Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Hunters Cabin - AVAILABLE

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Hunter stream, Lou that

wonderful in the cabin.

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But if you look behind that cabin, just

guys go down there and get thrown by a

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deer from the Indians and bring it home.

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And then they have the glory.

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That's what you would put on that canvas.

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The magic of oil painting is made possible

by a grant from Aaron brothers, art marts.

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God, that's our mighty magic, right.

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Is already on the canvas

to counter resist vet.

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And I fire in a little tack of red, but

if he does the little touch of red there,

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Very gently and automatically I mix you

see that solvers and mixing program here.

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I mix it with the white

and it turns out like this.

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They have that kind of

a red tune in there.

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Kind of a reddish tune in

there, and then we will use a

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beautiful Taylor green on top.

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See Linda's touch of Taylor green on top.

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What agenda?

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Call a look at that.

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That is beautiful.

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I liked those colors for some time.

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It's soft, soft, soft D you

can use those kinds of colors.

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Okay.

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But all of us have the ID Vitus

on the canvas and what I really

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do here, I am mixing with that.

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Right.

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That's why that he, that color is so dark.

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If you see it here on the, on

the palette, it is so dark.

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And it turns like that when I touch it,

that means the right is my biggest Harper.

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I was using little, very little

touch of Prussian blue there.

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And if you're happy to.

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Far better there.

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Happy little far West, there is.

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He become out from that blue over,

over the tour cars and to the pain.

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And, and there we have a happy little sky.

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Now we will put the happy little mountain

in again, the paint comes up there and I

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mix very light this time, blue alizarin

Crimson, and it will be a very light.

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Take a look on that.

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How I mixed this one here, here, stress.

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A touch of blue alizarin Crimson.

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And that again, uh, turn it over.

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Could be good enough.

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Let's try it first.

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Let's taste it.

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Yeah, it's good enough.

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It's good enough.

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Okay.

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see something like this.

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If you want, you can have

other little hidden there.

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let's see again, use it on mighty

brush, the big brush clean.

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Make sure you have a dry brush.

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Pull it in to the magic, right.

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Again, they pull it in like this rather

than like this and you get the feeding

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out and like miss missed in that mound

and missed in that long and feared.

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If I see.

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But make sure you have not much

paint on and you have a dry,

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strong pain, very dry and strong.

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Now we will highlight that a little bit.

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You can have a touch touch of red

with advise the texture for red.

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Take a look here, how I do that?

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Just the touch of white

and a touch of red.

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And you make it just like,

off-white you put it down, whatever,

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whatever, whatever, whatever.

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That you can highlight wherever you

want now, wherever you think it could

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be a bit more, but it's the life

don't leave a dead Sunday with dead.

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You got little bit of movement

there, spaces to life.

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No the next step.

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You can, you, if you want to, you,

you, you, you, you can put kind

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of a mist in the mist and the MIS

and the up and down and down and

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not leave it light on the bottom.

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There.

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That's good thing.

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so now the next step, very B you

can use a one inch brush and the

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colors when Dyke Brown and blue

let's let's take a good look here.

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Prussian blue alizarin Crimson.

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When Dyke Brown, mix it into this.

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More than like Brown, more pressing

blue, more or less than Crimson.

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And then roughly you get that

feeling of what you want.

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Oh, that's good.

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See thief.

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I got there.

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Beautiful.

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I can feel it already.

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That is good.

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Where it will harmonize.

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Nice.

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They make us threes can have it

lower, higher, higher, lower,

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lower, higher, higher, lower,

whatever you could think about.

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You're a little back trees

that you put in there.

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again, that

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Look at that.

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It is so far by you.

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Don't worry about three trunks.

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And if you really wants to do something,

use your little fan brush and use

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your fan brush a bigger fan brush and

run in some lines with white paint

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like this, just, just up movements.

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Up movements

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that gives you all that to your

feeling, that something standing up

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there and in between you can easy

give one little bit of movement.

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There, there a bit of a movement,

maybe here, a bit of a movement there.

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. Yeah.

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You know, you get the feeling of

all, just all kinds of grout there.

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All right.

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The next step, the next on might be

step is the next and nighty step is

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a clean brush and I fire him that

our mighty tree that can be big.

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It can be smaller.

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I use the Prussian blue

Vandyke, Brown Taylor green.

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Because they have that green in the

sky that would compliment it more.

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And again, the same philosophy, what

I showed you before and on my showers.

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I ever do it over again because

I think I never do it enough

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because I always knew people tune

in again and they get the new ID.

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So that will be the brush Mickey.

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Good clothes of her was we make you good.

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Good.

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Look, I put this by and in that there's

Taylor green and blue and Vandyke Brown,

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and then I make it like a few region.

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You see, it has that Crocket feeling.

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And then I do a stroke up like

touch and move, touch, and move,

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touch, and move, touch and move.

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That should move.

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SI,

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but DACA did it.

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DACA did

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the same colors.

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I'm always, always happy when

I see this kind of a three

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done and I really concentrate.

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I can make such beautiful branches

because they have trained my hand

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and my brush to do the right job.

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Yeah.

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That's like, that is like that.

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I feel that I put it right on

my canvas, but I'm the fastest

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brushing the best anyways.

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All right, everybody.

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I always finish it up.

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Amish.

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Obviously finish it up there.

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Darker.

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They're always on the

bottom, make it darker.

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So no, the next, the

next next step will be.

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That's happy haunting

house, the Honda's dream.

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I know when I was younger, we did

all kinds of crazy things there.

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As long as we could get in there, there

was food and we had our bottles with us.

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And then we was, we

started off very harmless.

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Very harmless and it ended up,

we have forgotten our hunting

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trip and that was not too good.

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We came home without that big

bear, but that's the fun of it.

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That is the fun of it.

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That is that on mighty fun of it.

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Now here we put the tree trunk and again,

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okay.

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Yeah.

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No, we will highlight that a little

bit with the yellowish tach yellow.

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I leave the brush.

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The right was all that color is

in, and it turns from the yellow,

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the yellow color turns like this.

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The now he can highlight that

from the happiest on this side.

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SI.

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No, he can highlight the rest too.

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He can fire him.

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Yeah.

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Yeah, no, Honda's dream.

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There's a happy hunting

lodge and the lodge.

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So river start here.

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Maybe that's a good spot.

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First you were underneath the roof there.

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See that underneath the roof.

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Now you have, you can see underneath

already one side, then you cut it down.

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Whatever the colors you want, like

this SI kind of down like this.

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the next step.

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See that house on this side, the here

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you have to dank and this direct trim.

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Then you pull a roof over that can be

any color, maybe red and yellow, pull

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together, whatever colors you think and

break it up and say, look what I do.

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Uh, yeah.

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Happy letting the root cause over at happy

hunting lodge, you can make it longer.

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If you want to like this.

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no, you can pull this up underneath.

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Oh, that looks good.

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I was start.

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Yeah, he can put the happy little

vendor in there if you want to

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vendor, but I do it like this.

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Yeah.

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That's odd.

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That's a beautiful vendor.

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There was a time when I made

those vendors so perfect.

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There was the beam and

the curtain on the inside.

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You could see the flowers and I never

could sell him because I learned, he

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leaves somebody for the imagination

of whoever buys the painting.

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That's a beautiful vendor.

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Look at that beautiful

vendor talk like that.

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That's beautiful.

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Okay.

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Uh, okay.

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Now we will, we will, we will, we

will put the extra roof on there.

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Like we have on that day ever

say he has a, he has an old, he

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hides somebody underneath there.

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You see, we put, pull the roof over

there, whatever he hides in the country.

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What do you hide there?

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But would I hide a bottle?

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No, the bottles on the straw.

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If you have a straw house

there, they're hiding the straw,

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the roof over there.

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And then, and then, and then we put

it in the shadows, it underneath that.

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puts it into the corner corner, India.

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Okay.

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yeah, but the, the happy car now in there.

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Put the happy chimney on there.

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All, they give him a long chimney.

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That guy used to be a chimney

bear and he started off there.

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Then he knows.

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Hi, chimney gives you a better draft.

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Oh, we give him the shadow side too.

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No, he knows what he's doing.

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He prizes, Hammond eggs.

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I would make it a little bit romantic.

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They're not always at one color.

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Break it up a little bit

of funny colors there.

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That that's that's it.

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I just said that.

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I just said that's perfect.

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Perfect.

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Give him a happiness like Gabriel, N.

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Gave land and here we

gave him that tap too.

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And I'll get that.

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I just a nice little home guy is so happy.

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There

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is so happy there.

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And here he has it in

the other woodshed there.

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Oh, he has his lawnmower stairs.

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He used to clean his lawn

and he doesn't do it anymore.

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He used to.

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He used to clean the salon.

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He doesn't do it anymore.

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Oh, like that.

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You see?

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Yeah.

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He's not home.

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He's not home.

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Chimney is not smoking.

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Yeah.

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It's an old coming from behind,

from behind the house this

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way on that particular one.

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He didn't go that way.

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On the other painting, I had a duck dry.

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I just do it that dry.

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You see?

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no, the next step for B yellow.

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no, you buried the whole house

stairs and in happy colors.

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Yeah.

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And you can plant the tree

on the side if you want to.

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Yeah, it's a happy then

the tree stand there,

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darker bit more.

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Van Dyke Brown.

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you know, when you have the talk

behind, you can give him some

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beautiful highlights, let the

branches hang on top of that roof.

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He, the benches are hanging

right on top of that roof.

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There.

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You can put more highlights in.

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I use one now.

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Like he was a one inch brush.

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Now

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he take you to look how I do that.

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Yellow.

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And I, again, I pull it lots of hours.

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Lots of it's sometimes sad.

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He wants to hide.

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I just wonder the thing and you put

the whole brush full of paint in

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order to make one on my through.

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And it got to have so much paint.

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If you don't do that, it will not work.

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See, now I would like, can

you see with all that pain?

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I can make it beautiful.

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Shut up dead again.

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A good close up look, ah, fall of pain.

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Look at the logo, a ton of paint in

the brush, and then it's no problem

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to whatever he wants to highlight.

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Now, look at that and

just, just beautiful.

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Everything is going absolutely wonderful.

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They there, and you have lots of

benches in there and there's not the.

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That makes it nice.

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Same here.

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No.

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Yeah.

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Heavy on the push.

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no, the next step in order

to make it very exciting.

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You put the copy, uh, here on

this side, couple of fence posts.

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See.

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You put the Capri fence post, and

I will show you that perspective.

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they getting smaller, smaller,

smaller as you are off

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and you can do all kinds of

things into that painting.

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If you want to.

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see now in that painting,

he wants to paint.

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It was not there, but I added because

I wants to have original whatever.

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And that's the beginning of every artist,

more or less, we all start copying first.

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And then we get in, we get in

Tuft and Tuft and finally the time

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comes for you never copy anymore.

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But when you copy.

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I did it like that.

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I saw that little hunting house.

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I did it roughly like it was, then I said

something extra and put the stone from

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there to there and put the extra tree in.

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And all of a sudden I thought, Hey, that

is my origin, but I was fooling myself.

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I just was fooling myself and I show

you how you, you don't have to do it.

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You just.

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I I'm able to create know my own work

and I don't, I don't even think copying,

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00:24:54,165 --> 00:24:59,645

but this was done like this in order to

show you the finished product before we,

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before we even start, no, in order to

make that wire there, you run your run.

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Yes.

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00:25:07,235 --> 00:25:11,495

With the heel of the

brush, uh, align like that.

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See.

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00:25:13,965 --> 00:25:21,525

And then, then, then you just give them a

little touch here, make like it's metal.

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00:25:21,525 --> 00:25:27,945

It will, the light will break somewhere

here or there or there or there.

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00:25:28,275 --> 00:25:32,025

See, let the, like the sun or the

light hits it and certain vibe you

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see the, the vial reflects back.

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00:25:35,535 --> 00:25:39,525

So, you know, you come forward

again and you do it like this.

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Yeah.

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00:25:41,985 --> 00:25:46,935

And then you come forward again and

you do it like this and you get wide.

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00:25:46,935 --> 00:25:51,855

And by the, can you see

perspective, a happy little fans.

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Now you put the cup red caps on there.

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They look always the

best bit of a red cap.

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See, look at that.

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That is the why you create the almighty.

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00:26:07,715 --> 00:26:09,805

And again, I highlight that a little bit.

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The wire like we did before here,

a little attached there, little

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00:26:13,889 --> 00:26:17,429

attached, their little test, just

like it's parked in some way.

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00:26:17,429 --> 00:26:20,580

You see the virus has a

kind of a spark somewhere.

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00:26:22,409 --> 00:26:28,470

So you'll see, you know, you give

him a copy of your head stare

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and what more you really should

do, but more, you really should do.

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00:26:39,915 --> 00:26:40,995

That they're sick.

328

00:26:41,745 --> 00:26:43,665

Thank you very much for watching me.

329

00:26:43,695 --> 00:26:43,905

Bye.

330

00:26:43,905 --> 00:26:44,355

Bye

331

00:27:02,620 --> 00:27:07,750

In response to overwhelming viewer

requests, K O C E has prepared a

332

00:27:07,780 --> 00:27:11,490

personal guide to bill Alexander's

magic of oil painting three.

333

00:27:12,060 --> 00:27:16,290

To receive your copy of this instructional

book on bill Alexander's painting

334

00:27:16,290 --> 00:27:19,710

technique, please send $8 to magic.

335

00:27:19,710 --> 00:27:24,600

Three post office box two seven

Oh three Huntington beach,

336

00:27:24,600 --> 00:27:27,750

California nine two six four seven.

337

00:27:32,615 --> 00:27:37,445

The magic of oil painting is made possible

by a grant from Aaron brothers art marts.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Hunters Cabin - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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