Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Mile High - AVAILABLE
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Yeah, our mighty magic right.
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Is on.
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And I see the clothes moving to the moan
and clothes and moving to the mountain
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time, you will see a part of the moon.
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Then you'll visit clothes,
moving in and clothes moving
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off and gangsters appear things.
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Come up.
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If you have that on your mind,
you know, roughly what you want.
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So it would be a part of a mountain
scene and the desert Pearson and
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close it comes to all of the clothes.
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Again, gets into the clouds again.
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So let's make a happy
Pena at that happy sky.
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I, where I really, he was
flashing blue and a little
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touch of our lives in Crimson.
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And here we were, see, this will
be a bit of a bluish sounding
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like DAS, maybe, maybe, but black.
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It should have a bit of a Misty feeling.
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Black into that.
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You know, we have de
Carlos in here in Luke.
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He is, looks very dark, but when we
got that on here, it's very different.
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He they're less habitat.
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Right?
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Good.
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And there's so much paint in the brush.
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There's so much paint in that brush.
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You just have to touch.
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It's hard that you have to touch his
lighter just to get the movements you see.
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I was just cloudy moving movements,
moving movements up there.
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And then Adidas, you see
clouds moving through.
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You're part of
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wonderful.
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You just try to see clouds first.
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In my mind as the mighty cloud is
moving by the know, no, then you
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create the highlights, you create
the openings and you close it up
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and you open it up dang hours.
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You're next to God.
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And with all your power, with
all your might, you really do
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all those wonderful things.
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Uh, that's one the first day.
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there's so much paint in the brush.
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It's not the amazing.
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See, it depends on in the beginning.
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You don't touch too hard.
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I need other Lauder
exciting movements there.
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Put the movements in first and
then receive what happened.
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Okay.
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Now I will use my little fan brush
or my big friend, bro, and the Tetra.
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Right.
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And I will bring out certain.
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he know you knew you need your
knife, your magic knife, and
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you take some heavy heart pain.
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Put it over here.
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And Mexicans kind of a far of
iron mountain color, the distance,
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I would say it's 20 Myers.
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That's in blue.
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I listened to Crimson
and the touch of black.
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That's the same color.
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It's more or less, but you
move it, move, you mix it.
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So it's not, it looks like Marvin.
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And I would say here, it's
kind of a mountain movement.
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It's too light.
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It's too light.
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So I put more black end.
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And more blue and, and more, uh, I
in Crimson and you see how I turned
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it over and makes us throw it.
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And it's just beautiful now.
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I hope I hope.
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Yeah, that's good.
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That's good.
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it depends on what you want to show.
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Now, I want to show a
part of that mountain
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and that ass has to
disappear in the clouds.
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He, no, he, he was a bitter fight and
the little touch of blue, he makes
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it up here like this, and we were
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a bit more VITAS, a bit
too blue, but more right.
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It's amazing.
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You see, when you mix, you.
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You don't know exactly, but when
you put it on, then, you know,
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that's, that's just what they want.
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And that's perfect.
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Yeah.
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It's probably a bit of
flight hits that mountain
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Yeah.
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Oh, that's nice.
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That's nice.
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she just dream, but
then to buy good thing.
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You would like to see it?
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No, he was a fan brush and we
will, uh, blended in, he make it.
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So that comes into the clouds.
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And when the clouds come up, you see it
as just watch, watch, watch her knife
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just blended and let it disappear.
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And you too.
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E I didn't down my pain with magic.
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Right.
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And we were, he was right.
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And
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he, and let it disappear into the
dog, uh, disappear into the dark.
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That's the wonderful thing.
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How you can work that out.
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Look at that.
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He in here, here.
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Yeah.
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That's cloud is coming up there.
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Wonderful.
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Okay.
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Up to you that I might be creative power
makes you so itchy makes you so, so
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God, it's a wonderful and so wonderful.
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Maybe I, they go up here, go up here, see,
and then here and here, and then you would
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rotate it in it and roll it into the dog.
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Curled into the dog.
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Yeah.
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Just give them that little bit of a rim.
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again, Vite and firing hours
with the highlights there,
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or the light comes to best.
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If you want, you can be like, Oh
yeah, let's do it this way too.
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Wonderful how you can start
the wonderful movement there.
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Certain mood.
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No, we will.
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We will get into the same colors here, the
mountain colors, and a little bit of blue.
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I pull it from the side
and let it be darker.
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There that'd be darker down there.
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That'd be darker down there
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and just gets blended in nicely.
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That's good.
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That is good.
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See, now the next step.
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The next step would be better.
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I tell you if you great, always a
highlight there, what they wants to
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do now, I would create a certain,
then I light there, sunlight there.
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It was a good, crazy thing.
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As more, you repaint as more,
you learn to make that painting.
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Nice.
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You know, see, I need,
I need that in there.
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I need that.
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And you can make it a bit soft.
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That whole painting though, that
whole painting, the distance, eats
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up colors and eats up details.
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They get rid of details.
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Can you see this bit of a
blurring for you reading?
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It's just wonderful fifth, so no, no, no.
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We were, we were again.
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Right, but more over here, black
press and blue lives in Crimson.
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They, the most standard colors for
mountain it's light and evening.
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You put more the sunshine in, or
depends on what, what light you have.
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You know, I use here.
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See you.
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I put that light now.
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So that shows you that is
the power of creating this.
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You got to learn to, to, to bring the best
out and to bring the best or something.
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You put the dog in the back and then the
light power saying, and then I put the
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light and the dark was on top, but you see
it on at you roughly finish in your mind.
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See, look at that.
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Oh God.
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Oh, we were down.
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Create a mountain, whatever you
think, whatever you want us to pain.
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I have no tolerance.
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I live right there.
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I should show you a
photograph of my balcony.
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That's just beautiful.
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Painting the painting one
day, the view from my heart.
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See how we bring it together with the
power of clothes close, moving by.
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And light and dark and dark
and light, dark and light.
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He no very create a little bit of.
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Bit of yellow and white, the little touch
of here, Lou, maybe a little touch of
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orange even, but see that's the color.
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It's just kind of a creamy,
sunny call her neighbor, like to
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have a little bit of sunshine.
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Hadn't there.
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E.
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there's an esteem in the back that is in
the shed door could be in the, and here
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we show a little part of sunshine and, uh,
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I don't want to play it on here too much.
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I would say here.
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see now again, use your fan brush and
you, you, you, you watched this move, man.
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he just dressed fuzzy and fuzzy and.
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I didn't like in life, walk
up and make sure you don't
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have too much paint on there.
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The, when you put clouds and it's nice
when you don't have too much paint, then
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you really can paint on top of that.
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See, I make sure I have not too much pain.
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Even here.
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You just, just use whatever you can.
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There, you use this and the.
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And this give a bit of a distance feeling
and darker colors and whatever, whatever.
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No, we really created certain
rich there in the sunshine.
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Wonderful.
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He had a little bit of a sunshine
Carter, sunshine, Carter dare.
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And then we walk in the sunshine,
always a little bit of orange color into
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that orange and the Indian Gallo and
white is a beautiful sunshine color.
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Depends on how light or how
the I can roughly see it here.
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But I do see that there's just,
it's just a beautiful sunshine.
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So, you know, I make a little.
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dang, there's an opening somewhere
and that all that clouds there and
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the sun hits in that particular spot.
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So.
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ah, boy, look at that.
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No, no, but the little bit of blue
invite, but with blue and white, you
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just give him a little highlights there.
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Little highlights here,
little highlights there.
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You just give him a little
bit, it's more daylight.
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It is not sunshine.
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This is the sunshine spot.
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And here you just, uh,
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show a little bit of a
highlight there in the mountain.
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Yeah.
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Yeah.
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He, no, again, again, try to create this.
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There's power there and I can
only do it with the light.
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I will put the other light in here.
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You see, I had it.
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Can you see what that
did to that mountain?
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And it redo it to this mountain.
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I watched this shoe and
they put the little bit of
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clouds and or light in there.
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He just too much pain.
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But I do know first I take the paint
off, eh, First, they take the paint
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off and then I use it then the paint it
thin it down a little bit with magic.
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Right.
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And watch what happened now.
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Oh.
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Oh, look at that.
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There's a little bit of a
missed line in that Valley.
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There
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could that always create that?
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That really make you a beautiful,
beautiful mountain scene.
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Obviously the fog in the, in
the lowest, uh, what did I say?
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The rain in Spain, it's
always in the plane.
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It's always in the know.
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And the other thing, that's the same
thing here as I was in the Lord.
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You see a little bit of fuzz there.
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If he wasn't dead.
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If I wouldn't have done
it, it would be dead.
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And I wants to sell it.
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He wants to make that
on my ID, happy buck.
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And that's more, you put
excitement into that mountain.
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People are ready when they
come and see that painting.
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They have the money already in their
hand, and I want that painting.
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It's so itchy.
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I can't help.
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Good, good, good.
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So I can't help this.
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I do like what I do.
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Good.
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maybe like that.
245
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That's good.
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He know we create the other, Oh,
let's create the other, uh, cloud
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other clouds for my big brush.
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Well here.
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Now you create the other
clouds, the clouds there.
250
00:18:27,410 --> 00:18:29,580
Yeah, yeah, yeah,
251
00:18:38,420 --> 00:18:38,570
yeah.
252
00:18:38,570 --> 00:18:39,410
That's wonderful.
253
00:18:40,660 --> 00:18:41,750
It makes you excited.
254
00:18:41,750 --> 00:18:42,290
I bet you.
255
00:18:43,844 --> 00:18:45,375
And the touch of 10 down.
256
00:18:45,614 --> 00:18:47,205
I didn't it down with magic, right?
257
00:18:47,235 --> 00:18:51,435
Because it didn't the paint for stick on
a ticket paint again here, the philosophy,
258
00:18:51,735 --> 00:18:57,364
the, the, I need that a little bit of
extra rim there, a little extra rim there.
259
00:19:00,695 --> 00:19:02,435
I believe it's an XRM.
260
00:19:31,985 --> 00:19:36,215
Oh, that the clouds walked
by in the wonderful.
261
00:19:43,790 --> 00:19:47,210
gang bitter fight so
that he didn't down here.
262
00:19:47,210 --> 00:19:53,140
I don't have to worry too much, even
you and make him a bit more movement,
263
00:19:53,150 --> 00:19:56,150
bit more cloud, but more he see here.
264
00:19:56,630 --> 00:20:00,770
He, this is what makes it
nice, but more cloud movement.
265
00:20:07,790 --> 00:20:12,980
there's always a light into the
dog and then late into the dogs
266
00:20:13,520 --> 00:20:15,199
and then that'll get dark again.
267
00:20:15,679 --> 00:20:18,879
And then you were just blended
into a dream within, and,
268
00:20:19,360 --> 00:20:22,520
and off you go, uh, fuel
269
00:20:34,050 --> 00:20:39,450
No, we were, we were
getting it down again.
270
00:20:39,660 --> 00:20:40,260
That magic.
271
00:20:40,260 --> 00:20:40,890
Right.
272
00:20:41,550 --> 00:20:46,310
And we were, we were, we
were hiding this again here.
273
00:20:46,370 --> 00:20:48,020
Oh, powerful.
274
00:20:48,440 --> 00:20:53,120
Given our mighty power for
the loca, all the details.
275
00:20:53,120 --> 00:20:57,860
He just makes it details,
details, details.
276
00:20:59,330 --> 00:21:00,650
Uh, leave it there.
277
00:21:01,695 --> 00:21:02,955
Let be the dark horse.
278
00:21:02,955 --> 00:21:03,915
Don't cover my lap.
279
00:21:08,594 --> 00:21:16,844
You know, you, you, you, you,
you black dude and you mix our
280
00:21:16,844 --> 00:21:20,024
mighty mountain color again.
281
00:21:21,435 --> 00:21:26,145
And no, we were, we
were, Oh, look at that.
282
00:21:45,500 --> 00:21:47,000
I love to paint like that.
283
00:21:47,060 --> 00:21:49,790
There's so much power, so much excitement.
284
00:21:51,170 --> 00:21:52,070
It's a living.
285
00:21:52,100 --> 00:21:53,330
That's good living.
286
00:21:54,170 --> 00:21:55,490
That's good living.
287
00:21:57,149 --> 00:21:58,260
That's powerful living.
288
00:21:58,260 --> 00:22:02,450
You feel your breath and
your range and Oh God.
289
00:22:09,260 --> 00:22:09,980
See,
290
00:22:14,240 --> 00:22:16,220
I hope you feel the same thing.
291
00:22:19,700 --> 00:22:24,200
Get your ease loud now
and get excited and fire.
292
00:22:24,200 --> 00:22:24,500
And.
293
00:22:25,800 --> 00:22:30,870
Hey friend and makes it nice.
294
00:22:31,860 --> 00:22:32,790
I just put it in.
295
00:22:33,600 --> 00:22:34,020
Excellent.
296
00:22:34,230 --> 00:22:39,260
So sometime you can have a guy
standing there looking into the Valley
297
00:22:39,620 --> 00:22:41,669
and whatever, whatever, whatever.
298
00:22:59,370 --> 00:23:02,910
Not too much paint on you still
get the dog in with the brush,
299
00:23:02,970 --> 00:23:04,290
spread it out, spit it out.
300
00:23:04,650 --> 00:23:06,840
And you just fire it in the highlights.
301
00:23:07,230 --> 00:23:16,650
And then in no time and no time you, you,
you, you, you got it here everywhere.
302
00:23:16,650 --> 00:23:21,990
Maybe add a little bit
of sunshine, sun patches.
303
00:23:24,449 --> 00:23:29,820
And details the details, the let the
pain break, that heart pain does it.
304
00:23:30,419 --> 00:23:30,960
Oh God.
305
00:23:30,960 --> 00:23:31,830
It does a good job.
306
00:23:31,860 --> 00:23:32,399
Look at that.
307
00:23:33,179 --> 00:23:34,439
And that's fantastic.
308
00:23:36,060 --> 00:23:40,199
Just the way you attach it, don't use
the soft pain then, then you forget it.
309
00:23:40,199 --> 00:23:41,100
Forget it.
310
00:23:41,100 --> 00:23:43,320
That it never, it never do it.
311
00:23:43,919 --> 00:23:45,060
Did this paint.
312
00:23:45,300 --> 00:23:48,000
See whatever you find
paint and art stores.
313
00:23:48,000 --> 00:23:49,199
What we're breaking for.
314
00:23:49,199 --> 00:23:51,270
You ever do the right job.
315
00:23:54,270 --> 00:23:54,810
See
316
00:24:06,449 --> 00:24:09,149
now we have such a devil
of a distance debt.
317
00:24:09,840 --> 00:24:11,189
That's really, really nice.
318
00:24:11,459 --> 00:24:12,870
Really, really nice.
319
00:24:27,680 --> 00:24:34,840
and now if you want to, we can show aimed
down far away and down there for way and
320
00:24:34,850 --> 00:24:38,060
down there, he can show little things.
321
00:24:42,050 --> 00:24:44,300
the trees are standing in the Valley.
322
00:24:44,300 --> 00:24:46,700
You can see either trees there.
323
00:24:57,290 --> 00:25:00,590
not wonderful how we can
see all that on the 14th.
324
00:25:00,590 --> 00:25:00,860
There.
325
00:25:05,840 --> 00:25:11,610
He look down, you're standing on door
stones and you look down and Riley and
326
00:25:11,800 --> 00:25:19,850
the far right threes and into the close
to them, but make it shorter just to stand
327
00:25:19,850 --> 00:25:22,970
up, always, always this type of a lines.
328
00:25:23,180 --> 00:25:26,720
Then in your mind, you feel that
three terms standing there, you see.
329
00:25:27,435 --> 00:25:32,525
So, no, you just wash it
in and let it back in.
330
00:25:32,525 --> 00:25:36,285
And then the bed and the, this all
has to be fussed in and then you bet.
331
00:25:37,235 --> 00:25:37,955
Yeah.
332
00:25:42,995 --> 00:25:43,145
Yeah.
333
00:25:43,155 --> 00:25:48,785
As far as any little bit like this, he
just sharp detest the distance, then
334
00:25:48,815 --> 00:25:52,355
eat it up and then you can just watch.
335
00:25:52,625 --> 00:25:53,675
There's just a good move.
336
00:25:54,210 --> 00:25:55,620
Just go over the horse thing.
337
00:25:55,620 --> 00:26:00,570
You guys go over the horse thing and
let that be in the mud, in the fuzz.
338
00:26:00,570 --> 00:26:08,870
And, and there come up and be
stronger, stronger, stronger, strong.
339
00:26:08,890 --> 00:26:12,920
Again, C I a.
340
00:26:14,465 --> 00:26:16,925
Yeah, leave it, leave it, let it pier.
341
00:26:16,955 --> 00:26:21,655
Can you see now how you see N for
you're standing here, you're logging
342
00:26:21,665 --> 00:26:25,805
Andrew that virally down there over
the clouds, into the next movement.
343
00:26:26,015 --> 00:26:27,515
Enter a little bit of a sunshine.
344
00:26:27,695 --> 00:26:30,845
There's a little bit of a
spot, whatever it is there.
345
00:26:31,115 --> 00:26:36,005
And then after the other mountain,
and this can be fuzzy in at,
346
00:26:36,005 --> 00:26:38,945
at weakest, but soften it up.
347
00:26:42,165 --> 00:26:43,965
No then for you.
348
00:26:43,965 --> 00:26:44,805
Good job.
349
00:26:45,465 --> 00:26:46,365
You enjoyed it.
350
00:26:47,115 --> 00:26:48,225
That is wonderful.
351
00:26:48,765 --> 00:26:51,555
I thank you for watching
me dreaming power.
352
00:26:53,505 --> 00:26:53,865
Bye bye.
End .srt file.
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