases my eye, the, I
308
00:24:17,150 --> 00:24:18,980
would say it's coming down from here.
309
00:24:19,260 --> 00:24:19,880
That's good.
310
00:24:21,225 --> 00:24:21,645
Good.
311
00:24:22,695 --> 00:24:26,175
And then on this side, do the same thing.
312
00:24:27,254 --> 00:24:31,514
I have this, this coming around here.
313
00:24:33,155 --> 00:24:37,995
Uh, maybe here we go on again.
314
00:24:44,014 --> 00:24:47,675
SI SI SI Senora.
315
00:24:50,450 --> 00:24:58,790
like that and you have fun with
it and a nice you enjoy it.
316
00:24:58,939 --> 00:25:00,740
And it's nice when you can do it.
317
00:25:00,740 --> 00:25:01,520
Your vibe.
318
00:25:02,240 --> 00:25:02,810
It's nice.
319
00:25:02,810 --> 00:25:03,820
It is my right.
320
00:25:03,830 --> 00:25:09,889
It's a painting I painted, and
this is a deal of my being here.
321
00:25:10,669 --> 00:25:11,780
If you want to, can then.
322
00:25:16,140 --> 00:25:21,540
Have you scratches and here
the in-between we create a tree
323
00:25:21,540 --> 00:25:25,380
trunks if you want to do good.
324
00:25:32,780 --> 00:25:33,470
Yeah, you are
325
00:25:36,890 --> 00:25:38,480
the, that is what it is.
326
00:25:38,510 --> 00:25:40,430
That F word at death.
327
00:25:43,700 --> 00:25:43,910
No.
328
00:25:43,910 --> 00:25:46,070
I want us to have some darker spots there.
329
00:25:47,390 --> 00:25:49,100
There's darker spots there,
330
00:25:53,330 --> 00:26:00,680
darker spots there, maybe here and
that we bring my painting to happy.
331
00:26:01,635 --> 00:26:03,794
And let's highlight a little bit.
332
00:26:04,215 --> 00:26:07,875
I go into the magic white
dinner, paint it, then the paint
333
00:26:07,875 --> 00:26:09,254
for stick on the ticket paint.
334
00:26:09,254 --> 00:26:16,955
You do a bit of magic, white and yellow,
and then you just can highlight assembly D
335
00:26:19,985 --> 00:26:23,044
just where you think it needs
that little bit of extra power.
336
00:26:23,675 --> 00:26:25,774
And then that's it.
337
00:26:26,014 --> 00:26:26,705
That's it?
338
00:26:26,764 --> 00:26:27,514
That is it.
339
00:26:28,715 --> 00:26:29,195
So.
340
00:26:30,675 --> 00:26:33,585
We come to a happy ending.
341
00:26:34,365 --> 00:26:39,795
We here would be nice and a
touch of dark green, dark green.
342
00:26:39,795 --> 00:26:40,275
And there.
343
00:26:42,030 --> 00:26:45,090
What more should I do in
that nice art and colors.
344
00:26:45,240 --> 00:26:50,100
You come off the here far away
here, and then that powerful,
345
00:26:51,510 --> 00:26:53,310
all powers right into the water.
346
00:26:53,550 --> 00:26:55,500
And if you want, you can use a fan brush.
347
00:26:55,500 --> 00:26:59,580
Sometimes I just show you this very
close because I have no time anymore.
348
00:26:59,909 --> 00:27:01,679
Use just kind of movements.
349
00:27:02,010 --> 00:27:04,860
He lived with the, for up
movement that his father's body.
350
00:27:05,459 --> 00:27:06,600
Thank you for watching me.
351
00:27:06,750 --> 00:27:09,090
You enjoyed it in the autumn colors.
End .srt file.
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