Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, 14 MountainMist - AVAILABLE

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You just wouldn't believe it.

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I just fed my fish.

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Do you ever have seen

smiling fish in the sunshine?

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I couldn't type.

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Can I have my easel right

down to the Creek again?

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I must be close to happy

and smiley smiling animals.

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So I would paint a fog.

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You see, now I'm all excited because

mother earth is feeding me the noise

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of diverter and what I have seen

when you see, when you feed fish, I

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tell you it's just a joy to be alive.

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So I'm ready to fire in the magic.

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Right?

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I just put the magic by the aunt.

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I just straighten it out.

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I don't want to be too much time

just putting the magic, but you

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would say the guy who spent too much

time putting that magic right on.

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I just take it more or less off.

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Nobody too much.

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Good.

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See, beautiful, beautiful, beautiful.

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Why is she a brush?

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I even create a kind of a fog kind of

a fog let's let's take the palette.

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And white is on the canvas.

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I ever used.

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Van Dyke Brown is a good Favi color, maybe

a touch of alizarin, Crimson touch of blue

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and, and the airplane is not happy either.

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It's not typing either D and then

let's see what we got out here.

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Kind of a fog.

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I hope that it's a foggy color.

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See, now we have to attach it.

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She had tasted, it is fog.

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Isn't fog.

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Beautiful is fog.

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You see, I know my Carlos because.

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Ben Brown, precious blue,

Alison Crimson dust colors.

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They give you earth.

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They give you air VIT device on

the touch of blue is in there,

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but more you put the blue on.

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I know I just munch it up in a

ZZ, let that be heavy and loose.

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And like event conducted

like on band conductor fires.

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And, and if you need more, you pass.

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If it's hard to get out and then light.

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Can you see it?

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The, and then you say here, the father's

lifting off August lifting off there.

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August the I press, I

just, the brushes noted.

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I just pass a bit hard to hear.

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I just press a bit hard to hear the

Z and all of a sudden in nice fog.

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He seen this coming up.

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Nice fall.

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You see this coming up.

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And all that that's for far.

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No, you can.

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I still clean my brush more

because they're very big waters.

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There will be water, but the Vata

is the, is roiling on the board.

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I clean my brush out here now.

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Oh, that I think we have quite a

nice, happy foggy colors in there.

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No, I wash mine on mighty brush.

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And I really, I really, you know,

I like to add a touch of like

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bloodstream attached, alizarin, Crimson.

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This is just a wonderful color.

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It gives me obvious that it has

a kind of a smiling, allegedly

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Crimson has a kind of a smile.

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Can you see it now?

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But very, very careful, just

that it gives me a morning.

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That gives me a morning feeling.

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The sun is just trying

to get to the clouds.

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The sun see that they didn't touch,

but the why I put it on you hardly,

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I hardly don't touch it, but I in

filter that bit of a rain and to,

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to do the, do the scene there.

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Beautiful.

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No, I will use my fan brush one

of my, on my defend rushes and

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every create some kind of a foggy

D I just look just like you blow.

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There's a three standing four by three.

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The fog is just the tree

looking out at the fog there.

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And there's a disappear that

let her disappear and nothing.

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She is standing out wherever you think.

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Does it little opening, not the

tree, but you see what color?

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I just cleaned my palette.

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I just cleaned that palette.

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Maybe three's a foggy very, very foggy.

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You can have two together issue.

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Isn't she?

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Uh, something in that direction and

then that disappeared in the fall.

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Again, the M maybe he is known

as a bit of a tree there.

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The, maybe here is a kind of a

for, uh, leaves tree there, but

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you see how delicate she's dressed?

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Yes.

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Yester so-and-so and so-and-so

maybe here can be a bigger one.

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And, but leave fog in between the fog

in between the there, but make it, make

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it the following, the other details.

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Very, very solved.

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Very, very so the, and then you

can have other fan brush and

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you use Vite the other do right.

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And the touch of alizarin,

Crimson, white, and attached.

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See how I put it together?

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I don't try to paint.

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I just go.

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But I I'm scared to

have too much paint on.

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They just attach it for red.

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You're no good.

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This,

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that little bit of a touch

for red does so good.

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It does so good.

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It has blood Albus and

it has looks healthy.

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It's loose.

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Harrity somewhere.

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The zone is hazy and it hits

that little bit here and there.

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And, and you bring it out again.

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The same movements, the same

movements, just a little bit of a

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maybe here I create a kind of a like

cloud, like your father's movie.

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The father is moving, then just

finish, finish that ended up here.

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Usually underneath the fog, you can

always create the kind of, yeah.

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Is shadow the underneath the fog.

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I will this gobble up here, whatever

I can and having a little bit of a

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D C how delicate you have to work.

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It's very, very, very.

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Larry it's fog.

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You always have to dang.

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Is fog ever, was it in

every closed it all.

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And then it's the other two.

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No, I have to get some pain together.

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Again.

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Think about those three colors when

Dyke Brown, Prussian blue and alizarin

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Crimson, and the advisers on the canvas,

but the way you put it on, you can have

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that might be too hard, but I do know.

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Um, maybe not, I I'm very careful,

but this tree is already a bit closer.

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The, this tree is a little bit closer.

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Ready?

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Coming out of that fog there

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that's a bit closer.

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Then you can have all the

three here, maybe in between

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here coming close, closer.

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Okay,

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next comes next to you.

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I painted that first there's I can

paint that in front and that comes a

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bit closer then as a bit darker and

then let it disappear in the fall.

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Yeah.

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Maybe here, here to some up, sticking out.

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There's some grout,

whatever you think Bush.

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I go fishing very often on the leaks.

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And then all of a sudden you see

something sticking out, but then this

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fun, again, everything is dipping into

fog may be here to something, whatever

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that means, but I, I stand it up.

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You see all my movements are

standing up tight to stand it up.

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Then it has a meaning.

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It has on my demeaning.

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Beautiful.

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No, the next step again,

have a clean brush.

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Mighty clean brush and you fire a new fog.

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They again, right.

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And read the same thing.

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I'm scared to do that on mighty paint.

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Just very careful, you

know, Luca in front of that.

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Uh, and then beautifully.

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Z like it comes in and shifts

as a shift behind, and the

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whole call is folly and fishy.

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And, and here you just created a kind

of a Earl, the father's rolling by.

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I didn't buy that one hair bothers

me then every bothered them.

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And by the medium me

alone, I need you alone.

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Okay.

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Okay.

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Good.

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We start already with something

coming out a bit more detail.

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We used van Dyke, Brown, trash and blue.

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Alison Crimson.

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Again, the same colors.

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And maybe a touch of yellow into that

this time, because I come closer.

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You see?

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No, we will be, well, maybe here,

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maybe like that.

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We let that disappear in fog to

adjust the field coming down.

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And the father's rolling up again again,

the same treatment here with the touch

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of red touch of alizarin, Crimson,

or other that gives you that thread.

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It's really sad.

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Isn't it too much, too much.

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They don't go on.

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No, there's too much

stuff to music and fire.

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And again, with a bit of lighter color.

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There you go, that's it.

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That's it.

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They ain't know.

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You can come up, come down and, and

then, and see the nice part is all of

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a sudden you let the fog just dance up.

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Yeah.

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That the fog, just dance up

there, then you cut it in half.

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See, that's what you do very often.

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Then see, look, you

just have to turn it on.

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And this happened, is it happy to breeze?

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And the farmers are

already over like this.

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No.

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Good, good.

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Right.

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The fog around now you play

your little games with the fog.

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I really use a clean big brush and

you hit the ties, the whole thing.

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They advertise the whole thing that

makes it nice and foggy, more folly.

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More funny me because he

went to nice and Zoloft here.

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You can just have some obstacles

that are stand up beautiful.

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It's very soft, very soft, very soft.

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No, I make it all nice and foggy again.

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Happy fall in the morning.

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No again, that are mighty brush you fire.

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And Carlos now.

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And there's just happened as a tree.

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Now, the values that the trees don't

destroy, anything what's nice already is

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that I watched her, he sat the front tree.

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Now, is that the zoo?

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Does it?

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I would say here is one big

one, right from the top down.

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See, that tree must go down

because it is, it is still close.

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See, otherwise next, next, next.

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And it disappears in yonder.

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That's a very, very good lesson here.

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If you just can follow it, right.

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That's a mighty tree there.

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Yeah.

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So now here we will, we will create a,

kind of a, kind of a little shoreline

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there, kind of a little shoreline there.

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See the movements, see the movements.

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Everything is standing up beautiful grout.

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You never can do it with small brushes.

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It's most impossible.

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Remember that big brush.

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When you know, I tell you the

toot talking about that big brush.

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If it doesn't work for you, sleep

with that brush, the first night

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fell in love with the brush.

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Dan it's revoked for you.

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I cannot tell you because the other

people ask me how you, why you get it

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because it's certain pains where to do it.

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And that brush is scared for that.

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It's beautiful.

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Look at this.

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Look at our dust.

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Then Berlin Rashi says

standing up there and

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yeah, you want, you can just

fire it in to the water there.

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And there's nothing beautiful when you

can do those kind of things with the

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copy of strokes, not as you sit there

for hours and fit unfettered, unfettered.

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I used to do that and I hate to think I

shiver when I think back on the time when

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I had to do it, because this is just, it's

living, there's a joy to be on this earth.

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And I bet you, God will

love you for doing that.

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There's so much power, so much on mighty

power in, in, in, in the thing like that.

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D no.

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Oh, if he was sending stuff, right.

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I would like to, I would like to,

to add a little bit of the defend

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brush sometime as a beautiful

brush by this, doing it like this.

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SI.

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Yes.

247

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Dang.

248

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That's a happy little

three standing there.

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Can you make a close up if you really

see that it's such a beautiful thing.

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You fire right into the water there again.

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You just ended up beautiful.

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It's not stiff.

253

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The lines are not stiff.

254

00:15:57,500 --> 00:15:59,700

If you can get the nice

close up on this line.

255

00:16:00,194 --> 00:16:01,454

And there's this wonderful.

256

00:16:01,755 --> 00:16:04,425

And then you create as many as you want.

257

00:16:05,175 --> 00:16:07,574

You can even have it here, going up there.

258

00:16:09,694 --> 00:16:18,185

See that is what mother nature's all

about and fires right into the water.

259

00:16:20,045 --> 00:16:20,855

Yeah.

260

00:16:22,235 --> 00:16:24,095

See, you can have another one here.

261

00:16:36,359 --> 00:16:37,739

In a nice divide.

262

00:16:37,770 --> 00:16:38,790

It moves.

263

00:16:39,089 --> 00:16:43,229

It's just beautiful, just beautiful.

264

00:16:43,459 --> 00:16:48,650

It fires right into the water and

let it dance, whatever, whatever

265

00:16:48,650 --> 00:16:51,199

the water will show you see.

266

00:16:51,599 --> 00:16:52,260

Yeah, you are.

267

00:17:02,209 --> 00:17:03,079

This is wonderful.

268

00:17:03,650 --> 00:17:06,589

I really do enjoy myself by

doing those kinds of things.

269

00:17:07,579 --> 00:17:14,629

So now we can go on and on the, make it

like this now, and then you make water

270

00:17:14,629 --> 00:17:18,530

out of that beautiful water out of debt.

271

00:17:18,959 --> 00:17:21,389

And then use your, our mighty knife.

272

00:17:22,109 --> 00:17:29,070

Now we come out at that fog

statue of yellow, red, the mix

273

00:17:29,070 --> 00:17:33,600

it in here, but I have a little

bit of jerk whatever's in there.

274

00:17:33,870 --> 00:17:36,300

It gives you kind of a awkward color.

275

00:17:36,975 --> 00:17:38,895

The kind of awkward color.

276

00:17:42,095 --> 00:17:42,784

Beautiful.

277

00:18:04,980 --> 00:18:09,330

It's a nice, I always come to life again.

278

00:18:09,690 --> 00:18:14,910

Then I, every painting, I painted so many

paintings in my life, but I always get

279

00:18:14,910 --> 00:18:18,510

new excited by just Z and how it comes.

280

00:18:18,510 --> 00:18:22,380

And it's such a joy to see

every time it is going.

281

00:18:22,380 --> 00:18:22,740

Good.

282

00:18:29,510 --> 00:18:30,650

And it is original.

283

00:18:30,660 --> 00:18:32,960

You never can make the

second painting like that.

284

00:18:32,990 --> 00:18:34,130

There's most impressively.

285

00:18:49,325 --> 00:18:52,925

No, if you want, Oh, we have

to put the tree trunk in here.

286

00:18:58,155 --> 00:18:59,165

That's nice.

287

00:19:02,315 --> 00:19:04,265

And I use more paint again.

288

00:19:05,105 --> 00:19:06,395

Load your brush.

289

00:19:07,725 --> 00:19:15,045

Alizarin Crimson, Prussian blue van Dyke

Brown, and the, I need the other doc here.

290

00:19:16,005 --> 00:19:17,025

No, that dog here.

291

00:19:17,325 --> 00:19:20,985

I want that tree be dominant

that that's the tree.

292

00:19:23,475 --> 00:19:25,395

See the branches watch.

293

00:19:25,605 --> 00:19:26,535

Let me show you here.

294

00:19:26,595 --> 00:19:28,695

I should see the branches flying.

295

00:19:30,510 --> 00:19:32,820

See that that's the whole ID

296

00:19:39,440 --> 00:19:40,850

sticking out there.

297

00:19:44,030 --> 00:19:47,000

No, this, this dish barely like this here.

298

00:19:47,115 --> 00:19:47,295

Okay.

299

00:19:55,925 --> 00:19:58,655

See, you have a happy little

river coming out there.

300

00:20:01,655 --> 00:20:01,835

Yeah,

301

00:20:04,835 --> 00:20:05,705

I know you can.

302

00:20:05,795 --> 00:20:08,525

Whatever, whatever you

feel, it comes to naked.

303

00:20:08,735 --> 00:20:10,355

You can always add something.

304

00:20:10,890 --> 00:20:12,750

Yeah, I would like to see by dog,

305

00:20:16,100 --> 00:20:20,300

I don't use too much colors because

I would like to bring out that fog.

306

00:20:21,080 --> 00:20:22,160

No, he didn't front.

307

00:20:22,640 --> 00:20:24,230

We wouldn't have any fog.

308

00:20:30,740 --> 00:20:35,420

If you want to know, you can

maybe, maybe here might be a nice.

309

00:20:38,355 --> 00:20:41,415

But can you, can you see, can

you make a close up shot on

310

00:20:41,415 --> 00:20:43,335

this particular shot, please?

311

00:20:43,335 --> 00:20:43,605

Here.

312

00:20:44,175 --> 00:20:49,265

It just, how nice and loose

Everett start blocking.

313

00:20:49,565 --> 00:20:55,655

Don't go on stop the music because can

you take your foot close up on my brush?

314

00:20:56,195 --> 00:21:03,155

See how loose that brushes never, never

rushed this brushes with soap and water.

315

00:21:03,245 --> 00:21:06,035

I, before I forget, I have

to mention that because.

316

00:21:06,780 --> 00:21:09,030

It never worked for you anymore.

317

00:21:09,270 --> 00:21:12,659

The barista brushes, they have

to be cleaned with, with paint in

318

00:21:12,659 --> 00:21:16,139

the, or with what the special order

loss paint, then assist the best.

319

00:21:16,590 --> 00:21:20,159

And then it will keep the figure,

see the beautiful figure stair.

320

00:21:20,699 --> 00:21:21,929

And that's what we live off.

321

00:21:22,590 --> 00:21:26,939

The anyone that sees your painting,

he would think that takes you weeks.

322

00:21:27,179 --> 00:21:28,169

It takes a week.

323

00:21:28,230 --> 00:21:29,970

Zen divide, take it off.

324

00:21:31,110 --> 00:21:32,399

Watch I take it off.

325

00:21:32,399 --> 00:21:32,760

Like.

326

00:21:33,180 --> 00:21:33,540

Kendra.

327

00:21:34,050 --> 00:21:35,070

I hope I heard it.

328

00:21:35,070 --> 00:21:35,370

Right.

329

00:21:35,730 --> 00:21:43,500

See, I take it off like this Z and that

is he can receive the shape, the shape,

330

00:21:45,300 --> 00:21:48,240

but when I touch it, no ever touch it.

331

00:21:48,510 --> 00:21:51,450

See if I touch it on a pallet,

just see that on the pirate here.

332

00:21:52,560 --> 00:21:58,500

See in the beautiful stroke, it is

a touch and move, touch and move.

333

00:21:59,070 --> 00:22:06,600

See that alone is worth the money, but I

showed, you know, I save you lots of time.

334

00:22:06,899 --> 00:22:08,250

All you artists are there.

335

00:22:08,250 --> 00:22:14,550

You should work one hour a day and

you are five hours on the beach.

336

00:22:15,330 --> 00:22:17,040

And watching the girls go by.

337

00:22:18,075 --> 00:22:18,915

Isn't that fun.

338

00:22:19,575 --> 00:22:23,715

That's just the way an artist should live

and you can make in the short time, all

339

00:22:23,715 --> 00:22:26,205

those details and you sell your paintings.

340

00:22:26,355 --> 00:22:30,075

You make enough money to be

happy and have a happy smile.

341

00:22:30,435 --> 00:22:36,075

And when the age comes up, like in my age

now, you know, one day I will have to go.

342

00:22:36,225 --> 00:22:40,095

I will smile to the end

of my and the undertaker.

343

00:22:40,095 --> 00:22:41,265

He will hit me in the face.

344

00:22:41,265 --> 00:22:41,685

He was there.

345

00:22:41,685 --> 00:22:44,265

That son of a gun, you start smiling.

346

00:22:45,945 --> 00:22:48,165

That they can need mighty day niggas.

347

00:22:48,165 --> 00:22:50,264

What makes you good?

348

00:22:51,185 --> 00:22:56,145

You know, here, I just added, but the

looseness, the, this is what says, is

349

00:22:56,145 --> 00:22:58,784

that on my looseness of your brush?

350

00:22:59,264 --> 00:23:03,345

See, and then no one,

no one can pick on you.

351

00:23:04,125 --> 00:23:06,284

No, you better not talk anymore.

352

00:23:06,615 --> 00:23:08,024

I will finish up my pain.

353

00:23:09,725 --> 00:23:10,985

Otherwise I get fired.

354

00:23:16,190 --> 00:23:21,800

I hope you learn something from this

because it's very important for me to know

355

00:23:21,800 --> 00:23:25,760

you, you enjoy yourself and, and have fun.

356

00:23:25,940 --> 00:23:28,910

And I feel I'm the popper, I'm

the father of the whole thing.

357

00:23:29,120 --> 00:23:31,340

And that is all I ever wants to know.

358

00:23:31,790 --> 00:23:31,910

Okay.

359

00:23:40,080 --> 00:23:41,889

No, you can highlight it a little bit.

360

00:23:42,409 --> 00:23:48,690

Rich, rich, again, yellow, maybe have

a little bit of SAP green seed and you

361

00:23:48,690 --> 00:23:51,750

can just highlight it here a little bit.

362

00:23:52,770 --> 00:24:00,720

The attaches of green gives you

a happy little here a little bit.

363

00:24:02,340 --> 00:24:04,620

See it is so close to the front.

364

00:24:06,615 --> 00:24:07,185

Right.

365

00:24:07,725 --> 00:24:09,254

The whole nice it comes

366

00:24:13,745 --> 00:24:14,945

and it's still loose.

367

00:24:14,975 --> 00:24:17,735

It's still loose and open the.

368

00:24:26,909 --> 00:24:34,020

See when, before you close up,

you just grab a bit of faint

369

00:24:34,379 --> 00:24:44,010

and you have a happy coming out

there and you see what happened.

370

00:24:44,820 --> 00:24:51,300

Happy little road coming out there and

it gets wider rider rider rider, right?

371

00:24:54,240 --> 00:24:56,250

When do you like to walk

on that happy little bit?

372

00:25:02,900 --> 00:25:05,850

Ah, let the joy, the joy

373

00:25:16,040 --> 00:25:18,440

onto your happy to see

this beautiful lines.

374

00:25:19,364 --> 00:25:26,344

And if you want, you can add the

little bit of, uh, uh, fencing.

375

00:25:27,054 --> 00:25:30,334

If you feel you can have all

the fence posts and they're

376

00:25:30,875 --> 00:25:32,975

here, there's a fence post

377

00:25:36,274 --> 00:25:37,625

highlighted a little bit.

378

00:25:47,025 --> 00:25:48,955

That's it, that's it?

379

00:25:50,655 --> 00:25:51,225

No.

380

00:25:52,485 --> 00:25:52,995

Yeah.

381

00:25:53,385 --> 00:25:57,735

And here and here, and you can have

some, these sticking out there.

382

00:25:57,850 --> 00:25:58,030

Yeah.

383

00:26:05,450 --> 00:26:07,250

How has that thing becomes a life?

384

00:26:08,750 --> 00:26:10,429

Maybe here we need a bit more.

385

00:26:11,969 --> 00:26:12,929

From this side.

386

00:26:23,939 --> 00:26:24,870

See what happened?

387

00:26:25,500 --> 00:26:31,500

A happy little painting is finished

in such a short time, and someone will

388

00:26:31,500 --> 00:26:37,199

come along and he will offer you a

nice, happy buck and you are happy.

389

00:26:38,985 --> 00:26:41,445

Forever happy forever.

390

00:26:42,735 --> 00:26:43,995

Maybe he had me pulled that door.

391

00:26:44,205 --> 00:26:47,235

He has more, you put

it out as more at Vox.

392

00:26:47,235 --> 00:26:48,435

You walk into that.

393

00:26:49,535 --> 00:26:50,615

Did you enjoy it?

394

00:26:51,695 --> 00:26:52,595

I had a lot of fun.

395

00:26:53,254 --> 00:26:55,295

Did you hear the birds and the bees?

396

00:26:56,045 --> 00:26:56,975

Thank you for watching.

397

00:26:57,275 --> 00:26:57,685

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, 14 MountainMist - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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