Bill Alexander's

The Magic of Oil Painting

Season 8, Episode 10, Mount Baker - AVAILABLE

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Proofreading is required, editing, grammar.

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Uh, I'm happy to be with you again.

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You know, when I came into the

studio, the sun was shining zoo.

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Wonderful.

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It was Austria happy morning.

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The birds were saying in

the zone was shiny and I.

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Start grown.

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I thought the door is too

small to walk in a garage.

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So big just to come into the store

with you and had you in my mind.

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I thought, God, I remember watch me today.

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There will be power.

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There will be fun.

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And you know, but that attitude, when

you come on your unpaid painting,

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it is a joy to spend a happy day.

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I hope you could do that too.

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If you could do it, I really love you.

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Or I do love you anyway.

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So I have in my mind, just to assembler

mountain scene, I saw him on Baker most,

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every morning from my house, as long as I

lived in all the grow up there in Canada.

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And I want to paint that.

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Mount Baker, maybe just the idea

about Mount Baker, but the folks

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around the cascades and the power.

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And, you know, I learned there

are three things in my mind, a

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healthy brain, a healthy hand, and

the heavy, strong, healthy pain.

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If you have those three things.

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You haven't made, you know, the

parents, what is slimy and slippery?

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You get nowhere.

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This technique took me

40 years to develop it.

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I know it is.

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Perfect the, to the best.

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And you can do almost anything with this

wonderful technique, but it got to be

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a hard, solid paint and their hearts

are mighty hand and the happy brain.

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And if you can condition

yourself to those three things,

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you have a good day coming up.

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And the funny thing is you produce

something, you create something, but

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you're on and you put it on the market

and you sell it and you get the happy

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buck and that happy buck goes into that.

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Happy the air and you giggle and giggle.

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It's a good life.

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I tell you, I obviously

enjoyed what I did.

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So we have that on mighty magic.

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Right?

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I will put that on my team.

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Dig right on that canvas.

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In this case, I want you

to have it very dark.

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I will use on top magic bite

and on the bottom magic bites

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or that, that nice then right.

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Call it magic.

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Right?

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Because it works like magic to me anyway.

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And if you had used to that,

it's not a fun, but I really use.

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In the middle because I

have dark things going on.

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I will use a kind of a black pain, see

like this and feed it out to the top.

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It helps me creating, because I see that

painting in my mind, complete, done.

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So why not using all the hype?

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You can have, see a little bit to her

dog in the middle and then naturally,

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no, I have, the beginning is done.

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So I wash my brush and I create a happy.

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Happy blue sky.

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But I saw in the morning when I came in

a happy blue sky, I will use paler blue,

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a happy blue happy blue D and you fire.

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And there's no mercy.

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I that and fires right in on the

bottom two, then that, that will

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be the reflection from the sky

and the pain will be in between.

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And you got it.

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You see it a little bit more, maybe in the

water, bit more blues or you put it right

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into the dark there, feed that disappears

right in look, and then wash your brush.

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And now I rush.

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I was nice.

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I don't want it too thick.

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I want it nice and dry.

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See, I don't mind just to vet the wrong

pain, you see there into the dark.

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No, we really lift out all of that.

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We will lift out Mount Baker.

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Look, what I got.

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Look what I got.

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Yeah.

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A beautiful, good knife.

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No, I got the knife in my hand.

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You know, that feeling in my hand,

having something so beautiful,

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mixed at painting, more beautiful.

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The art is we are so sensitive.

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That's a problem.

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When I asked you the owner of the

company has if I can't redo, but more.

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And just having that, my knife,

I live with a knife for 40 years.

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More or less.

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Yeah.

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Yeah.

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40 years.

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And I want to have something better.

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And I think this is a

drive of all human beings.

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We want a better, I want a better house.

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I want a better bathroom.

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I want a better kitchen.

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I want better food.

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That is the drive of a normal

human being to make our life more.

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Joy to be on this earth.

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We have on the so many years,

105 years on earth and 105 years,

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we have to have lots of fun.

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And when you die, you smile, you know,

and the undertaker is either someone, one

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is dead and he starts smiling and not the

fun, you know, this is what is my love.

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It motivates me.

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So I wear, I wear.

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Use the Arctic vide take a good look here.

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That is hard.

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I mean, you hear the tune and add

a little bit of black bit of blue.

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And a little bit of a lizard in

Crimson and we were mix it, but

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it's got to be a hard, solid paint.

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There is a bit too

blue, blue, blue yonder.

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I put a little bit more white into that.

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Depends on how far I

want to set my mountain.

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I would have it, I would say 25 miles.

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And know when you have you put that

knife on the canvas, you said roughly

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that's, you know, you can see the color,

snow and Mount big, big Mount Baker, uh,

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comes out there, uh, 19 months Baker.

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And can you see the thousand

details going into whatever?

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Eh, eh, no, obviously the

light's coming from this side.

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I ever fire him.

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Some, some highlights.

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He was on this side of the knife

and you can cut it up like this.

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If you want to.

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He was on the other side of the knife.

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Maybe just, if I can cut it in half,

they can see what happened here.

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Can you see what's happening here?

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Can you see the thousand details

with one, our mighty stroke that

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is living because you can you see

sometimes snow on the mountain?

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Depends on how high the first-line is.

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But, you know, you cannot say that's

the spot, that's the spot, you know,

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that millions of spots and the gosh

I might to does it right for you.

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Oh God.

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And, and, you know, Oh, look at

the power of that mighty knife.

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If you just would understand it, there

is so much power of living in, in,

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in, in, in this, our mighty technique.

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That's what I'm so happy to

show you over and over again.

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There's so many vies of putting

something on the canvas.

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I think this way is the easiest

and the most powerful, why

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any human being can have.

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I wish someone could show me more

power or something, ours, but gives

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you, you can fiddle and fiddle

forever to make that mountain.

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And it is a powerful mountain.

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You, you lead the light, the

light's coming from this side.

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You see, and if you need more,

you can bring it out here.

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More bit more pressure.

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It just like, uh, you play

the veiling, the fitter.

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Uh, I remember my time when I was young,

the instruments, you know, the very

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violin is the most sense of intimate.

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It's the same thing like

this and to, to live it.

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But sends of things.

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It's so wonderful to apply art.

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I mean, it's different when we say

we are a butcher Shoemaker fire,

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the nails in the woodwind and in the

letter, this is a different story.

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I mean, you know what?

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You have a pattern, you go by that,

but this is always something new.

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What we are doing.

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You create the atmosphere, you create

the power you create that are mighty

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Mount Baker in the sun or in the

rain or in the mud, in the snow.

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And there are so many

types of days gone by.

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So, you know, here, fine, but

this is what I want to show you.

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I brought out very detailed you

here and leave on this side and

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this side, the shadow side, if you

want, you can have a bit more, I

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would add a little bit more black to

the same soup I have started here.

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You see that?

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See, and maybe I give him

a little bit of more dark.

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Then can you see, you know, here, this,

this the same, but I did right here.

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We'll do the black.

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You see, it gives me all the

details on the shadow sides.

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And that's wonderful if I wouldn't

have talked so much, but I have to

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convince you there's uneven vine.

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That's the right vibe.

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I am so right.

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There's not sometime I have

a hell of a time to convince

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some people say, who are you?

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It is proven for 40 years now.

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I was under the shopping

centers all over United States.

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I think if you see me here on TV,

You have seen me in Dallas, Texas,

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you have seen me in Los Angeles.

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You have seen me in Boston.

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You have seen me in New York.

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You have seen me in Miami

and Fort Lauderdale.

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And I showed this technique and I

ha August had lots of people saying

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that is the, I would like to live.

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And I I'm very proud of that Z

and I hope I can convince you.

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If he wants to make a happy

living, that's the way to do it.

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And now it's not only this, you paint a

mountain, you can paint almost anything.

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Now having a dark here, I ever

show you, I can use the brush.

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It can use a fan brush or the

little brush, or even the bag brush.

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It doesn't matter.

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You can create the cascades.

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I will use even this, this

mountain paint, a bit of bluish.

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You see here, how I take it off

and then you're just make up.

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Uh,

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maybe here we have it coming up.

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stands up.

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You see the lines.

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They have to stand up, like in

far by trees picking out there.

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See, and you can even

go a bit more darker.

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That's why we have that dark.

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They're already here.

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And then you fire in there and

there, and here and here, and you

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can have far over in the background.

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It's just a cascade far, right in

the back on the you'll get that.

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And that, that mountain discipline

over and you do it like this.

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Yeah.

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If you have a fast or that you create

this feeling now having that dock,

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that mountain could fire right into

the, to the, it can fire right into.

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Uh, here on this side, I

can fire right in here too.

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Like reflection that mountain

reflects here in the water.

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Yeah.

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Hey, and, and on the other side, yeah.

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Have it be dark, have the whole thing.

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It's a bit dark there.

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As long as you got the feeling that

mountain is dancing in that voice, there.

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See, no, we put some Vite and get in

that, that feeling to see that he has

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art started bouncing now, or it was on,

and then he just fit it in the middle.

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And you had the beautiful

little happy painting.

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I wish I got more time on

TV, but it just happened.

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Works out, always the best for

the TV people half an hour.

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And that's why they have to keep my

mouth shut and they say, I do it.

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And that's it.

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But if I could spend an hour of it,

you, that would be more my cup of

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tea, maybe a few people phone in

and tell them, give them an hour.

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Then you can see more.

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Yeah, I have to rush, you know,

I have only 15 more minutes left

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and that penny should be done.

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That makes it not easy for me

either, either neither, neither.

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Now we say the light is

coming from this side.

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I will go into the Gallo here

C and I ever created the kind

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of, uh, T from the light side.

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Ken fire into the water there too.

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Okay.

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And he ain't maybe have they

backed off faraway trees there?

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Maybe he has the other row.

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See, that's why they have the dark.

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It helps me otherwise they would have

to paint dark in between and light.

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Can you see the, the idea

about this mighty technique?

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The same when you paint the roses

or still lives on the black canvas?

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I should show that to what we did it on

Eddie a couple of times on TV, but as long

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as you learn as is obviously easier by.

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So, you know, you create, you

create that far by whatever

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and, and, and live with that

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feeling a little bit,

Tom and I, and harmony.

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And then, then, then there, and

maybe, maybe, maybe I, I have

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that John, the blue, blue yonder.

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That blue, blue yonder.

244

00:15:57,015 --> 00:16:04,935

I really use a bit of white and

blue sea and that created kind

245

00:16:04,935 --> 00:16:06,885

of a blue, blue yonder there.

246

00:16:06,944 --> 00:16:07,395

You see,

247

00:16:15,915 --> 00:16:17,025

that's nice.

248

00:16:19,485 --> 00:16:24,795

Then you can create the kind of

a powerful middle part there.

249

00:16:30,015 --> 00:16:31,814

He got that power.

250

00:16:32,175 --> 00:16:37,814

You need that fist bang hit him

right on the nose and bird, eye pain.

251

00:16:37,985 --> 00:16:38,444

Pop up.

252

00:16:39,405 --> 00:16:43,095

Hey, create, create in your own mind.

253

00:16:43,095 --> 00:16:43,995

There's certain.

254

00:16:44,505 --> 00:16:51,585

Certain powers you create in order to

make that painting really stand up.

255

00:16:52,185 --> 00:16:55,395

Maybe here I created a little

bit more highlights there,

256

00:16:55,905 --> 00:16:57,105

then you can always correct.

257

00:16:57,465 --> 00:17:03,315

And all this long line downs down long

lines down in the distance, it appears

258

00:17:03,525 --> 00:17:05,805

like they're tree trunk standing there.

259

00:17:06,645 --> 00:17:08,835

Three tongues standing there.

260

00:17:09,855 --> 00:17:12,345

Sometime upstrokes even just too hard.

261

00:17:12,645 --> 00:17:14,534

You have a little bit of upstairs,

cause it looks like there are

262

00:17:14,544 --> 00:17:16,754

three trunks and they are together.

263

00:17:16,835 --> 00:17:22,984

It gives you a nice, nice

little blue and white.

264

00:17:23,074 --> 00:17:23,824

Maybe here.

265

00:17:23,885 --> 00:17:28,774

We created a, kind of a,

the obvious goal of it.

266

00:17:28,774 --> 00:17:31,264

The light deems that side.

267

00:17:31,264 --> 00:17:31,835

Dark.

268

00:17:39,355 --> 00:17:40,745

he, he up there.

269

00:17:41,044 --> 00:17:44,044

Give him a bit more,

more mischief with more.

270

00:17:44,475 --> 00:17:47,555

That's a big distance there.

271

00:17:48,485 --> 00:17:54,635

Hey, and here again, the

upstanding lines that looks

272

00:17:54,635 --> 00:17:56,585

like tree trunks standing there.

273

00:17:58,235 --> 00:17:58,534

He.

274

00:18:00,045 --> 00:18:02,385

And you fire us right

into the water there.

275

00:18:06,305 --> 00:18:10,685

No, water mix.

276

00:18:10,685 --> 00:18:11,975

Some water there.

277

00:18:18,935 --> 00:18:21,305

He added box.

278

00:18:21,755 --> 00:18:23,345

And now you, you.

279

00:18:23,925 --> 00:18:28,245

Decide to abort the line

that's as what it is.

280

00:18:28,695 --> 00:18:32,115

And that's why that from here

on, that's all water to here.

281

00:18:32,835 --> 00:18:34,004

See, look at that.

282

00:18:41,225 --> 00:18:43,895

in a beautiful, and

you're paying like that.

283

00:18:44,345 --> 00:18:49,205

It can be done if you

have a solid hard paint.

284

00:18:50,355 --> 00:18:53,085

Solid strong heart pain.

285

00:18:54,465 --> 00:18:57,915

Doesn't matter where you buy it

and what you have it, but it,

286

00:18:57,975 --> 00:19:00,645

this technique one is solid.

287

00:19:01,004 --> 00:19:02,264

Take heart paint.

288

00:19:02,534 --> 00:19:06,495

Then you can get all those

details and such a chart time.

289

00:19:06,705 --> 00:19:08,985

No, you make the side strokes.

290

00:19:09,014 --> 00:19:09,585

Look at that.

291

00:19:09,824 --> 00:19:10,425

Ooh.

292

00:19:10,845 --> 00:19:12,135

Ooh, Ooh.

293

00:19:12,165 --> 00:19:13,064

A little bit here.

294

00:19:13,274 --> 00:19:15,014

Can you make a close up shot on this?

295

00:19:15,435 --> 00:19:19,865

See how the water I was on

that heart paint that puts it.

296

00:19:19,865 --> 00:19:22,264

Let you put it don't smear.

297

00:19:23,195 --> 00:19:24,725

I wish you would understand.

298

00:19:24,935 --> 00:19:27,635

I sometimes feel disappointed seeing.

299

00:19:28,470 --> 00:19:33,540

Guys go out and teach and still

don't understand that hard paint.

300

00:19:33,540 --> 00:19:34,260

We'll do it.

301

00:19:34,889 --> 00:19:37,610

If she wants to do it with this

off pen, you would have to draw

302

00:19:37,610 --> 00:19:43,440

it in no extra, but you see, I can

do it with, with, look at that.

303

00:19:43,530 --> 00:19:44,760

Look at that water.

304

00:19:44,790 --> 00:19:45,360

Isn't that?

305

00:19:45,450 --> 00:19:47,490

Ah, it is so nice.

306

00:19:47,850 --> 00:19:52,879

There's you don't know what the devil

anymore I would jump to is keyhole.

307

00:19:53,180 --> 00:19:55,700

I got too excited by this dust strokes.

308

00:19:55,970 --> 00:19:57,440

Can you see those strokes here?

309

00:19:58,304 --> 00:20:00,824

I wish the camera could pick it up.

310

00:20:00,905 --> 00:20:01,445

Nice.

311

00:20:03,304 --> 00:20:04,324

Oh God.

312

00:20:05,495 --> 00:20:05,885

Huh?

313

00:20:05,915 --> 00:20:06,635

That's nice.

314

00:20:06,965 --> 00:20:13,534

No, we take our mighty cold knife and

we create a mighty shoreline there.

315

00:20:13,685 --> 00:20:16,564

Every have a little

touch of her aid in that.

316

00:20:16,745 --> 00:20:17,915

See what I do here?

317

00:20:18,215 --> 00:20:22,264

I mix myself a nice,

happy little happy little.

318

00:20:26,055 --> 00:20:27,345

And that's it.

319

00:20:34,175 --> 00:20:42,305

This, this much to view,

defer the need of a blues guy.

320

00:20:45,885 --> 00:20:51,555

Um, you know, it's nice to work with

the happy tune in your mind with echos

321

00:20:51,555 --> 00:20:56,835

and with, with the easy, happy group

of young kids walking in the Bush and

322

00:20:56,835 --> 00:21:02,265

singing their heart, or, ah, what the

life, you know, when I watched us TV

323

00:21:02,265 --> 00:21:05,055

show, sometime they make me so sick.

324

00:21:05,245 --> 00:21:07,315

And I tell you, I wish I could.

325

00:21:07,375 --> 00:21:10,855

I really become a fighter against

all that garbage that they put on TV.

326

00:21:10,855 --> 00:21:12,535

And it really does me.

327

00:21:12,535 --> 00:21:13,465

Not sometime.

328

00:21:13,735 --> 00:21:17,365

There's no happiness Gomez, only

shooting, hanging, looting, robbing.

329

00:21:17,665 --> 00:21:23,005

I just, what a Dez, I started showing

the gyro for everything that Jaya of

330

00:21:23,005 --> 00:21:27,745

young people go on and do what God

give us this funder for wonderful

331

00:21:27,745 --> 00:21:30,835

board and the beauty of divorce.

332

00:21:31,210 --> 00:21:32,980

And those kids are happy.

333

00:21:32,980 --> 00:21:37,360

Kids and mother nature farms,

some divide there shouldn't be.

334

00:21:38,504 --> 00:21:42,165

Maybe I talked too loud, but that

is kind of a thing I live with that.

335

00:21:42,284 --> 00:21:46,034

Sometimes I talk too much about

that, but that's a part of good art.

336

00:21:46,305 --> 00:21:49,695

We wants to leave a

wonderful country behind us.

337

00:21:49,905 --> 00:21:50,415

One day.

338

00:21:50,445 --> 00:21:55,185

I'm not there anymore, but I wish

we could leave the joy and the power

339

00:21:55,185 --> 00:21:57,405

of living to the younger people.

340

00:21:57,435 --> 00:22:02,024

And they built a beautiful new

country with beautiful new homes.

341

00:22:02,235 --> 00:22:05,415

And there's not that stink and

shooting and looting and robbing in it.

342

00:22:07,020 --> 00:22:13,220

I have spoken, you know, I got was

excited about it because it bothers me.

343

00:22:13,220 --> 00:22:14,300

It really bothers me.

344

00:22:14,450 --> 00:22:18,410

I am in the age now what I leave

the vault and I must say we fathers

345

00:22:18,680 --> 00:22:21,170

left this void for our kids.

346

00:22:21,590 --> 00:22:22,910

As far as not me.

347

00:22:23,870 --> 00:22:28,340

He never lived this world like

that world, our kids, my kids.

348

00:22:28,340 --> 00:22:29,480

They're proud kids.

349

00:22:30,040 --> 00:22:32,900

And they're the Americans

who are love at the word.

350

00:22:32,900 --> 00:22:33,260

Love.

351

00:22:34,230 --> 00:22:37,919

And that is what I think we should

leave behind the, and that out of

352

00:22:37,919 --> 00:22:40,770

that comes up beautiful paintings.

353

00:22:41,520 --> 00:22:43,830

The, and God give it to us.

354

00:22:45,750 --> 00:22:47,460

No, you see, I paint.

355

00:22:47,820 --> 00:22:48,449

I paint.

356

00:22:49,935 --> 00:22:52,754

You're wonderful fellows

and it was still your paper.

357

00:22:52,995 --> 00:22:56,834

What promoted me and what

led me be on the show.

358

00:22:56,895 --> 00:22:59,625

And I'm staring now I'm 74 years old.

359

00:22:59,955 --> 00:23:02,324

And I always say, my God,

that just my let shower.

360

00:23:02,354 --> 00:23:08,084

I don't think I come back again, but they

say, come back very like you come back and

361

00:23:08,084 --> 00:23:10,725

as you people, what makes me come back?

362

00:23:10,725 --> 00:23:17,264

And I'm so proud of you and it makes me

excited and your blood is young and it.

363

00:23:18,235 --> 00:23:23,895

It it's it's it's I feel

like 24 years old right now.

364

00:23:24,960 --> 00:23:27,240

And because of you because you watch it.

365

00:23:27,240 --> 00:23:31,950

And the mail we get is so exciting,

this, uh, there's you have bid

366

00:23:31,950 --> 00:23:36,240

and your life evolved of tomorrow

where only sunshine is there.

367

00:23:36,240 --> 00:23:39,660

And even if the sun doesn't

shine, you dang it this wonderful.

368

00:23:39,900 --> 00:23:42,690

But then we need rain and

rain is good in between.

369

00:23:43,290 --> 00:23:47,280

And I know we need lots of rain

because the farms, they're not

370

00:23:47,280 --> 00:23:51,899

too happy with that, but she was

a beautiful water's coming up.

371

00:23:51,899 --> 00:23:53,070

It's coming right through you.

372

00:23:53,250 --> 00:23:56,910

And then you do this kind of

water movements, make it big,

373

00:23:57,440 --> 00:24:01,970

far away and bigger and bigger.

374

00:24:02,240 --> 00:24:02,629

You see?

375

00:24:02,840 --> 00:24:06,230

And then here started the bait

in, can you see the water lines?

376

00:24:06,440 --> 00:24:08,120

They are already built in more or less.

377

00:24:08,495 --> 00:24:11,645

I only can ruin it, but

that's good to do it.

378

00:24:12,725 --> 00:24:16,345

You see what the happy painting is

coming out of all of that and give them

379

00:24:16,345 --> 00:24:20,754

a little Corvair sometime, you know,

like I like to make a little curve there.

380

00:24:22,155 --> 00:24:23,235

That looks good too.

381

00:24:23,265 --> 00:24:26,145

Can you see that little bit of

the border that goes around,

382

00:24:26,145 --> 00:24:28,095

around, around then push off again?

383

00:24:28,305 --> 00:24:32,555

That's there've been movements to

the water movements and, and that's

384

00:24:32,555 --> 00:24:34,775

the water is to my thank you note.

385

00:24:34,805 --> 00:24:35,315

I see it.

386

00:24:35,585 --> 00:24:37,865

I have a boat I'm always

on the water there.

387

00:24:38,640 --> 00:24:40,500

And they catch this wonderful fish.

388

00:24:40,890 --> 00:24:42,660

That's a mighty salmon.

389

00:24:43,170 --> 00:24:47,850

And when you eat us on mighty Sam,

I tell you it is healthy for you.

390

00:24:48,120 --> 00:24:50,850

And the fresh fish is F fresh fish.

391

00:24:50,940 --> 00:24:55,230

I tell you that is good living.

392

00:24:55,380 --> 00:24:58,290

No, I just a touch up whatever.

393

00:24:58,290 --> 00:25:02,880

I think it could be done here a

little bit and hear a little bit, see.

394

00:25:04,830 --> 00:25:11,730

And, and fire off in the front

here because what a life.

395

00:25:13,190 --> 00:25:13,610

Okay.

396

00:25:18,530 --> 00:25:20,390

He has a little bit of a headache.

397

00:25:20,420 --> 00:25:23,060

I started, I should correct that.

398

00:25:24,585 --> 00:25:26,325

The end, the Dick paint will do all that.

399

00:25:26,355 --> 00:25:30,675

It's just attach you see when you touch

it, it's already, it's like a magnet.

400

00:25:30,705 --> 00:25:31,695

It wouldn't stick.

401

00:25:32,985 --> 00:25:33,975

Stick right on your camera.

402

00:25:35,855 --> 00:25:36,365

See?

403

00:25:38,135 --> 00:25:39,905

Yeah, you are here a little bit.

404

00:25:42,045 --> 00:25:43,125

This could act forever.

405

00:25:43,125 --> 00:25:43,575

You think?

406

00:25:43,575 --> 00:25:48,365

No, the, in my mind that

painting has the glories are

407

00:25:48,365 --> 00:25:50,285

at the burned off in my inside.

408

00:25:50,585 --> 00:25:52,325

I did what I wanted to do.

409

00:25:52,504 --> 00:25:52,715

No.

410

00:25:52,715 --> 00:25:57,695

I just make this little knife

checkups here and there and have

411

00:25:57,695 --> 00:25:59,465

some time sometime make it circular.

412

00:25:59,465 --> 00:26:02,405

I don't have time to make a

circuit like fish jumping.

413

00:26:03,095 --> 00:26:05,315

You see fish jumping.

414

00:26:06,390 --> 00:26:08,790

And that is it.

415

00:26:09,990 --> 00:26:11,220

Did you enjoy that?

416

00:26:11,910 --> 00:26:13,050

Did you enjoy that?

417

00:26:13,380 --> 00:26:16,590

I hope you learn something

and that's my aim.

418

00:26:16,620 --> 00:26:21,510

If I know you enjoyed it and

you learn something and you spit

419

00:26:21,510 --> 00:26:25,230

in your hands and you grab that

almighty brush, you have it made.

420

00:26:25,380 --> 00:26:26,850

I thank you for watching me.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

S08E10 Mount Baker - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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