Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Crystal Magic - AVAILABLE

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And that, um, mighty magic right.

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Is on that, on my gig canvas.

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No, we would have other

windows in the winter scenes.

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Winter, winter is a happy

winters is Oh, freezing winter.

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As a melting vendor.

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As spring is coming.

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I have a kind of a

beause when they're here.

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They're the big three staying there and

they're still growing and grumbling.

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Uh, did you have your morning laugh?

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You better have your morning laugh

before you start painting the,

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I have to do it every morning.

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I bring myself up to par

and, and laugh it off.

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And I feel Aldi is a good day.

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And I think that's what's, especially

when you get older, you have to do it.

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You have to add something.

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What keeps you always in there

so much misery in the void.

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You know, when you put that news on TV

on it, it makes you really feel so sick,

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but the best is don't look at that.

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Look at yourself, but you happy canvas.

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You happy easel.

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You happy little studio where you're

in and fire off a happy painting.

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Put yourself in the mood of.

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There is a better tomorrow, tomorrow, we

all will laugh together and that's nice.

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That's just absolutely wonderful.

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So maybe I would put a blue, I

said to you, everyone has to have

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kind of a bluish vendor this time.

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So we will put the bruise guy in there.

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Oh, kind of a vendor.

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You can add some, I like to add a

bit of move or, or in-between here.

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It makes it more frosty.

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You moved from one corner down.

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See how it looks.

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And I hear firing.

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As wonderful to dream a D right with,

with all the best in your mind, the

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best in your mind, with the best

in your mind, then the best comes

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out at you and me and everyone.

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Sometime you are.

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I wrote for breakfast.

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And when you meet happy raters in

the morning, you know, the whole day

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is, is happy because it's divine.

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You meet people, you meet yourself that

all counts to create a whole happy day.

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That's a crazy blue, but a little bit of.

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Of move in there.

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He had come out there.

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Good kind of this kind of

winter and no against that.

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They can show, divide the snow.

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Maybe we standing here with the snow

hanging or over, over the that's.

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What I created that blue against

that blue light and light is nothing.

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Nothing is nothing.

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So you have to look for

the opposite colors.

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That's even, even fluke.

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I can even add a bit more blue there.

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You ever see it has the, it has more,

especially here where I want us to

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have the trees, uh, showing their snow.

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You understand ID.

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So you outsmart and your

canvas already there.

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Before I go further, I already know ahead.

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This would be good if I do

that and here will be good to

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have that dark right there.

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Yeah.

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And then I fire in from nine, no mercy,

maybe happy at all was coming out there.

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And blues, shadows running all over the

snow or no, maybe I will maybe right.

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Say, I say maybe I that's

the way it should be.

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I create a kind of a muddy

back dirty, dirty watch.

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Watch.

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This is a bit too dirty, a dinner Vite.

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This kind of Vite,

bitter for muddy, right?

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Can you see the different

is there's not right.

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There's not kind of a muddy, right.

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As a kind of a cloud moving off

there and smoothing out of there.

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no, it's not right.

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It's just a muddy, but the blues,

it makes us with the blue and it

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gives you this kind of a muddy, muddy

cloud moving by it, there for I R Y.

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Maybe and

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you can use your big brush if you want to.

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And you, you, you, you make it

nice and just, just leave the

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details, but make it too cloudy.

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It makes it cloudy, cloudy.

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I already ain't got something, but I plan

to do no, I will use maybe the big brush.

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Yeah.

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I don't know what the devil

I developed that maybe.

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And I hate it.

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Actually.

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There is no, maybe there's I do it.

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Three standing there.

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Three States.

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Yeah.

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Very loose.

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Very loose.

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Very, yeah, lose the local

that, can you make it close up?

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If you couldn't make a

close up shot on that?

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See, this is like you see there and that

blue their little tree standing there.

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There you hear it against there.

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See now you fire in,

uh, have a dinner brush.

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If you want.

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You can have a little liner brush and you,

you, you as a kind of a fine you'd create

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kind of a four by three trunks there.

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Hey you in here.

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Hey, that's nice creative power.

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I tell you, you should

really experience that.

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To me, that is the richest form of living

is when you can create your own bald.

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Right now, I do make a book

and a pain, a book, and I tell

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you, you wouldn't believe.

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And I surprise myself how powerful

I am and that book paintings, but

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the paintings I paint in that book.

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And I hope I get it before I crumble up.

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I wish I could get that done.

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'cause it's it's it's it's really,

I feel it's sometimes necessary

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to terror to say something.

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We say nothing and that's no good.

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you obviously listen to the good doers.

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And that bothers me too

much, too many good doers.

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They know it all better.

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And then now it, because they wondered

for themselves, they know it's good

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for them, but it's not good for you.

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And as an artist, you should bring it out.

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You should bring that out.

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You are a young, bring out

stories with, with your brush.

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Tell the story with your brush.

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See there, you know, I

like the sun a little bit.

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Let the sun come this way.

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And then you do the same

here over a field or

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Yeah, no, but it's beautiful.

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How he express yourself.

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No.

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Why is that duct there?

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I didn't ask for that, but can you see

how loose trees are standing there and

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then you come close and now I just created

a far of a distance there and no will

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even my big brush and I will go ahead.

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step by step.

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But with blue.

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And I want you to create

a big, big tree there.

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And I would like to have

a road coming off to here.

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See somebody in that direction

and then let it disappear.

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The trees, wherever it has gone and put

little houses in far away with snow too.

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I don't have all the time.

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I wish I could do lot of things and

no, but those three standing there, I

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already go ahead and put, uh, uh, Had

us in off the streets, they went right

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over the road and call me up here and

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see you and your plan ahead.

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And that you can learn that.

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When I started paying, I

wouldn't know even how to do it.

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Is this a funny thing you learn as

you on painting, you become stronger

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and it's not, it takes there.

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So naturally you become a part of

nature, a part of the sun, you become

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the sun and you say, I draw the line.

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I draw the shadows.

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I I'm next to God.

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I am that on mighty creator.

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And with this, you pump

that into your mind.

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It is just so strong and you cannot

even, I know roughly I, once I have

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that throat low is one day and it got

to be that somebody like that, no, you

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can use the colors like right again.

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And.

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Creates kind of a snow bank there.

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he created kind of snow banks.

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You have the blue, have

a nice community here.

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The, it gives you the County kind

of, uh, uh, you show with the curve.

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You show that that is gone down.

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See it as this is coming up the Hill it's

depends on how your hand is doing it.

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See God give you that our

mighty power and your hand.

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I know.

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Just make the best out of that.

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look at that.

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Wonderful.

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Now then you here, you

have time to correct it.

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It's no problem.

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No, I think I have a mic in between here.

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It'd be good to pay.

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If I create a kind of a

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vendors, vendors, house

stair, and I vary, I use.

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Darker colors there.

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It's not wonderful.

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When you can create within this

kind of a spirit that is just

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as good living, good living.

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A can have a chimney standing

there too and make it all right.

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If you want to, can have a touch

off, whatever on the shadow side,

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light gone over there through let it be

just behind that, then hit her there.

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Eh, and there, and then trees around

again, trees around again, maybe ever

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use this kind of, uh, it's kind of a.

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see then again, happy three

trunks standing there.

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break it up a little bit in between.

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Hey, there you are.

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No, we were firing first it black.

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See what I do?

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Black and white.

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Can I have a binder of white

and have that muddy, muddy

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vendors in between color and, uh,

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yeah.

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Can you create a kid come right

from, from here, right there and

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let that all become going yonder.

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That's nice.

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It gives you very, uh,

higher up and very loose.

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Very loose to this.

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You can be crooked.

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Coming up here?

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No, I got it.

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Nice.

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I got it to get there.

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No, we will use black and blue.

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He is black and blue is black and blue.

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That's not good.

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heavy, heavy ever make it very

barky, Parky, Parky, Burkey.

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I maybe here is a dead branch coming out

there and let that dead branch hang over.

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after you use the other fan brush some

fan brushes, I used up a bit too hard.

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Then you have to use a new one

or one with a stick straight.

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So, you know, I can get my.

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and you see you come over with all kinds

of branches, stared, and, but archives

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with power, here's all the brands

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and make it as dark as possible.

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As dark as possible.

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Uh,

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C no, maybe here or

here that are crumbling.

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There's the other three trunk

standing there by the serotonin.

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It's a rotten

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there.

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Very powerful, very powerful.

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always stepped back a little bit.

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Then you can see what you're doing.

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Otherwise you get lost

when you're so close.

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So we were making the, we create that

beautiful tree there with lots of

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happy branches sticking out there.

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Happy branches.

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Yeah, that's him sometime come out just

into two, they get dried up and they're

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naked or whatever, whatever, whatever,

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look at that.

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Okay.

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And then you can have

maybe here one here, one.

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I make it very, very dramatic,

very crooked, very, very, there's

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a painting, you know, you try to

act like, uh, that's it, that's it.

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yeah.

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You know, the kids, they

always make a sling down there

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and, and have a, uh, swing.

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Yeah, that's what we did.

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And I think every little

kid does, has done it

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like that.

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No, we will.

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We will.

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He was white and we will watch this.

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See what it does.

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Can you see?

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And if you do that, you can sometimes

just go a little bit in like this.

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Can you see it in a beautiful, as a

nice, nice barky tree, this newest

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hanging on there and there's just

some days could be been blown.

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It could be whatever he wants to think.

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So you put it side by side a little bit

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and do is the same now with

all the other branches.

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He, this one here, we start off here

and like find the inside, which no.

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See that's the enzyme.

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It's no.

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Cut up there and here on this

side again, and then here, you

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just give him the same pool.

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See how nice that works.

255

00:20:31,965 --> 00:20:34,785

It's a beautiful way of

doing certain things.

256

00:20:37,935 --> 00:20:40,605

Hey, no, we will dress that up.

257

00:20:40,695 --> 00:20:41,415

Nice.

258

00:20:44,370 --> 00:20:50,190

He had me some time, a little

bit of a right in bed, in the

259

00:20:50,190 --> 00:20:55,020

bed and the bed in his bed.

260

00:20:56,430 --> 00:21:00,930

He even, he started then here I would

live right on top of that branch.

261

00:21:01,875 --> 00:21:03,495

And you do use defend brush.

262

00:21:03,525 --> 00:21:05,595

You just light up like this.

263

00:21:05,655 --> 00:21:06,495

Isn't that wonderful.

264

00:21:06,495 --> 00:21:08,805

A little bit that, and

then you can pull it down.

265

00:21:08,835 --> 00:21:11,625

You can pull it down,

I guess, hanging down.

266

00:21:11,805 --> 00:21:14,115

See, I know it becomes very, yeah.

267

00:21:14,175 --> 00:21:14,795

Barky.

268

00:21:15,935 --> 00:21:16,325

Yeah.

269

00:21:16,355 --> 00:21:17,195

Very barky.

270

00:21:17,195 --> 00:21:17,855

That's good.

271

00:21:18,845 --> 00:21:19,265

Yeah.

272

00:21:19,265 --> 00:21:21,095

We were fresh.

273

00:21:26,385 --> 00:21:27,285

Yeah.

274

00:21:28,175 --> 00:21:28,955

Ste.

275

00:21:33,585 --> 00:21:34,255

Yeah.

276

00:21:34,585 --> 00:21:36,855

Um, powerful attaches.

277

00:21:39,985 --> 00:21:41,375

This attached right there.

278

00:21:42,125 --> 00:21:44,165

You see that straight line here.

279

00:21:44,315 --> 00:21:45,395

He don't like that.

280

00:21:45,665 --> 00:21:46,504

So do again.

281

00:21:46,504 --> 00:21:50,375

What I showed you before, give him that

little bit of a push sideways, but don't

282

00:21:50,375 --> 00:21:55,595

destroy the outside the rim, just, just

a little bit in the inside with the

283

00:21:55,595 --> 00:21:57,815

brushes, a bit too much lower with paint.

284

00:21:58,415 --> 00:22:00,004

It needs a bit of a cleaner brush.

285

00:22:00,065 --> 00:22:01,895

Then you get the line spells in our watch.

286

00:22:04,055 --> 00:22:04,955

That's perfect.

287

00:22:05,105 --> 00:22:05,825

Perfect.

288

00:22:07,935 --> 00:22:09,285

Oh, you couldn't do it better.

289

00:22:12,335 --> 00:22:17,375

And you see what a beautiful tree you

create by, by doing certain things.

290

00:22:17,945 --> 00:22:19,715

What really makes sense.

291

00:22:21,245 --> 00:22:21,905

Okay.

292

00:22:22,475 --> 00:22:24,155

And you saw me doing the wrong thing.

293

00:22:24,155 --> 00:22:24,245

Yeah.

294

00:22:24,395 --> 00:22:24,845

Writing.

295

00:22:24,845 --> 00:22:28,325

When I want to make that side

stroke, I had too much paint on

296

00:22:28,775 --> 00:22:34,025

and then naturally you just, it

needs that smooth brush stroke.

297

00:22:34,710 --> 00:22:38,280

When, when the wind movement,

you can do that by two.

298

00:22:40,020 --> 00:22:46,530

So many things you can do because

you always have to aim for the

299

00:22:46,590 --> 00:22:51,150

greatest artist ever lived on earth.

300

00:22:51,180 --> 00:22:52,170

That's you

301

00:23:01,250 --> 00:23:01,850

SI.

302

00:23:02,700 --> 00:23:06,720

Actually you just sharpen that

brush as a sharp edge and then

303

00:23:06,720 --> 00:23:08,220

you just dabbled it on later.

304

00:23:21,860 --> 00:23:23,180

have to be everywhere.

305

00:23:23,480 --> 00:23:26,150

You know that other, when you

put the branches all around,

306

00:23:26,360 --> 00:23:30,710

then you have spots where, where.

307

00:23:31,275 --> 00:23:32,565

Well, you have shed us.

308

00:23:34,155 --> 00:23:35,595

You don't have to make it everywhere.

309

00:23:35,625 --> 00:23:41,475

I know I started off later, but

do what you have with our advi.

310

00:23:41,835 --> 00:23:44,385

Uh, it becomes a nice or barky.

311

00:23:44,775 --> 00:23:48,235

You hear the tree when you can

hear that all three, then you know,

312

00:23:48,245 --> 00:23:54,735

when, when a snow would lie on top.

313

00:23:57,179 --> 00:24:02,639

See that then you can see it as snow, but

you could see it as, uh, as a shadow too.

314

00:24:02,690 --> 00:24:02,899

315

00:24:07,220 --> 00:24:12,290

see, now the next step for

B I rarely create are mighty

316

00:24:12,830 --> 00:24:16,460

white snow sticking out here.

317

00:24:26,360 --> 00:24:28,190

could you make a close up shot on that?

318

00:24:28,250 --> 00:24:31,520

If it would be possible, you

can see the looseness of this.

319

00:24:31,820 --> 00:24:32,660

Let it come out.

320

00:24:32,690 --> 00:24:36,889

Our first, like a rim around like

a frosty rim around the trees

321

00:24:37,070 --> 00:24:38,510

and then later on before, right.

322

00:24:38,590 --> 00:24:41,899

INSEAD, but leave it as loose as possible.

323

00:24:42,554 --> 00:24:45,405

Then it is a Vonda for painting the same.

324

00:24:45,405 --> 00:24:46,875

Now you can use right here.

325

00:24:47,925 --> 00:24:48,284

See,

326

00:24:57,165 --> 00:25:05,975

I have other Bush there, but that's where

we have to desk that up better again.

327

00:25:06,215 --> 00:25:09,425

Let me show you, I would just

make making a rim around.

328

00:25:09,425 --> 00:25:10,834

They're very loose rim.

329

00:25:12,330 --> 00:25:12,620

Okay.

330

00:25:15,800 --> 00:25:17,660

And he loses him, but it didn't invite.

331

00:25:17,660 --> 00:25:19,340

I couldn't do it with the tick bite.

332

00:25:19,850 --> 00:25:21,680

I have to use a very thin by

333

00:25:34,010 --> 00:25:34,760

SI.

334

00:25:36,590 --> 00:25:37,910

Oh, beautiful.

335

00:25:43,005 --> 00:25:43,635

Yeah.

336

00:25:44,255 --> 00:25:48,455

And then now we walk into the insights

and give them highlights wherever

337

00:25:48,455 --> 00:25:50,555

you think it could come out there.

338

00:25:51,725 --> 00:25:53,615

Maybe Dan, a little bit right there.

339

00:25:55,235 --> 00:25:56,375

That does appear.

340

00:25:57,155 --> 00:26:00,125

He just does very little highlights.

341

00:26:00,215 --> 00:26:00,725

Yeah.

342

00:26:04,505 --> 00:26:05,405

Not everywhere.

343

00:26:05,435 --> 00:26:08,315

Just through this, you

feel it becomes very.

344

00:26:09,135 --> 00:26:13,935

Betty Lewis, Manny Lewis, the no weed.

345

00:26:13,935 --> 00:26:21,555

That's it up here and still see

their shadows gone down here.

346

00:26:36,780 --> 00:26:38,490

See there you are.

347

00:26:43,129 --> 00:26:46,100

No, that is what I want to show you.

348

00:26:46,170 --> 00:26:46,430

You,

349

00:26:52,010 --> 00:26:55,100

I see the fingers moving

and we are finished.

350

00:26:56,325 --> 00:27:00,225

You enjoyed it, very simple things,

but this was very important to

351

00:27:00,225 --> 00:27:03,225

show you how the bark and the

movements and the light and the snow.

352

00:27:04,004 --> 00:27:05,024

Thank you for watching me.

353

00:27:05,355 --> 00:27:05,715

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Crystal Magic - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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