Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Forest Waterfall - AVAILABLE

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What a beautiful morning.

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I couldn't help to get out of my studio.

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You're down here on my Creek.

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What a nice day I need all

the inspiration I can get.

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And mother nature is

the best helper for you.

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You see the stream and you hear the

stream and it feeds me to do a better job.

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So I repaint the happy little, uh,

Waterfalls coming out or the dark trees.

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So right now we fire in

magic, white magic, right.

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Goes right on the canvas.

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See without the magic, right.

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It will not work.

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That's our system because I

mix, I mix, I mix on the canvas.

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I don't mix on the palette.

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Yeah.

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Yeah, yard.

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That's obviously a long thing

to put the magic lights on.

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I usually should put it on, then you

don't have to see me struggling with that.

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So the magic is on.

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I would like to shout, I would like

to show a little bit of a sky there.

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Shower, little bit of a sky there.

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Let's see how that will look.

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Wash my brush,

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enter the splatter box.

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Make sure you have a dye brush.

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Do you think it would look

how I take my paint off little

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touch of blue and the brush?

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See, and then I just create

a little bit of a sky there.

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Just a little bit of a blue sky.

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But make a bit more than

you really need fire either.

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If I entered the water, there's you dang.

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I would like to have a water

fast coming out, out there, out

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the trees, law, the Bush there.

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And then when it comes out, it turns blue.

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The sky will be in the water again.

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See, that's all you really need.

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Good.

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Start not too much

paint, not too much pain.

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The brush, wash the brush again.

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Enter the splatter box hypnotize,

the whole thing a little bit less.

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You don't have too much paint on.

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Good.

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Now I will.

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I will just create a mighty dark tick.

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Look how I take my paint off again.

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Zap green van Dyke Brown.

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Use the big brush.

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Use your mighty big brush and.

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Try to think.

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What is the light coming from?

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I believe the light from this side.

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And that means on this side, you will see

obviously a little bit of light on this.

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I checked those and the shadows will

go over the Creek over the water there.

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So firing some almighty trees

there right out of the canvas

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darker.

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If you need a darker, take a look.

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What I do now, I use Prussian

blue and Vandyke Brown.

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That gives you look, watch

now far darker colors.

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See,

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maybe show a little bit of a sky on this

side and that, that should be enough.

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That should be enough.

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Now.

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Here's the larder grout.

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Oh, it just depends on

what you want to share.

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See again, take a look.

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How I take it off blue van Brown,

see, and this market and have the

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guts to put lots of that in the brush.

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See like that.

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And then like a par like a dog Paul.

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See, now I can fire in the big tree.

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They looked at victory.

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It's coming very fast.

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In the meantime, I need colors.

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That's all I really need.

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You guys call us.

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I have planted that Z.

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I wants to shout in the sky, big trees,

sun coming from onside waterfalls

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coming out there and that's the whole

painting is street powerful and it's

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has a good meaning is a good teacher.

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See here we go up there too.

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Again,

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get too much blue, add a bit more, uh,

add a bit more of an Dyke Brown or a

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bit more SAP green that does colors.

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They can obvious obvious change it

because you don't have to worry.

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How about figures now, because at

all will be highlighted somewhere.

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This one is very dark D no,

I needed very, very dark.

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You must dank for the word that comes

out there that this very dark there.

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See, I was, I was a dog into the light.

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Oh, the dog into the light.

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Thank all that really reflects

in the vote or whatever you have.

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Start off, starts off.

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I got to do like this.

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See, okay.

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Come from the outside in, because here

the brush is loaded with pain and you must

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think you have the right on the canvas.

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So you're marching from that where

you have the fresh painted it's dark.

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And then the white is mixing, mixing,

mixing us, get lighter, lighter,

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lighter, and you get all that

into the, to the water there too.

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Again, it's, don't be shy.

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Just go in, like I show you

here, see it in a ton of that.

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Now you go from the other side,

what I did here, just like this.

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See you.

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See that Vonda wonderful beginning.

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You see the Dawn and go fight.

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The pain will be, you see her as

he does a voter here in the middle

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and there's all the trees around.

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Now.

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You just work on it and make a divide.

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You want that?

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Yeah.

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I went to Docker Docker.

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Oh, maybe we.

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Cut off more, more sky here for the

other three up there show a little bit

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of a sky in between there and there.

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But I really did up to

now I condition my canvas.

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I condition my canvas to WASK

that particular painting.

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I had my mind all trees around.

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And hour don't know where there's a

little trickier and, and more and more,

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more, more, and then big water there.

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And then couple stones in between.

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You can add a fence fence.

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You can, you can add all kinds of

things, whatever the inspiration,

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whatever you as an artist.

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Thank you would like to put in there.

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And that makes a D of your life.

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That is a day of my life.

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What you see in that on mighty painting?

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Darker.

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I like it darker there.

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When it's dark, I can show more light.

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There's no light when there is no dark.

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Yeah.

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Everyone has to be a bit timid with

art, but more dark on the bottom Z.

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Then I use darker colors there.

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Dark.

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No, he can run up lines.

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If you want to, we think are three

standing up there and beautiful.

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Use your knife now and

create three trunks Z.

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What I will do now, I create three trunks.

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crooked street.

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You done, you don't care.

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As long as you get the vision is in there.

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You get that up and down and forward

and back the attach of right.

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Maybe under the knife.

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You can run outlines, look at that.

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See, make beautiful.

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Look at that.

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Did a lot of dry trees, whatever

standing up there, you can add a little

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bit of branches if you want to see.

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Oh, that's nice.

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I tell you creative power is something.

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It is something we are, we are just a

human being on this earth, but learning.

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That's what I came down here on my stream.

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I want mother earth to help me.

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We all need the help sometime because,

uh, to, to do something vibration and

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the power, you, you, you add everything

and that's why we paint down here.

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See, beautiful firing.

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What I like is the swing.

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You're not stuttering.

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You're not stuck.

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You are in this vein of it as

it's floating out at your hands.

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And when it floats it really

show, it really showed the float

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of that, of that on my team.

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Crazy creative power.

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See.

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You cannot do it in hours and days and

months because man is not geared for that.

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We have on the zoom much, you know,

right now I say beautiful money.

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I was so excited when they came on

my canvas, but the how, how long

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last, the excitement, the DVS off.

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And then, then if you can finish a

painting in that almighty Bobby tears for

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the artist is there's where the power is.

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I created the writing that

on mighty bubble there.

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And I liked that that speed.

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Lot of people never did understand

when I painted so fast, they

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obviously he knocks his paintings off.

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It's a sad, it's a sad.

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Lot of people think it pain takes

you a year because you put the price

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on the good artists is the art is

what can do in a cup with a cup of

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strokes and chose you a big meaning.

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It's something wonderful

for the couple of strokes.

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There is the artist that's the King.

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See, now you see if you

have stars at all this here

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and make the trees.

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Upside down crooked sometime.

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It just doesn't matter.

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But you would think about the

builder is you would like to paint.

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I just came back from that

yesterday and that's why I'm

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so excited to show that more.

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Now I will use my little brush and

I will highlight see what I do here.

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I take yellow.

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And did the brush.

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I load the brush is loaded that guy's

loaded light is coming from this side.

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Try to think the light

is coming from that side.

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See now comes to find work, see a

little bit of a light hit stair.

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Thank you are done.

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My decree.

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The next to God is you.

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You set the light forever.

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If you think, is this right?

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See watch on this side of the tree.

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Oh, I love it.

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I love it.

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I love it.

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It's just beautiful.

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And by seeing what you're

doing, you get inspiration shown

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inspiration you at at large.

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My at feeds me right now.

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When I see my onboard.

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I got more excited and

that's what we need.

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That's what we need excitement.

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And then when you finish that painting,

it will be excited in every home, wherever

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you hang that painting, it will, will

be alive at very the vibe you did it.

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It will not be dead.

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It will not cry for help.

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You don't need her.

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He may be here, bitch.

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It is the little bit of a

loose, loose sunshine attaches.

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I don't know if we can spot it.

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Nice.

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Maybe add even a touch of white.

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See, even I do, I add a little touch

of fight into that now, and that

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gives me look at what I do now.

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Just this light, very light touches.

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They're loose, very, very loose branches

in a beautiful coming out of the dog.

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You know, you, you feel

good when you see a tree.

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Stick it out his neck,

one to get into the sun.

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I want to see the sun.

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And that's what I, I think

sometime when I, when the pain

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is here, maybe a little touch.

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No, you create wherever you think it could

be done, but you can overload it too.

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Be here.

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Could be a little bit more.

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Yeah.

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I cannot help.

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Obviously let the sun hit from one side.

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See.

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Now we will hit on this

side here and then,

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and leave the shadow side, have the

sunny side, see, leave the shadow side.

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And then in between mixing a little bit

of white vetted and give them, watch

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this, sometimes I would like to have it

very, very, very bright the nugget that.

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Can you make a nice close up on that?

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See how nice that is fired right

into the water a little bit.

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Yeah.

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On this side, the shadows

are running this way.

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The light is coming from this side.

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So you highlighted the why you

wanted now because you make the

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selection, you select the trees.

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What should have the sun?

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And I always liked to use that word.

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I am next to God.

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And God gave me the right to do it.

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He, he feeds me.

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He keeps me alive.

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He keeps me healthy on this earth.

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And this is while everything

is divine, I think it should

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be done on, Oh, maybe here.

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There's all the three hanging

around there, a Buddha, but

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otherwise let it go into the dark,

bright up there into the dog.

258

00:15:47,030 --> 00:15:47,360

See.

259

00:15:51,275 --> 00:15:53,435

no, I create already the opening wherever.

260

00:15:53,435 --> 00:15:54,635

Once you get that Creek out.

261

00:15:55,685 --> 00:15:57,515

Oh, maybe here, here.

262

00:15:57,995 --> 00:15:59,944

Now you can overload it.

263

00:16:00,275 --> 00:16:01,295

You can overdo it.

264

00:16:01,834 --> 00:16:07,235

Maybe we will have that little bit

of three hanging in the water there.

265

00:16:08,314 --> 00:16:12,214

They just, just dream a long

time to see it in your own mind.

266

00:16:12,545 --> 00:16:14,074

Maybe here is a whole Bush.

267

00:16:15,165 --> 00:16:19,815

Okay, let's get the copy of it at three

trunks, cover three tongues in here.

268

00:16:25,505 --> 00:16:26,225

How you put them in

269

00:16:34,085 --> 00:16:37,265

cover three branches,

three branches movements.

270

00:16:40,025 --> 00:16:42,455

The knife is at your Rhonda

for thing to do it's bit.

271

00:16:43,295 --> 00:16:43,835

Look at that.

272

00:16:47,600 --> 00:16:49,910

Uh, I tell you, I wish you could do that.

273

00:16:49,970 --> 00:16:53,689

I wish, I wish I wish you

could do that because I really

274

00:16:53,689 --> 00:16:58,340

experienced a wonderful thing in

my life that I am able to do that.

275

00:16:58,880 --> 00:17:05,690

And it was obvious, you know, but

nourished me along and encouraged

276

00:17:05,690 --> 00:17:08,389

me and I feel now, I wish you could.

277

00:17:09,435 --> 00:17:14,565

You could be around me now and, and enjoy

it too and make a happy buck with it.

278

00:17:15,335 --> 00:17:16,575

That's the nice part.

279

00:17:16,965 --> 00:17:20,805

I was thinking the sun will hit here

and here, the little tree trunk there.

280

00:17:22,775 --> 00:17:31,325

The treats on there, maybe Dan

C as it's just wonderful to be

281

00:17:31,325 --> 00:17:34,115

alive, but just kind of ID now.

282

00:17:34,325 --> 00:17:37,325

We will be very, very well watch this.

283

00:17:37,995 --> 00:17:39,885

I use less colors today.

284

00:17:40,155 --> 00:17:41,385

I just would like to see you.

285

00:17:43,025 --> 00:17:52,235

Yes, I, maybe I have you, but on

top light, darker, darker, darker,

286

00:17:52,235 --> 00:17:53,855

darker, nothing, nothing, nothing.

287

00:17:53,855 --> 00:17:54,395

Nothing.

288

00:17:54,455 --> 00:17:56,645

Absolutely nothing again.

289

00:17:56,975 --> 00:17:58,385

Firing on top here.

290

00:17:58,535 --> 00:17:59,525

Maybe he has a letter,

291

00:18:03,545 --> 00:18:06,485

nothing, nothing, nothing just

started to go into the dark.

292

00:18:07,000 --> 00:18:08,310

That is what makes a pain.

293

00:18:08,360 --> 00:18:08,879

Nice.

294

00:18:09,390 --> 00:18:10,850

He must always dank there.

295

00:18:10,860 --> 00:18:14,220

Branches and branches and leaves

and the birds like umbrella and

296

00:18:14,220 --> 00:18:15,360

they build the shed with there.

297

00:18:16,500 --> 00:18:19,830

And Joe, you have unneeded

top, but shows you,

298

00:18:24,660 --> 00:18:30,500

yeah, I leave it on the sunny side

and the sunny side on the street.

299

00:18:31,220 --> 00:18:31,490

See?

300

00:18:31,500 --> 00:18:33,170

No, no, no, no.

301

00:18:33,170 --> 00:18:35,480

We come to a beautiful point.

302

00:18:36,045 --> 00:18:40,035

I will use it on mighty brush,

wash the brush, make sure you

303

00:18:40,035 --> 00:18:42,795

have a clean, clean, nice brush.

304

00:18:43,875 --> 00:18:45,045

Enter the splatter box.

305

00:18:52,385 --> 00:18:52,865

Look at that.

306

00:18:54,335 --> 00:18:57,485

So now Mick does side movements.

307

00:19:03,155 --> 00:19:04,145

Isn't that beautiful.

308

00:19:04,875 --> 00:19:11,764

It vibrates because what you see

here, we develop to this technique,

309

00:19:11,774 --> 00:19:15,245

expensive pain, without that paint.

310

00:19:15,574 --> 00:19:17,074

Don't you ever try?

311

00:19:18,185 --> 00:19:19,324

It just reads the time.

312

00:19:19,445 --> 00:19:23,405

If you would rather pay for

the pain and your time is worth

313

00:19:23,435 --> 00:19:25,715

nothing, then do whatever you want.

314

00:19:26,014 --> 00:19:29,675

But if it's your life and your time

is worth something, get the right

315

00:19:29,675 --> 00:19:32,495

equipment because it took me a lifetime.

316

00:19:33,000 --> 00:19:34,169

To develop all that.

317

00:19:34,200 --> 00:19:35,909

Now it's all there.

318

00:19:36,240 --> 00:19:38,550

And I wish you would

take advantage of that.

319

00:19:39,210 --> 00:19:43,409

Our paint is you see, look, take

a look and make a close up shot.

320

00:19:43,980 --> 00:19:47,490

Did the bubbles hanging

down it it's just wonderful.

321

00:19:48,180 --> 00:19:49,860

You must thank vet vet.

322

00:19:49,919 --> 00:19:51,899

I paint on the vet canvas.

323

00:19:53,220 --> 00:19:57,810

Usually artists make mud, but

this paint, you don't make mud.

324

00:19:58,169 --> 00:19:59,520

If you keep it right.

325

00:19:59,550 --> 00:20:00,540

If you do it right.

326

00:20:01,725 --> 00:20:06,915

We've worked out a system for, you

know, this, you, you cannot be wrong

327

00:20:07,395 --> 00:20:12,435

and we will make sure before I, I see

the end of my career or the end of

328

00:20:12,435 --> 00:20:17,715

my life, I wants to make sure that's

all America will paint and we'll be

329

00:20:17,715 --> 00:20:22,995

laughing and we'll make a happy buck

and I will help you for that because

330

00:20:22,995 --> 00:20:26,145

you had me to have a happy home now.

331

00:20:26,145 --> 00:20:27,945

And I'm very, very thankful for that.

332

00:20:28,710 --> 00:20:30,960

You see, I read the

book I showed you here.

333

00:20:30,960 --> 00:20:34,790

This is still literal, but it's

too much inspiration there.

334

00:20:34,940 --> 00:20:36,230

You can use colors.

335

00:20:36,890 --> 00:20:38,120

I can use any color.

336

00:20:38,290 --> 00:20:39,680

I just don't do it too much.

337

00:20:39,710 --> 00:20:40,520

Every show you more.

338

00:20:40,520 --> 00:20:42,440

No, no.

339

00:20:42,800 --> 00:20:44,300

The sun hits in this vibe.

340

00:20:45,140 --> 00:20:46,520

Sun hits in this vibe.

341

00:20:47,390 --> 00:20:51,590

I will use every much

yellow and white and color.

342

00:20:52,370 --> 00:20:57,440

He had found a life far away,

but the sun came through there.

343

00:21:01,530 --> 00:21:04,460

just the sunspot sunspot.

344

00:21:04,730 --> 00:21:10,550

Can you see on that dark, how it burns

and then you can, you can lead it.

345

00:21:10,730 --> 00:21:12,260

Give him a little Cove there.

346

00:21:18,170 --> 00:21:20,230

And that's the beginning

of your waterfalls.

347

00:21:20,270 --> 00:21:28,575

Now on this side, I use the yellow

and nice, uh, It's only colors.

348

00:21:31,785 --> 00:21:33,255

Nice sunny colors.

349

00:21:39,695 --> 00:21:45,335

Isn't that wonderful to come forward

with four of four vets, make sure

350

00:21:45,365 --> 00:21:47,465

you always have lots of water.

351

00:21:48,185 --> 00:21:50,975

If he wants to have a bigger

cooler and your bunch to come back

352

00:21:51,005 --> 00:21:53,015

in again, you still have water.

353

00:21:53,705 --> 00:21:56,195

If you don't do it, it

costs your fast to do it.

354

00:21:57,854 --> 00:22:02,804

Then do it, but I show you, there's

just a wonderful way of, of getting

355

00:22:02,804 --> 00:22:05,264

into that C and I lied down flat.

356

00:22:05,715 --> 00:22:07,365

You can March into that.

357

00:22:08,294 --> 00:22:17,615

That's what makes it fun, excitement

full of life and this painting.

358

00:22:17,615 --> 00:22:18,935

It is already excited.

359

00:22:19,125 --> 00:22:20,435

See that little Cove here.

360

00:22:22,175 --> 00:22:22,995

That is what.

361

00:22:24,540 --> 00:22:27,360

It's a seller, but I will

talk about selling because

362

00:22:27,360 --> 00:22:28,620

you have to make a happy buck.

363

00:22:29,190 --> 00:22:31,380

If you don't have money,

you can buy paint.

364

00:22:31,670 --> 00:22:32,210

Okay.

365

00:22:35,510 --> 00:22:38,600

See, you know, we, we, we can close it in.

366

00:22:38,600 --> 00:22:42,020

We can close it in and we can

confirm as far as forest like this.

367

00:22:42,800 --> 00:22:43,460

So that's fine.

368

00:22:43,670 --> 00:22:47,710

No, I would like to work out at

that waterfall, stair, that, that

369

00:22:47,960 --> 00:22:49,970

water coming down there somewhere.

370

00:22:50,450 --> 00:22:52,460

We use our mighty little fan brush.

371

00:22:53,355 --> 00:22:55,665

And Vita see what the, how I take it off.

372

00:22:55,905 --> 00:22:56,475

Right.

373

00:22:56,805 --> 00:23:01,065

And Gallo, think about in

the sun, white and yellow.

374

00:23:11,735 --> 00:23:17,735

Can you see that little bit of a

it's a so far by, you can hear it.

375

00:23:17,765 --> 00:23:18,695

Can you hear it?

376

00:23:19,775 --> 00:23:20,525

You can hear it.

377

00:23:20,525 --> 00:23:21,485

How it comes down.

378

00:23:22,545 --> 00:23:24,615

And then you put a

couple of lines in there.

379

00:23:32,975 --> 00:23:34,555

See how that water comes out.

380

00:23:34,835 --> 00:23:39,335

And if you want, you can go still a bit

higher up and have just the letter linear

381

00:23:39,335 --> 00:23:49,295

attached there D and a beautiful, now

we fire and we fire in darker colors.

382

00:23:50,700 --> 00:24:01,780

Darker colors again on this side,

darker colors, because you know,

383

00:24:01,780 --> 00:24:04,850

the light is coming from this side

and that should be very dark there.

384

00:24:06,050 --> 00:24:07,790

Eh, no, it makes sense.

385

00:24:08,000 --> 00:24:10,250

Maybe I pull a bit more dark in there too.

386

00:24:11,960 --> 00:24:16,129

And this side that gives me a

bit more power for the dark.

387

00:24:19,500 --> 00:24:24,930

Now I highlight that, but I don't

highlight that with, uh, with yellow.

388

00:24:24,960 --> 00:24:31,230

I highlight that with white and attach

of blue, I take kind of a bluish

389

00:24:31,260 --> 00:24:34,530

greenish shadow color, shadow color.

390

00:24:34,530 --> 00:24:35,190

You see here.

391

00:24:35,460 --> 00:24:36,210

Now watch this.

392

00:24:36,600 --> 00:24:38,310

See, then share the colors.

393

00:24:40,770 --> 00:24:42,900

Does little shadow colors.

394

00:24:43,680 --> 00:24:47,040

Little happy she had the car that's maybe

here in between us and then she had the

395

00:24:47,040 --> 00:24:49,800

color a little bit in here in between.

396

00:24:49,800 --> 00:24:51,480

It's a little shadow color there.

397

00:24:52,230 --> 00:24:56,580

See that there, here is a little

shadow color, but that shows you the

398

00:24:56,580 --> 00:24:59,370

shadow side and that's the sunny side.

399

00:24:59,910 --> 00:25:00,150

See?

400

00:25:00,150 --> 00:25:02,040

And then you fire and fire then.

401

00:25:07,670 --> 00:25:11,720

No, here, here, here, here, here,

here you use white and blue.

402

00:25:12,090 --> 00:25:18,629

And do the same thing, what you did there

with blue and white, see blue and white.

403

00:25:23,330 --> 00:25:23,720

Yeah.

404

00:25:24,440 --> 00:25:26,960

You see, and make water out of that too.

405

00:25:26,960 --> 00:25:27,260

Here.

406

00:25:27,260 --> 00:25:34,879

Again, just run the couple along

lines like this, but use blue on the

407

00:25:34,879 --> 00:25:37,430

side that shows you the shadow side.

408

00:25:37,760 --> 00:25:39,950

Now you close in whatever

you think it should be.

409

00:25:40,620 --> 00:25:46,350

You're wants to close and see

and have lines running up.

410

00:25:52,700 --> 00:25:57,200

See here you're you're on and you're on N

411

00:26:00,680 --> 00:26:04,700

shoreline, white and yellow,

white and yellow here.

412

00:26:04,940 --> 00:26:08,330

Maybe brighter color there,

but either color there.

413

00:26:17,405 --> 00:26:20,705

Because ever happy little

shoreline white fee.

414

00:26:20,705 --> 00:26:22,254

I use a bit of white there.

415

00:26:33,455 --> 00:26:34,295

Isn't that fun?

416

00:26:35,465 --> 00:26:36,605

Isn't that fun to live.

417

00:26:40,350 --> 00:26:41,310

No, there you are.

418

00:26:41,520 --> 00:26:46,160

Then you put the copy of water

lines in there and here and

419

00:26:46,160 --> 00:26:50,120

here and here and here and here.

420

00:26:50,240 --> 00:26:54,200

And you hear that four to coming down

the Hill and you got more access excited.

421

00:26:54,500 --> 00:26:55,880

You got more excited.

422

00:26:56,450 --> 00:27:02,690

See, and that's what you got a beautiful

painting and I'm all excited and I'm

423

00:27:02,690 --> 00:27:04,730

already finished and that beautiful.

424

00:27:05,385 --> 00:27:07,125

I hope you learn something.

425

00:27:07,335 --> 00:27:11,505

I love you do it, everybody doing it.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Forest Waterfall - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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