Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Horses - AVAILABLE
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And it's so nice to be with you
again again, today I waked up in
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the morning and the sun hit my bed.
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Is this wonderful.
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My bathroom is on the sunny side.
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And when that's happened, I
can not lie down and turn over.
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I have to get out.
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And I went back to the place where
I painted the barn once at a time,
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because I met two wonderful horses.
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And I thought today I will
show you how we paint a horse.
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But along with that, we
give them a Vite field.
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We give them a happy, happy sky.
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We give them everything to be happy
and they will be a happy horse.
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And here I will be happy are just
to paint that on mighty horse there.
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So we fire in that our mighty
marriage and there's no mercy.
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And, you know, with that feeling with
this beautiful feeling, the sun is there.
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The day is fresh and,
and nothing bothers you.
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That is a good vibe of living and that's
a good vibe of creating creative power
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can only come that by always firing,
give the horses no horses in my mind.
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I'm a happy blue sky vibe, blue sky,
the word as much too beautiful Benito
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divide, blue sky I ain't blue sky.
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I let that go into young and to yonder.
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Under the under attack happened there.
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So he let it go right into far far.
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Like,
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so here on the outside, I don't have
to worry about cleaning my brush.
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I just fire it in and have a dry
brush and hypnotize the canvas.
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And I will just keep that happy blue
sky, because you must always stain.
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You have a happy horse.
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In front of you and
everyone should be happy.
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We gave him a father, my father, my field.
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I will use a touch of SAP green
and I was at for, for a field.
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Give them all the room that
can handle the other room.
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They can hand and come closer,
closer, closer, closer.
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See, there's no horizon.
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There's no horizon that all gets together.
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So I want the horse to have lots
of room and lots of room to run.
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Lots of room to run.
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There's a beautiful beginning there.
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And I come closer and start off
from here where the green have a
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big green field, but the is happy.
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And you have to give them all that.
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I add a bit of black into
the Vandyke to SAB green.
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And there, there, yeah, I know you go
off for after yonder, after yonder.
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See, and as you have back,
it gets lighter, lighter.
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Lighter, and I will, again, a touch of
yellow and just fire off, give them grass,
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give him that green, but the horse needs
arbitrators or mighty horse in your mind.
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I think horse lovers, they love
this kind of a feeling this way.
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Don't fence me and Don fence, man.
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But I have to make a fence because
I feel the harsher and run away.
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When you let the heart score
horse very go there's no mercy
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and to yonder
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for her.
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Wash your brush, wash your brush.
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See, I created by a courageous illusion
on my illusion that caused the, the here.
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Read it again, clean your brush again.
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Clean brush does a good job on a dry
brush, clean brush on the dry brush.
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You know, you just can take it
after your point where you, where
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you have a nice, nice distance.
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Nice distance.
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I think I get it.
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No.
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See, and in front you can
have some higher grass.
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Give him a bit of grass, maybe.
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see, we created a kind
of a grassy land there.
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Got the ID out of the sun.
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How would you give them
a little bit of water?
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Cars are so nice.
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They like to have water too.
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So what do we do?
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We make a little bit
of a water pond there.
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Yeah.
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We have a water pond feed like this.
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Hey.
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Yeah are, and I have already a little
bit of water there and you, you,
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you, you, you, you, you, you put the
little boards around the water there.
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See better for boards around the water.
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The Aldi green is on the water side.
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Yeah.
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Yeah.
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That's wonderful how he
can create how he can.
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And on this side and this side
ever put a bit more, a bit more
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green, powerful green on there.
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And this side and the water and
the always only have a nice little
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water pool there and use it.
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The horse will go down
there and has a happy time.
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Hi,
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you want, you can give him, you can give
them, you can give him a little bit of a
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shoreline there, how fast you can do that.
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There's a bit of a shoreline.
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see.
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No, we fire in a happy little horsey.
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I use a kind of a little brush, a
half a half an inch, I would think.
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And the color of the horse, the kind
of a Brown, I use black Natasha for
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red and Mexican for a horsey color,
and then never caught my horse.
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Let the horse drink, how
would we let them drink here?
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Was he standing them there?
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And, and, and, and then the
smartest they're the smartest
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they're start off with.
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Just had.
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Show you how easiest to draw hearts.
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I draw on my mind this time, you don't
have a pencil and draw, see your horse.
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Everyone knows a horse face.
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He has a back there, you know, a
little bit of jar, dead made of a jar.
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That's the beginning of that head.
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And he has some happy ear standing
up there and he has neck, uh, and.
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See, and then, and then, and then,
and then you give him that happy,
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then that's just nag C uh, eh,
eh, and were down there C O E yes.
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And then they have a nice, happy to occur.
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And that, ah, that is so nice.
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That is so nice.
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That's just so nice.
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That's so nice.
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He's quite around and has a nice round
stomach has a happy around stomach.
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Now, here you fire in a little bit
of make it a little bit visors.
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We can repair it a little
bit there all the time.
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And then you're, you're just a
foot coming down there already.
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There's a foot coming down.
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That's the chest.
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And, and this here is on mighty shank
and then there's the foot and have that
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foot in the height of his, of his mouth.
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See the mouth isn't about the foot is
in the water and reflecting right in the
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water there, reflecting right in the,
there, the fracking right in the water.
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Yeah.
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And the other foot is just
happening behind like that SI
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and this is out like that and it
has a happy 10 and he's swinging
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at 10, the flies bothering
him, the flies bothering him.
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So he's ringing that tail this time.
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So he's laying in his lane.
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The other foot comes here.
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See, we put it this way.
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Other for there and fire
him right into the water.
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Again, five minutes into what
again, and this mode, the, when
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all of a sudden there's happy.
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standing there now.
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The hardest they can can be
very clump, uh, work hard.
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The rice horse depends on what
horse you have in your mind.
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Uh, There is a happy little horse.
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See?
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And yeah, no, give them
an kind of a looks better.
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Is there kind of a bit of light there?
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See, they have some time, this
kind of a thing, and I will put a
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little bit of a shadow on there.
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The muscular movements.
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Muslim movements.
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See how fast you can get them in
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there.
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And reflects them in the water.
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What makes it very, very nice.
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Eh, here just, just, that'd be dark there.
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The then you, you can give him the
hair standing up there a little bit.
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The main you see there and make a darker
underneath all dark, and then maybe make
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him a little bit more of that face there.
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Yeah,
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no.
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And the water we were
standing in the water there.
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I show you what we have to do.
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We have to make that vote.
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The move is not right.
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It is not right to have a cold,
it should move a little bit.
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Dare.
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Is he in the water?
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And we will be able to do it
like this there do it like this
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drinks, that water is moving.
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And when he walks in that
water's moving there.
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Yeah, wonderful.
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Put a bit of life around him and
this foot is still in the board
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and it's moving around there too.
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It's moving there too.
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Can you see how you cut animals in.
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I was asked to often to paint animals,
but I never got the time for that.
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But today having the horses right
in front of me is always nice.
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At least you see them.
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And then, uh, it's nice when
you can see the animals.
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But mother wants to tell you, if you
have to paint animals, bear deer, moose.
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You know what I usually do.
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I buy vile life magazine.
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I'm sorry to say that because, and
then when you see animal, it's hard
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to go in the Bush and find the bear.
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You might never meet him.
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You know, bears are there, but to
meet them, it's very difficult.
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But, but I do use the, I moved
the, the foot surround, you
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know, like, uh, uh, a bear.
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If he stands this way, you can
easily, easily lift up that one
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part and put it on top of his stub.
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Or you make him standing up and
making bear claws on the tree.
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You see all those things
you can, you can do.
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If you are a creator, you
are, you are an artist.
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You have to create illusions.
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We have to make it happen.
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See, um, if you can't do it, you
should try piano pain because
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I think it is very simple.
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I hope if you watch me in the future,
I wants to get in more to animals too.
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And I don't give a learn a lot.
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So I will go on with my
almighty little horsey.
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And you see, as a sample here, if you.
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You goofed sometime I would say
this, this is not see this foot,
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00:15:31,949 --> 00:15:36,990
or this is too to watch you just
move, move it to via a little bit.
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You see, can you see, see
how you move the background?
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See, and then they have diabetes.
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And so you wouldn't even
see what's happened there.
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You can, correct.
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I think that's what we have to
do something, but like, this
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seems to be a bit too low.
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You see, I can easily, he
lifted up a little bit.
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Can you see what you can do now?
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Veteran vet, you can remove it.
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You can add it.
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And that makes it too easy to see and
then just dial it in and leave it.
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00:16:09,530 --> 00:16:14,660
I, you think it should be done here that
wants to show him that bone movement
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here, that this has a kind of a.
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Angular there and here
it's just no detail.
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It's so far the vibe, the
hardest is so far to the right.
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00:16:28,815 --> 00:16:33,705
Uh, see, even here I goofed on
this, there should be a bit lower Z.
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00:16:33,975 --> 00:16:38,175
Just move it there and give
him that Vista bit lore there.
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00:16:39,225 --> 00:16:40,815
No, you see how easy you can.
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Correct.
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And this is what you will have to do when
you paint animals, you will always have
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to correct some time, but most impossible.
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I pain men on earth right now, whom
and I have lots of figures and, and,
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uh, animals, trees all together.
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And there's obvious as I move on moved
order and put it higher, but lower and
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fishermen have been the same, have the
same light and then everything works good.
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He know, make it darker and the need
there depends on what Natalie wants to
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give him because there are some hardest,
they have such a powerful, long neck.
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00:17:21,919 --> 00:17:23,540
Then there's the other type of a horse.
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I can say the names, but they are chart.
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00:17:26,089 --> 00:17:30,500
They avoid cars, they have clumsy
foods and there's a horse for rent.
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They have long legs.
229
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A little bit longer than the other horses.
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So you don't have to worry too much.
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You see, I, I, this horse, this is a right
kind of approach under the gun, you know?
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So I stretch them out.
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Maybe make them just chest a bit
more here and then at the knee then.
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No, no, we got them come you're right
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there you are.
236
00:18:00,044 --> 00:18:04,784
Just the corrections now, but I
do correct them, correct them.
237
00:18:07,514 --> 00:18:14,054
See, and then you can let them disappear
in the grass, the foot, the, you can
238
00:18:14,054 --> 00:18:16,004
create the kind of a grass there.
239
00:18:18,935 --> 00:18:27,004
So this, uh, this, you don't have to
fiddle around with the hoofs here.
240
00:18:27,215 --> 00:18:27,635
No.
241
00:18:29,475 --> 00:18:30,675
Show the other side.
242
00:18:45,304 --> 00:18:46,324
that's the mother horse.
243
00:18:47,880 --> 00:18:51,600
And there's other little devil,
runny, like crazy shaking
244
00:18:51,600 --> 00:18:54,630
his head, shaking his head.
245
00:18:55,560 --> 00:18:58,170
That's the baby horse
and you know, BB horses.
246
00:18:59,850 --> 00:19:00,720
Oh boy.
247
00:19:00,750 --> 00:19:01,680
He's fighting off.
248
00:19:02,310 --> 00:19:03,150
He's fighting.
249
00:19:04,260 --> 00:19:07,950
He plays the accuracy that they're
applying to the act for you.
250
00:19:18,284 --> 00:19:19,395
See what he's doing.
251
00:19:19,575 --> 00:19:25,794
He kicks cakes and that tail is flying.
252
00:19:30,985 --> 00:19:32,445
just gone.
253
00:19:32,445 --> 00:19:34,784
Greazy there in the grass
254
00:19:39,165 --> 00:19:41,325
and the watchful eyes of mama.
255
00:19:49,460 --> 00:19:50,420
usually young harvest.
256
00:19:50,420 --> 00:19:54,220
They have show up, they have
wants to run and the hair
257
00:19:54,260 --> 00:19:58,700
flying, let the hair fly there.
258
00:20:00,080 --> 00:20:05,090
The is his hair flying, put the
character and put in whatever
259
00:20:05,090 --> 00:20:10,610
your field and I might've feeling
of, of a little young, new life.
260
00:20:11,445 --> 00:20:12,075
And hardest.
261
00:20:12,075 --> 00:20:16,185
There really can be so wonderful
that soundbar it's nice fat.
262
00:20:18,945 --> 00:20:19,335
Okay.
263
00:20:20,795 --> 00:20:21,275
Chicken.
264
00:20:22,145 --> 00:20:26,045
The, and this happened in that background.
265
00:20:26,045 --> 00:20:30,575
There, there is a, there's
a fence post standing here.
266
00:20:32,345 --> 00:20:33,275
There's a fence post.
267
00:20:33,275 --> 00:20:34,265
And in there.
268
00:20:40,250 --> 00:20:40,669
Yeah.
269
00:20:41,570 --> 00:20:48,620
And he hits that fence
post and, and no, no.
270
00:20:48,649 --> 00:20:51,889
I would like to split it a little bit.
271
00:21:01,605 --> 00:21:04,475
Z give them that MIT
fire, whatever you think.
272
00:21:05,015 --> 00:21:06,635
That's what makes it so nice.
273
00:21:07,175 --> 00:21:09,815
And the stomach is a little bit too low.
274
00:21:10,055 --> 00:21:13,235
I feel you see how I connect it.
275
00:21:14,255 --> 00:21:15,425
So it's no problem.
276
00:21:15,995 --> 00:21:19,205
You can, our vice vibe out and correct it.
277
00:21:23,645 --> 00:21:25,325
No, we really got that face.
278
00:21:25,325 --> 00:21:25,925
Right.
279
00:21:26,850 --> 00:21:30,900
It's a happy little
devil, happy little devil.
280
00:21:36,710 --> 00:21:37,100
Okay.
281
00:21:43,754 --> 00:21:48,095
C and D skis.
282
00:21:48,125 --> 00:21:52,715
You can have that horse lady, but
in the water there, it is reflects a
283
00:21:52,715 --> 00:21:55,534
little bit because it just happened.
284
00:21:55,534 --> 00:22:01,955
It's a reflection and there's
something dark there, uh, had comes up.
285
00:22:02,130 --> 00:22:02,280
Okay.
286
00:22:15,230 --> 00:22:19,940
See that becomes the life
comes life and becomes funny.
287
00:22:21,740 --> 00:22:22,730
It becomes funny.
288
00:22:24,290 --> 00:22:29,240
And now in the water, move it, move
it all a little bit around that
289
00:22:29,270 --> 00:22:31,430
big horse and on that small horse.
290
00:22:32,445 --> 00:22:37,395
Now you can put a little bit of
happy waterlines in to that invoice.
291
00:22:37,835 --> 00:22:38,074
Yeah.
292
00:22:43,185 --> 00:22:45,304
Bit more movements to watch the horse.
293
00:22:46,145 --> 00:22:48,965
See, because when the horse steps
in the water, the whole water
294
00:22:48,965 --> 00:22:51,395
was crossed a little bit violent.
295
00:22:52,925 --> 00:22:54,064
Don't leave a dead.
296
00:22:55,085 --> 00:22:56,585
Uh, here.
297
00:22:58,889 --> 00:23:05,280
So, you know, we were kind of a little
better shoreline, little better shoreline,
298
00:23:05,790 --> 00:23:08,370
but after color I will pull in there.
299
00:23:15,350 --> 00:23:15,980
SI
300
00:23:20,870 --> 00:23:21,250
okay.
301
00:23:21,820 --> 00:23:23,149
I will pull in there.
302
00:23:36,050 --> 00:23:42,770
the, then, then you, you, you can
have some funny fences standing there.
303
00:23:44,330 --> 00:23:46,280
I would say here is a big one.
304
00:23:46,820 --> 00:23:48,979
He had just close on this side.
305
00:23:51,229 --> 00:23:52,610
Make it more interesting.
306
00:23:52,639 --> 00:23:54,679
There's a big fence post ending there.
307
00:23:55,320 --> 00:23:58,770
The comparing to the distance
to the horse, I would say it
308
00:23:58,770 --> 00:24:00,630
would be that we have to learn.
309
00:24:00,870 --> 00:24:03,960
You have to know that there's
a certain, certain feeling.
310
00:24:04,140 --> 00:24:08,030
See the horse there, a little
horse, a bit further, even smaller.
311
00:24:08,070 --> 00:24:09,510
It's a small horse anyway.
312
00:24:09,870 --> 00:24:13,680
And now the fence posts here on
this side, the horse who is a fence
313
00:24:13,680 --> 00:24:15,120
post is the height of a horse.
314
00:24:15,300 --> 00:24:18,090
That means I got to make that
fence post so much higher.
315
00:24:18,600 --> 00:24:19,530
The inviter.
316
00:24:20,820 --> 00:24:24,000
And that's the same when you
paint houses and buildings.
317
00:24:24,209 --> 00:24:30,120
But I usually do when I paint that I would
always paint a door and I paint people,
318
00:24:30,719 --> 00:24:35,820
the people, the size of the people, they
have to go through that door, close to
319
00:24:35,820 --> 00:24:39,120
the door, but then they come from, as
far as they get bigger, bigger, bigger,
320
00:24:39,449 --> 00:24:44,370
you now you take all this, what you have
already and see that in order to do that.
321
00:24:44,985 --> 00:24:46,335
Then you cannot fail.
322
00:24:46,725 --> 00:24:51,045
Try to learn that I paid it
to menu animals and horses and
323
00:24:51,325 --> 00:24:55,635
different things, but you got
to have the perspective, right.
324
00:24:55,665 --> 00:24:56,565
That has to be done.
325
00:24:56,605 --> 00:24:56,895
Right.
326
00:24:56,925 --> 00:25:01,115
Otherwise it, it doesn't make sense here.
327
00:25:01,295 --> 00:25:07,775
Maybe we have a, uh, one fence
post here, one fence post here.
328
00:25:08,105 --> 00:25:09,935
It is broken down.
329
00:25:11,105 --> 00:25:13,445
See, it's on this side.
330
00:25:15,540 --> 00:25:20,399
Just to show some kind of a
front beginning of, of whatever.
331
00:25:20,879 --> 00:25:25,050
And I've where I've highlighted.
332
00:25:25,710 --> 00:25:35,510
I would say highlighted on that side,
highlighted from that side here,
333
00:25:40,610 --> 00:25:42,500
highlight is from that side.
334
00:25:47,555 --> 00:25:48,635
yeah, nice.
335
00:25:48,635 --> 00:25:54,605
That turns out, pushed a bit, pushed
a bit longer, but the first hour that
336
00:25:54,605 --> 00:25:59,915
makes a nice fence and put kind of a
reddish head on that looks obvious.
337
00:25:59,915 --> 00:26:00,245
Good.
338
00:26:00,605 --> 00:26:01,985
A little red head.
339
00:26:04,725 --> 00:26:06,945
And they just cap, it looks Arbus good.
340
00:26:07,155 --> 00:26:11,985
Now underneath usually we're fence
posts are there's gas grouse very
341
00:26:11,985 --> 00:26:17,595
much, you know, put, put bit more
grass on there, more grass on there.
342
00:26:17,865 --> 00:26:18,915
Uh, that's good.
343
00:26:19,125 --> 00:26:22,245
See here the same and that what it is.
344
00:26:22,875 --> 00:26:25,005
What do you think you should do?
345
00:26:25,065 --> 00:26:30,045
I think, I think I just blend in
that little bit of horizon line.
346
00:26:30,899 --> 00:26:35,699
See like this, let us
go right into the sky.
347
00:26:35,909 --> 00:26:42,389
Then we give the hardest, so much land,
so much life, so much, so much distance.
348
00:26:42,959 --> 00:26:49,949
And that's all you can, you can
really do a little bit of a highlight.
349
00:26:50,090 --> 00:26:50,510
Yeah.
350
00:26:59,340 --> 00:27:01,440
Dead dead.
351
00:27:01,800 --> 00:27:02,370
And that's it.
352
00:27:03,120 --> 00:27:04,260
You see something new?
353
00:27:04,740 --> 00:27:05,850
I hope you enjoyed it.
354
00:27:06,389 --> 00:27:07,470
And thank you for watching.
End .srt file.
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