Bill Alexander's
The Magic of Oil Painting
Season 9, Episode 5, Hidden Falls - AVAILABLE
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Magic right.
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There's on.
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And the sun is shining and
the birds are singing and we
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start the new subject again.
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Maybe we start a little bit, a
little bit about I never, or very
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seldom talk about our equipment
because we have paint dinner here.
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Every time I ever start to show
you something new, there are always
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some new people come in there.
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Don't know I have a little
screen in my coffee.
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Can there.
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And paint dinner and
have only a half an inch.
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You're painting the over the screen.
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Don't put too much in it.
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Just little things like that.
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We should really start mentioned
in between, because I always think
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of this, you know, with our, but I
have a lot of people that I, then
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they say, I just trust you on.
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I never have seen you before.
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And what the debit.
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I do know.
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So maybe that's what we have to do.
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I put the magic right on.
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And then from now on I mix
because it's the canvas it's vet.
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See the canvas is vet.
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You can see the paint on here on my brush.
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Okay.
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No, I will.
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Subject wise, I would have here,
here, maybe this will we start off.
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I would show not much of a sky.
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I will come down with the sky
like this and maybe here a
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little bit here a little bit.
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Maybe not, maybe.
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Yes, but I just, I don't, I will
have, uh, I will add to that a
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little touch of white and red.
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White and red kind of see the
different colors there, right?
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And the red, white, white, and red, he
fired off and wants to have a dark and
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light and below there and come up, come
up, come up, come up the head area.
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So now I wash my brush and we wear.
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Start cutting.
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That's on mighty pain.
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I will tell you what, this will be.
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The it got to be ready in your mind.
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I run the in to the Canyon and see
far by threes and standing here.
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And big mountain sides are coming down.
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I may brush it out a bit more.
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Big mountain sides are coming in from both
side from high up and then this, I want
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you to have any loop there and that should
be even, even more lighter, more lighter.
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Watch this Z is better if
you have it a bit more.
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Think about your, your, your look
out from there as there any look, and
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then you see the sky and that's it.
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That's it.
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But on the side, big moans were
coming far by threes and all hurt.
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Maybe have a little waterfalls coming
down there and, and stones from deciding.
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Can you see how you, uh, Build
up a painting in your mind when
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it is ready here, it's on dead.
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There's no problem, but I have it
already figured out roughly this.
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I can go through my time.
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Yeah.
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Okay.
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I will.
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I will use maybe the
fan brush in this case.
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I ever have Z.
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Yeah.
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It is black with kind of a gray,
a wants to see trees standing
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in the gray far right there.
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They tried to build it up in your mind.
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And if the tree is all the three,
the other three EFR way in.
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Something like that.
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And now here, we may let a bit
lower cab, a little bit of opening.
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That's the trees you see
here on the best coast.
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If you have a lot of pleases of
America, so big, we have leave trees.
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You can paint the type of trees you
think, but if you don't have the
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mountains, the air and the mountains,
that is the tree he lived with.
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He had a lot, I would say, I would
think, I would think in my mind,
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sun is coming from this side and you
have a little bit of a light in here
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sometime hitting there a little bit.
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there was of light hitting
in there that just be darker.
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He bring it up.
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You as a steak bandmaster, you're
you have a tune, you have a feelings.
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There's whatever you'd like to see there.
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Maybe sometime a bit of a green in
between the, uh, here, here, maybe
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it's the kind of, whatever it is.
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There's so much distance
that you don't know.
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Exactly.
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See,
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maybe here we would have a little
bit of the sun hitting that
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particular tree on the side.
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That's going to the dogs there,
and maybe here he creates a kind
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of a, and this side, like a bit
of a green, green grass of home.
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He then you, you can, you can,
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Steve.
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Yeah.
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All nice sign, kind of, uh,
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it gives you a little bit of, uh,
of, uh, three trunks standing there
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in that distance is the bestest.
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If you do it, like I show
you here, little scratching.
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That's good.
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No problem.
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No,
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even maybe put the Liberty of
color and touch, see what they
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do here at vigil for red and why.
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And, and they would say here, this is
just some kind of a, whatever that is.
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The one with a little bit of a color
and maybe here we come out with colors.
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Hey, yeah, you're on this side here.
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I use red on this side.
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I will use yellow, never used
to get a little color white
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and Indian Gallo is the bright.
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This actually is a nice look at this.
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It's a nice, bright color I
powered in here on this side.
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Yeah, it gives me the shadow
side, the light side here.
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He applied a little game for
yourself and then I wear, I wear
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up here and let the pier there.
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Good, good.
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Now I got that at the far of I
put it up a little bit, so it.
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Stands up?
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No, you use your mighty knife and
I have created kind of a mountain.
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They put lots of heavy, strong,
thick, right up here, black blue.
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This is what I put in there.
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He and I lived in Crimson and
now I will see what I got there.
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I ever see what they got there.
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You fired in on, on this
side, start off at this side.
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There's a mountain coming
down the mountain boy, right?
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Uh, that's called right out of the canvas
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D.
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It's easy, you know, it's just wonderful
to paint like that sometime let it hang
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over a little bit and then it gets killed.
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That's what you see.
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Sometimes you drive through the logging
roads and that mountain is hanging over
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and the road is just coming up here and
going down there to you around there.
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There's like a little shoulder there.
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The, we can do it, even if I can do it.
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Maybe you can see her.
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There's far by the it's a long road coming
down and we would put that logging road
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in this time, because then you would
see how it really is in the mountains.
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It's interesting.
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It's caring and it is dangerous too.
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Sometimes it's always hard.
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When two cars come one opposite
and you have no way of.
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Of passing by then you are in
trouble, then you're in trouble here.
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And I put the highlights on that.
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The song, this is Sunday's side ever use
Indian gathered on Tetra for red and make
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myself a kind of a sunshine color here.
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See how I do it after we do that.
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But more, he got it all.
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I would think wouldn't look nicer and
have a bright, bright, the sun hits here.
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The mountain void.
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Yes.
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Wrote it in like this.
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it's fun to, for nice to live like that.
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He had just talked about the, uh, road
coming out there and you create it now.
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And you're on mine.
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There's a, he, I, you Mustang
sometime there the road builders,
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they have to build it up and
all that to come down there.
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The, no, the rest fire up there.
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Eh, fire up here.
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leave in between done packet.
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If you pack it, then you've
got you get into Toronto.
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Thank that depths and ups
and downs and fours and bags.
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And maybe he'll become a
ride up to that in the road.
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I mean, I had the mountains
coming down there.
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Eh, after the log new road, he here,
here, you can act like you can act like
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even sometime we use a fine brush in this
case, I would have to use a fine brush.
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I am hiding from you.
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And I want to show y'all the good DS,
you know, is this something bad because
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you don't do it on purpose, but you.
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These part time you see the road,
the road here caught me by there.
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He
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pulled it down there and that was
around, around, around then they come up
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sometime you can barely hear it again.
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That comes just at all.
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And then you come back here again.
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If you want to, but leave it alone.
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I just showed you what you can do,
but can be done on this kind of pain.
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Oh, he coming here?
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No.
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And the other side I would use Docker.
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Again, you can see, I put the
same, I put a bit more blue and bit
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more alizarin, Crimson and black.
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And now I come up on this side
and we were calmed down here.
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yeah, that's wonderful.
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How you cut in that?
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Our mighty power and that
mountain coming down there.
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And then you have that friendly and Luke
see it as a friendly and look there.
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And here I come out with the,
let me finish this first.
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Yeah.
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I always have that feeling mountains are
coming down the let, let the movements,
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the movements always somewhere down.
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See
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then you can act taken, do louder,
louder, make believe you play out there.
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I will start creating
a little bit instead.
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See you again, make kind
of a bluish white, gray.
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See, I wanted to have a hoard in
there and then they created the new
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mountain new mountain coming down there.
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I think there's a shadow side, but
can you see that on my D put the.
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Don't ever try to paint with Jupiter.
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Didn't paint because you
cannot get this resolved.
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You need thick, powerful pain.
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See Duke attached, uh,
cries comes down there.
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Do you know against that?
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I've build up for
other right against that.
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I can see here coming up like
this, like this, like this music
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caught right over like this.
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Yes.
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Hey, that what makes it beautiful?
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Ian here, here on this side,
you create that the kind of a
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knee
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that's far further off that's for the app.
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00:15:35,939 --> 00:15:38,310
But we will make it so
that it looks for it off.
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Do you ever use a bit of red, Indian,
yellow and this kind of colors,
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00:15:46,829 --> 00:15:50,459
the, you put it all together and
your eyes will tell you that's the
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view when I see it and I know, yeah,
that's the, they look at this, this,
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look at that and not beautiful.
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Use your own judgment one.
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It's my taste.
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00:16:03,599 --> 00:16:09,290
And it will be your taste, whatever
you, it, it makes you achieve that you
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think it has mixed you feeling deep.
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00:16:12,050 --> 00:16:12,530
There,
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00:16:16,290 --> 00:16:21,079
he there then, and this side that
wants to have a talk about here.
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This is the sunny side and.
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Good.
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Good.
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Good.
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No, we were fired down here again.
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he?
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Power of living power of, of creating.
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I it's such a joy to be alive.
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I tell you.
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You know, here's the sunny
side, there's the shadow side.
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And then you can add
little trees in there.
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I will use a bit of yellow.
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00:17:03,455 --> 00:17:07,325
You will tank yellow
and zap green together.
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The Mexico like that.
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Maybe I hit there a little
bit, wherever that comes from.
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00:17:15,845 --> 00:17:16,295
Yeah.
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Zap green.
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Yeah.
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Uh, and you, you hit here a little bit
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00:17:27,780 --> 00:17:34,620
in the shadow side and you can hit
here the bad that just stick out there.
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See, and then you can have some sun
going through because it could be this,
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this is the distance and this is the
front mountain and it led some rules.
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Some.
242
00:17:48,419 --> 00:17:52,740
Some light through sometime,
and that makes it nice too.
243
00:17:53,810 --> 00:17:54,290
See
244
00:17:59,139 --> 00:18:03,169
here, you really fired in
red, lots of crowd there.
245
00:18:04,070 --> 00:18:10,429
Lots of where I was there, but that's to
me a little bit more dark that's more dog.
246
00:18:10,429 --> 00:18:11,870
See here, here.
247
00:18:11,870 --> 00:18:13,100
We would say that's
248
00:18:16,800 --> 00:18:19,530
And everything really
reflects in that water.
249
00:18:22,730 --> 00:18:22,909
Yeah.
250
00:18:22,909 --> 00:18:27,679
On this side, I will add
this kind of a color there.
251
00:18:30,409 --> 00:18:35,540
And this side I will, I will
add this kind of a color there
252
00:18:39,919 --> 00:18:43,370
it comes in it just nothing but comes in.
253
00:18:44,445 --> 00:18:50,145
The now here we have to work on
it a little bit, a little bit.
254
00:18:51,135 --> 00:18:54,254
I would say, I would say
255
00:19:06,995 --> 00:19:09,455
bit of a gray bit of a gray.
256
00:19:09,465 --> 00:19:10,685
There would be better.
257
00:19:11,800 --> 00:19:17,760
He used that kind of a gray,
let it be very colorful there.
258
00:19:19,350 --> 00:19:24,160
Hey, Dan, you can have
a little bit of, uh, uh,
259
00:19:29,090 --> 00:19:31,340
I would say I would create kind of a.
260
00:19:44,000 --> 00:19:45,140
you can do it with the brush.
261
00:19:45,170 --> 00:19:46,520
You can do it, the knife.
262
00:19:47,060 --> 00:19:48,860
It depends on what mood you are.
263
00:19:50,600 --> 00:19:56,210
Is there some water coming down versus
over the cliff and coming down and
264
00:19:56,210 --> 00:20:00,920
no, he in front will be nice if you
have it a little bit more darker.
265
00:20:02,780 --> 00:20:04,080
Even trust over the hair.
266
00:20:22,640 --> 00:20:23,720
yeah, that's nice.
267
00:20:23,870 --> 00:20:25,790
Now you really start talking.
268
00:20:26,835 --> 00:20:31,575
Fire in whatever you see there fires
right into the water and you got to be,
269
00:20:32,075 --> 00:20:34,415
have a beautiful painting coming off.
270
00:20:35,465 --> 00:20:39,425
The here I kept in the dark a dare.
271
00:20:41,675 --> 00:20:42,215
You must dang.
272
00:20:42,215 --> 00:20:43,925
This throws a shadow on there.
273
00:20:44,255 --> 00:20:46,895
You can run it a bit darker there.
274
00:20:48,085 --> 00:20:48,605
Yeah.
275
00:21:01,375 --> 00:21:04,845
Again, lots of power.
276
00:21:23,420 --> 00:21:25,580
so no, we get the, to get her.
277
00:21:26,450 --> 00:21:33,230
We had to get her ever add a little
bit more that dark here and here.
278
00:21:34,649 --> 00:21:39,330
The title harmonized, I harmonized
with the top there, and now we can
279
00:21:39,750 --> 00:21:47,419
clean the brush and we will make kind
of a, you have to get that green.
280
00:21:47,659 --> 00:21:56,330
And we have that green in here first, too
yellow, yellow, SAP, green, and yellow.
281
00:21:56,720 --> 00:21:58,820
And I created a bit of grout there.
282
00:22:02,175 --> 00:22:07,034
Yeah, created a bit of crowd there and
you can create a bit of more growth on
283
00:22:07,034 --> 00:22:10,274
this side, too, down below in the water,
284
00:22:17,175 --> 00:22:25,274
he had fires in goods here, you
fire him, and then you file it
285
00:22:25,304 --> 00:22:28,395
right into two devoted there.
286
00:22:31,955 --> 00:22:37,324
Yeah, it's just interesting, more
and more and more and more, more
287
00:22:37,324 --> 00:22:40,865
than light, more light, more light.
288
00:22:41,584 --> 00:22:43,564
He here always have to think.
289
00:22:43,895 --> 00:22:47,834
Maybe the sun comes through
better here and there.
290
00:22:47,834 --> 00:22:57,334
And, and then you create this wonderful
movement of the reflection in the water.
291
00:22:59,860 --> 00:23:02,250
You hear, I once to get all that green and
292
00:23:06,840 --> 00:23:09,840
now we have to push all
that green into the water.
293
00:23:11,400 --> 00:23:11,910
Yeah.
294
00:23:13,560 --> 00:23:24,510
E uh, that green is right there in the
water and we will move that water soon.
295
00:23:25,500 --> 00:23:27,149
And then we got it cooking,
296
00:23:31,139 --> 00:23:32,429
but more power up here.
297
00:23:33,080 --> 00:23:36,870
You need some time to show, like
you would think it's a little bit
298
00:23:36,870 --> 00:23:40,380
of sunshine coming through here or
there, wherever the openings are.
299
00:23:40,650 --> 00:23:45,120
It does not only this Vidal is
just open that by two and other to
300
00:23:45,240 --> 00:23:49,410
make that painting your painting,
you create that you create that
301
00:23:49,470 --> 00:23:51,300
you see you, you make it happen.
302
00:23:51,300 --> 00:23:52,830
The sun goes through you.
303
00:23:52,830 --> 00:23:54,240
Thank you, uh, next to God.
304
00:23:54,270 --> 00:23:56,220
And you can do all those wonderful things.
305
00:23:59,294 --> 00:24:00,814
He, that that's what makes a painting.
306
00:24:01,175 --> 00:24:04,155
Otherwise you you're,
you're stuck with your life.
307
00:24:04,395 --> 00:24:04,995
Even here.
308
00:24:04,995 --> 00:24:08,745
I would like to have a little bit
more because I would think it comes
309
00:24:08,985 --> 00:24:11,024
between us two is the opening.
310
00:24:11,324 --> 00:24:15,354
And then maybe here's a little
bit of girl out there on the side.
311
00:24:15,425 --> 00:24:17,115
And Dan, Dan, Dan, Dan there.
312
00:24:17,645 --> 00:24:17,854
Yeah.
313
00:24:17,945 --> 00:24:22,205
No, you, you, you pull it all down.
314
00:24:22,205 --> 00:24:22,715
Nice.
315
00:24:23,310 --> 00:24:25,320
See all that down.
316
00:24:25,320 --> 00:24:25,860
Nice.
317
00:24:26,910 --> 00:24:31,650
If I make your brush clean and you
see what happened now, all of a sudden
318
00:24:32,160 --> 00:24:34,290
you make this kind of beautiful.
319
00:24:34,710 --> 00:24:36,690
You have a nice Valter down there.
320
00:24:37,980 --> 00:24:40,980
I know you, you, you, that's a nice thing.
321
00:24:40,980 --> 00:24:43,980
You know, you'll put the
kind of a shoreline in there.
322
00:24:46,820 --> 00:24:51,230
See, and his Sunday's side.
323
00:24:52,095 --> 00:24:56,205
On his son needs side on
his son side on the street.
324
00:24:58,955 --> 00:25:03,095
And here, I like to put
down as bright as I can.
325
00:25:03,875 --> 00:25:04,595
Yeah.
326
00:25:05,495 --> 00:25:07,445
Come out there, come up with, yeah.
327
00:25:08,435 --> 00:25:09,215
E that's.
328
00:25:09,215 --> 00:25:09,635
Nice.
329
00:25:09,995 --> 00:25:13,025
And here on this side, I will
have a bit of a blue shadow.
330
00:25:13,505 --> 00:25:17,105
He have this kind of a color there.
331
00:25:19,025 --> 00:25:19,305
Yeah.
332
00:25:19,305 --> 00:25:19,685
Yeah.
333
00:25:23,250 --> 00:25:25,190
E how easy that works?
334
00:25:25,520 --> 00:25:33,710
No, you just go on like this and
unlike this and watch what happened.
335
00:25:35,120 --> 00:25:35,660
See,
336
00:25:47,330 --> 00:25:47,960
there you are.
337
00:25:53,360 --> 00:25:54,440
isn't that wonderful.
338
00:25:54,860 --> 00:25:56,720
We come to a happy ending.
339
00:25:57,170 --> 00:26:02,149
And if you want, you can have a little
bit of a water splash there, here, like
340
00:26:02,149 --> 00:26:05,450
the water splashing Dawn, they make it.
341
00:26:05,450 --> 00:26:08,510
So this is kind of a water splash there.
342
00:26:08,990 --> 00:26:10,280
Uh, maybe like that.
343
00:26:13,740 --> 00:26:18,500
That's it how happy we are.
344
00:26:18,800 --> 00:26:23,629
We went right into that mountain and you
have the sunny side, the shadow side,
345
00:26:23,899 --> 00:26:25,820
and right into that, or mighty leak.
346
00:26:25,820 --> 00:26:28,429
And I bet you, there are some
beautiful rainbow trouts.
347
00:26:28,909 --> 00:26:29,360
How about you?
348
00:26:29,360 --> 00:26:30,379
And I have a fishing gear.
349
00:26:31,310 --> 00:26:32,510
Thank you for watching me.
350
00:26:32,929 --> 00:26:33,290
Bye bye.
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