Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Golden Forest - AVAILABLE

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the magic of oil painting was made

possible by grants from Aaron brothers,

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art marts and Koenig's art emporiums.

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what has gone wrong?

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My God, two years in the closet.

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I love you.

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You brought me back again and I love it

honestly, but I think it is my left show

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and I would like to give you everything.

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I have everything I, I have

learned in my lifetime.

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I thank you so much for bringing me back.

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I'm very proud of you.

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I love you.

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So how about we start on the black

canvas today because I watched

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the show something different.

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I don't want to show all this mountain

and snakes and Don that and that,

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and that, uh, it might be good for

you to know sometime, uh, we have

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to do different things in order

to say, I want you to become rich.

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No, a rich artist is a happy artist,

a jolly artist make that happy buck,

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and you can only make it if you paint

originates are mighty originates.

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And I have learned to talk to

myself and brainwash myself

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all the time to do what I need.

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And I hope you could do it too.

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So here, if you have a blank canvas and

paint that canvas black with, uh, The

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acrylic paint with the water paint latex.

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I usually buy a gallon of

latex, black latex and paint.

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10 canvas is black leather dry, and

that's the, it is a dry black canvas now.

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And latex is not shiny.

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Make a dowel, a dowel dowel canvas.

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So now on that towel canvas, I

would put, I would put a transparent

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paint on as assembly I have here.

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I will show you.

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I have an Indian, yellow.

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Here are mighty happy Indian, yellow.

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Look, when I put it on here on the black

canvas, it looks somewhere like hooky, but

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don't put on to take something like this.

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Now, let me give you a little

demonstration on the white canvas,

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how it would look on the right canvas.

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I go over here.

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Take a look, the underbite

canvas that would look like this.

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Can you see the different

between this and this?

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This is why we have to

paint on the black canvas.

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You know, Rembrandt

painted on a black canvas.

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I did know it.

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It's funny when you find out, I

always thought I am the smart Alec.

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That is my ID, but people painted

all kinds of ideas long before

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me, because via I paint on a

blank canvas because I learned.

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As more, you paint as more hungry,

you get, you need more power, you

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need more color, you need more light.

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And I cannot get light on light.

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Nothing on nothing is nothing.

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So I learned ever I have dark.

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The light will show on the dark.

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You see?

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And that's the whole idea to paint on the

black canvas because I feel we have only.

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74% of, of a light.

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Our paint man has not made the paint

right now, but can capture the sunlight.

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See, so we have to create illusions and

we have to create our Mark illusions.

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So while I do not know, I put that

Indian yellow on the black canvas and.

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Date like this are mighty strong,

powerful, and put yourself in the frame.

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Uh, whatever you want.

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I want us to be in the deepest Bush.

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All of a sudden, nothing but threes,

no sky coming down with trees.

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And then there's a pool there, a

water pool in the front and the sun.

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I will bring the sun.

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I will show you that our mighty

light, this time leave a dark

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behind and powerful trees standing

in the sun, firing into the water.

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And that's the old painting.

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And you will see how much light I create.

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Make sure you don't

put too much, too much.

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Um, Indian yellow on Indian.

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Yellow is a transparent yellow

like this now, but don't dumb it

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down because you have to paint on

top of paint and then paint on a

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thin paint that doesn't make sense.

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You know, you.

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Then the pain for a stick on

the ticket pain, but it's very

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not stick on a tender paint.

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If you drill it down already,

then you have now changed

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the pain on top of that pain.

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The don't forget it is

always a tender pain.

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What sticks on the ticket pain?

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So the beginning, I like

to have a take strong pain.

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And strong, strong thanking

brainwash yourself.

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I always, when I paint, I always think

this is the, that is the masterpiece.

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That is no, that is, I can do it better.

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You know, you have to think in

that direction first, naturally

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when I'm finished, I always.

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I am disappointed because I have not

reached what, what I aim for, but

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it's not, you got to aim for that.

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Anyway.

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Fi no watches.

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I will go over

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and how we get to I saunter.

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See, make sure there's nice and

even look how nice it Polis.

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Nice.

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And even let me show you

what the brushstrokes can do.

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Watch this.

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Can you see a different there?

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The sometime I clear it all by just

having the brush strokes like that.

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If you can see it better, there is

no, no, let's piece it in my mind.

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I will come down.

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I will thank the sky is up

here and I will come down, but

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trees, there's a Haley three.

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Um,

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all right.

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Okay, there are trees on the

Hill and they're standing there.

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Now.

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I use a touch of yellow and white,

the other, that device alone.

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Very turn yellow here because the

yellow will go right into my brush.

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So let me show you a little trick here.

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The, the wanted is watch.

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Can you see it?

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It's like a tree standing there,

but let it go into nothing.

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Always.

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This is the best thing you can paint by

and, and, and, and, and less, you see.

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But then you go into nothing.

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You have always a beginning, so you need

a dark in order to have a new beginning.

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You must always dang there, trees

standing there, and then you

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can have a bit details there.

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You know, look, they're all trees there.

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There'll be all trees in the dark there.

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Right.

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And then have other trees then.

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Okay.

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Good right on the texture of yellows.

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You always take it off just

right in the Tetro yellow.

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And I make a little peek on my brush.

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You see, like you pull it together

like that, that gives you a nice

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little four, three standing there.

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See,

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but I was pushing it

into nothing to nothing.

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You can organize, you

can make it through it.

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This is like coming down the Hill,

you know, like a tree standing there

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and all that there and all that there

and all that dead and all the dead

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and all that dead and all that there.

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So he'd done it.

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It looks like there's a Hill.

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There's a Hill coming down.

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Right.

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See.

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But I was into nothing

into nothing into nothing.

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Hey, you can do this.

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Yes.

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But then you can break it up here.

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Make it show.

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There are trees there

are trees as darker.

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You keep it as better

as not too much light.

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I see.

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Okay.

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As darker you can keep it as better.

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It will be.

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Don't forget that you

can easily overdo it.

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See there you are.

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No, you can fire in already in the water.

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If you want.

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Just the roughly, see, you

can run it in from here.

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See?

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He those trees there will be maybe

below, but anyway, little movements.

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Just try to aim wherever

you see it on top.

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So it makes you vote a bit more powerful.

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Hello?

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You have a nice start.

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No, I wash my brush, my R mighty brush.

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Make sure I go to the added box.

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I have a dry brush.

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I need a darker there.

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What I do there.

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I use a touch of Prussian blue sea.

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You must think green, yellow,

and blue turns green, right?

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Yellow and blue turn screen.

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So it doesn't hurt.

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See what I do here.

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I go in with the blue, into the

blue, and I try to create a kind

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of a darker, darker in between.

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Look at that.

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Okay.

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He said, look at that nice dog in

between that gives you more power.

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Now.

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See

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passion blue.

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It's a dark, dark, dark color.

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He again, a bit more

look how it take it off.

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Very careful.

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Yes.

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The loophole brush fall and

run a test across like this.

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see what you do, really.

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You create a kind of illusion there

that is this deep dark Dawn there.

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And then you come out of the dark.

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That gives you a certain, no.

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But now paint on, make sure you don't

have paint on there as more paint.

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You have to struggle with that.

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It wouldn't work.

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At least don't do that.

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Please don't do that.

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He has doing that over and over again.

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Make sure that it's mixed up

with the other paint underneath.

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And now I have the den

then from of paint there.

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And if you want, you can still stare.

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Go in between here as sample.

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If you, if you think you need a

bit more dark, you can add a bit

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dark in between here or there,

you know, in between the trees.

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See what it does,

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but no, No much, not much

pain, not much pain, please.

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I want you because you get

stuck in mud and death.

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That is a that's offered.

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No, I got a good, good start

because I know on that dark, the

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light will really be powerful.

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Now let's dream something up.

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I will put the happy shoreline in there.

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I will use a fan brush.

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How about our mighty mighty fan brush?

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And I will use yellow.

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And I will think, no,

you can easily watch.

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You can easy bring under the peak stare,

you know, the here and there, it think

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it just in the sun, the sun hits it

there, but you know, you can create

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a couple of extra trees like openings

in the cloud and the sun will sunburn.

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But it hit the tree here and then

there and there, and that's fine.

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Now I will space it in my mind.

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How far I want to go down her high?

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I would say I would try less water and

more, more the mountain coming down.

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I will create a kind of

a dividing line there.

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Hey, that's nice.

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Just throw yourself a

happy little dividing line.

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Yeah.

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Yeah, no problem.

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But no, no, no, no.

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Watch.

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I will use the brush is fan brush.

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You can do a wonderful trees

with just with the fan brush.

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Let me show you different things.

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I ever put one on my 83 in here.

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Yeah.

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Can you see the three com.

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fingers you can I show you that on purpose

every time I do other pain, I hope I can

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show you some new tricks and ideas because

that will, will make you strong and rich.

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You, we need that.

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We all, I needed that all my life,

you as a handicap, when you have

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only one brush and you can do it just

one by and no by knowing it is you

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really have supported me so much.

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And, and, and I'm very happy

this, you, you know, it's amazing.

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I had the last year I

traveled a lot and yeah.

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I had some time over 2000 people.

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I honestly, I feel out of

is on I now people love me.

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You love me.

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And I love you too.

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And you know, it makes me feel that.

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When they came up to me, they

say, you're not a stranger.

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You are a part of our family.

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We love in our house.

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And you know, now I know, I always

thought my mother always said,

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you will never have one bad.

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You will sleep sleeping, Hain

stroll, you know, because it painted

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artists was nothing in that time.

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And then all of a sudden I feel it.

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I do good.

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I, I learned I am not too bad after all.

255

00:15:24,650 --> 00:15:26,459

I, I always thought I am not.

256

00:15:26,670 --> 00:15:27,449

No good.

257

00:15:27,780 --> 00:15:29,520

I'm I'm good for nothing.

258

00:15:30,089 --> 00:15:34,589

And now, since I know you pull for me

and you brought me back on again, this

259

00:15:34,589 --> 00:15:37,109

time I tell you I'm just overwhelmed.

260

00:15:37,140 --> 00:15:40,650

I don't know what to say and

what to do and very, very well.

261

00:15:40,670 --> 00:15:47,329

It does you, this, you, this,

you brought me back on, so Xeno.

262

00:15:47,329 --> 00:15:49,099

That's what I wants to show you different.

263

00:15:49,829 --> 00:15:51,240

Correct and different ideas.

264

00:15:51,510 --> 00:15:56,040

And I hope I can make her rich too,

with what I have learned in my lifetime,

265

00:15:57,750 --> 00:15:59,660

the, the, how I use that fan brush.

266

00:15:59,670 --> 00:16:03,060

Look, she just, she just, she

just gave him, let me show you

267

00:16:03,060 --> 00:16:05,099

here again, make it very close.

268

00:16:05,459 --> 00:16:08,130

Of course I touch it and

move it up like that.

269

00:16:08,160 --> 00:16:08,579

You see?

270

00:16:09,060 --> 00:16:11,370

And it gives you some time different.

271

00:16:11,819 --> 00:16:13,800

Look, see.

272

00:16:18,380 --> 00:16:18,740

huge.

273

00:16:18,740 --> 00:16:19,340

The fan brush.

274

00:16:19,490 --> 00:16:20,480

There's a lot of fun.

275

00:16:20,510 --> 00:16:24,260

If you get locked, you get the

lot out with the fan brush.

276

00:16:25,490 --> 00:16:30,470

So how about we put the other in

here, maybe on this side now this is

277

00:16:30,470 --> 00:16:32,900

a different type of a over painting.

278

00:16:33,199 --> 00:16:36,110

I just wouldn't, like I said

before, I showed too much.

279

00:16:36,470 --> 00:16:38,960

I don't want to show it the

same thing over and over again.

280

00:16:39,230 --> 00:16:40,490

So this is what I decided.

281

00:16:40,730 --> 00:16:42,590

Let's go into this kind of stuff.

282

00:16:43,530 --> 00:16:45,689

Advil help you Advair.

283

00:16:45,840 --> 00:16:47,579

You might out of that.

284

00:16:47,819 --> 00:16:52,170

You can develop your own, you can put

your own pepper and salt into that.

285

00:16:52,560 --> 00:16:57,810

And as long as you know the ID, but

this whole deal is if you lie, you will,

286

00:16:57,900 --> 00:17:03,060

you will learn all this from that I did

when I saw people doing certain things.

287

00:17:05,960 --> 00:17:06,650

Okay.

288

00:17:06,889 --> 00:17:08,750

No, that is nice.

289

00:17:09,050 --> 00:17:09,170

Yeah.

290

00:17:09,210 --> 00:17:10,460

That's a very simple penny.

291

00:17:10,730 --> 00:17:12,530

Push it right into the water.

292

00:17:12,944 --> 00:17:19,275

See and make sure you have those

long lines, long lines going down.

293

00:17:20,145 --> 00:17:22,204

Beautiful long lines, going down.

294

00:17:22,245 --> 00:17:25,214

See, see he was aside.

295

00:17:25,365 --> 00:17:29,715

Sometimes use this side of my brush in

order to get that, that peak out there.

296

00:17:29,715 --> 00:17:32,595

You see here, he can pull it like that.

297

00:17:34,215 --> 00:17:34,785

Beautiful.

298

00:17:37,545 --> 00:17:38,775

I think you will enjoy it.

299

00:17:38,835 --> 00:17:43,155

If you put your heart into your certain

things, because we all wants to be

300

00:17:43,155 --> 00:17:50,475

original in order to be original, we have

to work on lots of ideas and I hope I

301

00:17:50,475 --> 00:17:53,145

can give you lots and lots of ideas now,

302

00:17:56,465 --> 00:18:01,115

Hey, this, put this in asset as in

the breath, but leave a little bit

303

00:18:01,115 --> 00:18:03,365

of a dark line in between there.

304

00:18:04,770 --> 00:18:07,800

Hey, look at that.

305

00:18:09,320 --> 00:18:10,640

And it's such a simple thing.

306

00:18:10,640 --> 00:18:11,060

Really?

307

00:18:11,240 --> 00:18:12,380

It has a lot of power.

308

00:18:12,380 --> 00:18:19,070

It has a lot of punch because by, like I

said, by painting on the black Camry on

309

00:18:19,070 --> 00:18:22,160

that dark, the light is really powerful.

310

00:18:22,160 --> 00:18:24,830

You can bring it out more

on the, on the sunny side.

311

00:18:24,830 --> 00:18:29,210

You see there, they bring it

up more on the sunny side.

312

00:18:31,530 --> 00:18:32,879

But then you can overdo it.

313

00:18:32,970 --> 00:18:35,340

You need the in-between docs.

314

00:18:35,370 --> 00:18:38,070

You need it in between

dark, maybe have here.

315

00:18:38,070 --> 00:18:39,510

And then the tree standing there.

316

00:18:40,680 --> 00:18:44,340

No, the fruit trees where

I live, that is our tree.

317

00:18:44,670 --> 00:18:46,170

We have lots of four threes.

318

00:18:48,810 --> 00:18:50,160

That's why I liked to paint them.

319

00:18:51,930 --> 00:18:56,040

Then you can put the other tree right

next to that sometime it looks good.

320

00:18:59,940 --> 00:19:03,750

I push it aside as obviously a little

bit of a cyberspace push, they,

321

00:19:03,750 --> 00:19:05,370

that brace branches flying out.

322

00:19:05,640 --> 00:19:07,110

See, look at that.

323

00:19:07,740 --> 00:19:08,220

Turn over.

324

00:19:08,220 --> 00:19:11,730

When you have no paint left, the

other side of the brush has paint.

325

00:19:11,730 --> 00:19:14,700

You see the branches coming

down like this, and then fill

326

00:19:14,700 --> 00:19:15,960

in a little bit here and there.

327

00:19:16,620 --> 00:19:21,450

And you got a nice half,

sometimes two trees together.

328

00:19:21,480 --> 00:19:23,550

Sometime I bring it out to the street.

329

00:19:24,090 --> 00:19:30,090

Yes, you have it separated again,

something like this and it's lot of fun.

330

00:19:30,360 --> 00:19:32,310

And sometime you can have a tree

331

00:19:36,120 --> 00:19:39,390

look kind of a Bush, whatever,

332

00:19:48,630 --> 00:19:51,240

but the fan brush is a lot

of things you really can do.

333

00:19:58,605 --> 00:19:59,955

Yeah, that little tree in there.

334

00:20:03,915 --> 00:20:06,135

Maybe here you can go on and on.

335

00:20:06,135 --> 00:20:07,305

No, whatever he wants.

336

00:20:07,635 --> 00:20:12,105

So, um, maybe let's, let's put it a

little bit, you know, you get like grass,

337

00:20:12,105 --> 00:20:13,845

see this, this is kind of a pull up.

338

00:20:14,025 --> 00:20:16,995

Watch this, see a little bit of a pull up.

339

00:20:18,315 --> 00:20:20,805

That looks like grass standing up there.

340

00:20:20,895 --> 00:20:24,345

Watch this, see very

light, very light, pull up.

341

00:20:24,555 --> 00:20:27,615

See, there's a very light pull up.

342

00:20:28,275 --> 00:20:29,025

That's fine.

343

00:20:29,175 --> 00:20:31,305

Now you use your almighty knife.

344

00:20:32,790 --> 00:20:36,210

Again, that knife is taped

because it's the same knife.

345

00:20:36,240 --> 00:20:37,290

You got too much mail.

346

00:20:37,710 --> 00:20:41,460

People always say you have a different

knife on TV than I got there.

347

00:20:41,940 --> 00:20:45,720

Now this side is the shiny side

you see here, and this, we have

348

00:20:45,720 --> 00:20:47,400

to tape up for that reason.

349

00:20:47,670 --> 00:20:50,510

So that's why the knife

is they're the same knife.

350

00:20:50,810 --> 00:20:55,970

Now I will use white and a touch of

yellow, white, and a touch of yellow.

351

00:20:55,970 --> 00:21:00,560

You see here, maybe tell you what,

look I go into the yellow with white.

352

00:21:01,115 --> 00:21:07,925

And now I really powered up, watch this

maybe here in the front on, look at that,

353

00:21:16,315 --> 00:21:19,385

that gives you a powerful,

powerful painting.

354

00:21:21,325 --> 00:21:27,355

With other words, light will show and

dark in order to have dark, we have to go.

355

00:21:27,915 --> 00:21:29,085

All kinds of advice.

356

00:21:29,415 --> 00:21:34,605

And I decided that black canvas

gives me more, more power.

357

00:21:34,605 --> 00:21:46,065

And, and I see, no, you can, you can have

a bit of three trunks standing there.

358

00:21:52,455 --> 00:21:55,365

See three trunks standing there.

359

00:21:57,314 --> 00:21:58,095

Movements

360

00:22:08,804 --> 00:22:09,495

doesn't matter.

361

00:22:10,054 --> 00:22:13,715

You have lanes li lines,

they're Crockett and straight.

362

00:22:13,715 --> 00:22:15,064

And what name it?

363

00:22:15,064 --> 00:22:18,004

You, you, you create a

kind of a wilderness.

364

00:22:18,514 --> 00:22:24,605

See now in other the title, title,

watch, watch, watch, try to.

365

00:22:26,760 --> 00:22:31,890

Leave a darker there poet and one on

mighty right to wherever he wants to.

366

00:22:32,320 --> 00:22:34,410

I would like to do it right here.

367

00:22:35,130 --> 00:22:41,100

And I use my little one inch

brush now and write sticky.

368

00:22:41,100 --> 00:22:42,000

Look what I do here.

369

00:22:42,060 --> 00:22:45,360

White and yellow, white and yellow.

370

00:22:46,860 --> 00:22:47,580

Right.

371

00:22:47,850 --> 00:22:49,530

And yellow E.

372

00:22:50,610 --> 00:22:51,120

Not too.

373

00:22:51,120 --> 00:22:51,360

Right.

374

00:22:51,629 --> 00:22:55,560

Keep it always a little bit

of that garden going too.

375

00:22:56,540 --> 00:22:57,830

See, now watch this.

376

00:22:57,830 --> 00:23:01,010

I can just give him covered extras.

377

00:23:01,100 --> 00:23:02,899

Ooh, Ooh.

378

00:23:02,929 --> 00:23:03,649

That hurts.

379

00:23:04,280 --> 00:23:05,090

Look at that.

380

00:23:06,854 --> 00:23:07,935

Isn't that fantastic.

381

00:23:08,504 --> 00:23:11,354

You know, it's nice when you can

talk to yourself and you can say,

382

00:23:11,385 --> 00:23:16,875

isn't that fantastic, you know,

that makes art so pleasant, so,

383

00:23:17,145 --> 00:23:21,254

so much fun in, in your own work.

384

00:23:21,314 --> 00:23:26,165

You know, here, I put a bit of

sunshine and more, you see feed

385

00:23:26,165 --> 00:23:29,645

that, that brings it out nice.

386

00:23:31,294 --> 00:23:32,495

And that is such a.

387

00:23:33,294 --> 00:23:39,764

Such a wonderful feeling that you look at

that they know you just highlight that.

388

00:23:41,415 --> 00:23:46,784

And then here you give him a

mighty bang, maybe here one more

389

00:23:47,235 --> 00:23:49,455

and fire it right into the water.

390

00:23:51,270 --> 00:23:53,070

Friend right into the water.

391

00:23:53,610 --> 00:23:57,810

See what the light, because

I have dark, but I aim here.

392

00:23:58,350 --> 00:24:01,649

I want you to understand

there is no light.

393

00:24:01,740 --> 00:24:03,540

If you have no dark.

394

00:24:04,425 --> 00:24:05,355

There is no light.

395

00:24:05,355 --> 00:24:12,405

If you have no dark, I show you no, that

is very drastic in the complete form.

396

00:24:12,405 --> 00:24:14,475

Now you see what light I hammered out.

397

00:24:15,075 --> 00:24:17,565

It is not more light than

I would use the same.

398

00:24:17,685 --> 00:24:21,915

See, I would use the same color, but

I have here on this canvas, no watch.

399

00:24:22,365 --> 00:24:24,435

See how little I showed there.

400

00:24:25,425 --> 00:24:25,755

See.

401

00:24:26,880 --> 00:24:27,690

It's not much.

402

00:24:27,690 --> 00:24:32,190

You see there because light on light,

nothing on nothing is nothing but against

403

00:24:32,190 --> 00:24:38,070

that dog, that light, that power they'll

recreate on mighty optic illusion.

404

00:24:39,014 --> 00:24:44,085

And I think that is what makes

an artist, the almighty illusion.

405

00:24:44,475 --> 00:24:48,375

Then as more, you paint as more

hungry, you get full light.

406

00:24:48,975 --> 00:24:50,555

And I come to a happy ending.

407

00:24:50,555 --> 00:24:53,295

You know, I have painted

so much in my lifetime.

408

00:24:53,295 --> 00:24:56,025

I learned, I always needed highlighting.

409

00:24:56,205 --> 00:24:59,925

I always need some extra light

in order to get an extra light.

410

00:25:00,254 --> 00:25:05,554

I need a doc and here it is,

they can divide the other three.

411

00:25:05,794 --> 00:25:11,135

They can bring that three apart

to see maybe this one is yeah.

412

00:25:11,314 --> 00:25:15,335

And then you can, all of a sudden

this just hammered, whatever.

413

00:25:15,695 --> 00:25:16,475

Maybe here.

414

00:25:19,655 --> 00:25:21,545

So, you know, I showed you the fan brush.

415

00:25:21,575 --> 00:25:24,545

I show this little brush

is quite priceless.

416

00:25:24,635 --> 00:25:27,395

This little brush, if you handle it right.

417

00:25:27,425 --> 00:25:29,915

It's just too much, but in art.

418

00:25:29,945 --> 00:25:36,275

But otherwise I like to show you in any

shape and form how to handle your brushes.

419

00:25:37,415 --> 00:25:42,545

No, this, I find it in here to

let that dance in the water.

420

00:25:43,835 --> 00:25:44,165

Yeah.

421

00:25:45,225 --> 00:25:48,344

And their yard, their

yard, her nicest car.

422

00:25:49,774 --> 00:25:52,264

And I don't, I don't

don't want to overload it.

423

00:25:52,685 --> 00:25:54,425

It's nice to have it in a punch.

424

00:25:54,635 --> 00:25:56,254

It don't have to be in the center.

425

00:25:56,524 --> 00:25:58,925

I just put it in a center.

426

00:25:59,044 --> 00:26:03,034

You can put on the side if you want

to, but you see that is what makes that

427

00:26:03,034 --> 00:26:05,554

pain standing out with too much power.

428

00:26:06,245 --> 00:26:12,935

No, I very, I, I, I

cleaned my on mighty brush.

429

00:26:13,440 --> 00:26:19,890

That big brush into that outer

box and pull it down like this.

430

00:26:20,790 --> 00:26:21,180

Yes.

431

00:26:21,870 --> 00:26:25,200

He pulled the whole thing down or

everything, everything together.

432

00:26:30,660 --> 00:26:32,610

And then you make water out of that.

433

00:26:32,670 --> 00:26:33,240

Look at that.

434

00:26:35,790 --> 00:26:39,840

If you want, you can make it dancing

a little bit, you know, look.

435

00:26:41,260 --> 00:26:46,620

He hear you make the lines dancing,

put his side, dress it up, put

436

00:26:46,620 --> 00:26:48,540

his down the here at the sandbar.

437

00:26:51,230 --> 00:26:56,870

See what but the joy to, to make challenge

figures, you know, the water is it's

438

00:26:56,890 --> 00:27:01,310

it's, it's, it's sapling, you know,

you have, uh, it is not tanking very

439

00:27:01,310 --> 00:27:04,250

street, so you can do all those things.

440

00:27:04,370 --> 00:27:04,940

You see?

441

00:27:06,380 --> 00:27:06,920

Yeah.

442

00:27:07,130 --> 00:27:08,000

There you are.

443

00:27:09,225 --> 00:27:16,665

And now, and now I use my MIT knife and

firing rabbit light in the water too.

444

00:27:17,015 --> 00:27:18,155

You see, look at that.

445

00:27:18,965 --> 00:27:19,805

Look at that.

446

00:27:20,495 --> 00:27:21,095

Ooh.

447

00:27:21,125 --> 00:27:22,265

How would that punches up?

448

00:27:23,045 --> 00:27:24,155

That is nice.

449

00:27:24,215 --> 00:27:30,125

See, and what we are doing, we

have, I showed you this time on

450

00:27:30,125 --> 00:27:33,515

mighty painting, but so much right.

451

00:27:33,545 --> 00:27:35,555

And with so much power.

452

00:27:36,555 --> 00:27:39,195

And again, I thank you so much.

453

00:27:39,495 --> 00:27:42,555

This, you brought me back

out of the closet again.

454

00:27:42,825 --> 00:27:43,935

I feel young again.

455

00:27:43,965 --> 00:27:46,065

Thank you so much for watching me.

456

00:27:47,295 --> 00:27:47,955

Bye bye.

457

00:27:53,975 --> 00:27:57,935

to receive an instructional book

containing full color reproductions of

458

00:27:57,935 --> 00:28:02,405

all the paintings created for this series

and instructions on how to paint them.

459

00:28:02,855 --> 00:28:04,955

Please send $10 to.

460

00:28:05,149 --> 00:28:09,889

Magic for post office box two

seven two seven Huntington beach,

461

00:28:09,889 --> 00:28:12,830

California nine two six four seven.

462

00:28:41,090 --> 00:28:45,290

the magic of oil painting was made

possible by grants from Aaron brothers,

463

00:28:45,290 --> 00:28:48,530

art marts and Koenig's art emporiums.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Golden Forest - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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