Bill Alexander's

The Magic of Oil Painting

Season 8, Episode 6, Island Eve - AVAILABLE

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you think I'm a good singer?

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I try so hard.

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Red his sons that kind of his

sons, that ID I have right now.

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And you draw, you know, in my mind, I

draw this, find this, find this because

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I paint many, many paintings on TV

and I would love to have something

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new, but then there's still a sunset

still is on the rise or it's still a

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rain or snow or whatever, whatever.

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But then I tried to

make it as new as I can.

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It's up to you, but the idea is

I show you a technique and I show

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you that our mighty creative power.

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And I think that's the

main thing, creative power.

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What we got for you got, you

don't know even what you got.

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TIG it and do it.

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And that's a wonderful thing.

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Don't have to be painting.

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I have a summer camp now where I

built houses on top of other house,

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other house and what a beautiful view.

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And I was my way it's looked funny was

my wife and I enjoyed that creative

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power men on earth, obviously.

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The power of my mind to creator.

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I help you create you give

me this wonderful world and

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I will only make it better.

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I will not destroy it.

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And that's a wonderful thing.

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Now we have to put that on my team magic.

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Usually on every painting is that magic.

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Vi's got to be on the sometime.

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I do it before the show.

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Forgive me.

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I don't want to show you all this.

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Just look at that as visa time, we

have to put that magic right on that is

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invite, but I mix into it is related to

our pain, to our DeCarlos, to the oil,

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whatever, whatever, whatever we have.

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See now I got, don't put too much on if

you put too much on you, ground yourself

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and not enough is not good either.

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See like that and then wash your brush

actually to make sure you have it dried.

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I, what I usually do, I make

sure I have a dry brush.

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See dry brush, get into my rattle box and

then go over again with the dry brush.

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And then you take off it's too much.

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You see now as just a right?

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The amount of magic read on now.

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Don't forget when I have my other

shows I usually put on before,

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because I don't want to bother you.

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I always think, you know, with already.

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So in between every obvious do it again.

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Good.

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Now the colors, they will be kind

of Indian, yellow, Indian, yellow.

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Indian Indian, yellow, beautiful

color, beautiful color.

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I condition my canvas to

us that our mighty sunset.

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And it's always nice when you have a

sunset and water and depends on what you

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squeeze out of that sunset that see here,

here, here, here, here, depending on what

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you want to squeeze out of that sunset.

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Just have that all around color.

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And first I would say I would have

the sun and have water here and

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have the sun maybe here somewhere.

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Now I have to make it darker.

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I can use, I can use the Indian, uh,

Pella green touch of Taylor green

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Peregrine for Indian gallery was good.

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Here.

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You can have a look with it.

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Happy, happy.

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Maybe I do it here too.

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Turtle green, happy turtle green.

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And fired and thank you

about the son will be here.

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I will.

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And I fired him through the

water dead and no, I've heard it.

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I will ha I haven't traveled.

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I haven't tired.

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Yes, sir.

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No, sir.

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But the blue Taylor blue

Taylor green pay the blue.

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He, and I move into us via

the sun is here somewhere.

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And I go from the outside in once I

have the tail of green tele blue, and

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let's see how the colors work out.

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See what I do.

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I just touch it a little bit.

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And then I fire in from this

side, or this is the darker side

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and that will be the green side.

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That's where we, the light side.

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And then we will see what we see.

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We'll see what we see.

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He, what we see, but more but more

but more of that blue, I would

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say there is the horizon line.

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Not much paint, not much paint.

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Yeah, I started barking out.

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So this, the light would be here.

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The light is still here.

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Now that you can see the lightest.

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I only have to make it darker

in order to get that light out.

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See what I do.

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I try to squeeze that light out there.

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Now I try to watch, I will get my

fan brush and I will make that blue,

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that, that kind of a darker sky

behind watch what I do make sure

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first the brushes dry a bit of blue.

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Had a green, they do CodeHS and

maybe I tried to create four by four.

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by putting that dark on

this became light around.

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Can you see that like crazy how it works

sometime in my classes, sometime I had

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to say, I want you to have it light.

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I have, then I said, put dark on.

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And the students looked at me,

they would say the guy's crazy.

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It's just the nature of things.

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We have no paint meat, but gives us that

our mighty light, what we want these

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at highest, highest can only come if we

have dark as dark, as dark around here.

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And then, and then there, then all

over the country you see now all

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it was on becomes light there and

I didn't do nothing to make it.

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I just put that little bit of dark

on there, started to understand that.

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And when do you, when you get it,

then you say this was simpler.

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Does we have to create illusion.

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The light is color is only so light

and we cannot make it lighter.

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We try, we try, we can make it

lighter, but soon you put the dark on.

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It appears lighter.

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Oh, look at that, dude.

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Get lighter.

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See if I want to have this lighter

now than have to make it all

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darker, darker, darker, darker.

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See, so I ready to go here a little

bit darker here, a little bit

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darker here, a little bit darker.

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I created the sky, but

that's a good lesson.

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It, see, that's a good lesson.

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Now I can, can create whatever I want.

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So having that light there, I will make

it just finished that up right now.

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Clean brush always make sure

you have a nice, happy, clean

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brush, Indian, yellow, and white.

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Now I keep as white, as

much white as I can see.

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You know what?

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That's all I can get.

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She cleaned my brush again.

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This is all I can yet.

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I have no more.

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There's a touch of Indian gala invite

and that's just all around the sun,

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uh, around the sun.

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See, but don't go too

far because it's obvious.

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Get dirty.

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As soon as you touch, this

is already dark and dirty.

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So I cleaned my brush again.

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Clean my brush again, and go

in here again and attach your

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Indian, yellow and my right.

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See there.

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And then you use, maybe here would be nice

if I can get the little hole in there,

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but have movements, but of movements.

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see, that's all I get.

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Now, if I want to have it lighter

than what I would have to do,

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I have to make this darker.

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It's all of this.

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If everyone know, I can go a

little bit, like this pulled.

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Leave the paint on and pull a

little bit down like sun rays.

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You can see it, but it's kind of a feeling

by doing this kind of brush strokes.

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And here we can go the other way.

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Okay, good.

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And if you want to show insight

things, you can do it like this.

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Sometimes it's just good to have a.

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that just happened is clouds

and the sun comes to there.

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Okay, good.

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We leave this guy alone.

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But other words, if I want to have

this lighter than this, got to be

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darker and that's all we can do,

there is no other way of doing it.

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I wish we could find a way of doing it.

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So as an artist, We want

too many Vanny things.

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When I paint deers animals, you know, like

a deer jumping over the fence, or, and

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then I wish I could make a zoo right over.

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You only can make it

Joe or so or so or so.

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And that's it.

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We are stuck.

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See, and then you have to make that

appearance he's jumped in the wind, in

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his hair or the, the movement on his body.

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There's it looks like it is moving.

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It's not standing stairs.

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Good.

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No, we will fire that same

thing into the water there.

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Fire the same thing into the

water, I would say here is

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the same movement of dare.

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Just turn off.

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Really.

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but then as the water ends,

I can use a bit more blue.

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Dare the here I can have a happy

ending by having it more seed than

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then you see it just divorce and the

color of the divorce and the feet.

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It gives you that little bit

of, of a beginning of whatever.

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That's the beginning of the divorce there.

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He, and I just brushed it out too.

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I just have that there kind of a fall.

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He in the middle of there condense it,

enrich what driver he said to be bit

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of loose movements, loose movements.

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Yes.

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Nice.

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Sometime just have it a bit

loose, which is not dead.

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I would say in what sits still

and lays down becomes morally.

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Okay.

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Sometimes the guy sits down

too early and then he dies.

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It's finished.

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But as long as you move, as long as you

got fresh air in your body, as long as you

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can clean yourself, it's all life in here.

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This is kind of a cleaning

process on moving.

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It's moving.

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This movie is not dead and the

dead and that's mother earth.

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The student that to mother

earth is rotating forever.

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See, everything was moves.

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It's a life.

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Can you see now?

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Then you can tell your kid don't sleep

too long, get bad Greta, happy son.

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There's a sun waiting for you.

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And even whenever you go to the beach

or applying the sand or do something,

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he will dance the sunshine in there.

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The no here on the other side,

that's just get that roughly

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into the water.

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You can use your big brush now, make sure

it's dry and clean, and then you can have

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this, this kind of movements in the water.

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See that?

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I don't know why it looks like water than

if you just do it like this and then yeah.

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See N that wander for no, we will

have just something different.

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I will have black and earn a lot of paint.

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I bring lot.

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Look what I do.

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Look what I do here.

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Having lots of paint black.

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Prussian blue into the SAB green.

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I grab half of that SAP green and

I have a dark, dark, dark color,

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WhatsApp, green and black and blue.

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And I conditioned my brush.

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I trained my brush.

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I train my theoretic.

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Can you see how I condition my brush?

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The now I tried to do it on my palette.

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So let's see what, what outcome?

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Not too bad.

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She due to another pilot and I

know what the outcome would be.

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I would say I will hit there,

hit there and there and there and

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there and there and there seeing is

believing is not seen as believing.

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Can you saw how I trained my brush

that big brush can do almost.

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Whatever you want, if you talk nice to

that brush and macabre as a joke and my

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students, I was Sydney put that on my D

brush, fell in love with them, and then

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you can do all those wonderful things.

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You will never make a

better tree than that.

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If you want that type of a tree,

even the same, but leave trees.

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Then I ever wants to have a leaf tree.

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Then I would, I don't want to mess

up my canvas now, but I ever show

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you ever show you in the long run.

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See the, the movements,

the movements of my brush.

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He no ever make an educated that

was not the educators through

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this time ever make an educator.

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What I do, I do it like

I take a good look.

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Can you see it?

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It's also dark here.

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The I move it like this.

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Can you see the brushes

crooked is crooked.

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Can you see crooked?

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So I want some, uh, movement.

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I go like this, watch this, this, this

death, death, death, death, death.

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See, can you see?

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And they have all the detailed stare.

250

00:16:43,245 --> 00:16:47,745

Stock now I will move it into the water.

251

00:16:48,885 --> 00:16:56,235

I don't want to destroy too much of my

nice guy there in the water, but the

252

00:16:56,235 --> 00:16:58,305

reflection on reflection, you can't help

253

00:17:04,115 --> 00:17:05,494

look at that, then have nice.

254

00:17:06,754 --> 00:17:07,744

And the knife.

255

00:17:11,445 --> 00:17:13,775

No create the horizon line.

256

00:17:14,075 --> 00:17:24,755

I use my fan brush and I will have a

tailor blue freshen blue and the touch of

257

00:17:24,785 --> 00:17:29,165

my dog there and ever use my fan brush.

258

00:17:29,195 --> 00:17:37,145

And I set the tier this

far away, but I inline.

259

00:17:43,520 --> 00:17:44,510

so is it nice?

260

00:17:44,960 --> 00:17:50,030

Just, just cry with that, play

with that and cry with that.

261

00:17:50,300 --> 00:17:54,760

Thank God is coming to watch you

to, as he, and then naturally

262

00:17:54,830 --> 00:17:56,450

we'll come closer here too.

263

00:17:57,260 --> 00:17:59,480

They have a little bit of a set off here.

264

00:18:08,175 --> 00:18:08,775

SI,

265

00:18:13,385 --> 00:18:17,945

I should have done it before I did this,

but I showed you how you shouldn't do it.

266

00:18:19,355 --> 00:18:19,835

You see.

267

00:18:22,335 --> 00:18:23,955

It's always nice if you do next comes.

268

00:18:23,955 --> 00:18:24,524

Next comes.

269

00:18:24,524 --> 00:18:25,455

Next comes next.

270

00:18:25,725 --> 00:18:28,245

In this case, I got too excited

and I want to show you that

271

00:18:28,245 --> 00:18:30,195

three and then I catch myself.

272

00:18:30,405 --> 00:18:31,245

Now I have to paint.

273

00:18:31,395 --> 00:18:32,295

See what I do now.

274

00:18:32,415 --> 00:18:34,695

Then I go over again and go.

275

00:18:34,975 --> 00:18:39,885

If you have done this before this,

you wouldn't have no problem.

276

00:18:40,004 --> 00:18:43,785

Now I created myself a

nice, happy throbbing.

277

00:18:44,399 --> 00:18:46,080

But it's good for teaching.

278

00:18:46,110 --> 00:18:50,729

You know, a teacher should show you

the mistakes you do sometime too.

279

00:18:51,120 --> 00:18:51,929

And that's good.

280

00:18:52,139 --> 00:18:53,639

That is good teaching.

281

00:18:53,830 --> 00:18:56,580

I have to talk to myself,

know how good I am now.

282

00:18:56,580 --> 00:18:57,479

I was not good.

283

00:18:57,689 --> 00:19:00,629

I should have done this before I did that.

284

00:19:01,500 --> 00:19:04,890

You understand, but he, the

teacher can make mistakes.

285

00:19:05,070 --> 00:19:05,880

No problem.

286

00:19:06,390 --> 00:19:07,350

So what's wrong.

287

00:19:07,620 --> 00:19:10,350

Anyway, I know I can show

you how we get out of that.

288

00:19:11,140 --> 00:19:14,800

You hear maybe give him a

little bit of reflection, just a

289

00:19:14,800 --> 00:19:17,850

little bit of reflection there.

290

00:19:19,710 --> 00:19:21,030

See that's good.

291

00:19:23,100 --> 00:19:30,989

And, and we very, very, very use

our mighty knife and I use bit of

292

00:19:31,469 --> 00:19:39,239

Indian Yaron Vite here and create

the fuck away shoreline there.

293

00:19:41,879 --> 00:19:48,000

shoreline there, how I

do it and that wander.

294

00:19:58,175 --> 00:20:00,845

And a knife is not nice.

295

00:20:16,565 --> 00:20:17,915

He laid that.

296

00:20:22,754 --> 00:20:28,094

It has such a distance, just,

uh, just, uh, markets will just,

297

00:20:28,094 --> 00:20:30,074

your, your unfeeling are good.

298

00:20:30,104 --> 00:20:35,084

You know, if you feel, you see you

see it and you don't see it, and it's

299

00:20:35,084 --> 00:20:41,685

an oil painting, this is it's got

to satisfy your side first, Dennis.

300

00:20:41,685 --> 00:20:42,524

No problem.

301

00:20:43,844 --> 00:20:44,925

There's no problem.

302

00:20:51,705 --> 00:20:53,295

No nicest little scratches.

303

00:20:54,075 --> 00:20:55,875

They have you sorted out so much.

304

00:21:00,195 --> 00:21:02,865

So then this, this is nice.

305

00:21:03,855 --> 00:21:05,055

This is nice.

306

00:21:06,285 --> 00:21:07,695

Now we can give them a copy.

307

00:21:08,415 --> 00:21:10,125

We can give them a copy.

308

00:21:11,084 --> 00:21:12,405

Highlights there.

309

00:21:12,495 --> 00:21:13,725

Couple highlights there.

310

00:21:14,205 --> 00:21:18,675

Couple of highlights there, like

Fisher jumping or water's breaking

311

00:21:18,855 --> 00:21:23,175

or animals are ducking down.

312

00:21:23,925 --> 00:21:29,314

See, they have to do, they show you

my mistake in order not to have that

313

00:21:29,314 --> 00:21:32,645

mistake, I will just close in a bit more.

314

00:21:32,645 --> 00:21:33,814

He see, look at that.

315

00:21:34,264 --> 00:21:36,845

How easy it was to close it up.

316

00:21:37,145 --> 00:21:38,135

Can you see now?

317

00:21:39,120 --> 00:21:40,230

You saw my mistake.

318

00:21:40,260 --> 00:21:44,700

Maybe it's good to show you that sometimes

we all do that, but as long as you get it

319

00:21:44,730 --> 00:21:50,220

done and get out of that, that's the whole

reason of, of creating things the same.

320

00:21:50,250 --> 00:21:52,450

You build a house and I was on your stock.

321

00:21:52,450 --> 00:21:53,160

Cause they were at the house.

322

00:21:53,490 --> 00:21:55,320

As long as you can fix it.

323

00:21:55,910 --> 00:21:56,960

Don't worry.

324

00:21:56,990 --> 00:21:58,160

Everything is fine.

325

00:22:01,310 --> 00:22:03,230

Nice long lines in the water.

326

00:22:05,175 --> 00:22:07,365

Oh, he did come common.

327

00:22:07,365 --> 00:22:07,935

Nice.

328

00:22:07,935 --> 00:22:09,075

Happy painting.

329

00:22:09,945 --> 00:22:10,425

Nice.

330

00:22:10,425 --> 00:22:11,535

Happy painting.

331

00:22:12,195 --> 00:22:14,565

No, we put some three tongues in there

332

00:22:19,655 --> 00:22:20,375

is he,

333

00:22:27,275 --> 00:22:31,205

there is sometime you are very happy

to make a scratch or watch this.

334

00:22:38,265 --> 00:22:40,755

True habits here too.

335

00:23:00,450 --> 00:23:00,960

Good.

336

00:23:02,210 --> 00:23:09,410

And if you want, and you can, you can

add a little bit of, of power there.

337

00:23:09,410 --> 00:23:14,390

If you feed on the bottom,

it might do, but good to you.

338

00:23:16,430 --> 00:23:23,840

Yeah, it makes it, the life is

a bit of a cross move, but makes

339

00:23:23,840 --> 00:23:27,440

it like barky at this, uh, the.

340

00:23:31,080 --> 00:23:39,530

It just looser and it will see the street

line is something too hard or too, too.

341

00:23:39,580 --> 00:23:41,030

It bothers you.

342

00:23:41,870 --> 00:23:43,490

And then there's this kind of movement.

343

00:23:43,490 --> 00:23:44,629

They are just perfect.

344

00:23:45,230 --> 00:23:46,879

But you have to have a steady hand.

345

00:23:46,910 --> 00:23:49,580

Nice to, to go along with that too.

346

00:23:56,000 --> 00:23:56,450

SI.

347

00:24:08,540 --> 00:24:09,050

look at that.

348

00:24:09,160 --> 00:24:09,860

That's wonderful.

349

00:24:10,129 --> 00:24:15,290

How fast you can have your

movements there, knowing the voter.

350

00:24:15,590 --> 00:24:21,680

You, you, you, you, you just pull

it down again, put it down again.

351

00:24:21,740 --> 00:24:23,540

See all the long lines coming down.

352

00:24:23,750 --> 00:24:25,490

Make sure you have a clean brush.

353

00:24:26,250 --> 00:24:29,399

Yeah, but I make sure I

have a nice clean brush

354

00:24:33,020 --> 00:24:35,240

and not too much paint on either.

355

00:24:36,830 --> 00:24:37,190

Go ahead.

356

00:24:37,399 --> 00:24:37,850

Go ahead.

357

00:24:38,090 --> 00:24:38,360

Go ahead.

358

00:24:38,720 --> 00:24:38,990

Yeah.

359

00:24:39,710 --> 00:24:44,060

See then you watch this,

you make the side moves.

360

00:24:45,290 --> 00:24:46,580

Can you see it blurring?

361

00:24:46,610 --> 00:24:48,200

Beautiful blurring there.

362

00:24:49,440 --> 00:24:50,940

It's like water all of a sudden.

363

00:24:51,450 --> 00:24:56,280

And if he really wants to have

it nicer and more exciting ever

364

00:24:56,280 --> 00:25:02,340

show you something, then you, you,

you, you become done mighty tiger.

365

00:25:03,660 --> 00:25:06,590

McClean, dive, brush

again, and I will pull it.

366

00:25:06,680 --> 00:25:09,980

And from here, see, I go from here.

367

00:25:11,850 --> 00:25:13,460

That's a beautiful movie.

368

00:25:13,820 --> 00:25:14,450

Take a look.

369

00:25:15,540 --> 00:25:21,960

Status to move C and then then bit

more here or written more sometime

370

00:25:22,020 --> 00:25:24,030

you pull it out and start in.

371

00:25:24,690 --> 00:25:26,310

C can you see that?

372

00:25:26,310 --> 00:25:28,320

That is what will sell your paintings?

373

00:25:30,060 --> 00:25:34,980

E no, I move it around from left to right.

374

00:25:45,735 --> 00:25:50,385

That was good, but it should

be straight, make it straight.

375

00:25:51,495 --> 00:25:54,284

And if you have it here a

little bit dirty, don't worry.

376

00:25:54,284 --> 00:25:56,355

I'll show you how you, how you fix that.

377

00:25:56,774 --> 00:26:02,564

The now we have to use the water lines

and go into the wherever you done it up.

378

00:26:02,834 --> 00:26:04,245

See there.

379

00:26:10,550 --> 00:26:15,740

isn't that wonderful how easy you can

create this wonderful thing there.

380

00:26:20,150 --> 00:26:20,720

see.

381

00:26:22,100 --> 00:26:23,000

There you are.

382

00:26:26,810 --> 00:26:27,890

and that is it.

383

00:26:28,910 --> 00:26:33,140

You see a happy painting is left there.

384

00:26:37,590 --> 00:26:37,980

Good.

385

00:26:39,930 --> 00:26:40,710

You enjoyed it.

386

00:26:41,490 --> 00:26:43,650

I had fun and I hope you too.

387

00:26:44,250 --> 00:26:46,110

And I mean, I hope you learn something.

388

00:26:46,110 --> 00:26:46,770

That's the main thing.

389

00:26:47,160 --> 00:26:47,610

Bye, bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

S08E06 Island Eve - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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