Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Island in The Sun - AVAILABLE
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I'm bill, Alexander's the father and
the finder of the magic of oil painting.
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You have seen it for 12 years.
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So I show you other than a
sample of what I'm doing.
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Again, I have to put myself
in that on mighty mood.
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Two D is sunshine around
me and I am an Island.
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Ireland and his sons or whatever,
create, I will create a kind of a far
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away land all around and vote in front
and then firing all mighty Ireland.
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But I put it in this sun.
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I put the iron under the sun
because I create a ready.
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The clouds, does it have dark spots?
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You see, when you have a cloudy sky,
then, then you have sun spots or you
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have shadows over the fields over
the mountains or over the waters.
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But on this particular Island, I
want us to have it just in the sun.
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Can you see what you do when
you have that creative power?
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You can have it.
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You wanted, I wish you
would listen to Papa bell.
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It's funny.
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I didn't get into an
office cause we pop a bill.
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It's nice.
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And you better listen to Papa bears too.
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So I barely put the magic right
on, but on mighty marijuana.
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And when I say almighty, you
see, we all need encouragement
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and I have to encourage myself.
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I cannot say I put the
magic right on this.
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I'll put that on my day.
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Magic bullets that ended up dropping
mighty hand, but on mighty brushing
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your hand already, I started grown.
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I started grown and when you start
growing, power comes into you.
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God has given us something extra and that
mighty power start growing right now.
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And cause he, he, uh, Maverick
bites and no, and the America is on.
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Then I can.
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Just create almost anything
and you can do it too.
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I just show you what you do.
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You should do.
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You should do.
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I should do what we want to do.
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I don't want to tell you, you should do.
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I hope I can make your life a bit
easier if you want to paint it.
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That's the whole ID.
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That's just the whole ID
don't put too much on.
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Not enough is no good.
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Too much is no good.
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So I will show you how we get
the vibe with the right amount.
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And, you know, it's a funny thing.
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I could, I could never pain, like what
that's magic, but I'm like that this
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is sort of the murderer you cut to, you
know, I have to, I, what I really wants to
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feel that canvas has respect for me, that
canvas wouldn't have any respect for me.
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If I would just do it like that,
then I would see that canvas
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greening at me and laughing.
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Then look at that.
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It gets.
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Logan has he's struggling.
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He's struggling.
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And I show him my canvas.
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That's the right to do it.
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To listen to me.
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You better buy this happened too much.
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It's too much, not enough is not good.
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So I will just put a little
bit more pressure down that
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eases a wonderful, easy, no.
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Someone would put it
on and that's not good.
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You always have to blame someone else.
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The horizontal is vertical.
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So it is, I know I have it all over.
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Now.
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The next step is you see, I have so much
magic right on my brush, clean your brush.
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We have shown you already all
the equipment we have and, and
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the way we wash our brush and the
screen on the brush and whatever,
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whatever, whatever, then make sure.
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Got it.
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You know, I have a clean brush, a
dry brush go over the whole canvas
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and I take that excess paint off D
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D that's in the brush already
wash it out again and no.
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My canvas talks to me, no invites
me to paint because it's actually,
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it's such a beautiful feeling.
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It is just the right amount on.
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So I fired him.
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Maybe he's kind of a happy, happy
sky with a couple of clouds,
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kind of a tailor blue.
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I have a different type of
a blue head of a happy blue.
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See, and as you, I start from the top.
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I want the perspective
is K wants a deep sky.
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So I go down slowly.
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Yes.
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Lighter, lighter, lighter.
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And what I do, I create
a kind of a deep sky.
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You see dark on top
light and on the bottom.
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Now I wants to have water.
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Why not put in the boat and
ride the ride to this time?
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I put it from the bottom up.
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Do you see from the bottom up higher,
slowly higher, higher and higher.
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Can you see already?
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I lied about the flat
is the optic illusion.
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But they create here because we
have on the flat canvas and I
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have to make that border book.
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And again, Z as darker,
I paint here as flatter.
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I lay it down, then it gets lighter.
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But come forward.
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If I show you what I really
do now, I mix on the canvas.
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You see, I mixed with that white paint.
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What they put on that magic.
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Right?
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See, I guess, lighter and what I did,
I buried myself for horizon line.
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And in your mind, you can see the sky is
going deep and the board has gone deep.
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And that's far right there.
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No, in order to make it a bit more summer
or a bit more sunny, I will wash my
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brush again, wash that on my D brush.
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Dry brush.
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I will take a touch of Tiki would look
here, touch off red, but Luco, just
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like a breeze, just a drop of it in the
bra, and then go over the whole thing.
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Very light first, very light, just a touch
of red that lingers it kind of a sunshine
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lingering on there on the far by horizon.
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It gives you a Varma painting.
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The Vite and blue is code, but
red and, and this gives you
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kind of a warm for Hazon GC.
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You can feel the arms, you feel the heat
and you come up into the blue slowly,
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slowly, but there's lot of brushing.
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And, and then other the, the beautiful
red and through the blue, the wash your
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brush now, because if I would not wash my
brush, he saw me going up into the blue.
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That means that brush was very dirty.
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So I started with the clean brush
again in the clean spot, and I
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got down now right into the water.
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And then don't come back up again.
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Good.
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No, we will create a far by country.
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There is a copy of
happy clouds in the sky.
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Happy clouds.
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I will use.
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Maybe take you a look.
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I will use the tissue, right.
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And test your blue and
touch of alizarin Crimson.
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And we see this, this seems to be
a nice color, but mix it in like a
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show you this, you don't have blue.
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Well, red spots, no, create a clouds.
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If I, you want the,
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um, maybe he had other clouds
happy wandering clouds.
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I am born under the wandering sky.
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The, and then we hear a little close
and maybe in the distance you make
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little clouds, smaller, smaller, the,
and that you create with doing that.
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You create a depth, the
smaller clouds there
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no, I will use a little bit darker on top.
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See that cloud is not dark enough.
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I use a touch more blue
into that and maybe a little
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touch, more lives in Crimson.
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And that alone would do it or could do it.
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That would do it.
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See, and now I make me be
perspective sky and I get deep
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cloud, big cloud on top there,
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maybe here a little bit in between
clouds and you can see no, it
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becomes deeper by having a big cloud
on top smaller, smaller, smaller.
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And that gives you a
beautiful, beautiful sky.
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You can let that Vonda off on by.
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You can bond us off this way.
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You can make, bring it coming up.
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You can let it come down the arm that is
not wonderful to create all those things.
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You make mother earth, but God give
us this beautiful, wonderful earth.
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If he just would not destroy
it to God, I prioritize this.
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We don't start any other VAR anymore.
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I still have the bullets in my behind.
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I don't want to see anyone to
have one more that wonderful world
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created create created on the
canvas show was what we have done.
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Polluted.
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I get so excited about those things we
could save or a wonderful board, but
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we have so many cooks and I'm sorry, I
just, I start talking about that because
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when you create you as excited on your
canvas and you see that beautiful,
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beautiful world we live in and we see
it, who is destroying the human being.
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If the ornaments would do it, he
would say, okay, they're too dumb.
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But we have to brain, but brain, I don't
know why we do it looks like something
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is born into us, destroying whatever
this, some destroyers and I don't know.
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So we highlight that.
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We say the sun is coming.
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It doesn't matter any anyway.
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Right.
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I'm right.
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Right-handed for me, it's always
easier to sun coming from this side
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the than, than start off in the light.
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The.
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The sun and usually what the sun
is obvious on top it cloud will
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be always dark on the bottom.
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He created start off in the, in the
light, because if you start off in the
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dark, you have to load up the brush
too many times, the knife up higher and
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the brush is still loaded the higher
there and he'll cause that's Oh, fire.
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And then on her own, then.
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Ah, what's the vibe of living.
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It's such a beautiful
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blue sky.
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The here a couple more.
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I'm usually how easy you firemen because,
um, picking them sometime a little
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bit here, but they're not, you should
just, I know that I know your feelings.
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No, I put that in.
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I always tied to the Vashi and
can you see it by, they do.
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See, I, I leave the rim, but I
just watched it like here, here is
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a good spot where you can see it.
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How about you make a nice cruiser?
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See I into the inside and
leave the rim out there, here.
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As I'm, when I put it into the
inside, he always like put into the
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insight and leave that open for him.
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He put into the insight,
put it into the insights.
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Hey, there they are.
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They are there.
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Yeah.
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Joy.
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What a joy to be alive on your MIT canvas.
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They having that cannabis guy?
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No, no.
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I can create some spots.
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I can create shadows, bonding over the
fields, bonding over the mountainside,
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Bonnie, but my islands, I want
you to put them, it just happened.
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It dishonors coming between the clouds and
there's a habit, the Island and his son.
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D no, you've got your
happy clouds already.
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What I do, I hypnotize the whole thing.
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Make sure you have a clean, dry brush
hypnotize from the bottom of all the
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time, but then you start on top that's
there's some ducks going onto the
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brush and you carry that dirt down.
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The, it has all of the meaning.
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The I go up slowly and you
don't destroy anything.
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You're just a nice little light tach.
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Nice little light tach.
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See they're nice light happy
Tash, make it a happy touch.
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Okay.
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There we are water.
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Don't worry.
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There's a lot of stuff
coming in the water.
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Sometime you can.
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This pain, the same clouds.
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You fired them to the water
and have a little strip of
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Ireland in a far vibe there.
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But I would like to have a little
bit of that, the background
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there first, the, what I do.
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Oh that day I used the cloud colors.
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Be what I did here.
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I mix the cloud colors.
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That's perfect.
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Yeah, we'll use the same colors then
create kind of a far my mountain scene.
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Yeah,
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maybe a bit more white into that.
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It looks a bit dark.
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00:14:26,810 --> 00:14:28,610
It looks a little bit too dark.
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Yeah, a bit more lighter where they
would like to have a distance there.
240
00:14:33,915 --> 00:14:39,405
And the same, the same colors you
have in the, in the clouds or in
241
00:14:39,405 --> 00:14:41,625
the sky should be in the mountain.
242
00:15:04,574 --> 00:15:08,805
Maybe more, maybe the man.
243
00:15:24,905 --> 00:15:29,705
and you know, it's funny, all of a
sudden a tune comes into your mind.
244
00:15:29,885 --> 00:15:32,135
If you're here, you'll hear things.
245
00:15:32,195 --> 00:15:35,915
I hear happy songs because
they paint a happy scene.
246
00:15:36,875 --> 00:15:38,525
Sometime I play in the rain scene.
247
00:15:38,555 --> 00:15:41,045
Then I hear the rain around me.
248
00:15:41,245 --> 00:15:43,235
And in this case I hear.
249
00:15:43,935 --> 00:15:50,655
I hear all kinds of happy,
whatever animals or people,
250
00:15:50,655 --> 00:15:55,984
whatever, whatever, whatever,
you know, use your big brush dry.
251
00:15:55,984 --> 00:15:57,844
Make sure you have a dry brush clean.
252
00:15:58,530 --> 00:16:00,390
And brush it in like this.
253
00:16:00,630 --> 00:16:04,520
You see it in on the
bottom, create a mist.
254
00:16:05,300 --> 00:16:07,670
The mist is a mountain coming up there.
255
00:16:09,980 --> 00:16:12,650
Mist create that mess.
256
00:16:13,400 --> 00:16:20,720
You see, because we have the magic
riders on the canvas and the here
257
00:16:20,750 --> 00:16:23,540
I let, just let the brush lines.
258
00:16:24,689 --> 00:16:28,680
Give you an indication of that is
that some far by three standing
259
00:16:28,680 --> 00:16:32,400
there, this is a bit too dark fine.
260
00:16:32,430 --> 00:16:38,939
We can always get the lighter
light is coming from this side.
261
00:16:39,360 --> 00:16:41,130
No, I've been there.
262
00:16:42,150 --> 00:16:43,469
Did the same thing again?
263
00:16:43,500 --> 00:16:46,770
Highlight, highlight, just from.
264
00:16:57,585 --> 00:16:58,425
Like that.
265
00:17:01,560 --> 00:17:05,490
No just that Ireland is covering
up my nice mountain peaks.
266
00:17:05,520 --> 00:17:07,109
Actually, I should not work.
267
00:17:07,140 --> 00:17:09,480
I should not worry about that seat.
268
00:17:09,690 --> 00:17:12,810
Now, when I think about it, actually,
really, I must to put the Island
269
00:17:12,810 --> 00:17:14,640
in front of it by the devil.
270
00:17:14,640 --> 00:17:16,680
I worry about what stair going on.
271
00:17:17,160 --> 00:17:22,770
They already know more or less here,
here, maybe here still a little
272
00:17:22,770 --> 00:17:25,740
bit of a mountain coming along.
273
00:17:40,925 --> 00:17:41,554
okay.
274
00:17:41,905 --> 00:17:43,235
Use your big brush again.
275
00:17:48,875 --> 00:17:54,695
that our mighty creative power is such
a wonderful way to live with that.
276
00:18:02,585 --> 00:18:08,045
he, if you want to, you can just
use a touch of SAP green neighbor.
277
00:18:08,055 --> 00:18:08,675
I do here.
278
00:18:08,855 --> 00:18:12,785
I use SAP green and to the same
thing, what we have here, maybe a
279
00:18:12,785 --> 00:18:17,075
little bit more alizarin Crimson
into that, and it creates a kind
280
00:18:17,075 --> 00:18:20,885
of, a bit more other than terms and.
281
00:18:23,985 --> 00:18:25,665
And you create kind of a,
282
00:18:30,705 --> 00:18:30,834
yeah.
283
00:18:30,855 --> 00:18:33,044
Want, wants to have a distance there.
284
00:18:34,665 --> 00:18:37,334
Don't worry about the admitted
because they will be Island in
285
00:18:45,574 --> 00:18:51,245
and to have it very, very far, very far,
he very fuzzy distance eats up colors.
286
00:18:51,705 --> 00:18:55,605
Distance is up details too.
287
00:18:55,635 --> 00:18:59,025
He sees you don't have to
worry about on mighty details
288
00:18:59,055 --> 00:19:02,385
because it's just far by, far by
289
00:19:06,575 --> 00:19:07,085
Yeah.
290
00:19:07,565 --> 00:19:10,025
Maybe make it a little fussy.
291
00:19:10,025 --> 00:19:12,575
We make it a little faster
and movements there.
292
00:19:15,305 --> 00:19:17,375
Little fancy and movements.
293
00:19:18,095 --> 00:19:20,015
Maybe just use the other brush.
294
00:19:24,795 --> 00:19:28,845
But don't be too fussy because the
distance, like I said, eats up the
295
00:19:28,845 --> 00:19:33,495
colors and eats up details too.
296
00:19:36,885 --> 00:19:40,215
As more details, then you bring
it far West too much then, then
297
00:19:40,215 --> 00:19:41,475
is that what you don't want?
298
00:19:42,105 --> 00:19:48,945
And then I wants to have a little bit
of a, of a missed, and then between us.
299
00:19:49,635 --> 00:19:59,135
Defend brush, no, he use a fan brush
there and create kind of a miss between
300
00:19:59,135 --> 00:20:05,225
the mountain and, and whatever, you
know, here, that would be the Island.
301
00:20:05,225 --> 00:20:06,485
And I don't worry too much.
302
00:20:09,695 --> 00:20:14,405
He can't do the same thing on
this side here, create that
303
00:20:14,415 --> 00:20:17,165
little bit of, uh, uh, missed and.
304
00:20:17,955 --> 00:20:22,754
And the mountains there, and that
gives you a beautiful distance.
305
00:20:23,715 --> 00:20:25,094
Beautiful destines.
306
00:20:30,155 --> 00:20:30,965
Good enough.
307
00:20:31,024 --> 00:20:32,135
But in Africa did not.
308
00:20:32,675 --> 00:20:33,395
Okay.
309
00:20:33,844 --> 00:20:36,314
No, you can still use your fan brush.
310
00:20:40,625 --> 00:20:43,865
usually on mighty fan brush
and you can come a little bit
311
00:20:43,865 --> 00:20:48,780
closer, but with the same Carlos
again, But the same colors again.
312
00:20:49,590 --> 00:20:54,780
And then maybe we just try to
find a little bit of a, uh,
313
00:20:55,110 --> 00:20:58,230
bushy, uh, waterline there,
314
00:21:03,659 --> 00:21:06,810
but keep the distance, keep
a beautiful distance there.
315
00:21:07,230 --> 00:21:09,870
You can make it too close and
then you lose the whole thing.
316
00:21:20,400 --> 00:21:20,760
Good.
317
00:21:21,050 --> 00:21:21,320
Good.
318
00:21:21,480 --> 00:21:22,500
Good, good, good.
319
00:21:22,770 --> 00:21:27,080
Now the Island in the sun,
but then you have sun there.
320
00:21:27,320 --> 00:21:29,960
You have sun spots here too.
321
00:21:30,200 --> 00:21:33,320
I will create sunny spots
somewhere here and there.
322
00:21:33,680 --> 00:21:36,500
So again, you're on mighty creative power.
323
00:21:36,740 --> 00:21:37,400
Let me show you.
324
00:21:37,400 --> 00:21:40,070
I hate too much for you, but yellow.
325
00:21:40,425 --> 00:21:43,155
And white, yellow, and white.
326
00:21:43,725 --> 00:21:44,745
He, that gives me a sun.
327
00:21:44,774 --> 00:21:46,035
That's a glitch Sunday color.
328
00:21:46,035 --> 00:21:46,905
I can see that.
329
00:21:47,295 --> 00:21:48,495
Oh, that is so nice.
330
00:21:48,915 --> 00:21:49,754
No, you can.
331
00:21:59,825 --> 00:22:03,935
This happened to some hits stair,
then all the places on his here,
332
00:22:08,105 --> 00:22:09,065
sun hits here.
333
00:22:11,475 --> 00:22:12,254
Can you see it?
334
00:22:12,795 --> 00:22:13,425
How you apply.
335
00:22:13,425 --> 00:22:14,355
What's on that.
336
00:22:14,355 --> 00:22:18,195
There's a shadow color already,
and this is more sunshine color.
337
00:22:18,465 --> 00:22:24,585
Now you create the same sunshine
color in, in far, right there.
338
00:22:26,445 --> 00:22:34,485
D whatever standard up that's on my
distance, but you see, it becomes a life.
339
00:22:34,515 --> 00:22:38,715
All of a sudden, maybe here
you can have a sunshine color.
340
00:22:39,495 --> 00:22:44,175
Then whatever the sun, wherever
you think it is on what hit feeding
341
00:22:44,175 --> 00:22:45,975
the clouds, that's what you do.
342
00:22:46,785 --> 00:22:49,185
And you put it in whatever
you think is this right?
343
00:22:53,255 --> 00:22:53,735
SI
344
00:22:59,555 --> 00:23:02,555
no, we can create kind of
a sunlight in the mountain.
345
00:23:02,555 --> 00:23:05,255
Stew here has just happened.
346
00:23:05,255 --> 00:23:06,155
What is on hits?
347
00:23:17,975 --> 00:23:22,085
the, maybe he is here in
the Valley is the sunshine.
348
00:23:24,905 --> 00:23:25,235
Thank you.
349
00:23:25,235 --> 00:23:31,085
When you watch the on the shadows
bonding, maybe here would be a nice spot.
350
00:23:34,410 --> 00:23:39,200
Yeah, the end on my distance is just,
just, don't worry about details.
351
00:23:39,500 --> 00:23:41,000
You don't need the test there.
352
00:23:41,420 --> 00:23:42,880
Maybe here, just in the middle.
353
00:23:43,700 --> 00:23:46,580
It's just underline the right
in that mountain park there.
354
00:23:47,540 --> 00:23:51,590
And it's not nice, but I liked
so much this, you can do it.
355
00:23:51,830 --> 00:23:56,330
You have that on mighty power to do
that creative power for an artist as
356
00:23:56,330 --> 00:23:59,030
chess, something absolutely necessary.
357
00:24:00,105 --> 00:24:05,895
But that's what I talk so much about
it already, because I know if you
358
00:24:05,895 --> 00:24:08,115
ever tried that, just try it out once.
359
00:24:08,535 --> 00:24:10,995
And I become a happy hooker.
360
00:24:11,535 --> 00:24:14,895
I hooked you, but I know
he got excited about that.
361
00:24:20,625 --> 00:24:20,985
D.
362
00:24:21,185 --> 00:24:21,725
Okay.
363
00:24:21,784 --> 00:24:24,754
Now replied with colors,
refer by whatever there.
364
00:24:25,115 --> 00:24:31,774
No, it's easy because we just put in,
take a knife and he's firing kind of
365
00:24:31,774 --> 00:24:34,504
a nice, happy little shoreline there.
366
00:24:39,095 --> 00:24:40,565
Happy little shoreline.
367
00:24:50,540 --> 00:24:56,000
Nice bit of yellow and white, just
a happy little, far away short line.
368
00:25:10,140 --> 00:25:11,580
Mighty distance there.
369
00:25:12,480 --> 00:25:14,250
You don't have to worry too much.
370
00:25:15,960 --> 00:25:18,630
The no is where the fun starts
371
00:25:22,640 --> 00:25:24,200
and that's our mighty distance.
372
00:25:24,200 --> 00:25:27,440
You don't have to put the
reflections and if you've done one
373
00:25:27,450 --> 00:25:29,390
that you just leave it, ignore.
374
00:25:29,390 --> 00:25:32,030
It depends on how the water movements are.
375
00:25:32,420 --> 00:25:34,940
No, I just create a happy.
376
00:25:35,150 --> 00:25:36,230
See what I do here.
377
00:25:36,440 --> 00:25:37,910
Here's my one inch brush.
378
00:25:40,094 --> 00:25:41,024
Zap green
379
00:25:44,074 --> 00:25:47,524
when Dyke Brown and you see
Dubai, I load the brush.
380
00:25:47,824 --> 00:25:49,864
My brush is loaded.
381
00:25:51,725 --> 00:25:52,475
Can you see?
382
00:25:52,834 --> 00:25:56,165
It is like a dog, Paul,
like a cat Paul, whatever.
383
00:25:56,554 --> 00:26:00,395
And I just see it first.
384
00:26:00,395 --> 00:26:02,524
You figure out roughly where you want it.
385
00:26:02,794 --> 00:26:05,824
I would say that's the
Island here is up to here.
386
00:26:06,795 --> 00:26:09,675
You can put in the middle, if
you want, you don't have to.
387
00:26:10,155 --> 00:26:11,895
And then the trees are here.
388
00:26:22,805 --> 00:26:25,295
See, this is the main thing
that the branch is fly out.
389
00:26:25,745 --> 00:26:27,004
Don't cloud it up.
390
00:26:28,095 --> 00:26:30,675
Doesn't matter and admitted,
but don't clog it up.
391
00:26:30,815 --> 00:26:35,825
The brush will do a fantastic job
if you are good to the brush, you
392
00:26:35,825 --> 00:26:38,615
know, very often it is the paint.
393
00:26:38,975 --> 00:26:43,655
It is our paint, but mix it do in it
because the heavy, thick paint, if you
394
00:26:43,655 --> 00:26:46,235
load the brush, right, you can get watch.
395
00:26:46,294 --> 00:26:48,065
Is it taction move.
396
00:26:48,095 --> 00:26:52,895
Can you see, look at that tree alone,
that tree in such a short time,
397
00:26:53,165 --> 00:26:54,935
you get such a beautiful breathing.
398
00:26:55,380 --> 00:26:59,610
Can you make a nice shot
on this particular spot is
399
00:26:59,610 --> 00:27:00,900
a joy to paint like that.
400
00:27:00,990 --> 00:27:03,620
Can you imagine you have to tip,
fiddle around with little brushes
401
00:27:03,630 --> 00:27:05,940
there and, and what I should do.
402
00:27:05,940 --> 00:27:10,370
I remember when I started learning to
paint God, that was the first offer.
403
00:27:10,470 --> 00:27:15,270
I, I, you know, I never talk about
this a does classic because they
404
00:27:15,270 --> 00:27:16,980
did more harm to me than they did.
405
00:27:16,980 --> 00:27:17,490
Good.
406
00:27:30,645 --> 00:27:33,705
It's a beautiful way to create
the cabinet in a nice door.
407
00:27:33,764 --> 00:27:34,665
XE that Island.
408
00:27:35,085 --> 00:27:37,355
I have a nice, wonderful boat.
409
00:27:37,415 --> 00:27:39,935
I tell you, it's just a
joy to see the islands.
410
00:27:39,935 --> 00:27:41,105
And I shoot after them.
411
00:27:41,284 --> 00:27:45,274
When the wind comes from here, I
am behind on this side and I fish
412
00:27:45,335 --> 00:27:47,555
and it's just a joy to be alive.
413
00:27:53,135 --> 00:27:54,725
maybe they play little games.
414
00:27:55,085 --> 00:27:57,725
We make a little three standing
here next to the Island.
415
00:27:57,935 --> 00:28:02,465
The try to play games there
because this is what sells.
416
00:28:03,275 --> 00:28:06,965
If you make a solid Island
there, this is what sells.
417
00:28:06,975 --> 00:28:12,065
And then all of a sudden, the little bit
of an extra there, see you fires right
418
00:28:12,065 --> 00:28:17,285
into the water fires, fires right into the
water fires right into the water there.
419
00:28:17,285 --> 00:28:17,765
You'll see.
420
00:28:22,775 --> 00:28:28,085
when I talk like firing and, and, and
this all has such extra power because
421
00:28:28,085 --> 00:28:30,575
I was the best teacher in Los Angeles.
422
00:28:30,575 --> 00:28:31,925
For most 20 years.
423
00:28:32,165 --> 00:28:34,895
I always had the full house
and I know does all the time as
424
00:28:34,895 --> 00:28:36,365
they always still come to me.
425
00:28:36,695 --> 00:28:41,105
And when people start, there's a
Timothy as a scared to test us on
426
00:28:41,105 --> 00:28:42,875
my, the canvas and what I always did.
427
00:28:42,875 --> 00:28:45,065
I said, fire and drill down by the canvas.
428
00:28:45,305 --> 00:28:46,625
And there's where I learned that word.
429
00:28:47,115 --> 00:28:48,735
That gives you a life.
430
00:28:49,304 --> 00:28:51,284
Usually people gave me ms.
431
00:28:51,284 --> 00:28:52,665
Alexander, could you start me off?
432
00:28:52,725 --> 00:28:53,745
Could you just touch your canvas?
433
00:28:56,245 --> 00:28:56,895
canvas.
434
00:28:57,314 --> 00:28:58,725
Don't be scared about that.
435
00:28:58,905 --> 00:29:01,905
That's the whole ID di
um, that stays with me.
436
00:29:01,905 --> 00:29:04,125
No, I flyering and I enjoy it.
437
00:29:04,155 --> 00:29:05,355
I enjoy it myself.
438
00:29:06,225 --> 00:29:06,645
See?
439
00:29:07,814 --> 00:29:08,325
Okay.
440
00:29:08,325 --> 00:29:09,075
I hope you.
441
00:29:09,480 --> 00:29:11,190
You get something out of that.
442
00:29:11,370 --> 00:29:13,710
You see, we talked to Ireland in the sun.
443
00:29:14,040 --> 00:29:17,400
I said Ireland, but you see the
branches flying, make sure that you
444
00:29:17,400 --> 00:29:19,050
don't have blocks where I see a block.
445
00:29:19,290 --> 00:29:22,410
I try to make benches flying out there.
446
00:29:23,070 --> 00:29:27,960
See, and then naturally you just
reflects the whole thing into the water.
447
00:29:28,650 --> 00:29:31,530
That always, what you see on
top has to be in the water.
448
00:29:31,830 --> 00:29:37,050
Not too much paint, but put it in
nice and long and make sure you have.
449
00:29:37,950 --> 00:29:41,070
Next dark lines going straight this way.
450
00:29:41,700 --> 00:29:43,830
It has to be a beautiful little painting.
451
00:29:46,379 --> 00:29:48,330
And I said the Island in the sun.
452
00:29:48,930 --> 00:29:53,220
So we would put the sunshine insuring
you need dark in order to show light.
453
00:29:53,250 --> 00:29:56,520
That's all the same thing that are dark.
454
00:29:56,520 --> 00:29:57,810
There is no light.
455
00:29:59,210 --> 00:30:02,330
Hey, that's the very easy painting.
456
00:30:06,485 --> 00:30:08,075
no, I use the other brush.
457
00:30:08,195 --> 00:30:10,865
All of us have two brushes,
one for the light colors.
458
00:30:10,985 --> 00:30:13,355
First device.
459
00:30:13,385 --> 00:30:15,365
I put them together in my own mind.
460
00:30:15,695 --> 00:30:20,075
I would think that this the back of the
tree, the other side, then they put the
461
00:30:20,075 --> 00:30:24,995
tree trunks in and then they put the
front in the branches coming to the front.
462
00:30:25,265 --> 00:30:29,315
And then I wants to believe I
have around three standing there.
463
00:30:29,955 --> 00:30:31,605
Can you see the philosophy of it?
464
00:30:32,205 --> 00:30:33,315
Sometime you paint.
465
00:30:33,405 --> 00:30:37,305
We have a flat canvas and we have to
make everyone everything around them.
466
00:30:37,504 --> 00:30:43,754
And does it has a buddy the, do you want
to paint the inside of a house or when you
467
00:30:43,754 --> 00:30:47,055
paint the parties, you know, you always
wants to put the boons in the inside.
468
00:30:48,510 --> 00:30:51,390
And then that's what you have
to drink in that direction.
469
00:30:51,540 --> 00:30:55,260
I pin from far, have I closed the clothes,
the clothes I cannot paint from the front.
470
00:30:55,410 --> 00:30:57,720
Then I have to paint
behind what I do here.
471
00:30:57,900 --> 00:31:01,440
I think that's far away
behind on the other side.
472
00:31:01,710 --> 00:31:05,550
Then they put the tree trunk
and put it on mighty tree, trunk
473
00:31:14,300 --> 00:31:16,370
and fires right into the water.
474
00:31:17,264 --> 00:31:20,745
See, when you make that line, it
will be Grazie not to do here.
475
00:31:20,745 --> 00:31:21,764
I make your other line.
476
00:31:22,754 --> 00:31:24,735
But if you make watch
here, I do something.
477
00:31:24,915 --> 00:31:26,685
I show you how you shouldn't do it.
478
00:31:27,435 --> 00:31:32,685
I made the tree is a little bit crooked
here in the vault that cost this way.
479
00:31:34,695 --> 00:31:36,735
They don't do that.
480
00:31:36,764 --> 00:31:38,445
I showed you what you shouldn't do.
481
00:31:38,565 --> 00:31:38,805
See.
482
00:31:39,165 --> 00:31:42,525
You understand it, the obvious
that goes the opposite.
483
00:31:42,675 --> 00:31:45,195
If you have it, it, I did
it a bit too much here.
484
00:31:45,675 --> 00:31:46,615
I did it too much.
485
00:31:46,754 --> 00:31:48,435
I show you how I got out of that.
486
00:31:48,945 --> 00:31:52,125
Then you make other three standing there.
487
00:31:53,504 --> 00:31:56,115
Do you know this and this
harmonized, and then you make
488
00:31:56,115 --> 00:31:58,575
the other three standing here.
489
00:32:00,795 --> 00:32:02,025
D and you're out.
490
00:32:02,115 --> 00:32:03,105
You have no problem.
491
00:32:03,555 --> 00:32:04,455
Can you see what it is?
492
00:32:04,685 --> 00:32:09,605
It doesn't matter one or more
because we all make it mistakes.
493
00:32:09,605 --> 00:32:11,015
There's your creative power.
494
00:32:11,015 --> 00:32:12,245
It's such a fast subject.
495
00:32:12,575 --> 00:32:14,615
Solid four of us, four of us, four of us.
496
00:32:14,885 --> 00:32:15,455
There's obvious.
497
00:32:15,485 --> 00:32:17,585
All of a sudden you see, Oh my
God, they shouldn't have done it.
498
00:32:17,945 --> 00:32:21,365
But then if it doesn't, if you
can get it off, then put the
499
00:32:21,365 --> 00:32:23,045
same thing on top or the same.
500
00:32:23,045 --> 00:32:27,425
Deanna bottom, the same
flowers over you never cry.
501
00:32:27,810 --> 00:32:29,970
But they paint flowers and
all of his art in one of my
502
00:32:29,970 --> 00:32:31,680
rules is stung to an outright.
503
00:32:31,980 --> 00:32:32,610
Then they were done.
504
00:32:34,170 --> 00:32:38,370
when the time comes, I put the
bleed over the roads or leave the
505
00:32:38,370 --> 00:32:41,490
half-truth sticking out because you
need leaves that are under the roses.
506
00:32:41,490 --> 00:32:41,970
Anyway.
507
00:32:42,615 --> 00:32:47,085
You understand this dank and see,
then it becomes a free kind of a ding.
508
00:32:47,205 --> 00:32:48,615
It is not too clogged up.
509
00:32:48,855 --> 00:32:52,305
And you're you have no,
not, not, not in your heart.
510
00:32:52,905 --> 00:32:58,685
Your heart is bombing free
is . That's a wonderful thing.
511
00:33:02,195 --> 00:33:04,475
That's a wonderful thing here.
512
00:33:04,505 --> 00:33:06,365
No, you fire any kind of a.
513
00:33:07,260 --> 00:33:10,770
Three trunks, but this street
one fireman right into the water.
514
00:33:11,389 --> 00:33:14,159
Don't worry, farm right into the water.
515
00:33:14,189 --> 00:33:18,060
You hear a little bit of a tree trunk
and you, if I'm right into water,
516
00:33:18,330 --> 00:33:20,460
now I can pronounce it a bit more.
517
00:33:20,460 --> 00:33:26,429
I will use red and it is good with it.
518
00:33:26,939 --> 00:33:27,629
Didn't you.
519
00:33:37,970 --> 00:33:41,450
Put that little bit of red
right into the water to day.
520
00:33:41,450 --> 00:33:44,090
Then you have it all done
in one on mighty shot.
521
00:33:44,690 --> 00:33:44,810
Okay.
522
00:34:02,835 --> 00:34:07,335
See then you can make
all kinds of movements.
523
00:34:07,335 --> 00:34:09,764
See, look at that, that mighty knife.
524
00:34:09,764 --> 00:34:14,645
I tell you that knife is a wonderful law.
525
00:34:14,645 --> 00:34:18,065
The guys come to me sometime
and they say, I have your damn
526
00:34:18,065 --> 00:34:19,775
knife and it doesn't work for me.
527
00:34:19,925 --> 00:34:20,315
You know what?
528
00:34:20,315 --> 00:34:22,955
I always tell him, why don't
you sleep with that knife?
529
00:34:23,505 --> 00:34:24,745
Keep it in your bag.
530
00:34:24,945 --> 00:34:25,755
Love it.
531
00:34:25,875 --> 00:34:26,955
It really worked for you.
532
00:34:27,315 --> 00:34:30,795
It needs practice and you have to
practice with any tool you want.
533
00:34:31,514 --> 00:34:35,655
See it doesn't come from to deal
with tomorrow, but that is a tool.
534
00:34:35,655 --> 00:34:36,735
It's not the toy.
535
00:34:37,095 --> 00:34:41,325
He there's so many knives, magic knife,
but this knife, you really can work.
536
00:34:41,355 --> 00:34:45,345
If you, if you have the guts to
get out of it and do it, I can do
537
00:34:45,345 --> 00:34:46,875
almost anything with that knife.
538
00:34:47,760 --> 00:34:51,450
But if you see that, I always
like newcomers people who had
539
00:34:51,450 --> 00:34:55,920
never painted before people were
painted or that they're used to all
540
00:34:55,920 --> 00:34:58,620
that garbage knives, no garbage.
541
00:34:58,620 --> 00:35:03,870
And I, if there they have not tried
the power, that's a powerful knife.
542
00:35:04,620 --> 00:35:04,800
See?
543
00:35:04,800 --> 00:35:08,130
And that's the different between
my knives and all the other knives.
544
00:35:10,370 --> 00:35:11,609
Just mind it got to be good.
545
00:35:13,290 --> 00:35:13,890
Okay.
546
00:35:15,450 --> 00:35:21,390
No, but I don't want to overdo it, but it
will do a fantastic job for everyone, but
547
00:35:21,390 --> 00:35:28,545
really like, Well into that C you know, we
say the sunshine, how we get the sunshine
548
00:35:29,175 --> 00:35:31,305
because you need a doc to show the light.
549
00:35:31,545 --> 00:35:37,355
No, I use on mighty yellow, sunshine,
Tatro, Fred, the sunshine, the NuQuest
550
00:35:37,355 --> 00:35:42,405
how I mixed it is already kind of
a color, but it's just beautiful.
551
00:35:43,245 --> 00:35:45,795
Yeah, a little bit to read,
maybe a touch, a fight.
552
00:35:45,825 --> 00:35:50,505
Even I bring the glory and the hallelujah
right into that on my D painting.
553
00:35:50,985 --> 00:35:52,875
You know, the light's
coming from this side.
554
00:35:52,905 --> 00:35:55,745
Why not highlighting it from this side?
555
00:36:01,805 --> 00:36:05,285
Can you see all of us just
by watching this here?
556
00:36:05,285 --> 00:36:05,885
But I do.
557
00:36:06,245 --> 00:36:11,525
I was on the sun is coming
into the tree is not beautiful.
558
00:36:12,150 --> 00:36:12,629
Beautiful.
559
00:36:13,650 --> 00:36:15,870
You can see, you can touch so much.
560
00:36:16,140 --> 00:36:17,580
See what happened to the brush.
561
00:36:19,529 --> 00:36:20,790
Then you have to wash it out.
562
00:36:23,160 --> 00:36:26,640
is Beth and Beth, you hit the dark
paint and it will go back in the
563
00:36:26,640 --> 00:36:28,980
brush, clean that almighty brush.
564
00:36:30,509 --> 00:36:34,589
And then I make a happy
legends on shine three again.
565
00:36:37,215 --> 00:36:41,415
And if could dank happy if your
dang sunshine, the sunshine
566
00:36:41,415 --> 00:36:42,855
comes out dramatically into that.
567
00:36:42,855 --> 00:36:49,305
On my canvas, the, Oh, here,
maybe this is the important part.
568
00:36:49,605 --> 00:36:53,205
The branches, the, uh, if you see.
569
00:36:56,700 --> 00:36:58,380
I haven't make close up from it.
570
00:36:58,410 --> 00:37:04,290
Every show you really, I, he, I would
put against this doc the, uh, shut
571
00:37:04,290 --> 00:37:09,990
up and I was just see, you should see
the different, the evid blocks on you.
572
00:37:10,430 --> 00:37:14,210
There's something wrong with your
paint either to take her to then I
573
00:37:14,210 --> 00:37:16,010
think I got the, just to right divide.
574
00:37:16,010 --> 00:37:18,800
The painters right out of
the tube is perfect here.
575
00:37:19,610 --> 00:37:25,040
The touch of red again, and load
the brush, see load the brush.
576
00:37:25,544 --> 00:37:29,294
Maybe more even, can you
take me to close up here?
577
00:37:29,355 --> 00:37:32,765
See how I load that are mighty
brush is there's a ton of
578
00:37:32,765 --> 00:37:34,714
pain that makes the details.
579
00:37:35,015 --> 00:37:40,384
So I will put the Z can you
make a good close up on that?
580
00:37:41,015 --> 00:37:45,484
This you can, this, you understand
what I, what I talk about the, it
581
00:37:45,484 --> 00:37:50,944
is loose and in the water fires
right into the water there, and
582
00:37:50,944 --> 00:37:52,714
that all pumps up sunshine there.
583
00:37:55,905 --> 00:37:56,235
Light.
584
00:37:56,235 --> 00:37:57,285
This is dark
585
00:38:05,435 --> 00:38:07,805
and happy little Island.
586
00:38:08,285 --> 00:38:09,245
I love it.
587
00:38:09,245 --> 00:38:12,545
You know, when I really think about
the beautiful islands where I live,
588
00:38:13,035 --> 00:38:15,635
it's just, just too much to be alive.
589
00:38:15,725 --> 00:38:16,115
Really.
590
00:38:16,745 --> 00:38:19,205
Then this is what I always say, dear Lord.
591
00:38:19,235 --> 00:38:22,415
I'm glad you did keep me on this earth.
592
00:38:24,525 --> 00:38:25,815
And enjoyed my copies.
593
00:38:25,815 --> 00:38:27,045
Yes, I have here.
594
00:38:28,395 --> 00:38:30,345
And that becomes kind of a religion.
595
00:38:30,915 --> 00:38:31,485
To me.
596
00:38:31,515 --> 00:38:37,275
It's such a powerful vibe of being with
mother earth and being with nature and
597
00:38:37,665 --> 00:38:39,884
take nature off, put it on the canvas.
598
00:38:40,154 --> 00:38:42,045
I always feel the Lord.
599
00:38:42,075 --> 00:38:43,154
Thanks me for that.
600
00:38:43,545 --> 00:38:47,685
He said, it's nice that you at
least have respect what I give you.
601
00:38:47,865 --> 00:38:49,335
I give you this beautiful voice.
602
00:38:49,515 --> 00:38:51,195
Other people tamping it down.
603
00:38:51,404 --> 00:38:55,305
At least you love it so much as
you paint it and you bring it out.
604
00:38:55,634 --> 00:38:57,335
And that's what the love of.
605
00:38:57,520 --> 00:39:00,129
Human beings to March towards earth.
606
00:39:00,129 --> 00:39:02,649
And I tell you, I don't know.
607
00:39:02,649 --> 00:39:06,129
I hate to talk about it more and more,
as more as I talk, I got drugged up
608
00:39:06,160 --> 00:39:10,899
so much because I feel that that's
what my paintings are doing to me too.
609
00:39:11,319 --> 00:39:13,060
And I bet they will do it to you too.
610
00:39:14,470 --> 00:39:16,810
It's a happy painting, a happy day.
611
00:39:17,080 --> 00:39:18,490
Happy experiment.
612
00:39:18,940 --> 00:39:21,730
Now this tree is in the shadow
of the lights coming from here.
613
00:39:22,000 --> 00:39:24,640
Is this happening in
the shadow of the sun?
614
00:39:24,819 --> 00:39:25,720
See, then I leave.
615
00:39:25,750 --> 00:39:26,830
I leave at three.
616
00:39:27,240 --> 00:39:29,130
And maybe here, but you see this one.
617
00:39:29,130 --> 00:39:29,910
It's not too nice.
618
00:39:29,910 --> 00:39:31,350
It's plugged up too much.
619
00:39:31,920 --> 00:39:34,290
That is a plugged up three
and I don't like that.
620
00:39:34,890 --> 00:39:36,150
Do you want to do with that?
621
00:39:36,990 --> 00:39:43,370
Then I break even by taking it
off, taking it off and put the
622
00:39:43,370 --> 00:39:45,650
new one on, put a dark again.
623
00:39:45,950 --> 00:39:46,490
You'll see.
624
00:39:46,580 --> 00:39:48,050
I show you the it's good to see.
625
00:39:51,140 --> 00:39:51,230
Okay.
626
00:39:51,320 --> 00:39:55,340
It should break, but it should
give me details, but I want to see.
627
00:39:57,210 --> 00:39:58,589
I bet I will.
628
00:39:58,649 --> 00:39:59,220
I will.
629
00:39:59,339 --> 00:39:59,879
I will.
630
00:40:03,089 --> 00:40:08,870
Sometime I use magic fight and go
right into the magic white like this.
631
00:40:08,870 --> 00:40:14,120
You see, and turn it down a
little bit, just a little touch
632
00:40:14,180 --> 00:40:16,160
right into the yellow there.
633
00:40:16,190 --> 00:40:18,259
Maybe a little touch of red on with it.
634
00:40:19,040 --> 00:40:23,000
And now I think I have
more, more separating power.
635
00:40:25,320 --> 00:40:25,830
Let's see.
636
00:40:25,830 --> 00:40:26,280
No.
637
00:40:29,660 --> 00:40:32,810
Oh yeah, you see, can you see the details?
638
00:40:33,080 --> 00:40:39,110
It is not clogged up maybe
here and I should be beautiful.
639
00:40:39,110 --> 00:40:42,620
And see, on this side, I let
the sun come in on this side.
640
00:40:42,650 --> 00:40:43,970
I apply the shadows.
641
00:40:44,330 --> 00:40:49,010
Then it tells you the Island in the
sun that just the sun hit one by ha
642
00:40:49,040 --> 00:40:50,780
that draws a shadow on the other side.
643
00:40:52,345 --> 00:40:55,484
If you can think in that direction,
you're thinking the right
644
00:40:55,484 --> 00:40:58,725
direction in the right direction.
645
00:41:00,615 --> 00:41:02,024
Oh, you can overdo it.
646
00:41:02,024 --> 00:41:03,015
You can overload it.
647
00:41:03,734 --> 00:41:08,714
I just think I just leave
it short and peaceful.
648
00:41:09,375 --> 00:41:10,725
Let the dark be there.
649
00:41:11,145 --> 00:41:15,134
T even the dark here make a
darker and the vortex is better.
650
00:41:15,165 --> 00:41:16,095
See, watch this.
651
00:41:16,515 --> 00:41:17,444
That is better.
652
00:41:17,625 --> 00:41:18,634
Put more dark in there.
653
00:41:18,634 --> 00:41:18,975
All that.
654
00:41:20,070 --> 00:41:24,000
He, that gives you a far better
painting, make it always darker
655
00:41:24,000 --> 00:41:26,850
in Nevada then than it is on top.
656
00:41:34,040 --> 00:41:34,790
Oh, okay.
657
00:41:35,330 --> 00:41:35,690
Okay.
658
00:41:35,690 --> 00:41:39,350
Made that dark hole, then you
can create certain things there.
659
00:41:39,650 --> 00:41:44,780
This dark hole, every pronounced
it here to a bit more.
660
00:41:46,319 --> 00:41:47,250
See that gives you that.
661
00:41:47,549 --> 00:41:49,560
Oh, that extra Oompa.
662
00:41:52,890 --> 00:41:53,339
Good.
663
00:41:53,970 --> 00:41:58,799
Now we use our big
brush, clean, clean wash,
664
00:42:04,220 --> 00:42:08,930
and make long lines with this
brush now long, nice long lines.
665
00:42:12,860 --> 00:42:13,700
And then.
666
00:42:16,170 --> 00:42:20,820
You would just do it like
this, and that's a joy to see.
667
00:42:20,820 --> 00:42:23,430
It's a shiny and nice and bright.
668
00:42:24,240 --> 00:42:32,000
See, no, you use your magic knife
again and you put the, again it's
669
00:42:32,000 --> 00:42:34,710
sunshine on the sunshine side.
670
00:42:34,800 --> 00:42:36,690
I will put this on, in.
671
00:42:37,484 --> 00:42:40,815
See, and here, I really show
you a good lesson there.
672
00:42:42,134 --> 00:42:45,015
On the sunny side, you have the sunshine.
673
00:42:45,645 --> 00:42:47,745
Maybe I add a little bit of a fishing.
674
00:42:48,015 --> 00:42:51,375
The, I always like to have a little
spot coming out there when you,
675
00:42:51,404 --> 00:42:53,205
when you're there, you can walk in.
676
00:42:53,520 --> 00:42:57,600
Without going into the water and
this and this on the sandbar,
677
00:42:57,610 --> 00:42:59,400
but sticking out a bit shorter.
678
00:43:01,130 --> 00:43:05,120
No, when I lived on the Lake, I
obviously created my own fishing
679
00:43:05,180 --> 00:43:07,280
places and I was disappointed.
680
00:43:07,280 --> 00:43:11,270
I dropped stones and ans tunes, and
then I walked from one stone to another.
681
00:43:11,840 --> 00:43:15,050
Then they could stand on them and
they could reach further out to fish.
682
00:43:15,440 --> 00:43:18,530
But when I came next on, the other
guy was standing on my stone.
683
00:43:19,245 --> 00:43:20,444
And that was always bad.
684
00:43:20,444 --> 00:43:23,475
And I couldn't have the guts to tell
him, Hey, you're standing on my stone.
685
00:43:24,734 --> 00:43:26,035
A lot of them want to say it.
686
00:43:26,035 --> 00:43:29,865
It's beautiful to live with nature
and in nature and around nature.
687
00:43:36,155 --> 00:43:36,515
no.
688
00:43:36,545 --> 00:43:37,895
What would I do on this side?
689
00:43:38,315 --> 00:43:46,355
I use a touch of blue into that patch
of blue, and I do the same thing,
690
00:43:47,195 --> 00:43:54,945
but in a kind of a blue fish tune,
blue fish, red fish was kind of a
691
00:43:59,045 --> 00:43:59,345
watch.
692
00:43:59,865 --> 00:44:01,185
I go on from here.
693
00:44:02,025 --> 00:44:03,404
That's a shadow color now,
694
00:44:06,615 --> 00:44:07,335
can you see it?
695
00:44:08,075 --> 00:44:11,295
It is not as bright and
sunny as it is there.
696
00:44:12,795 --> 00:44:16,925
That is what I would like you to
learn ply with light and shadow
697
00:44:16,925 --> 00:44:18,375
the supply with the sunshine.
698
00:44:19,245 --> 00:44:24,404
And I, I, that has beautiful,
beautiful, beautiful to see.
699
00:44:25,470 --> 00:44:26,400
Cause he is sunshine.
700
00:44:26,430 --> 00:44:29,310
See the shadow side
and hear all that dark.
701
00:44:33,260 --> 00:44:35,000
That was the Island in the sun.
702
00:44:35,540 --> 00:44:37,100
And you have enjoyed it.
703
00:44:37,190 --> 00:44:38,090
You did.
704
00:44:38,420 --> 00:44:39,800
Thank you for watching me.
705
00:44:40,070 --> 00:44:40,760
Bye bye.
End .srt file.
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