Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, After The Storm - AVAILABLE

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the magic of oil painting was made

possible by grants from Aaron brothers,

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art marts and Koenig's art emporiums.

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yeah, you.

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And I, with all our creative power,

we will create a better tomorrow.

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I love you today.

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I wish all you how to lead light.

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How about we have our mighty cloud

coming over the land and the cloud is

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lying, uh, reflecting on the field and

in the background, you see the sun.

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And maybe a little bit on the front and

everything is firing into the water.

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It will be a sweet and a nice painting.

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Okay.

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How about we fire in that on mighty

magic white that are mighty magic, right?

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Like this.

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See, and now time you got it on.

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Now I got the magic on the canvas.

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To pain.

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That is no problem.

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You know what I said before with

all our creative power, boy,

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I ain't even make it happen.

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Oh.

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Into the mailbox.

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That's good.

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Okay.

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How about we put the sunshine and take

a look on my palette first, before we

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start off the needle on mighty tech

Vite here, all our paint is very strong.

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Powerful.

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I already have so much

power on your palate.

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We have so much power on that.

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On that canvas.

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Then I will take off a

little touch of yellow.

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VITAS on the canvas, maybe

a little textural for ed.

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Can you see it?

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Look at that.

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He is just, just like that, maybe.

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So.

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Let's see how it looks.

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We didn't even make a line there.

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Yeah.

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As Sam, but I would say that

this is sunshine far away and

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the sun is shining far away.

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. Oh, okay.

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No.

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How about if you power up a couple

of heavy clouds hanging over the

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fields over there, whatever's behind.

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And how about I take mine on mighty

fan brush that our mighty fan brush.

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How about the tech Tatro fund?

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Dyke Brown, Prussian blue,

but alizarin Crimson.

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Can you see it again?

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When Dyke Brown?

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Prussian blue alizarin Crimson.

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And then I will see what the devil is.

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Let's see, what has guest perfect.

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The eye I test it is now you

otherwise I, um, Oh, dang.

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Like this, I mighty clothes are

hanging, hanging over there,

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uh, there, and I just hang up.

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I run it up.

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You know, you go to the top.

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Okay.

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See, make it the wrong.

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This is the other fun.

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If you can paint like

that, you have free, easy.

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You can go lower if you want.

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I hang the clothes.

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Nice down there.

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Oh, painting is ready in your mind.

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It's no problem to get onto the canvas.

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You can make it even darker.

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Then I will take off a little bit

more when Dyke Brown, Prussian blue

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alizarin Crimson those three colors.

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They are just wonderful.

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Again, you can just push more

dark down and see and bring it up.

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Like you, you are rolled up.

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Can you see the row?

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Nines are hurting it up?

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Oh, look at that.

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To look at it.

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Hey and let it go lighter, lighter,

lighter there, but light in

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between lights and between there.

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And then you can roll out of it.

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One coming in front again, take a look.

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How I take it off here

that are my defend brush.

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Prussian blue and like

Brown alizarin Crimson.

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Those three colors are just

wonderful to live with.

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And you can be say, the sun is

hiding behind here somewhere.

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And I believe it lighter there

and maybe there's other dark

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clouds hanging in for run.

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And now I make it perspective even more.

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See the sun is behind there.

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You know, the side there, there.

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Look at that beautiful.

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He, how you fire in, but

I, I have a rolling motion.

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You see a kind of a roll, like I would

think a cloud is a rolling over the

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land is rolling over the land there.

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Look at that again.

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The, I take off passion, blue

van Dyke Brown production.

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Blue.

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Can you see it here?

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Ah, isn't an ever knife

and talk to yourself.

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Isn't that every night, no, a bit

more darker and more dark in there.

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Ooh.

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Fire thing might occur load.

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Is there try to ruin your fan barrage.

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It's all right.

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To ruin your fan brush

again, I take it off.

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I've taken a look here.

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Hey Dan.

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Oh, it is so nice.

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If you can live with that, happy with

that happy kind of almighty feeling

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in your heart or whatever I do.

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When I create a pain, there is really

something I, what I said right there

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in my beginning, I think you can create

a kind of a, you can't help them.

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I will use my, my big brush,

my on my ID, big brush.

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And when you hear me talking, everything

is I mighty in your box is on my,

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you know, I hypnotize the Daisy look.

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No, you whisper.

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He look at that.

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What the joy, the end, you

don't turn up anything.

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And if you have hair on Z, what happened?

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If you have a hair on the canvas,

just shake it off like that.

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No fiddling around with

no fiddling around it.

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Had what they did already.

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A hang the big cloud, no

hanging the big cloud and sky.

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No, let's break up the

whole thing by a user.

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Other on mighty fan brush.

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Mighty fan brush.

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Now look at this here.

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How about we make it close up on this?

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Can you see the stick paint here?

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Oh, that's just wonderful.

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Especially for mountains and for, for, I

have a little dinner pain, but that, that

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just that you know what you do use it.

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When you have a pain then

in the tube, I use it up for

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this kind of a thing attached.

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You have a yellow, maybe

attached your for red.

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Can you see what I do here?

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He entered that dinner

here, dinner right there.

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with her, read the note

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five, break up that cloud.

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Can you see that are mighty

feeling in your heart to bring

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the sun out from behind us?

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But are we start off in, into the

sun and into the dark, dark dark,

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because it should be bright here

and darker, darker, darker, darker.

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The, if you want, you give

them a little hammerhead.

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Yeah, damn.

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Okay.

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This just happened.

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Isn't it.

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Or wherever you, wherever you are in the

mood, I was on your new mood of Oh, pain.

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Give them that mighty wherever you want.

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And that breaks out a little bit up.

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And if you think it is nice, you can

make a kind of a flashlight in there.

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I would have nothing there.

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What I got because you are, you

are in that are mighty spirit.

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You're under mighty creating a

better creating, a better tomorrow

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creating so much more power.

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Again, take a good look on my pallet.

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Again, a yellow.

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Right.

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And when you take it off Vesper,

Facebook and read for the read with

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Oh, bar fired and fired in there.

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The maybe here you can fire in

a movie, started at the office,

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that little bit of a bang there.

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See, now you can go.

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The sun is somewhere here in between.

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Now you can have the sun rise.

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Down like this.

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If you want to, you see the sun is raising

in from behind, from behind that cloud.

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Ah, what a joy to be a life.

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If you can do those kinds of things.

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Now, the next step would be,

you know, in this case you

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could use your MIT finger here.

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The watch this right now, it

looks a bit messy, mess it up.

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And it looks like this is on top.

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The cloud should be in front and

this would be behind in order to

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bring that behind this light here,

that I know that light hits you.

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Like it is dominating.

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What's what I do.

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The mighty finger and the

role cloud in front of it.

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See, okay.

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That

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see if we can take paint from

here, bring it over there.

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So you in the right of way, look, this

is a different now bringing a bit paint

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in more tickets from somewhere off.

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You don't have to bring it

after pilot and got all it over.

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See no watch.

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Okay.

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Just take a look on this little thing.

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What I did that I'd know and

leave, forget the other thing.

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See, take a look on this.

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Now you see the olive is

on, that comes from behind.

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Isn't it.

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I built a crowd in front of

it, and then you can do it all.

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You build the cloud in front of it.

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We had our mighty finger.

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I, you got not only that on mighty

power, you got the MIT finger.

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Uh, Watch the joy to be alive.

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Let's have it with lots of

laughs and with lots of fun.

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And when you can make a happy

buck with that boy, what

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button living, what the level?

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I think that's, what's a lot about art.

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If we can make all that

with the, we have it made

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Oh, I wouldn't vote too much anymore,

but the other was see, always on abroad.

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I brought the cloud in front of it.

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I have the sun behind and fine.

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Now I have to clean my own mighty finger.

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And I were still working a

little bit under the sun rays.

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I would like to have it here.

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Ballou again, clean brush

a clean on my Debraj.

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Take a look here again.

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I take white.

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And attach your yellow,

white, and that your hello?

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See, dang the sun.

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The brightest is what the sun is.

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See what the sun is.

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The closest.

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We create a kind of a four by four.

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Well, I have it lighter.

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Then get dark the same light, the

darker, darker, darker, you know,

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you, you lead the light, you got

the control of your life, then that

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makes it so beautiful and nice.

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Oh, okay.

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No, I wear, I wear, I

will put a couple of race.

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Come down there.

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Hey.

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All right.

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You see, now we have that.

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What I, what I dreamed

noting and to the land?

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No, I will start the far

away, far away, far away.

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He was pressing blue.

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Maybe take a look how I do it here

with the fan brush and a little tack

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of alizarin, Crimson, and far away.

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Land,

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it looks like a bit on the dark

side, but that's all right.

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That's all right.

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See how I go on?

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And that does get lighter light as it

goes down, it will show the tops a little

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bit, you know, like let it be loose.

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It's such a distance.

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It's this then the,

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maybe here I, that disappear

in nothing I think.

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And I think nothing, nothing.

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Oh, there we are.

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No this, yes.

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Lighter, lighter, lighter

things about in this in here.

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There's a shadow line there now from

all those clouds, there's other shadow.

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There's other light.

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How would you put the other

mighty light in between now?

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I've cleaned my friend rush.

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See, we do that all day.

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That on mighty happy little fan brush.

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See what I do here again, white

and the texture of yellow and

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maybe a little touch of red.

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Look at that.

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Yeah, the fire in there, fire in

there, like the, that light lies.

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The, I create light.

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I create, right.

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I create are my two light there

and there isn't that wonderful.

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I created that all that

laid the filing in.

260

00:14:48,585 --> 00:14:51,525

No, you have a light in

between, but now I can forward.

261

00:14:51,735 --> 00:14:54,225

You can have a little

bit run downs as Sam.

262

00:14:54,435 --> 00:15:00,695

I do, sometime I do something I'm a

little bit over there of it around,

263

00:15:00,695 --> 00:15:03,035

down in the distance like that.

264

00:15:03,845 --> 00:15:08,165

They maybe hear a little

bit, he fired a hair there.

265

00:15:10,290 --> 00:15:11,460

Yeah, if you want to.

266

00:15:12,030 --> 00:15:15,050

So your trade kind of

figures, whatever you want.

267

00:15:15,050 --> 00:15:16,070

No, no.

268

00:15:16,100 --> 00:15:20,840

I will use SAP green, take a

mighty look and that SAP green

269

00:15:21,110 --> 00:15:23,660

alizarin Crimson, all those power.

270

00:15:23,660 --> 00:15:24,680

Look at that power.

271

00:15:25,340 --> 00:15:30,380

Zap, three alizarin, Crimson

and intruded on mighty brush.

272

00:15:30,860 --> 00:15:33,050

Now I will have a foreground there.

273

00:15:33,110 --> 00:15:35,860

Rain rang.

274

00:15:36,465 --> 00:15:46,055

All right, rain, uh, and look at that,

look at that they, and the best, if

275

00:15:46,055 --> 00:15:51,785

you can handle it, make it one touch,

and that should be on my detach.

276

00:15:52,085 --> 00:15:55,685

As more time I, over that

as more, I will ruin it.

277

00:15:55,895 --> 00:16:01,175

You can make upstrokes we'll upstroke

sometime you see, take a good look here.

278

00:16:01,565 --> 00:16:05,525

They, whatever they create there by the,

can you see this little thing there?

279

00:16:06,420 --> 00:16:09,660

Is there a change for the cameras

to do that like that he, that gives

280

00:16:09,660 --> 00:16:13,590

you a little bit of whatever is in

the background and that distance.

281

00:16:13,590 --> 00:16:18,690

See, you can give you a bit

of a shrub being scrubbing.

282

00:16:19,050 --> 00:16:23,190

And if you, if you feel you can,

you can add a little tree in there.

283

00:16:23,190 --> 00:16:23,760

Watch this.

284

00:16:24,040 --> 00:16:24,200

Yeah.

285

00:16:24,210 --> 00:16:24,690

And I love it.

286

00:16:24,690 --> 00:16:26,970

The fan take a good look

on this particular shot.

287

00:16:27,420 --> 00:16:30,390

See the create and then three

in the background there.

288

00:16:31,050 --> 00:16:34,800

There's a little tree standing

there and then your merengue and

289

00:16:34,800 --> 00:16:40,020

rain, and always just, uh, uh, he.

290

00:16:41,040 --> 00:16:42,900

Oh, what a joy.

291

00:16:43,620 --> 00:16:45,210

It looks like that whole deal.

292

00:16:45,630 --> 00:16:47,250

And then, yeah, fine.

293

00:16:49,560 --> 00:16:53,700

You know, if kids such a full ground

now up to you, I got not so much

294

00:16:53,700 --> 00:16:59,160

time, but you know, you can, you

home, you can do look you you're not.

295

00:16:59,160 --> 00:17:03,510

Can I put the other three in

there and all the three and dad,

296

00:17:03,540 --> 00:17:05,370

I mean, two trees bigger there.

297

00:17:06,585 --> 00:17:07,125

Can you see it?

298

00:17:07,545 --> 00:17:11,025

This started pop up, whatever you

think, wherever you live, every

299

00:17:11,025 --> 00:17:16,395

country has a certain marking and

certain I avoid the mountains today.

300

00:17:16,445 --> 00:17:21,325

We have a next time have to show you

does our mighty mountains and see,

301

00:17:21,325 --> 00:17:24,125

you know, Harry, I like that dog.

302

00:17:25,775 --> 00:17:30,155

He already created that

powerful light into the land.

303

00:17:30,455 --> 00:17:33,785

No I ever fired at all into the water.

304

00:17:34,395 --> 00:17:36,765

I ever fire on that, into the water.

305

00:17:36,765 --> 00:17:38,445

Like this, look at this.

306

00:17:38,445 --> 00:17:44,225

Now this, now you can

use, use a bigger brush.

307

00:17:45,005 --> 00:17:46,835

I don't want to work with Twitch.

308

00:17:47,315 --> 00:17:48,035

Watch this again.

309

00:17:48,035 --> 00:17:52,805

I take the two, the one inch brush and

put the same colors, the same colors.

310

00:17:52,805 --> 00:17:53,675

I have their look.

311

00:17:53,675 --> 00:17:55,685

I match it in the right look at that.

312

00:17:56,225 --> 00:17:56,855

You see.

313

00:17:57,270 --> 00:18:06,040

See no, you firing,

firing, firing, firing.

314

00:18:06,450 --> 00:18:09,810

I ended up the joy man friend.

315

00:18:10,430 --> 00:18:12,440

No, you just pull it straight down.

316

00:18:13,100 --> 00:18:16,970

What I do, I pull that color right

down there, right into that on mighty

317

00:18:16,970 --> 00:18:19,790

water, right into that on my table.

318

00:18:22,880 --> 00:18:24,680

I mean, enjoy what I do.

319

00:18:25,605 --> 00:18:30,735

And I thank you very too, you know,

it's amazing on my trips this last

320

00:18:30,735 --> 00:18:37,535

year I was too, they made me traveled

a lot and I met the nicest people

321

00:18:37,535 --> 00:18:39,125

in the world that I never knew.

322

00:18:39,455 --> 00:18:40,835

I was so much loved.

323

00:18:41,105 --> 00:18:45,965

I didn't love you because I really

have a kind of a sense here on TV.

324

00:18:46,295 --> 00:18:49,415

I always feel, I see you and I know you.

325

00:18:50,175 --> 00:18:55,395

And people came up to me and they said,

bill, you are not only a, just a painter.

326

00:18:55,604 --> 00:18:56,865

You are family.

327

00:18:57,104 --> 00:18:58,844

You're a part of our family.

328

00:18:59,235 --> 00:19:03,254

And I thank you for telling me

that, because that made me now.

329

00:19:03,765 --> 00:19:07,665

You know, I'm so much more happy

now because I feel I must have done

330

00:19:07,665 --> 00:19:13,335

the right thing on my TV series

because you really pull it for me.

331

00:19:13,635 --> 00:19:15,405

And that means I pull for you.

332

00:19:15,405 --> 00:19:17,805

What a wonderful thing to gather.

333

00:19:17,815 --> 00:19:21,495

Like I said, in the morning, we

will make a better world because we

334

00:19:21,495 --> 00:19:23,625

have that on mighty creative power.

335

00:19:24,135 --> 00:19:28,745

So no, either put the head of

the bed, maybe that don't matter.

336

00:19:30,360 --> 00:19:35,459

Maybe like a little bit of a cloud

cloud movement, blue Vandyke,

337

00:19:35,459 --> 00:19:38,639

Brown touch of Ellison Crimson.

338

00:19:39,120 --> 00:19:41,250

I feel fired up into the water.

339

00:19:41,520 --> 00:19:46,669

The, just the harming, harmonize the

clouds and harmonize the clouds then.

340

00:19:47,240 --> 00:19:48,949

Yeah, that was just wonderful.

341

00:19:49,159 --> 00:19:52,490

Then people came up to me

and they said, where you are.

342

00:19:53,280 --> 00:19:57,840

Family and my God now I

really feel I am family.

343

00:19:58,379 --> 00:19:59,730

Now you can get rid of me.

344

00:19:59,730 --> 00:20:00,899

That's a problem.

345

00:20:01,320 --> 00:20:02,070

I love it.

346

00:20:03,360 --> 00:20:07,470

I really do love it because I

think we all wants to be loved.

347

00:20:09,149 --> 00:20:16,320

And if we can make a better voice with

love than with hate, we have done our job.

348

00:20:16,770 --> 00:20:22,350

I can die in peace and I'm sure

there's a spot for me, wherever it is.

349

00:20:24,030 --> 00:20:29,460

Because I have, I think we

have built a happier vault.

350

00:20:29,700 --> 00:20:30,840

You see, look at that.

351

00:20:31,080 --> 00:20:31,590

Look at that.

352

00:20:33,380 --> 00:20:33,740

No,

353

00:20:38,660 --> 00:20:38,930

no.

354

00:20:38,930 --> 00:20:43,820

You saw how we got step by step

down to the end of the canvas.

355

00:20:44,060 --> 00:20:45,440

You see, look at that.

356

00:20:45,950 --> 00:20:51,140

Now the next step would be, make

sure now you have a dry brush.

357

00:20:51,720 --> 00:20:54,000

Wash your brush like I do.

358

00:20:54,000 --> 00:20:55,410

And paint dinner.

359

00:20:56,760 --> 00:20:59,340

Make sure you have a clean brush.

360

00:20:59,640 --> 00:21:03,870

See, now I pull as hard,

the push hard, actually.

361

00:21:03,990 --> 00:21:06,000

So, and there's on the other side.

362

00:21:06,030 --> 00:21:06,900

Turn over the brush.

363

00:21:07,635 --> 00:21:09,945

And cut down the butt, wash the brush.

364

00:21:09,945 --> 00:21:12,885

Now, if I do it all

over, I ruined the lines.

365

00:21:13,034 --> 00:21:15,675

See, I wants to separate

lines standing there.

366

00:21:15,915 --> 00:21:21,965

That's what makes it, but otherwise it can

only be done with the thick, strong paint.

367

00:21:22,594 --> 00:21:26,855

If you have a soupy loose paint,

you can never get it like that.

368

00:21:27,665 --> 00:21:30,814

Watch again, a statue turn over the brush.

369

00:21:31,000 --> 00:21:33,430

Again and run the wash.

370

00:21:33,490 --> 00:21:34,980

You see ours, you can see it.

371

00:21:34,990 --> 00:21:35,650

Take a good look.

372

00:21:35,980 --> 00:21:36,760

I hit attach.

373

00:21:36,760 --> 00:21:40,450

The Canada's ever touch this

gun was can you over see the

374

00:21:40,450 --> 00:21:43,250

dirt on my brush, their yard.

375

00:21:43,400 --> 00:21:48,180

You have to get rid of hours to,

to pull downs, wash your brush.

376

00:21:50,070 --> 00:21:53,880

Then you have always a

clean, a clean painting left.

377

00:21:55,170 --> 00:21:58,140

Hey, now I go over bang, bang.

378

00:21:58,635 --> 00:22:00,915

Good clean my brush again,

379

00:22:05,375 --> 00:22:10,205

E on this side to side, clean my brush

380

00:22:13,715 --> 00:22:16,324

this semester, but it pays off.

381

00:22:16,985 --> 00:22:18,514

Oh, here I can make the last one.

382

00:22:18,514 --> 00:22:19,054

That's fine.

383

00:22:19,415 --> 00:22:20,945

See, now I cleaned my brush.

384

00:22:23,074 --> 00:22:27,485

Let's play a little game

there because now I would.

385

00:22:27,929 --> 00:22:30,360

Lead light into that canvas.

386

00:22:31,080 --> 00:22:31,639

I ever.

387

00:22:32,820 --> 00:22:33,540

Put it this way.

388

00:22:33,840 --> 00:22:40,649

I would say there is the light far by

little bit unheard in his law, the light,

389

00:22:40,680 --> 00:22:45,540

because in between those two clouds,

but this cloud draw the other power

390

00:22:45,540 --> 00:22:50,610

down there, but there's an opening and

that opening, let me show you something.

391

00:22:51,145 --> 00:22:53,245

Hey better to get off

here that he can see it.

392

00:22:53,635 --> 00:22:54,655

I always hide.

393

00:22:54,655 --> 00:22:59,625

I shouldn't hide if it show

you because I'm family now.

394

00:23:00,014 --> 00:23:04,304

And I feel so happy about it and

you should know everything because

395

00:23:04,685 --> 00:23:07,155

me, I think that is a happy ending.

396

00:23:07,155 --> 00:23:07,814

Come up.

397

00:23:08,205 --> 00:23:10,935

You can only do so much

in your lifetime poets.

398

00:23:10,945 --> 00:23:12,885

We put here on mighty light.

399

00:23:13,304 --> 00:23:14,475

Watch how that shows up.

400

00:23:15,540 --> 00:23:22,280

I don't get that all of a sudden, uh, the

leader of light you are next to God, you

401

00:23:22,280 --> 00:23:27,740

have that on mighty power and you say in

your own onboard, I want light in there.

402

00:23:27,740 --> 00:23:33,740

And it was light in there because God gave

you that on mighty power to do all that

403

00:23:34,610 --> 00:23:37,280

creative power is such a wonderful thing.

404

00:23:37,940 --> 00:23:38,180

Yeah.

405

00:23:38,480 --> 00:23:42,680

You can have it here a little

bit, eh, and then a bit.

406

00:23:43,844 --> 00:23:47,564

Oh, what a joy to be alive,

to be the leader of life.

407

00:23:48,125 --> 00:23:48,965

You're the lead.

408

00:23:49,235 --> 00:23:49,834

You're a leader.

409

00:23:49,834 --> 00:23:55,794

Anyway, that doesn't matter because

every artist is a leader because you,

410

00:23:56,254 --> 00:24:03,215

you know, artists usually have changed

and all the ideas, because the deflection

411

00:24:03,215 --> 00:24:08,735

of, if you land, if we play tiny,

Tim, we will have lots of those nuts.

412

00:24:09,480 --> 00:24:12,810

And if he applies to

wrong, it reflects back.

413

00:24:12,810 --> 00:24:13,649

She looked at that.

414

00:24:13,649 --> 00:24:15,300

How that reflects back here.

415

00:24:16,010 --> 00:24:16,820

Oh.

416

00:24:17,060 --> 00:24:18,860

Oh, that's nice.

417

00:24:21,510 --> 00:24:23,970

People following, you will never say that.

418

00:24:23,970 --> 00:24:26,340

Just said that is the right to live.

419

00:24:26,810 --> 00:24:29,060

See, now I turn it down.

420

00:24:29,090 --> 00:24:33,980

Take a good look, but white, maybe

we should write and attach of gloom

421

00:24:33,980 --> 00:24:41,480

or no, and I go on with the, with the

theme, with the bluish color here more.

422

00:24:41,510 --> 00:24:42,140

Can you see it?

423

00:24:43,905 --> 00:24:44,175

Yeah.

424

00:24:44,235 --> 00:24:46,865

Yeah, yeah, yeah, yeah, yeah, yeah.

425

00:24:47,105 --> 00:24:52,655

He, I put all the lights and now I go on

with a bit of a bluish blue shoreline.

426

00:24:53,285 --> 00:24:56,075

Can you see the different

between this and this?

427

00:24:56,075 --> 00:24:58,985

Maybe we should make a close up

there, then we can really spot it.

428

00:24:58,985 --> 00:24:59,315

Right?

429

00:25:00,635 --> 00:25:01,805

You see that blue there?

430

00:25:02,885 --> 00:25:04,295

The blue is a shadow color.

431

00:25:09,515 --> 00:25:12,005

Ah, ha no, you got it.

432

00:25:12,899 --> 00:25:15,120

No, you got it.

433

00:25:15,600 --> 00:25:18,320

You see clean you a mighty knife.

434

00:25:19,010 --> 00:25:21,860

And now I use my, my big brush.

435

00:25:22,250 --> 00:25:23,179

Pull it down again.

436

00:25:23,360 --> 00:25:28,159

I hope it's got to be dry and clean

if you don't trust your brush, put it

437

00:25:28,159 --> 00:25:30,080

on your skin that you know, for sure.

438

00:25:31,010 --> 00:25:31,399

So,

439

00:25:34,520 --> 00:25:34,939

but that's okay.

440

00:25:34,970 --> 00:25:36,409

It's very light, very light.

441

00:25:36,889 --> 00:25:37,909

Very, very, very light.

442

00:25:38,149 --> 00:25:40,310

No, you make the side move.

443

00:25:41,070 --> 00:25:45,200

See look at that is happy.

444

00:25:45,290 --> 00:25:46,260

The side move.

445

00:25:46,800 --> 00:25:48,570

And ah, look at that.

446

00:25:49,710 --> 00:25:50,190

See?

447

00:25:51,140 --> 00:25:59,300

No, if you want, if you want, we can, we

can put it kind of a bigger tree in here.

448

00:25:59,330 --> 00:26:01,430

Watch this with the fan brush.

449

00:26:01,450 --> 00:26:02,330

You see there.

450

00:26:07,155 --> 00:26:10,785

You can have a cup of standing there,

but fires right into the water.

451

00:26:10,785 --> 00:26:19,125

Again, they know you can go on and on and

on and on and create whatever you leave.

452

00:26:19,125 --> 00:26:19,815

Trees.

453

00:26:21,270 --> 00:26:23,640

Four three with the fan brush let's show.

454

00:26:23,790 --> 00:26:26,010

Let's make a good close up on that stroke.

455

00:26:26,220 --> 00:26:28,590

I really, I think watch this here.

456

00:26:28,620 --> 00:26:37,890

I have a, again, how I take my paint off

zap green and attach your for Crimson.

457

00:26:38,430 --> 00:26:41,450

I make a site site like this.

458

00:26:41,510 --> 00:26:43,670

You see, look at that.

459

00:26:44,450 --> 00:26:45,050

Look at that.

460

00:26:45,080 --> 00:26:49,760

And the branches there fly automatically

sideways and fired right into the water.

461

00:26:49,910 --> 00:26:50,300

You see.

462

00:26:51,149 --> 00:26:51,929

There you are.

463

00:26:52,679 --> 00:26:56,760

And what you got already,

a happy painting.

464

00:26:57,090 --> 00:27:02,399

Here's your on mighty big barrage

and straighten it out, make

465

00:27:02,399 --> 00:27:04,830

up a side, strokes like that.

466

00:27:05,159 --> 00:27:09,399

And now the next big step

would be just a little water.

467

00:27:10,280 --> 00:27:17,929

See here on here on here on

here, he tried to make him.

468

00:27:18,480 --> 00:27:21,090

Uh, who I sound as good as possible.

469

00:27:21,800 --> 00:27:23,060

See, look at that.

470

00:27:24,500 --> 00:27:31,010

No, you can go on as many as you feel

and dig up whatever you think it should

471

00:27:31,010 --> 00:27:37,340

be broken up and the painting is finish.

472

00:27:37,760 --> 00:27:38,630

You liked it.

473

00:27:39,230 --> 00:27:40,910

I thank you for watching me.

474

00:27:40,970 --> 00:27:41,630

Bye bye.

475

00:27:48,860 --> 00:27:52,910

Steven instructional book containing

full color reproductions of all the

476

00:27:52,910 --> 00:27:56,990

paintings created for this series and

instructions on how to paint them.

477

00:27:57,410 --> 00:28:04,460

Please send $10 to magic for post office

box two seven two seven Huntington beach,

478

00:28:04,490 --> 00:28:07,430

California nine two six four seven.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, After The Storm - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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