Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Lake Coeure D'Alene - AVAILABLE
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So, and that are in my, the magic right.
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Is on, on that canvas and the fog.
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No, God, you know, and they'll
fall Rosen who better have a
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compass when you're on the boat.
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That fall.
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And so I really have a fall he seen here.
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I never do it, maybe in the
forest, somewhere in the forest.
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Think about maybe a little bit of
glimpse of light, and again, done
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metaphor you put in the middle or
on the side, wherever you think the
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reflection, I will have voted there.
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And I would have a little bit of
light coming out there, breaking
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through the fog and maybe.
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Open up and avoid the here Lily bed.
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And that's all come out of
the fog and that's nice.
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Sometimes you have a long subject,
like a big bull with coming in and
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other, the fog, you see the boy getting
clear and clear and you can see the
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front of that board coming out there.
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It's beautiful to paint
that kind of a direction.
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So the white is on the magic rights is on
and not too much as less as you have as.
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Moist Tingy.
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You are as better as this, just
a little bit of magic, right?
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But covered good.
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The cannabis has to be covered.
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Oh, no, I got the nice clean brush too.
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Now we choose to call us time of the
day can be in a blues tune, can be in
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the gray can be in, in a Brown tune.
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Depends on what, what glimpse,
what, what tone tunes that?
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How would you son, this how ticket this?
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And let's try.
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I would say I use a bit
of pressure in blue here.
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I use Allergan Crimson here.
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I will use a bit more in a Brown tune.
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Yeah.
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Fred in to that, and then you
try it out and he will see, we
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will see what that's, what it is.
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If we want, we can
leave it just like that.
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Let it be in the red or red.
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Yeah.
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Okay, good.
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Let's tell it, be that way.
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Can be very crisp and blue
in the blues too soon.
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But I think this is a nice, nice dude.
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just, just fog up, fog up your
canvas, fog up your canvas, but leave
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openings here and there and there.
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And then the ticker and
then push a bit harder.
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They come out there.
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You push a bit harder, not understand,
just be like a band conductor.
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Fog up your canvas, fog up your
canvas and follow it so that you
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really feel that's what I want.
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And that's what I get
see then, uh, follow up.
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You can so up that whole
canvas, we make voice and Skype.
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We put it all together.
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Yes.
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You said the brush is Harding.
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Lots of paint.
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There's not wonderful.
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Look at that.
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You can go on and on.
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Depends on how you press.
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And you got to obviously move
paint out of the dead brush.
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See that otherwise you conduct your show.
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You, you, you put the pressure on, on,
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you can make a darker time of the day.
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You can make it darker, but just
into the evening, you have it.
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You can make it,
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see that.
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So, so, so you see that needs to kind
of, uh, maybe make it a bit darker.
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See, I still have that
paint here on my palette.
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I just take a little bit
more off into my brush.
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See, and then maybe we just fire
in here a little bit darker.
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Sometime, you know, the forest would tick.
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Okay.
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We were say, that's fine.
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And not fog.
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Good.
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No, I use my big fan brush
and ever create the break.
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Let the sun break out where
some where white then down
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your white with magic, right.
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A little bit.
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And then the paint will
stick on the ticket paint.
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That will be easier.
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And I use a bit of orangy color,
beautiful orange color there.
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You see like this.
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Something like this.
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Yeah, no, you, whatever, whatever,
whatever you, whatever you think
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the sun would be, whatever you set
the tune, that's what it will be.
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And you are the bus you are next to God.
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You are the creator of your bark.
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And on that, anyone tell you how you.
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While you put your sun shining.
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I wanted that.
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Right.
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And it varied.
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I try.
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That's good.
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Again it little Tetro, eh,
white and a touch of orange.
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He was good.
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Nice sunshine.
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See this just harmonizes
with what I have there.
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You just break it out there.
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This Park's the spark of their own and
fire it right into the water there too.
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clean your brush on fire then
again, first then the gun.
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he in the vault, I would like to have
always a bit long lines gone down.
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Makes it easier.
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Makes it more like Valter.
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Oh.
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After wash my brush.
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He, it just so delicate.
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Now that little bit of.
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He there's so little color on that.
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I have to really to bring it out.
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I need a real clean, clean,
clean, clean, clean brush.
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Make sure you always have a nice
clean brush at dinnertime with magic.
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Right.
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And the little bit of
that, and I would like to.
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I like that.
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That's good.
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No, we were saved.
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We are in on the river.
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The river is coming out.
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Oh, the trees.
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There are a lot of trees standing
there and I have a really huge a
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fan brush first, see what I do?
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Just the same colors, the same
Carlos, what they have here.
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Just hair darker.
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See what they mix here.
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We said say there are
three standing there.
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wonderful.
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DA's this the hair darker.
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She has a little bit dark and
put the trees under why you one.
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if you want, you can fire it
right into the water there to fire
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the right into the water there.
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SI you see it and you don't see it,
but make it, so it is really nice.
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Really nice.
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Okay, the next step, just a little
bit more in the same colors here,
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blue Clemson, but very careful.
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Don't go too far.
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He does a very far too far, far too far.
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I will take a little bit of white
over here when he's over there.
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So then he's on dirt up to
Vite when you're from here.
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See, and then I balances a little bit.
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Maybe a little touch of black, but
my God, just every little touch.
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I start now with the touch of
black into that, and that's just
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the other three standing there.
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Look at that.
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Isn't that beautiful and
fires right into the water.
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D that means they are far away.
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They're coming out of the fog and
you come out very slowly, slowly,
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and fires right into the voter.
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Fires right into the water early,
that big tree fire right in there.
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Good.
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Now, if we go on a little touch,
darker again, a little bit of
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black, see how I take it off.
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Passion blue legend Crimson.
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Oh, no, that's too dark far.
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Two dark.
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Sure.
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Right.
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He used a bit of white and, and mix it so
that you feel you're the next step darker.
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See?
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No, you have a tree, a
big tree standing there.
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he fired right into the water.
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But otherwise you come out
from very light, but darker,
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more darker than dog, a dog.
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And finally we are right in front
and we fire right in like that as a
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wonderful value of painting that way.
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No, any, any tree I just use, I lived
there, you know, my three's home.
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Maybe I use, I should use some
other three sometime too, but
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that's just easy for you to do too.
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We just know that's no,
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he, no, I create myself a tie-in of
inlet there where the water will come
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out more and more and more and more.
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Maybe here is one, three.
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Vienna asked you to come forward,
make them a bit bigger than you are.
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You get the perspective feeling
there and you're in an absolute
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could shape no death already.
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You can see that inlet there.
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Disappearing in the fog.
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Now watch, watch what I can do here.
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I will use Vite and they will go in
here in a little bit with right again,
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that philosophy of, of when I do that.
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Can you see, I pushed it
back a little bit more.
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Arvis when you paint trees, have it in
the dog, into the light, then the dog
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and to the light dog and to the lights,
even this trees here make it lighter.
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They're making them lighter, dead in
the fall because he let him come up
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and he, Oh, it's a wonderful feeling.
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If he can get that, that's really
something that is something ours.
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see how I create my little
inlet there into the fog.
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Good, good, good, good, good.
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Oh here again, like I told you, I,
I will create, I will attend the
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paint sticks on a ticket paint.
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I will use a bit of fight and
orange and I lift this up again.
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The, this a bit lighter there.
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You see.
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Like I did this lighter, lighter
here against the other trees there.
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He doesn't make it more foggy
and it brings it out better.
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He, I bet you learn somebody from this ID.
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This is a fantastic see
in order to get the power.
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Can you see, since I did that
and you do that here in Nevada
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to see what it does tell you.
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00:15:08,910 --> 00:15:12,630
Yeah, there's no fiddling
around, but it gives you that
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beautiful, beautiful in there.
203
00:15:15,150 --> 00:15:20,099
And even if you want, you can pull it
up to make it stand up and stand up.
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Everything is standing up there
and that villain is whatever,
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whatever you call it there.
206
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And here you push it down
here, you push it down.
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And the voter.
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it's not wonderful.
209
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Okay.
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00:15:39,830 --> 00:15:41,600
Now you can add the tree trunks.
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If you want, you can
do it with a fan brush.
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See the little bit here and there.
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See, put it up a bit.
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00:15:57,740 --> 00:15:59,390
See, make it very fuzzy.
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Very far.
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As far as by.
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Yeah, wonderful.
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How you get the power of
a painting coming up now.
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00:16:07,140 --> 00:16:10,140
And with that power, you get more excited.
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00:16:10,470 --> 00:16:15,210
The excitement is coming up
now with excitement, the power
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of creating is coming up.
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See everything helps.
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Everything helps.
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Tabs to get that painting done.
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So this is the nice thing here.
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I put this on a little bit
on the side because I wants
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to do something else there.
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Okay, good, good, good, good, good.
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No, I wear, I wear black and
pressuring blue alizarin Crimson
230
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right into that.
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00:16:46,834 --> 00:16:50,074
Again, the, I use a bigger brush now.
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00:16:50,730 --> 00:16:56,820
And I will say it would look more
paint on a brush, more paint on that.
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00:16:56,820 --> 00:17:02,490
Brush the same, a little in Crimson
olives in Crimson, Prussian blue
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00:17:02,490 --> 00:17:04,560
and black and attach with white.
235
00:17:04,970 --> 00:17:09,569
If you need a bit more white, it's always
good to pull the right over to here.
236
00:17:10,140 --> 00:17:12,569
Then you don't have to dirt up that fight.
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You see?
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So, okay.
239
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Right.
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It's just go on and
we'll see what I do here.
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Yeah, that would be it.
242
00:17:22,829 --> 00:17:23,310
Oh yeah.
243
00:17:23,339 --> 00:17:28,410
That's a nice, no, I, I, I have, uh,
244
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then you can lead on, we will
create all the other fog there.
245
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But let's do first the details.
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If we see what we get out of
that tree or that Bush, there
247
00:18:04,355 --> 00:18:09,185
fires right into the water
fires right into the water.
248
00:18:10,385 --> 00:18:11,435
And look what you get.
249
00:18:12,750 --> 00:18:14,910
That's just what you see is what you get.
250
00:18:16,080 --> 00:18:17,190
If he is, I think
251
00:18:22,590 --> 00:18:30,960
uh, the fog, uh, the fog, uh, the fog may
252
00:18:34,980 --> 00:18:40,770
create the other three other
type of a tree into the water.
253
00:18:41,745 --> 00:18:41,865
Okay.
254
00:18:49,265 --> 00:18:51,605
Hey, beautiful.
255
00:18:52,755 --> 00:18:54,665
Makes it really, really, really nice.
256
00:19:08,760 --> 00:19:08,969
Hmm.
257
00:19:09,080 --> 00:19:09,350
Hmm.
258
00:19:09,750 --> 00:19:11,729
Now we will finish up this side.
259
00:19:12,409 --> 00:19:14,370
We will finish up this side.
260
00:19:14,909 --> 00:19:18,770
I will was my fan brush and
put some tree trunks in there.
261
00:19:18,770 --> 00:19:22,370
And then there may be
here, run there, run.
262
00:19:22,939 --> 00:19:27,409
And the fan brush does the
best job sometime a scratch.
263
00:19:27,409 --> 00:19:28,909
It does the same thing too.
264
00:19:30,709 --> 00:19:33,169
He very rough, very rough.
265
00:19:37,815 --> 00:19:41,375
Nice that Hmm.
266
00:19:41,855 --> 00:19:46,835
Then down your pain with magic vide,
because ever done stick start, I
267
00:19:46,835 --> 00:19:48,665
have to work too hard to get it on.
268
00:19:48,845 --> 00:19:51,305
That means with otherwise
the paint was too thick.
269
00:19:51,515 --> 00:19:52,685
You see what happened now?
270
00:19:52,925 --> 00:19:54,905
Since I didn't sit down,
look what happened.
271
00:19:55,265 --> 00:19:56,015
So I was stuck.
272
00:19:56,015 --> 00:19:56,585
Can you see.
273
00:19:57,150 --> 00:20:02,730
So you learn something sometime you can
get it, then you better turn it down.
274
00:20:03,150 --> 00:20:05,070
It didn't the pain we're
stick on the ticket pain.
275
00:20:05,100 --> 00:20:06,210
There's no problem.
276
00:20:07,140 --> 00:20:08,670
No problem.
277
00:20:14,790 --> 00:20:20,760
E and you can fire it into
the Vata too, if you want to.
278
00:20:21,750 --> 00:20:22,040
Yeah.
279
00:20:22,050 --> 00:20:24,920
A little bit here.
280
00:20:25,050 --> 00:20:25,620
Bad.
281
00:20:33,110 --> 00:20:37,700
see, then we use a big brush,
clean, nice clean, big brush, and
282
00:20:37,700 --> 00:20:39,440
you pull it all into the water.
283
00:20:39,440 --> 00:20:44,870
Like this long lines,
long lines, long lines.
284
00:20:45,230 --> 00:20:46,910
The, I don't have it.
285
00:20:46,940 --> 00:20:48,200
I have it very thin.
286
00:20:48,350 --> 00:20:49,220
That's what I can do.
287
00:20:49,220 --> 00:20:50,060
All those things.
288
00:20:50,300 --> 00:20:53,210
And my paint is nice and
thick so I can do that.
289
00:20:53,210 --> 00:20:53,930
I can pull it.
290
00:20:53,930 --> 00:20:54,770
Look at pulses.
291
00:20:55,125 --> 00:20:55,995
Good person.
292
00:20:55,995 --> 00:20:56,715
Nice.
293
00:20:57,045 --> 00:21:00,795
Clean the brush now for desired
strokes, don't use the same
294
00:21:00,795 --> 00:21:03,375
dirty brush, clean that brush.
295
00:21:03,975 --> 00:21:06,555
If you listen to right,
you can really learn a lot.
296
00:21:07,065 --> 00:21:10,995
Then I left that by doing that, I have
lot of dirt collected on the brush
297
00:21:10,995 --> 00:21:16,165
and if I go this way, that means I
use the dirt and that's not the ID.
298
00:21:16,165 --> 00:21:16,845
That's not the ID.
299
00:21:17,085 --> 00:21:21,045
But before I do that,
I wants to use a fog.
300
00:21:21,500 --> 00:21:22,520
We talk about fall.
301
00:21:22,520 --> 00:21:23,540
That's just happened.
302
00:21:23,870 --> 00:21:28,699
Fathers, rolling everywhere,
fathers rolling everywhere.
303
00:21:29,449 --> 00:21:34,790
I haven't usually a bit far coming by
there and that far was just coming out.
304
00:21:35,510 --> 00:21:36,500
It's coming out.
305
00:21:37,429 --> 00:21:39,080
Watch, watch, watch.
306
00:21:39,360 --> 00:21:41,770
I was coming out here.
307
00:21:48,760 --> 00:21:50,199
I was at Bush in between.
308
00:21:50,925 --> 00:21:53,055
And we put it out in the water there too.
309
00:21:54,435 --> 00:21:56,745
He makes at night.
310
00:21:56,985 --> 00:21:59,385
Maybe father's just coming
around the corner here.
311
00:21:59,925 --> 00:22:01,245
And the Royals in here,
312
00:22:05,565 --> 00:22:07,665
the cuts off that tree.
313
00:22:07,665 --> 00:22:12,765
There he is a nice and fires
right into the water too.
314
00:22:14,505 --> 00:22:16,125
Yeah, that gets together.
315
00:22:16,125 --> 00:22:16,635
Nice.
316
00:22:22,650 --> 00:22:23,610
Clean the brush
317
00:22:31,100 --> 00:22:34,490
community abroad and then fired
him like with a lot of movements,
318
00:22:34,520 --> 00:22:38,900
a lot of openings see like this,
like this like DAS that's good.
319
00:22:39,590 --> 00:22:40,820
Our God is ever good.
320
00:22:41,060 --> 00:22:41,450
Look at that.
321
00:22:44,790 --> 00:22:45,540
Good.
322
00:22:45,920 --> 00:22:50,360
And then again, use your big brush,
clean it up, clean it up, clean it
323
00:22:50,360 --> 00:22:53,060
up like this long lead limestone.
324
00:22:53,240 --> 00:22:55,190
Make sure you have a clean brush again.
325
00:22:55,490 --> 00:22:58,520
And then you make your water
movement side rest like this.
326
00:22:58,760 --> 00:23:02,540
Now you go over the whole thing over
the horse thing is he, I can't do
327
00:23:02,540 --> 00:23:04,760
it all and I don't destroy nothing.
328
00:23:04,910 --> 00:23:05,810
And that's wonderful.
329
00:23:06,810 --> 00:23:08,700
If that's what it's good living.
330
00:23:09,210 --> 00:23:10,980
That is what is good living.
331
00:23:11,190 --> 00:23:12,300
Good, good living.
332
00:23:12,630 --> 00:23:18,120
No, I will create their little
bit of a beginning there.
333
00:23:25,320 --> 00:23:30,180
E man, you come far as far as.
334
00:23:35,055 --> 00:23:37,845
Yeah, I don't show any,
any shoreline there.
335
00:23:37,935 --> 00:23:44,205
Cause it's all fuzzy, fuzzy, fuzzy,
leave it there and, and whatever.
336
00:23:52,845 --> 00:23:54,855
Leave it there and leave it there.
337
00:23:54,855 --> 00:23:55,695
That's good.
338
00:23:56,625 --> 00:23:57,435
Yeah.
339
00:24:02,235 --> 00:24:09,165
No here he use your big brush and
you, you, you, you, you finding
340
00:24:09,525 --> 00:24:16,305
the ears or you really, really,
really firing a big tree there.
341
00:24:17,085 --> 00:24:18,675
Look at that beautiful branches.
342
00:24:18,705 --> 00:24:20,955
How you get that out there.
343
00:24:21,675 --> 00:24:22,935
That's just wonderful.
344
00:24:22,965 --> 00:24:23,625
Look at that.
345
00:24:30,635 --> 00:24:31,965
Isn't that fantastic.
346
00:24:32,685 --> 00:24:37,395
The power of your hand, the power of
your brush, the power of your colors.
347
00:24:38,250 --> 00:24:44,310
He that, where I put it right in the
front, there might be three and have
348
00:24:44,310 --> 00:24:47,040
the grass going in the right, like that.
349
00:24:48,220 --> 00:24:50,550
He did that to give you a nice foreground.
350
00:24:51,710 --> 00:24:52,340
Look at that.
351
00:24:53,540 --> 00:24:59,030
Isn't that wonder for, and if you want,
you can put your little tree trunk in
352
00:24:59,030 --> 00:25:05,960
there, just that it does appear off the
period, but, or be up there really bad.
353
00:25:06,520 --> 00:25:07,950
I'm up there a little bit.
354
00:25:08,670 --> 00:25:12,899
See, and then you, you, if you want,
you can highlight that a little bit
355
00:25:12,899 --> 00:25:21,480
with, with white and yellow in this
desk case here, you, you can lose a
356
00:25:22,889 --> 00:25:27,110
bit of grassy feeling there in France.
357
00:25:27,290 --> 00:25:28,040
See that?
358
00:25:30,710 --> 00:25:32,240
Maybe a little bit more.
359
00:25:32,450 --> 00:25:32,510
Yeah.
360
00:25:32,909 --> 00:25:38,399
Because all the colors is
appear as you, as you went in
361
00:25:38,399 --> 00:25:42,510
there, here, you got the colors.
362
00:25:42,899 --> 00:25:47,790
And if you want, you can just add a little
bit on the tree, maybe a little bit here,
363
00:25:50,800 --> 00:25:58,919
here a little bit there, but
there there's a bit there.
364
00:26:03,630 --> 00:26:07,740
Look at that, her fast, you
get the almighty painting done.
365
00:26:09,060 --> 00:26:09,960
He know it.
366
00:26:09,960 --> 00:26:15,310
Just darken it up a little bit,
talking it up a little bit here a
367
00:26:15,310 --> 00:26:16,680
little bit and hear a little bit.
368
00:26:17,790 --> 00:26:25,140
And my God, what a Rhonda for
painting into the fog, the movie,
369
00:26:25,140 --> 00:26:29,670
he little bit of a sideline.
370
00:26:29,700 --> 00:26:30,120
Yeah.
371
00:26:31,155 --> 00:26:33,465
I needed little bit that fucks me there.
372
00:26:33,915 --> 00:26:35,115
Maybe here a little bit.
373
00:26:36,875 --> 00:26:37,145
Good.
374
00:26:38,825 --> 00:26:42,095
Did you enjoy walking in the fog?
375
00:26:44,764 --> 00:26:45,875
You enjoyed it.
376
00:26:46,145 --> 00:26:46,925
Thank you for watching.
377
00:26:47,405 --> 00:26:47,764
Bye bye.
End .srt file.
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