Bill Alexander's

The Magic of Oil Painting

Season 9, Episode 12, The Wall - AVAILABLE

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Nice there we are again, you

know, I always forget this.

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Uh, there are a lot of the newcomers

coming in and I always think, you

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know, it all, you, you, you are

with me for 17 years and I forget.

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I should talk about all the beginning

and maybe today we will do it.

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Start off at the canvas.

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We have our mighty canvas here.

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It's white.

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I put the magic right on, you know,

the magic Vite is kind of a pain

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that's related to the oil paint and

it drives slow because it could not

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be driving your pain when you do the

work, when you put the colors on there.

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So maybe start off from there.

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Now you see a white canvas and

just start, how did you start?

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You got to find what, what do I paint?

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What I want to do?

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I got to be ready in my mind with

what I wanted to put on there.

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The everything we do is not the copy.

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It's easy when you know, maybe it is

not even easy when you have a book

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or a postcard and you copy something.

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See what we are doing.

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We create, we are the mighty creators.

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We are next to God and

we put something on.

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What's done once at a time.

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It never will come back again.

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You will never ever do the same thing

because my, sometime it is similar, but

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it is not the same, but other words.

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You come free onto your canvas.

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You put up your sleeves and you are fresh.

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You have to make yourself happy.

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Even if you're miserable,

then you had breakfast.

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You say on my canvas, I

am free and I'm powerful.

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And I'm the creator.

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Or I am the almighty creator.

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I started on mighty D.

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And when you started on mighty

di you hear the bells ringing.

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You hear, you see the sunshine, even if

it's rained, you feel there's sunshine

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out there and kids are laughing and

everything is bubbling and all that

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with all this happy feeling, you go

onto your, on my canvas and then.

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You can do all mighty things.

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See now first having the canvas whole

big, sometime you have a long canvas,

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high up vertical or flat this way.

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I have it, uh, you know, any, any

was all by you got to space at first.

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You Mustang.

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I want you to paint something.

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What would fit there and

what has horizon read them?

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Harmony.

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How did everybody get it all in?

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Okay.

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Today we will have happy blue sky.

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Then we will have a mountain

coming in from the side.

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Then we will have our Modi DRI.

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Then we will have maybe a little

house here, little old farm.

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And, but you put it out together,

you get all dry and then we will

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have a big fence is maybe around.

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And I would go into stones,

lots of big stones, like, excuse

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me, like a little desert scene.

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Okay.

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Let's fire in.

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But that I might disguise the mighty

blue sky on there's so many blues.

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This is kind of a happy blue paler

blue, kind of a happy blue, excuse me.

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And the Robert and Robert in hearth.

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Don't light and loose.

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Robert and hard.

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Don't put too much on the end.

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Then you get it all.

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Just all this there's a.

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There's a, you create a, can

you see, I create a distance.

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It looks like it's a deep sky.

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The sky is not hanging

down like a curtain.

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See all that we have to watch.

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Okay.

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Again, bit more blue on top.

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If I want to have it more, more

deep than make it more blue on top

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and, and feather out, try that out.

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And you see it getting.

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Yeah, lighter, lighter,

lighter, lighter, lighter.

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Yeah.

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You create on my illusion.

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It's wrong to paint the sky, hanging down

like a curtain, then you have no adept.

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You cannot paint a mountain far away.

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You cannot bring stings in the aisle.

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That has to be with you.

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And I just like to talk about it today.

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Good.

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Now, if you want, you can put the

kind of a reddish tune in depends

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on whatever you have a dream.

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I will show you.

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Maybe we can do it just

to give you a rough idea.

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What can be done.

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Leah will add a little touch of red.

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They look at, you must

think the canvas is wet.

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See it gives you a ride

via different tunes.

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See, you can have a kind of a happy, uh,

uh, yellow, but with yellow, yellow, and

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blue is obviously kind of a headache.

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See, but this, this is a

nice gives you a nice depth.

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It's a nice deep sky right now.

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Okay.

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My mighty knife and I put some Vite

over here and that he was black,

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uh, blue and olives in Crimson.

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Those caught us out the best

for mountain D and I mix it.

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So there's just not dead.

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Two depends on how far they went.

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I went that mountain quite

close behind that house.

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Maybe I keep it in the dark, dark kind

of a mountain like this, and I will

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come in the right firm for up there.

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The,

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Oh, maybe like this.

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that's right behind, behind that house.

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You must think a little happy little

farm, but the farm is neglected

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and no one is there anymore.

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We, it would be nice if I had more

time, when you have more time, you

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can put people in, you can put life

and whatever, whatever, but then here.

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Very often they get made.

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People ask me, is it all

you can do landscapes?

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And I wish I could.

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I could, if they give me a bit more time,

it is them ever offer phone in and give

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them her, tell him, give him an hour.

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And then he was showing us, okay.

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Good.

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So we'd be saying this.

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This is the beginning of,

of that bit of her farm.

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Everyone there.

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I would say the light is

coming from this side, though.

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We were firing with some vide

touch, a little touch of red into

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that kind of a touch of Indian

girl will see how I tick it off.

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No, it's got a nice sunshine color here.

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Good.

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And be very there.

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The look at, Oh God.

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And that's something,

these are paint breaks.

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Try to find the paint.

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What is and strong.

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And it's not, uh, it it's soupy paint.

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Forget it.

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You can, you can do nothing with this.

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See this here.

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That makes it really, really nice.

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Look how that starts coming to life.

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No very, very easy.

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The same colors.

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Like the sun would hit there.

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Yeah.

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Maybe here the bed you create,

like the stone formations and the,

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whatever, whatever you think that is.

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All right.

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That's the way it looks.

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Now we put it up there

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and then you just go with the shape of

your mountains, your tank, the water's

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running down for thousands of years and

just follow the trail of that water.

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And you never, you never will be wrong.

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You look just for the swing

of your mighty mountain.

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Yeah, we are

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maybe here a little bit

put, bring it to life.

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That's good enough.

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One worry too much.

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Now I will use my two inch

brush and I would use SAP green.

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And relax.

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And part of this mountain

color here, he all does.

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They bring together black and at mountain

color and they, once you create on mighty

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as, Oh God, is this our mighty tree

there, it is not the, uh, uh, for tree.

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It is a kind of see,

look, see how I do it.

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Yeah.

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Yeah.

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Hey.

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Maybe here.

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Can you see that?

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Maybe I have to show you that better.

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Even I take my paint.

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I take the paint off here and there.

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Can you see, can you

see it's a ton of paint.

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Can I have a close up shot on that?

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Brush will be really, you can see Alden

branches and believes in my brush already.

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And then you just leave openings and

fires in which, by you, your eyes.

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Maybe dance a little bit.

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There's a river here.

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Oh.

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And there, he looked at

that in a wonderful way.

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Oh, you can create a major

mighty tree there with all

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the, but all the grouts here.

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You can have bench branches flying down.

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Can Zeke, could you make a

close up shot on this year?

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How are you?

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It depends on which way I hit Z.

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If I hit this vibe watch,

then I go gets it up.

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See, it's standing up D if I hit

this way, it would come down.

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Good.

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You how easy you fire and things

and, and, and Lord, your thoughts,

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maybe here's the other one.

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It's all loose and free.

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And you see the birds gone

through and the vendor's gone

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through is a beautiful, beautiful,

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Look at that, the hallucis and

leave openings, leave openings.

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They asked you come down here.

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Then as you come down here against

that mountain twosie, local dam.

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So you would create a close up more.

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I want the dark there.

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I wanted the dark there.

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They are nice.

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You live with smile with the

almighty smile and you create such

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a wonderful, it's a wonderful D Oh,

this is a wonderful to be alive.

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And that's what, that's

what painting is all about.

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You just added bit forever.

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You think I must to have it come your

plight a lighter, but on the bottom,

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I wants to have it done here, dog.

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There he is.

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Dark here,

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maybe here.

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Be fire up something there.

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Yeah, no, we are in good shape.

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Good start.

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Now I will use my own mighty knife

and I will cut in a tree trunk there.

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See branches

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see cotton branches for every good thing.

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He here.

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Wonderful.

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You can fight up if you want.

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Look at that fire up, fire down.

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Because it shows us this Vita

on the bottom, the, as, as

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I go down, I twist my knife.

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That bleed becomes Vida

Vida and puts more.

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Yeah,

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man.

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That's wonderful.

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It's nice to have that flow.

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It's just hard.

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When you stutter, when you don't

know where he put the next.

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Brushed on the next step is nice.

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Just floated off rolled off there.

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You have finish, and it's

a beautiful painting left.

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And you bust on my create.

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You had, you had the controller,

you was the power you was, you was

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there's something to it really.

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I think that's born into

all of us too, to say it.

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That was me.

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I did it through here.

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I tried to add a little bit

on that STEM on the bottom.

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I wants to the walk up a little

bit and that's wonderful.

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Yeah, maybe.

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so you create your own little

happy world and that is good.

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Living art should be fun.

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We should laugh it off.

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And when you are to the bank,

You must be happy there too.

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You know, you have your bread and butter.

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He don't have to worry about paying

your, your market, show your beds,

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and that should all come out or

that our mighty creative power, what

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you have here, I would put a bit

of a tree trunk and with the knife.

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Maybe make a w w or nothing.

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Yeah.

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Once you've showed them

the power of whatever here,

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sometime upstrokes are easier.

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Then now the next step is you

use the other litter, one inch

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brush and you go into the Vite.

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We have two types of fighters, a

heavier it's, a Dick fight and it

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invite and they use some yellow.

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Yeah, no.

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And even Indian, yellow into that too.

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And we, again, lots of paint on,

can you see if you have a close

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here there's art to the leaves

and they're all in there already.

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And the light is coming from that side.

259

00:15:56,074 --> 00:15:56,224

Yeah.

260

00:15:59,734 --> 00:16:00,064

Nice.

261

00:16:00,064 --> 00:16:02,795

How fast you get the life into that tree?

262

00:16:03,825 --> 00:16:05,325

And leave lots of openings.

263

00:16:05,565 --> 00:16:09,165

I was come down from the top,

from the top down because

264

00:16:09,225 --> 00:16:11,465

yeah, see the paint, the dark.

265

00:16:11,495 --> 00:16:14,045

Can you see the dirt

course into your brush?

266

00:16:14,525 --> 00:16:17,675

And, but I want you to have a little

bit of dirt in there now because the

267

00:16:17,675 --> 00:16:20,225

little bit of bright was too bright.

268

00:16:20,285 --> 00:16:22,985

That gives me nice color maybe here.

269

00:16:24,005 --> 00:16:24,365

Yeah.

270

00:16:24,425 --> 00:16:24,995

Look at that.

271

00:16:26,195 --> 00:16:27,155

That's beautiful.

272

00:16:28,325 --> 00:16:29,975

And no time you have.

273

00:16:33,750 --> 00:16:39,449

He clean off that brush here

and load the brush again.

274

00:16:39,689 --> 00:16:40,949

And that brushes?

275

00:16:41,010 --> 00:16:44,670

No, noded the fire off here again.

276

00:16:44,670 --> 00:16:46,260

What is on this coming?

277

00:16:46,260 --> 00:16:46,770

The bride.

278

00:16:46,920 --> 00:16:49,020

Can we see sudden pattern up there?

279

00:16:49,530 --> 00:16:53,400

The one hit and the other hidden

was, looks mostly the same sometime.

280

00:16:53,805 --> 00:16:56,895

It's good to change the

brush, the side of the brush.

281

00:16:57,135 --> 00:16:59,385

See, I changed over to this side now.

282

00:16:59,385 --> 00:17:02,355

I hope it has a different look.

283

00:17:03,015 --> 00:17:08,775

Do you see if one side don't give

you the right pattern, turn it

284

00:17:08,775 --> 00:17:13,275

around and go over the other side,

there are two sides of the brushes

285

00:17:13,724 --> 00:17:15,645

and you get to other pattern there.

286

00:17:17,025 --> 00:17:22,454

The look is there the same

pattern, but I can accept it.

287

00:17:22,454 --> 00:17:23,175

I like that.

288

00:17:33,900 --> 00:17:34,380

Yay.

289

00:17:34,440 --> 00:17:41,280

There you are beauty for beauty for now.

290

00:17:41,340 --> 00:17:46,620

We, we were cut in the

happy little shack there.

291

00:17:47,130 --> 00:17:57,270

Uh, we, I species in my

mind, uh, Uh, frat like that.

292

00:17:58,200 --> 00:18:00,030

Eh, not like that.

293

00:18:00,480 --> 00:18:06,440

And then I use that gray mountain

gray there, but they have it better

294

00:18:06,440 --> 00:18:13,290

to fight and it gives me a nice,

a nice what color they in front.

295

00:18:13,380 --> 00:18:13,740

You see?

296

00:18:17,750 --> 00:18:19,700

And then you, you, you.

297

00:18:20,520 --> 00:18:21,840

You you, you,

298

00:18:25,440 --> 00:18:34,290

but, uh, kind of, uh, a rim on

that roof there that's underneath.

299

00:18:34,399 --> 00:18:38,669

If you want, you can run a

little bit of lines in there.

300

00:18:38,850 --> 00:18:43,290

It gives you that little extra

there makes the star the fun too.

301

00:18:43,620 --> 00:18:46,139

And then you, you, you

you're you're, you, you, you.

302

00:18:46,440 --> 00:18:50,610

He would ever have it be

dark and let it go in there.

303

00:18:51,600 --> 00:18:58,290

And then a fire off a roof, maybe

red, Indian gathering invite kind of a

304

00:18:58,290 --> 00:19:00,810

different color there and make a choice.

305

00:19:00,840 --> 00:19:03,840

This is a slider different

colors, right on the knife.

306

00:19:04,230 --> 00:19:07,710

And then you push it in like this.

307

00:19:11,315 --> 00:19:14,465

he in no time you got that

roof up there already.

308

00:19:15,245 --> 00:19:16,895

And the stairs, big fun.

309

00:19:16,925 --> 00:19:18,125

You laugh it off.

310

00:19:18,365 --> 00:19:22,745

Sometime I got this by

the, I pull it this by.

311

00:19:24,755 --> 00:19:29,735

If you want to, then if you want

to do it, you're on good or dry.

312

00:19:29,765 --> 00:19:30,965

That's best.

313

00:19:31,595 --> 00:19:35,615

As long as everything has gone

awry here, I put a little bit of.

314

00:19:36,450 --> 00:19:41,040

Stuff on the roof, then we go underneath.

315

00:19:41,940 --> 00:19:43,080

They like that.

316

00:19:48,890 --> 00:19:49,190

Yeah.

317

00:19:49,190 --> 00:19:51,530

We let it disappear and yonder.

318

00:19:55,040 --> 00:20:01,100

I really have a tach offer,

a bluish statue care.

319

00:20:01,820 --> 00:20:03,410

He is just, just.

320

00:20:07,200 --> 00:20:09,300

See, let it be very loose there.

321

00:20:10,080 --> 00:20:15,840

It gives you that feeling of you have,

uh, uh, you have, uh, uh, here we put the

322

00:20:15,840 --> 00:20:20,400

door in, maybe on this side as a door,

323

00:20:23,850 --> 00:20:28,440

the Luca that, uh, you can have

a, scratch it on this side.

324

00:20:28,830 --> 00:20:31,080

This way you look in

this way, you can have a.

325

00:20:34,215 --> 00:20:39,495

Or you can use, attach off, call us there.

326

00:20:39,645 --> 00:20:41,355

He gives you that too.

327

00:20:42,075 --> 00:20:44,715

Then you can have a little

bit of a bluish tune here.

328

00:20:47,415 --> 00:20:49,095

Dang is a vendor there.

329

00:20:50,565 --> 00:20:52,035

So then the dare.

330

00:20:58,500 --> 00:21:03,340

No, you, you, you, you would think we

were thinking all of a sudden there

331

00:21:03,360 --> 00:21:18,560

is, uh, cement, cement walls, see Duke

and this one in front, just heavy,

332

00:21:19,129 --> 00:21:24,290

heavy, heavy stones, stones line there.

333

00:21:27,165 --> 00:21:29,685

See how you got the stones

together, all that gray.

334

00:21:37,035 --> 00:21:42,825

He only got gray, white, and black

and green and blue all together.

335

00:21:43,245 --> 00:21:44,595

Mix it all together.

336

00:21:44,595 --> 00:21:47,055

Whatever comes out as good stone color.

337

00:21:47,355 --> 00:21:51,525

No, cause all this stone color can be Z.

338

00:21:52,305 --> 00:21:52,785

Nobody there.

339

00:22:00,560 --> 00:22:06,860

then you highlight that you use

white and yellow and highlight that

340

00:22:06,860 --> 00:22:08,780

you have the sun coming from there.

341

00:22:17,855 --> 00:22:18,305

he?

342

00:22:18,845 --> 00:22:22,265

No, we were, we were

not forget, not forget.

343

00:22:22,715 --> 00:22:23,585

They were too fast.

344

00:22:23,825 --> 00:22:27,335

I need kind of a rim there.

345

00:22:28,895 --> 00:22:29,795

It's not good enough.

346

00:22:30,425 --> 00:22:32,225

So I have to do it better.

347

00:22:33,755 --> 00:22:34,175

Yeah.

348

00:22:38,524 --> 00:22:43,504

And if it is too big, look what you

do like this there's no problem.

349

00:22:43,504 --> 00:22:45,754

You never, you never make a mistake.

350

00:22:45,784 --> 00:22:48,844

All always can take it off

and make it your survive.

351

00:22:49,655 --> 00:22:51,004

Hey, look at that.

352

00:22:53,205 --> 00:22:53,824

There you are.

353

00:22:54,425 --> 00:22:55,024

Maybe here.

354

00:22:55,175 --> 00:22:57,455

I would like to have a

little bit of a bluish tune.

355

00:22:58,114 --> 00:23:00,094

Just call us, just call us there.

356

00:23:03,810 --> 00:23:06,300

He okay.

357

00:23:07,320 --> 00:23:08,520

He here, here?

358

00:23:08,520 --> 00:23:14,970

No, we, we were giving him that little

bit of sunshine on top of that stone wall.

359

00:23:14,970 --> 00:23:15,480

There

360

00:23:19,590 --> 00:23:20,880

he comes.

361

00:23:20,880 --> 00:23:21,540

Good together.

362

00:23:21,540 --> 00:23:23,040

He's not here.

363

00:23:23,040 --> 00:23:23,910

You're just.

364

00:23:36,420 --> 00:23:39,510

There you are, and you can work fast.

365

00:23:39,510 --> 00:23:41,060

You have fun, make it.

366

00:23:41,060 --> 00:23:43,970

So this is just stone stair.

367

00:23:44,390 --> 00:23:45,020

He thank you.

368

00:23:45,020 --> 00:23:49,700

Pile the stones up funds at

the time, and that is it's hard

369

00:23:49,700 --> 00:23:52,580

to, you can count the stones.

370

00:23:52,580 --> 00:23:56,270

You just act like you

think they're all stones.

371

00:23:57,075 --> 00:24:07,155

See now here in front diver, I will create

a kind of a happy, the happy letter.

372

00:24:07,935 --> 00:24:10,274

Uh, Hey,

373

00:24:14,355 --> 00:24:17,175

it's happy letter front there.

374

00:24:18,885 --> 00:24:22,425

It kind of it's like sand

or whatever there is.

375

00:24:22,695 --> 00:24:23,835

When you come out here.

376

00:24:24,794 --> 00:24:27,794

They come over here, come over here.

377

00:24:30,855 --> 00:24:32,955

And again, that dark here.

378

00:24:40,415 --> 00:24:45,125

he probably got the rush, but

that's what you do first on.

379

00:24:45,575 --> 00:24:52,205

If you pain, enjoy it, do it power father

with all your heart and you enjoy it.

380

00:24:52,235 --> 00:24:55,235

And that's where we

really get the paint done.

381

00:24:55,235 --> 00:24:55,625

Right.

382

00:24:56,405 --> 00:24:58,875

He means the sun hits here

a little bit, a little bit.

383

00:24:59,865 --> 00:25:01,215

They can see that.

384

00:25:01,635 --> 00:25:09,284

And then here, we just put the, the,

the front end, the foreground in and

385

00:25:09,284 --> 00:25:13,334

in no time, the watch and no time.

386

00:25:17,495 --> 00:25:17,584

Okay.

387

00:25:18,395 --> 00:25:21,875

You got the interesting painting

there and every time you do it,

388

00:25:22,054 --> 00:25:23,554

it just always something new.

389

00:25:25,895 --> 00:25:28,655

E R is something new.

390

00:25:29,205 --> 00:25:29,385

Okay.

391

00:25:36,035 --> 00:25:37,205

Yeah, no.

392

00:25:37,264 --> 00:25:38,945

Then you can put figures in.

393

00:25:39,125 --> 00:25:45,065

If I had more time, you could put figures

in or have kids spline front, or have

394

00:25:45,065 --> 00:25:50,825

animals walking around there and whatever

you that, just Irish, just what I was

395

00:25:50,825 --> 00:25:56,165

like to just tell you phone in and tell

him this guy needs a bit more time.

396

00:25:56,975 --> 00:25:57,785

You kill him.

397

00:25:58,545 --> 00:25:59,475

That killed me.

398

00:26:01,275 --> 00:26:02,745

And I know we have friends.

399

00:26:02,895 --> 00:26:04,545

You wouldn't let them kill me.

400

00:26:08,625 --> 00:26:09,285

We'll be nice.

401

00:26:09,285 --> 00:26:09,735

Really.

402

00:26:10,005 --> 00:26:13,845

Then we could start the whole

show pain along with birds.

403

00:26:14,415 --> 00:26:18,585

Well, we are just get the easels

up and then I could be slower and

404

00:26:18,585 --> 00:26:24,254

I could really get you step-by-step

and ah, we will be happy.

405

00:26:24,345 --> 00:26:30,274

I tell you we would be so happy, but

look, we are happy stereo as not, and

406

00:26:30,274 --> 00:26:33,405

as wonderful if we did it, we did it.

407

00:26:33,975 --> 00:26:35,145

We did it now.

408

00:26:35,145 --> 00:26:38,175

I put just a couple of extra hits in here.

409

00:26:38,534 --> 00:26:42,735

The, just give them a

little bit of extra there.

410

00:26:43,560 --> 00:26:48,389

And maybe here and me be here.

411

00:26:52,129 --> 00:26:52,820

There we are.

412

00:26:52,830 --> 00:26:53,840

And we did it.

413

00:26:54,889 --> 00:26:55,030

Good.

414

00:26:55,030 --> 00:26:55,699

Enjoyed it.

415

00:26:57,409 --> 00:26:58,250

Thank you for watching.

416

00:26:58,850 --> 00:26:59,239

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

S09E12 The Wall - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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