Monday, December 14, 2020

UNKNOWN Season, Episode, Mile High - AVAILABLE

Bill Alexander's

The Magic of Oil Painting


UNKNOWN Season, Episode, Mile High - AVAILABLE

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Begin .srt file.

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Yeah, our mighty magic right.


2

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Is on.


3

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And I see the clothes moving to the moan

and clothes and moving to the mountain


4

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time, you will see a part of the moon.


5

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Then you'll visit clothes,

moving in and clothes moving


6

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off and gangsters appear things.


7

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Come up.


8

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If you have that on your mind,

you know, roughly what you want.


9

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So it would be a part of a mountain

scene and the desert Pearson and


10

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close it comes to all of the clothes.


11

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Again, gets into the clouds again.


12

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So let's make a happy

Pena at that happy sky.


13

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I, where I really, he was

flashing blue and a little


14

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touch of our lives in Crimson.


15

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And here we were, see, this will

be a bit of a bluish sounding


16

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like DAS, maybe, maybe, but black.


17

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It should have a bit of a Misty feeling.


18

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Black into that.


19

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You know, we have de

Carlos in here in Luke.


20

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He is, looks very dark, but when we

got that on here, it's very different.


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He they're less habitat.


22

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Right?


23

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Good.


24

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And there's so much paint in the brush.


25

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There's so much paint in that brush.


26

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You just have to touch.


27

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It's hard that you have to touch his

lighter just to get the movements you see.


28

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I was just cloudy moving movements,

moving movements up there.


29

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And then Adidas, you see

clouds moving through.


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You're part of


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wonderful.


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You just try to see clouds first.


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In my mind as the mighty cloud is

moving by the know, no, then you


34

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create the highlights, you create

the openings and you close it up


35

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and you open it up dang hours.


36

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You're next to God.


37

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And with all your power, with

all your might, you really do


38

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all those wonderful things.


39

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Uh, that's one the first day.


40

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there's so much paint in the brush.


41

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It's not the amazing.


42

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See, it depends on in the beginning.


43

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You don't touch too hard.


44

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I need other Lauder

exciting movements there.


45

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Put the movements in first and

then receive what happened.


46

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Okay.


47

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Now I will use my little fan brush

or my big friend, bro, and the Tetra.


48

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Right.


49

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And I will bring out certain.


50

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he know you knew you need your

knife, your magic knife, and


51

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you take some heavy heart pain.


52

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Put it over here.


53

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And Mexicans kind of a far of

iron mountain color, the distance,


54

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I would say it's 20 Myers.


55

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That's in blue.


56

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I listened to Crimson

and the touch of black.


57

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That's the same color.


58

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It's more or less, but you

move it, move, you mix it.


59

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So it's not, it looks like Marvin.


60

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And I would say here, it's

kind of a mountain movement.


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It's too light.


62

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It's too light.


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So I put more black end.


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And more blue and, and more, uh, I

in Crimson and you see how I turned


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it over and makes us throw it.


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And it's just beautiful now.


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I hope I hope.


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Yeah, that's good.


69

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That's good.


70

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it depends on what you want to show.


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Now, I want to show a

part of that mountain


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and that ass has to

disappear in the clouds.


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He, no, he, he was a bitter fight and

the little touch of blue, he makes


74

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it up here like this, and we were


75

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a bit more VITAS, a bit

too blue, but more right.


76

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It's amazing.


77

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You see, when you mix, you.


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You don't know exactly, but when

you put it on, then, you know,


79

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that's, that's just what they want.


80

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And that's perfect.


81

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Yeah.


82

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It's probably a bit of

flight hits that mountain


83

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Yeah.


84

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Oh, that's nice.


85

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That's nice.


86

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she just dream, but

then to buy good thing.


87

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You would like to see it?


88

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No, he was a fan brush and we

will, uh, blended in, he make it.


89

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So that comes into the clouds.


90

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And when the clouds come up, you see it

as just watch, watch, watch her knife


91

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just blended and let it disappear.


92

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And you too.


93

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E I didn't down my pain with magic.


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Right.


95

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And we were, he was right.


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And


97

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he, and let it disappear into the

dog, uh, disappear into the dark.


98

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That's the wonderful thing.


99

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How you can work that out.


100

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Look at that.


101

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He in here, here.


102

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Yeah.


103

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That's cloud is coming up there.


104

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Wonderful.


105

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Okay.


106

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Up to you that I might be creative power

makes you so itchy makes you so, so


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God, it's a wonderful and so wonderful.


108

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Maybe I, they go up here, go up here, see,

and then here and here, and then you would


109

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rotate it in it and roll it into the dog.


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Curled into the dog.


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Yeah.


112

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Just give them that little bit of a rim.


113

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again, Vite and firing hours

with the highlights there,


114

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or the light comes to best.


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If you want, you can be like, Oh

yeah, let's do it this way too.


116

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Wonderful how you can start

the wonderful movement there.


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Certain mood.


118

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No, we will.


119

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We will get into the same colors here, the

mountain colors, and a little bit of blue.


120

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I pull it from the side

and let it be darker.


121

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There that'd be darker down there.


122

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That'd be darker down there


123

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and just gets blended in nicely.


124

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That's good.


125

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That is good.


126

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See, now the next step.


127

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The next step would be better.


128

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I tell you if you great, always a

highlight there, what they wants to


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do now, I would create a certain,

then I light there, sunlight there.


130

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It was a good, crazy thing.


131

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As more, you repaint as more,

you learn to make that painting.


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Nice.


133

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You know, see, I need,

I need that in there.


134

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I need that.


135

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And you can make it a bit soft.


136

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That whole painting though, that

whole painting, the distance, eats


137

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up colors and eats up details.


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They get rid of details.


139

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Can you see this bit of a

blurring for you reading?


140

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It's just wonderful fifth, so no, no, no.


141

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We were, we were again.


142

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Right, but more over here, black

press and blue lives in Crimson.


143

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They, the most standard colors for

mountain it's light and evening.


144

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You put more the sunshine in, or

depends on what, what light you have.


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You know, I use here.


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See you.


147

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I put that light now.


148

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So that shows you that is

the power of creating this.


149

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You got to learn to, to, to bring the best

out and to bring the best or something.


150

00:10:16,200 --> 00:10:20,490

You put the dog in the back and then the

light power saying, and then I put the


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light and the dark was on top, but you see

it on at you roughly finish in your mind.


152

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See, look at that.


153

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Oh God.


154

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Oh, we were down.


155

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Create a mountain, whatever you

think, whatever you want us to pain.


156

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I have no tolerance.


157

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I live right there.


158

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I should show you a

photograph of my balcony.


159

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That's just beautiful.


160

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Painting the painting one

day, the view from my heart.


161

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See how we bring it together with the

power of clothes close, moving by.


162

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And light and dark and dark

and light, dark and light.


163

00:11:40,949 --> 00:11:47,319

He no very create a little bit of.


164

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Bit of yellow and white, the little touch

of here, Lou, maybe a little touch of


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orange even, but see that's the color.


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It's just kind of a creamy,

sunny call her neighbor, like to


167

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have a little bit of sunshine.


168

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Hadn't there.


169

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E.


170

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there's an esteem in the back that is in

the shed door could be in the, and here


171

00:12:28,714 --> 00:12:32,645

we show a little part of sunshine and, uh,


172

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I don't want to play it on here too much.


173

00:12:39,665 --> 00:12:40,834

I would say here.


174

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see now again, use your fan brush and

you, you, you, you watched this move, man.


175

00:13:13,355 --> 00:13:17,495

he just dressed fuzzy and fuzzy and.


176

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I didn't like in life, walk

up and make sure you don't


177

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have too much paint on there.


178

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The, when you put clouds and it's nice

when you don't have too much paint, then


179

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you really can paint on top of that.


180

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See, I make sure I have not too much pain.


181

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Even here.


182

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You just, just use whatever you can.


183

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There, you use this and the.


184

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And this give a bit of a distance feeling

and darker colors and whatever, whatever.


185

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No, we really created certain

rich there in the sunshine.


186

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Wonderful.


187

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He had a little bit of a sunshine

Carter, sunshine, Carter dare.


188

00:14:18,225 --> 00:14:24,285

And then we walk in the sunshine,

always a little bit of orange color into


189

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that orange and the Indian Gallo and

white is a beautiful sunshine color.


190

00:14:30,314 --> 00:14:34,324

Depends on how light or how

the I can roughly see it here.


191

00:14:34,324 --> 00:14:37,895

But I do see that there's just,

it's just a beautiful sunshine.


192

00:14:38,135 --> 00:14:39,115

So, you know, I make a little.


193

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dang, there's an opening somewhere

and that all that clouds there and


194

00:15:00,740 --> 00:15:02,690

the sun hits in that particular spot.


195

00:15:03,920 --> 00:15:04,460

So.


196

00:15:19,430 --> 00:15:20,990

ah, boy, look at that.


197

00:15:21,650 --> 00:15:26,630

No, no, but the little bit of blue

invite, but with blue and white, you


198

00:15:26,630 --> 00:15:28,580

just give him a little highlights there.


199

00:15:28,910 --> 00:15:32,720

Little highlights here,

little highlights there.


200

00:15:33,564 --> 00:15:36,555

You just give him a little

bit, it's more daylight.


201

00:15:36,885 --> 00:15:37,875

It is not sunshine.


202

00:15:37,875 --> 00:15:39,584

This is the sunshine spot.


203

00:15:40,094 --> 00:15:41,354

And here you just, uh,


204

00:15:44,464 --> 00:15:47,375

show a little bit of a

highlight there in the mountain.


205

00:15:48,454 --> 00:15:49,084

Yeah.


206

00:15:50,785 --> 00:15:51,395

Yeah.


207

00:15:54,724 --> 00:15:59,255

He, no, again, again, try to create this.


208

00:15:59,655 --> 00:16:03,045

There's power there and I can

only do it with the light.


209

00:16:03,285 --> 00:16:05,295

I will put the other light in here.


210

00:16:05,325 --> 00:16:07,185

You see, I had it.


211

00:16:08,055 --> 00:16:10,245

Can you see what that

did to that mountain?


212

00:16:10,455 --> 00:16:12,555

And it redo it to this mountain.


213

00:16:12,705 --> 00:16:15,225

I watched this shoe and

they put the little bit of


214

00:16:16,245 --> 00:16:18,165

clouds and or light in there.


215

00:16:20,445 --> 00:16:21,585

He just too much pain.


216

00:16:21,825 --> 00:16:27,944

But I do know first I take the paint

off, eh, First, they take the paint


217

00:16:27,944 --> 00:16:38,025

off and then I use it then the paint it

thin it down a little bit with magic.


218

00:16:38,055 --> 00:16:38,714

Right.


219

00:16:39,224 --> 00:16:40,785

And watch what happened now.


220

00:16:40,844 --> 00:16:42,125

Oh.


221

00:16:42,724 --> 00:16:44,505

Oh, look at that.


222

00:16:45,015 --> 00:16:47,594

There's a little bit of a

missed line in that Valley.


223

00:16:47,594 --> 00:16:48,045

There


224

00:16:53,555 --> 00:16:55,295

could that always create that?


225

00:16:56,055 --> 00:17:00,075

That really make you a beautiful,

beautiful mountain scene.


226

00:17:00,885 --> 00:17:06,605

Obviously the fog in the, in

the lowest, uh, what did I say?


227

00:17:06,605 --> 00:17:10,745

The rain in Spain, it's

always in the plane.


228

00:17:10,745 --> 00:17:11,974

It's always in the know.


229

00:17:12,484 --> 00:17:16,655

And the other thing, that's the same

thing here as I was in the Lord.


230

00:17:16,685 --> 00:17:19,625

You see a little bit of fuzz there.


231

00:17:21,515 --> 00:17:22,474

If he wasn't dead.


232

00:17:23,599 --> 00:17:25,440

If I wouldn't have done

it, it would be dead.


233

00:17:25,649 --> 00:17:26,700

And I wants to sell it.


234

00:17:26,849 --> 00:17:28,889

He wants to make that

on my ID, happy buck.


235

00:17:29,220 --> 00:17:32,310

And that's more, you put

excitement into that mountain.


236

00:17:32,490 --> 00:17:34,590

People are ready when they

come and see that painting.


237

00:17:34,590 --> 00:17:38,399

They have the money already in their

hand, and I want that painting.


238

00:17:38,460 --> 00:17:39,419

It's so itchy.


239

00:17:39,659 --> 00:17:40,560

I can't help.


240

00:17:41,389 --> 00:17:42,770

Good, good, good.


241

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So I can't help this.


242

00:17:44,629 --> 00:17:45,780

I do like what I do.


243

00:17:47,270 --> 00:17:47,659

Good.


244

00:18:04,430 --> 00:18:05,420

maybe like that.


245

00:18:05,510 --> 00:18:06,020

That's good.


246

00:18:06,800 --> 00:18:13,850

He know we create the other, Oh,

let's create the other, uh, cloud


247

00:18:14,120 --> 00:18:16,310

other clouds for my big brush.


248

00:18:17,070 --> 00:18:17,460

Well here.


249

00:18:21,120 --> 00:18:26,780

Now you create the other

clouds, the clouds there.


250

00:18:27,410 --> 00:18:29,580

Yeah, yeah, yeah,


251

00:18:38,420 --> 00:18:38,570

yeah.


252

00:18:38,570 --> 00:18:39,410

That's wonderful.


253

00:18:40,660 --> 00:18:41,750

It makes you excited.


254

00:18:41,750 --> 00:18:42,290

I bet you.


255

00:18:43,844 --> 00:18:45,375

And the touch of 10 down.


256

00:18:45,614 --> 00:18:47,205

I didn't it down with magic, right?


257

00:18:47,235 --> 00:18:51,435

Because it didn't the paint for stick on

a ticket paint again here, the philosophy,


258

00:18:51,735 --> 00:18:57,364

the, the, I need that a little bit of

extra rim there, a little extra rim there.


259

00:19:00,695 --> 00:19:02,435

I believe it's an XRM.


260

00:19:31,985 --> 00:19:36,215

Oh, that the clouds walked

by in the wonderful.


261

00:19:43,790 --> 00:19:47,210

gang bitter fight so

that he didn't down here.


262

00:19:47,210 --> 00:19:53,140

I don't have to worry too much, even

you and make him a bit more movement,


263

00:19:53,150 --> 00:19:56,150

bit more cloud, but more he see here.


264

00:19:56,630 --> 00:20:00,770

He, this is what makes it

nice, but more cloud movement.


265

00:20:07,790 --> 00:20:12,980

there's always a light into the

dog and then late into the dogs


266

00:20:13,520 --> 00:20:15,199

and then that'll get dark again.


267

00:20:15,679 --> 00:20:18,879

And then you were just blended

into a dream within, and,


268

00:20:19,360 --> 00:20:22,520

and off you go, uh, fuel


269

00:20:34,050 --> 00:20:39,450

No, we were, we were

getting it down again.


270

00:20:39,660 --> 00:20:40,260

That magic.


271

00:20:40,260 --> 00:20:40,890

Right.


272

00:20:41,550 --> 00:20:46,310

And we were, we were, we

were hiding this again here.


273

00:20:46,370 --> 00:20:48,020

Oh, powerful.


274

00:20:48,440 --> 00:20:53,120

Given our mighty power for

the loca, all the details.


275

00:20:53,120 --> 00:20:57,860

He just makes it details,

details, details.


276

00:20:59,330 --> 00:21:00,650

Uh, leave it there.


277

00:21:01,695 --> 00:21:02,955

Let be the dark horse.


278

00:21:02,955 --> 00:21:03,915

Don't cover my lap.


279

00:21:08,594 --> 00:21:16,844

You know, you, you, you, you,

you black dude and you mix our


280

00:21:16,844 --> 00:21:20,024

mighty mountain color again.


281

00:21:21,435 --> 00:21:26,145

And no, we were, we

were, Oh, look at that.


282

00:21:45,500 --> 00:21:47,000

I love to paint like that.


283

00:21:47,060 --> 00:21:49,790

There's so much power, so much excitement.


284

00:21:51,170 --> 00:21:52,070

It's a living.


285

00:21:52,100 --> 00:21:53,330

That's good living.


286

00:21:54,170 --> 00:21:55,490

That's good living.


287

00:21:57,149 --> 00:21:58,260

That's powerful living.


288

00:21:58,260 --> 00:22:02,450

You feel your breath and

your range and Oh God.


289

00:22:09,260 --> 00:22:09,980

See,


290

00:22:14,240 --> 00:22:16,220

I hope you feel the same thing.


291

00:22:19,700 --> 00:22:24,200

Get your ease loud now

and get excited and fire.


292

00:22:24,200 --> 00:22:24,500

And.


293

00:22:25,800 --> 00:22:30,870

Hey friend and makes it nice.


294

00:22:31,860 --> 00:22:32,790

I just put it in.


295

00:22:33,600 --> 00:22:34,020

Excellent.


296

00:22:34,230 --> 00:22:39,260

So sometime you can have a guy

standing there looking into the Valley


297

00:22:39,620 --> 00:22:41,669

and whatever, whatever, whatever.


298

00:22:59,370 --> 00:23:02,910

Not too much paint on you still

get the dog in with the brush,


299

00:23:02,970 --> 00:23:04,290

spread it out, spit it out.


300

00:23:04,650 --> 00:23:06,840

And you just fire it in the highlights.


301

00:23:07,230 --> 00:23:16,650

And then in no time and no time you, you,

you, you, you got it here everywhere.


302

00:23:16,650 --> 00:23:21,990

Maybe add a little bit

of sunshine, sun patches.


303

00:23:24,449 --> 00:23:29,820

And details the details, the let the

pain break, that heart pain does it.


304

00:23:30,419 --> 00:23:30,960

Oh God.


305

00:23:30,960 --> 00:23:31,830

It does a good job.


306

00:23:31,860 --> 00:23:32,399

Look at that.


307

00:23:33,179 --> 00:23:34,439

And that's fantastic.


308

00:23:36,060 --> 00:23:40,199

Just the way you attach it, don't use

the soft pain then, then you forget it.


309

00:23:40,199 --> 00:23:41,100

Forget it.


310

00:23:41,100 --> 00:23:43,320

That it never, it never do it.


311

00:23:43,919 --> 00:23:45,060

Did this paint.


312

00:23:45,300 --> 00:23:48,000

See whatever you find

paint and art stores.


313

00:23:48,000 --> 00:23:49,199

What we're breaking for.


314

00:23:49,199 --> 00:23:51,270

You ever do the right job.


315

00:23:54,270 --> 00:23:54,810

See


316

00:24:06,449 --> 00:24:09,149

now we have such a devil

of a distance debt.


317

00:24:09,840 --> 00:24:11,189

That's really, really nice.


318

00:24:11,459 --> 00:24:12,870

Really, really nice.


319

00:24:27,680 --> 00:24:34,840

and now if you want to, we can show aimed

down far away and down there for way and


320

00:24:34,850 --> 00:24:38,060

down there, he can show little things.


321

00:24:42,050 --> 00:24:44,300

the trees are standing in the Valley.


322

00:24:44,300 --> 00:24:46,700

You can see either trees there.


323

00:24:57,290 --> 00:25:00,590

not wonderful how we can

see all that on the 14th.


324

00:25:00,590 --> 00:25:00,860

There.


325

00:25:05,840 --> 00:25:11,610

He look down, you're standing on door

stones and you look down and  Riley and


326

00:25:11,800 --> 00:25:19,850

the far right threes and into the close

to them, but make it shorter just to stand


327

00:25:19,850 --> 00:25:22,970

up, always, always this type of a lines.


328

00:25:23,180 --> 00:25:26,720

Then in your mind, you feel that

three terms standing there, you see.


329

00:25:27,435 --> 00:25:32,525

So, no, you just wash it

in and let it back in.


330

00:25:32,525 --> 00:25:36,285

And then the bed and the, this all

has to be fussed in and then you bet.


331

00:25:37,235 --> 00:25:37,955

Yeah.


332

00:25:42,995 --> 00:25:43,145

Yeah.


333

00:25:43,155 --> 00:25:48,785

As far as any little bit like this, he

just sharp detest the distance, then


334

00:25:48,815 --> 00:25:52,355

eat it up and then you can just watch.


335

00:25:52,625 --> 00:25:53,675

There's just a good move.


336

00:25:54,210 --> 00:25:55,620

Just go over the horse thing.


337

00:25:55,620 --> 00:26:00,570

You guys go over the horse thing and

let that be in the mud, in the fuzz.


338

00:26:00,570 --> 00:26:08,870

And, and there come up and be

stronger, stronger, stronger, strong.


339

00:26:08,890 --> 00:26:12,920

Again, C I a.


340

00:26:14,465 --> 00:26:16,925

Yeah, leave it, leave it, let it pier.


341

00:26:16,955 --> 00:26:21,655

Can you see now how you see N for

you're standing here, you're logging


342

00:26:21,665 --> 00:26:25,805

Andrew that virally down there over

the clouds, into the next movement.


343

00:26:26,015 --> 00:26:27,515

Enter a little bit of a sunshine.


344

00:26:27,695 --> 00:26:30,845

There's a little bit of a

spot, whatever it is there.


345

00:26:31,115 --> 00:26:36,005

And then after the other mountain,

and this can be fuzzy in at,


346

00:26:36,005 --> 00:26:38,945

at weakest, but soften it up.


347

00:26:42,165 --> 00:26:43,965

No then for you.


348

00:26:43,965 --> 00:26:44,805

Good job.


349

00:26:45,465 --> 00:26:46,365

You enjoyed it.


350

00:26:47,115 --> 00:26:48,225

That is wonderful.


351

00:26:48,765 --> 00:26:51,555

I thank you for watching

me dreaming power.


352

00:26:53,505 --> 00:26:53,865

Bye bye.


End .srt file.


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FREE DOWNLOAD - BILL ALEXANDER'S THE MAGIC OF OIL PAINTING - SUBTITLES! DOWNLOAD HERE!

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