Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Jeffrey Pine - AVAILABLE

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vascular ring, you know, dive along

the country that I ever died long.

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The ocean, the basketball

is a wonderful cost.

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Really a commodity.

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And you see, those are mighty trees

for, they call them Gefrey three.

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I think Jeffrey.

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Yeah.

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Mr.

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Jeffery get free three.

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I was a pain, only one on mighty

tree in that vast world ring.

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can you imagine when it blows, it blows

in the three's yard hanging over and

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Oh, and you would like to hide under.

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10, somewhere, every pain, every

pain on mighty sky or mighty sky,

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uh, he was pressuring blue alizarin

Crimson, and he, I tried to prepare

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BILAG as a kind of a stormy sky.

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And then you could see already the clouds

by they come up here, maybe a bit of

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a rage too, that has a bit of a hope.

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And then you . Oh, God, no mercy mercy.

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The vest worked for me and

I will have a nicer light.

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The background, the against the three, the

three of us that have a little bit in the

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light in order to show the tree better.

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Maybe with more blue with my blue,

with blue would be nice in there.

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Heavy heavy clothes by more or less here,

the crowd dust, heavy clothes talking.

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But here I just cleaned my brush.

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What I do here has nothing to do with the

painting because they got the brush paint.

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And I need a dark.

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When you have a dark,

you can make it light.

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That's not even voted here.

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It's just, just, I cleaned my brush.

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I'm so stingy.

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I wants to save paint.

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So I cleaned my brush and now

ever use my mighty fan brush.

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Happy fan brush Vite.

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A touch of orange touch of yellow

and maybe Indian gala together,

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kind of a desk test yard.

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I just call it.

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I, I can see it in my mind already.

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You just kind of is that kind of a hope?

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There's a hope in this

sky is still a hope there.

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He may put in this kind of a color on.

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you first, I paint the

sky color quite clean.

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And then I go in here a little bit.

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The then I can proceed

first, make it test.

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You don't have any dirt there,

but then here can be dirt.

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You can explode things that has come out.

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there's no mercy.

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The vest of hearts,

green is a restless ring.

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And then you take that mighty

brush and you fire in and that nice

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feeling that you have so much power.

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And you can push it on my head

can with, you know, I just make it

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softer and me sometimes you're rolled

it up even the early up, even the

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CG with more stormy vendor, the,

sometimes that's a rolling up feeling.

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Can you see?

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Yeah, they're all good up there.

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Depends on what mood you bring

yourself in and, and you unload

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it on your mighty canvas.

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This don't unload it on your family.

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Don't unload it on your right.

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I'm a bad guy now, all of a sudden.

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So that's, I, they know we clean up brush.

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I use my own mighty knife and every create

there that, or it could be even darker.

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Why not?

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Why not?

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Let me show you.

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I have more, more power or

more, more rather that the no.

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Oh, they're right up there.

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Can you see, I was under,

you can see the movie stare.

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He is so nice to God.

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Creative power is such a wonderful vibe.

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Plying art.

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I cannot see, I could

never do what I do now.

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If I painted the, by I painted before,

it's just too much, it is my mood.

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I can put my mood and I can put

my sadness on their clothes,

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put my tears on if I want to.

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go ahead now.

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Can you see it as kind of a devotee

for mood in there, whatever mood

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in there and know every creators,

maybe it's a fan brush, move man's

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movements, your, their movements.

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and a knife, um, on the, on

the, no, usually a big barrage

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and make it so whatever, make

it loose and windy and breezy.

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That's August flying a fly in her own.

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No, you use your knife and it would

have Vite into here too, that sky

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color, but I started and a black.

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And I lived in Crimson,

lots of alizarin Crimson.

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I wants to keep a reddish

reddish mood into the whole

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thing and orangy color here.

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It's kind of, uh, uh,

other different type.

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Now, is he on the coastline sometime?

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This kind of a color here?

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Yeah, that is nice.

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Darker.

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Darker color.

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No, you create your, your coastline,

which Y you thank sometimes

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whatever you have seen there.

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I would like to just thank,

I didn't get trip to CML San

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Francisco more to be, uh, there.

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kind of cliffs, you create that.

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that's nice.

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That's nice.

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Make it very exciting.

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It's really exciting.

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Painting here

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around standing yard.

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maybe in the middle, I will try to get

a bit more red, just, just to apply with

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colors, to make myself a nice painting.

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I can see here.

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It would be nice if I had a

bit more red and there, uh,

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Maybe here, here, here, boy,

that knife look at that.

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And that's wonderful when you can

create this kind of wonderful movements.

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But the white, again, the

touch of red touch of yellow.

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Now he got all kinds of nice colors there.

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Then you just, just work it out too.

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There you go.

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This is the chorus line.

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Call us.

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Hey, thanks.

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Maybe a little time belt road, whatever.

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Do here in this case ever use,

get a little red and run just,

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this is just my own dream.

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Now just to make a painting

more romantic or watch whatever

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he wants to do with that.

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He was anxious to just a happy

little road walking in there.

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And that makes a painting.

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You create a cure, a

part, you are an artist.

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You make it happen, make

it happen, make it happen.

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Yeah, that's nice.

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That's nice.

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He happy at olds.

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You just can buy them

here and more perspective.

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Eh,

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maybe we even put them

out a bit here more.

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They, then you haven't gone this

way and to yonder and to yonder.

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You feel like an echo

that is so far off there.

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Good.

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Lots of alizarin Crimson.

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Once you keep it in that that red is too.

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yeah, we already got that land.

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Maybe here we can highlight.

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You want to highlight here.

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that's nice.

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We were here.

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We run down the hair.

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We run down the hair.

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That's a nice, exciting painting

and no comes that are mighty

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Jeffery tree as a mighty God.

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Every tree.

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No, you can't do it different vice.

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Maybe I should do it with

the, can do it with the knife.

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But with the fan brush, you got

the, maybe more under control.

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Then we tried with the fan brush first.

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And those cars he does maybe here

is you're calling me jars or,

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ah, look at that as Jeffery three and

all, usually they are curved there.

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They are twisted.

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You see what I, I trust him though.

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I make a twist thumb that they

are very well vested, their DNA.

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You twist them around.

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I will use a new fan brush.

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Then I have a light one and the dark one.

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I don't do so much pain

and I will, I will.

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The yellow, the, I used those

kind of colors, I would say here.

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That's why.

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And then here.

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Here.

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I will

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twist him.

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I like to twist him there.

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Right.

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Yeah.

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And then here, I trust him to all the red

around he's the restless, the best word.

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I mean, he is twisted that poetry.

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I, I twisted in my mind now

that's me around like this, around

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like this, and then find it.

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Cause I don't like this again,

you know, it's up to you.

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You are next to God, you are the

power and you can twist trees.

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You can bend iron.

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You can

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you can do almost everything you

would think, but it's in your brain,

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but just in your mind, you can do it.

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I just what people can do when they

put their mind up to something.

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Maybe like

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the dress, the tree.

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Oh, I can use my knife now.

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That's where Mick gave me, watch this.

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He, no, he had that bushy grout on there.

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We use all the colors they have here.

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I put some SAP green into that and some

yellow and all that dirt we'll have here.

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That's it.

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Dark blue, green coming out.

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And that tree is

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No good.

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Can you see what a three is?

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No, you got this.

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No, you got the blue, the thick paint.

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I got a mixer too.

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Nice.

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Oh, I hear that three crunching at Eddie.

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That's the rest of this win.

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It's such a powerful when

there's no mercy forever.

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You say stuff to music.

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My board is into Robert.

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I can get out of that board.

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No.

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He was actually a nice guy in the dear

Lord said, okay, I give you a break.

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You can't get out.

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You can't get out.

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He wasn't a nice guy on this earth.

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You never heard any people.

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You just had other people.

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And that's nice.

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Yeah.

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Yesterday I met a woman.

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I took out for dinner.

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He had 13 kids and all our adopted kids.

213

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And she works like a sleeve.

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And I thought that was a great . She's one

of our, one of our artists ki, but it was

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nice when you meet us people privately.

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And it just, just, just, just what

people can do, how nice people can be.

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And that is what pays off for mankind.

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We have those wonderful people.

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Thank God.

220

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And then there are some

breeds, greedy guys stick.

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I never got the nap and

just didn't get enough.

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I just, I need more sure.

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No hit that artery.

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Isn't that wonderful.

225

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You know, by just having a look at that

pain, that is like a stone, that tree,

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that the way you put it with the knife,

you can have it no bigger, you know, you

227

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can really add the virus stepped back in.

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I would say it would be nice if it has

a bit more here, you know, look, but

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it breaks and it goes all, it goes all

your right industries when you really.

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Really watched him.

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They are twisted and they're dad

just lying to her off, or God has

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a wonderful, Hey, look at that.

233

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No, maybe put that down here.

234

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Maybe he's a bit more like that.

235

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So then I feel that canvas.

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Nice.

237

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No, we will.

238

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We will use just to make it more

darker here and more detailed.

239

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The power of heavy, thick paint.

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You got all the details.

241

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You never, never could do

it with a little brush.

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It would look ugly even, but with the

big brush, you have so much power in

243

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your hands and that makes it nice.

244

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Now here far away for

life a way far, right?

245

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E is all.

246

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It is three of my no ever use my fan

brush and happy little fan brush.

247

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And I were on the trunk.

248

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He twisted obvious one.

249

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Why?

250

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Because it looks like the wind

always has marked that for one by

251

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forever, everything has gone that way.

252

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yeah, you can create whatever you want.

253

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No, but I think you have a nice,

no, I really wants to prepare

254

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my, my, my first the road.

255

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They give them obviously a nice

look at that by putting a dark rim

256

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around the what, what the value

you get there is just fantastic.

257

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And it's always nice when you can.

258

00:20:26,729 --> 00:20:32,340

Say it to your side, if it's

just a great job, as long as you

259

00:20:32,340 --> 00:20:34,919

like your work, then it is good.

260

00:20:37,800 --> 00:20:42,510

The, again, here on this side, I

would add a bit of a darker him.

261

00:20:42,840 --> 00:20:45,419

He was a dark rim can do on the road

262

00:20:49,860 --> 00:20:52,439

here, here a little bit.

263

00:20:58,790 --> 00:21:00,379

Oh, that's nice.

264

00:21:00,889 --> 00:21:01,760

No, let's see.

265

00:21:02,360 --> 00:21:04,160

Oh, we get to work on the three

266

00:21:13,605 --> 00:21:17,985

I need a bit more vibe,

a little bit more vibe.

267

00:21:19,125 --> 00:21:21,915

I should put obvious more on,

but you so stingy, you always

268

00:21:21,915 --> 00:21:23,175

think you get the vibe at that.

269

00:21:25,455 --> 00:21:26,175

Yeah.

270

00:21:31,064 --> 00:21:34,155

One stroke watch.

271

00:21:34,155 --> 00:21:34,695

Nice.

272

00:21:36,750 --> 00:21:38,730

He had that curve.

273

00:21:39,149 --> 00:21:40,950

And once you get that curve, right.

274

00:21:40,980 --> 00:21:47,990

And that's what makes it nice with

our mighty fan brush, they know, okay.

275

00:21:51,409 --> 00:21:56,540

I was as best one stroke or to the

other side, the brush has two sides.

276

00:21:56,870 --> 00:22:01,070

The watch, whatever show you here,

I will have it once, but then

277

00:22:01,070 --> 00:22:02,690

you can turn around the brush.

278

00:22:03,450 --> 00:22:08,370

And you still have other stroke,

but that's our, a dirty store, but

279

00:22:08,370 --> 00:22:12,950

you can use that stroke E okay.

280

00:22:13,980 --> 00:22:15,110

Okay.

281

00:22:25,520 --> 00:22:26,510

Oh, that's nice.

282

00:22:27,980 --> 00:22:28,730

That's nice.

283

00:22:39,560 --> 00:22:42,439

up there showed a little

bit of color there.

284

00:22:42,530 --> 00:22:46,669

It's just, as he just did a

little color would do good here.

285

00:22:47,209 --> 00:22:49,909

It looks like the branches are gone.

286

00:22:51,260 --> 00:22:53,510

Do you see some benches coming down there?

287

00:22:54,439 --> 00:22:56,060

He just chose some colors.

288

00:22:58,170 --> 00:23:00,320

Because they had packed here.

289

00:23:00,360 --> 00:23:01,320

Couldn't be the same

290

00:23:05,750 --> 00:23:10,250

E that's the little,

little colors they will do.

291

00:23:10,250 --> 00:23:11,360

Fantastic.

292

00:23:12,350 --> 00:23:17,720

I mean, here, here, here.

293

00:23:21,495 --> 00:23:24,105

See now you can highlight

that a little bit.

294

00:23:24,764 --> 00:23:34,095

I use yellow into what I did before, the

more yellow and attached you're right.

295

00:23:35,925 --> 00:23:37,305

He something like this.

296

00:23:37,305 --> 00:23:37,935

Can you see?

297

00:23:39,855 --> 00:23:43,665

And miss, I use the same colors

as what had before and now only

298

00:23:44,024 --> 00:23:45,495

to get the highlights up there.

299

00:23:45,495 --> 00:23:45,915

I see.

300

00:23:49,455 --> 00:23:52,995

He wants to get this built

up so much or they're ready.

301

00:23:53,655 --> 00:23:55,425

It just needs to be attached to you.

302

00:23:55,425 --> 00:23:58,605

Just touch it a little bit

then right away, you get it on.

303

00:24:02,915 --> 00:24:04,625

Uh, it's not fantastic.

304

00:24:04,625 --> 00:24:04,985

Divide.

305

00:24:06,004 --> 00:24:07,175

Look at that.

306

00:24:08,524 --> 00:24:10,804

It's just a joy to be alive on this earth.

307

00:24:18,000 --> 00:24:24,840

He, he had again, some

little attaches here a bit.

308

00:24:25,379 --> 00:24:28,020

Yeah, a little bit, man.

309

00:24:28,020 --> 00:24:30,600

That looks really mighty.

310

00:24:34,889 --> 00:24:38,159

Yeah, no.

311

00:24:38,159 --> 00:24:39,540

I want you to get the rest done.

312

00:24:40,500 --> 00:24:41,220

Here.

313

00:24:41,220 --> 00:24:45,060

Like what the tree trunk begins

314

00:24:53,610 --> 00:24:58,130

would be nice to have some white

or light colors on the bottom.

315

00:24:58,760 --> 00:25:01,220

With yellow here would be nice.

316

00:25:08,070 --> 00:25:08,730

Uh,

317

00:25:18,300 --> 00:25:24,360

was my fan brush and

turn it over like this.

318

00:25:25,470 --> 00:25:27,330

And my God would come to a happy.

319

00:25:31,070 --> 00:25:33,590

happy and, but it's got to be some red.

320

00:25:33,980 --> 00:25:35,600

There has to be some red here.

321

00:25:35,820 --> 00:25:38,930

I use, uh, orange, orange color.

322

00:25:39,380 --> 00:25:40,340

He what happened here?

323

00:25:42,320 --> 00:25:44,060

Give them that little bit of, uh, orange.

324

00:25:44,600 --> 00:25:49,010

Can you see that little bit of

a, that makes it around and makes

325

00:25:49,010 --> 00:25:55,010

it nice and around even I do

here, just dabble it, attach it.

326

00:25:55,725 --> 00:25:56,895

It's just so hard.

327

00:25:56,895 --> 00:25:58,125

That paint is so tick.

328

00:25:58,395 --> 00:26:04,235

So top three, stay on top of the pain.

329

00:26:06,785 --> 00:26:07,145

Eh.

330

00:26:10,805 --> 00:26:11,945

Oh, that's nice.

331

00:26:15,095 --> 00:26:21,665

No, I just, just push it to bit over,

push it a bit over like this, pull it,

332

00:26:21,665 --> 00:26:24,095

just to see that she got your twist.

333

00:26:26,504 --> 00:26:29,834

And then maybe here a little

touch of orange up there.

334

00:26:30,794 --> 00:26:32,534

Hey, maybe hear it again.

335

00:26:33,695 --> 00:26:41,615

So let's let that orange pop up here and

they're like your branches and Dan, you.

336

00:26:42,750 --> 00:26:44,310

God, I can't do anything more.

337

00:26:44,310 --> 00:26:47,930

She, it comes to the point where

you say, I can't not do anything.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Jeffrey Pine - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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