Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Glacier Palace - AVAILABLE

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Ah, you, you, you, without

you, what would I do?

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Because, uh, I obviously I very have

ending on my TV and my shows and

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I'm old enough to sit in my summer

cottage and fish and have a good time.

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But you, people you phoned in and

you rode in and you said, Get that

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all, maybe we are used to each other.

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That is what it is really.

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And therefore I'm very happy about

the tube because it's, uh, it's hard

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to say I'm retired and I do nothing.

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And when someone calls you

back, that is a good feeling.

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Thank you for doing that.

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Therefore, I love you.

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I know we love each other,

you know, actually there's

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always something to learn.

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It's never ending.

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And I think.

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You know, everyone was on TV

and paints the whole painting,

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and usually they say nothing.

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And we need more information.

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We meet, we need more details.

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Maybe I could just show you more details

and more that even if I don't finish a

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painting, as long as you get the knowledge

of what we do in with that paint, why

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that ever, we have a hard to paint.

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See, my world philosophy is.

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That in vet, you have to have a

harder paint because it didn't a

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paint will stick on a ticket paint.

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And if you work it together right,

then it's a joy to be alive.

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So let me try something first.

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I think we have a lot

of intervals around now.

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And I will paint a vendor for you.

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Maybe we winterized the whole thing.

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So when I paint winter scenes, usually

I always have, I leave the gallows

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out and the bottom corners, I have

a little bit of red, but alizarin

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Crimson would replace that red, but I

have a lot of black and blue invites.

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He had a little touch of red, but red

nose or they had cheeks red, you know,

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frost makes you read it to teach you

a little bit so that in my mind I were

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so every painted kind of a mountain

thing again, you can leave the mountain

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out if you don't want it, because, but

I want you to do it in order to show

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you how good that paint would work.

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In the Dick form and I will

use the knife a lot, so I will

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put magic right on the canvas.

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It needs advice, no matter what we do

too much magic white on the canvas.

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We'll give you a big, big

headache and not enough.

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It's not good either.

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So this, put it on the NAF.

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So this, you have it vetted up.

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That's all.

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So maybe we'd do it like this.

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See

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Robert and Robert and make sure not

too much, otherwise you have lot

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of problems and I will show you.

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Wrong or wrong and right this time,

because I, I, I'm very relaxed.

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I don't want to rush, and I want

you to sit down and relax too.

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And let's learn rather than you will

be happy one day, this, you can say, my

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God, I never knew that will be happening.

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See, because you'll see it comes,

it comes and it's in a half an hour.

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Everything is over.

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And then you will say a guide.

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I know nothing.

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So let's do details.

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So I put the little bit more magic

right on this, you know, you should not.

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Put here is a bit more magic,

right on that particular spot.

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There no ever show you the

different, the different of, uh,

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the, our paint is short and strong.

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See, look at that.

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That means there is a tender

paint on, and I go over to

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take a paint on a tenor paint.

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That doesn't make sense.

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It will wash.

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It will smear.

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It will not do the job at

all and never show you this.

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It doesn't do the job.

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I just put a bit of blue and black mirror,

kind of a grayish winterish color, maybe

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a little bit alizarin Crimson into that.

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He sees something like this

and watch how, what happened.

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No, because they have too

much magic right on there.

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Z see you by the does.

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Look, look.

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I, I could, I could

not possibly get it on.

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Can you see it with other VARs?

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When I see it, maybe you have

forgotten the next time around.

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That's why they do it.

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Julia, you can see it.

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You can feel it, you can

touch it, you can smell it.

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You can hear it.

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And then everything is going good.

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So this is the bargaining.

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Do it like that.

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So I will get rid of

our, that magic white.

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I wash my brush.

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Have just a little bit of magic viaton

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and make sure you have a dry brush.

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You see all that vet and, and oil.

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It very not make you paint.

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You cannot work.

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So I will take it off.

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No, that was a good lesson.

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I think we showed it to wrong and we will

show you how it is right on my classes.

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Usually what I did in the beginning,

it's hard to control when you have

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20 or 25 people sitting there and you

tell everyone don't put too much on

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and then someone always put too much on

and they start off and then they ask.

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Students would ask me, could you help me?

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It takes a whole day to get it

fixed, then vine not doing it.

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Right.

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Keep it stingy.

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And, and then less of what I usually did.

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Then we put the mat right

on very, very, very thin.

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Like I see, like I do it right now here.

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And then I said, how about

we have a coffee break?

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And then we all had a cup of coffee and

then we talked over what we want to, and

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that was time enough, where the canvas is

sucking up things to know in that time.

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And then it is Dick paint.

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And then the Dick went

on a Dick paint done.

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This will be still that thick paint

will be dinner or, or more used

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here than what's on the canvas.

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See, that is what the whole philosophy is.

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So I will make a kind of a winterish

kaskai I G go into just kind of colors and

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munch it into the brush and you fire in

whatever, and have it, have it detailed.

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And he has so much paint in the brush.

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You can obviously fire in with more

and loser, be like a band conductor.

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So give yourself a lot of clouds

and a lot of movements there.

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You see the movements

mighty man in no time.

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You guys and leave others openings.

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Leave as openings.

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Oh, the attaches obvious

laboratory, relax.

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It gets harder and gets more dryer.

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See?

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And then if you want, you can

have, uh, uh, like ice water.

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You can.

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Oh, I will have the sun coming in from

the side I ever created a kind of a IC.

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I see voter there.

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I see voters, the long lines

gone down, no lines going down.

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Then I have already color on

the eye conditioned the whole

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canvas to that one color.

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E E how nice it stars in the, in the

Vata, it would be even better darker

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and have those long lines gone down.

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It's that beautiful.

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Look at that.

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Beautiful.

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Oh, nice.

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Nice, nice, nice.

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Nice

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and dry.

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The brush has to be as dry as

you can have it as you, because

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it's got to be dry and hard.

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Otherwise we cannot paint on that.

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And if you really watch it right, you will

be happy one day because you can create so

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many more things and see just long lines.

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Stay.

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I brush it in hard.

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It's nice.

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Even here on the bottom long, make

sure you have it nice either now,

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in order to make water, we will wait

the dust kind of movements we do when

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we have the reflection and the whole

thing from the back into that water.

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So I rewashed my brush.

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Hey, wash my brush.

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Make sure you have a dry

brush without a dye brush.

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You are stuck.

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Yeah, no, I hypnotized the whole thing.

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You see, watch the, the,

everything becomes nice and cloudy

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and nice and it start moving.

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Very nice, nice tach.

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Very nice statue.

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Very nice statue.

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Be here.

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I can bring it all together.

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There.

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On the bottom, see the different between

this and this is kind of a soul dissolve.

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And if you feel there's some bumps

stab, but two hearts get rid of the like

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no, no, I will show you.

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We take a big block of paint.

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White to put it up there.

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Maybe even more like this, you might

think what's happened to that knife.

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I taped a little tape.

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This is, there's not too shiny.

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It's hard on TV.

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If you have that knife so bright and shiny

because it really reflects on your eyes.

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So we quieten that down and they hope

the tape stand up there and it fell off.

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See look what I do.

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It's hard.

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It's a hard, solid pain.

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Watch this, watch this movements, you

know, the black and blue alizarin Crimson.

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They have wonderful winter colors

and go over like this, go over

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like this, bring it back again.

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And then you have it like marble.

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Maybe a bit darker.

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These are they go a

little bit more into that.

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I want you to have it more gray.

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It's a gray day, the clothes and all that.

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So indicating for grade data.

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That's good.

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They know, look at that.

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That paint depends on what part of the

do you want us to ever show you this?

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The really big type of see

how easy it sticks now?

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Can you see.

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Uh, and it breaks.

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It gives you all that D all those

details, you know, with that beautiful.

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The are all the same.

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Yeah.

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Details are the movements,

the Marburn movements.

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They are right in here.

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And Joe, you catch with one,

one hit you catch 10 flies.

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look at that.

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Just look at how that pain.

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Oh, you really push it down and all

those little details be wonderful.

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That's nice to live.

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I hope you could just learn enough to

say that it's you can really make a

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good living, but the good painting.

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I don't know if you can see the

power of that mountain now, every

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made very, very powerful and

have maybe a lot of depth there.

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Dawn Dawn, up and down

again, then like cascades.

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Can you see the beautiful details?

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And keep that knife as flat as possible.

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You see, if you see my fingers,

can you see my fingers?

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They're touching the canvas there.

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See, I'm too flat.

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That's the only way to get it.

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Nice and mixtures to beautiful.

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Ah, God, that is so nice because

of that pain that we wouldn't have,

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that everyone have that paint.

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It's a wonderful thing.

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It looks like all of a sudden

the whole invoice is copying me.

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I must do something.

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Right.

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Whatever it is.

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See that just pertain big mountain.

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No, we would say snow ever used.

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Right.

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He says on this night is coming

from this side and a fire up there.

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Oh, look at that parade.

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Oh God.

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Look at that.

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It breaks.

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It just gives you.

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see now, in this case, it is a bit

dinner underneath, then this paint

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in this case, you didn't it down.

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Oh, that was good.

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That was really good.

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You use a little bit

magic right into that.

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Paint.

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A little touch there.

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That little touch dinner.

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But ma keep it hard.

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He bit hard and solid, but to be

a little touch dinner, then the

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paint on now in this case, you see,

I couldn't get it on the right.

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That was a good lesson.

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Now I can show you how easy it

works when you done it down.

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When I said, turn it down or just

one little bit thinner than that, it

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got to be still is a Dick paint here.

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Can you see it still?

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It decks all this paint, but this time it

is attached dinner, then it is on there.

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Now watch what's happened.

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No.

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See.

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Look at that.

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00:15:07,650 --> 00:15:10,410

See, you got the little bit of

touch for, they put in, give

256

00:15:10,410 --> 00:15:12,120

me that all does movement.

257

00:15:12,150 --> 00:15:12,420

No.

258

00:15:12,810 --> 00:15:15,120

Can you learn something from this ID?

259

00:15:17,040 --> 00:15:20,160

If it doesn't get on,

then don't blame yourself.

260

00:15:20,160 --> 00:15:23,310

Blame that paint, that paint

is what gives you the headache.

261

00:15:24,150 --> 00:15:25,500

See, I know it.

262

00:15:25,800 --> 00:15:29,820

So what I did, I tend to down a little

tattoos, a bit of magic right into

263

00:15:29,820 --> 00:15:35,340

that, and you have it all lined up

divide should be ever put a bit more.

264

00:15:36,000 --> 00:15:40,229

Paint on the, that this paint is

particularly thick and today we have a

265

00:15:40,229 --> 00:15:45,990

kind of a frosty D so when it's called

the smooth ticker, but that's all right.

266

00:15:46,380 --> 00:15:46,949

That's all right.

267

00:15:46,949 --> 00:15:47,819

We can fight it.

268

00:15:47,939 --> 00:15:51,959

See, now I just have to

have to turn it down.

269

00:15:51,959 --> 00:15:53,520

I go into the magic right there.

270

00:15:53,729 --> 00:15:55,439

Have maybe a knife for of magic.

271

00:15:55,439 --> 00:15:55,740

Right.

272

00:15:56,099 --> 00:15:57,990

And I didn't that all down.

273

00:15:58,729 --> 00:16:00,229

Just a little tach.

274

00:16:02,390 --> 00:16:04,189

Otherwise it will be okay.

275

00:16:04,575 --> 00:16:05,685

Too thick.

276

00:16:08,435 --> 00:16:09,545

He looked at that already.

277

00:16:09,545 --> 00:16:11,255

I can see all the beautiful details.

278

00:16:11,255 --> 00:16:14,585

So right here, you

know, I have no problem.

279

00:16:24,005 --> 00:16:24,665

Look at that.

280

00:16:29,855 --> 00:16:31,925

I think that's a good lesson this time.

281

00:16:33,240 --> 00:16:37,290

And it's always nice when you have

it wrong on the right, because we

282

00:16:37,290 --> 00:16:41,250

always paint a painting and then

we are on the VI and you sitting

283

00:16:41,250 --> 00:16:46,470

there all alone home, and you say

VAR, what I do know, but no Bronco.

284

00:16:47,640 --> 00:16:48,930

And I think that's a good idea.

285

00:16:48,930 --> 00:16:50,520

This I can show you that.

286

00:16:51,479 --> 00:16:55,050

The, and this is just perfect,

but otherwise it's just happening

287

00:16:55,079 --> 00:16:58,349

as little, but then they're

done then that other paint.

288

00:16:58,680 --> 00:16:59,219

See?

289

00:17:00,290 --> 00:17:01,670

No, I used the touch.

290

00:17:02,000 --> 00:17:09,980

Let me say from the, Oh, I will put maybe

here a little bit of a bite movement up.

291

00:17:09,980 --> 00:17:14,030

There was like a little mountain

coming down on this side.

292

00:17:14,270 --> 00:17:17,119

The you create that you are next to God.

293

00:17:19,379 --> 00:17:29,610

We are God's children and God

with all of us help you to

294

00:17:30,120 --> 00:17:31,710

create the wonderful things.

295

00:17:32,040 --> 00:17:34,110

C N no.

296

00:17:34,110 --> 00:17:37,260

I will have a touch of blue in that vibe.

297

00:17:37,290 --> 00:17:40,560

You see what I do attach,

but let a little touch.

298

00:17:42,495 --> 00:17:44,025

That will be the shadow side.

299

00:17:45,165 --> 00:17:45,885

He that

300

00:17:49,035 --> 00:17:51,075

jazz, the powerful, powerful mountain.

301

00:17:51,315 --> 00:17:53,205

I go on this side here.

302

00:17:59,945 --> 00:18:00,395

Hi.

303

00:18:01,845 --> 00:18:02,355

Good.

304

00:18:04,415 --> 00:18:06,725

See, just a little touch of blue.

305

00:18:10,125 --> 00:18:16,235

You're on this side, it gives you a

bit of a frosty feeling that little

306

00:18:16,235 --> 00:18:18,514

bit of blue is doing fantastic there.

307

00:18:21,665 --> 00:18:21,754

Okay.

308

00:18:21,815 --> 00:18:24,065

And then give them this

kind of a stroke there.

309

00:18:24,845 --> 00:18:26,225

See this way, that way.

310

00:18:26,225 --> 00:18:29,615

And then that way you build

it up, you can vary it up.

311

00:18:29,615 --> 00:18:30,155

Nice.

312

00:18:37,725 --> 00:18:44,265

On the fly Eve at the power for power

for mountain, you have buried in there.

313

00:18:47,085 --> 00:18:50,265

And he, the same is the same.

314

00:18:50,835 --> 00:18:54,825

And now I will just

show you with the knife.

315

00:18:55,215 --> 00:18:58,785

We grab the same paint and

maybe we put it all in that

316

00:18:58,785 --> 00:19:00,645

mountain color and have a dark.

317

00:19:00,765 --> 00:19:03,795

And then we put the copy really

poor that's where it'd be a

318

00:19:03,795 --> 00:19:10,155

powerful pallette knife work, but

maybe here mighty tree in there.

319

00:19:10,205 --> 00:19:10,475

Yeah.

320

00:19:13,535 --> 00:19:13,895

Hey.

321

00:19:14,310 --> 00:19:14,550

Hello.

322

00:19:14,550 --> 00:19:14,730

Good.

323

00:19:19,200 --> 00:19:19,850

A wonderful.

324

00:19:25,415 --> 00:19:29,315

No before we go on, I have

really left it all alone.

325

00:19:30,004 --> 00:19:34,445

No, I can easy give him

those kinds of strokes.

326

00:19:34,925 --> 00:19:36,185

See what it has.

327

00:19:36,185 --> 00:19:37,655

Nice Saturday night.

328

00:19:37,865 --> 00:19:41,284

And we still have long lines coming

down in order to make it today.

329

00:19:41,315 --> 00:19:46,175

A little bit more, more power father.

330

00:19:46,835 --> 00:19:48,034

I would show.

331

00:19:51,165 --> 00:19:57,315

This kind of vibe this rim

and devoted it to you see, but

332

00:19:57,375 --> 00:19:59,955

very, very, very loose there.

333

00:20:02,715 --> 00:20:09,885

The days that that are come in like this,

and maybe here, this we can, we can.

334

00:20:15,095 --> 00:20:22,265

Hey, that gives you a, the reflection

you need maybe here a little bit.

335

00:20:23,855 --> 00:20:24,965

And then he bed.

336

00:20:25,745 --> 00:20:25,895

Yeah.

337

00:20:35,189 --> 00:20:36,899

He use your big brush

338

00:20:40,139 --> 00:20:43,800

and give them to us a little look

at that beautiful long lines gone

339

00:20:43,800 --> 00:20:48,629

down and then do it like this.

340

00:20:50,159 --> 00:20:52,110

And now it becomes nice water.

341

00:20:53,280 --> 00:20:57,899

And then we fire in maybe

one or two big trees.

342

00:21:03,555 --> 00:21:05,115

See how thick that paint.

343

00:21:05,655 --> 00:21:06,915

I would take that paint.

344

00:21:18,225 --> 00:21:21,705

I will have a little bit

of a shoreline there.

345

00:21:26,010 --> 00:21:28,050

There's a bit of a shoreline there,

346

00:21:34,830 --> 00:21:36,270

something like this.

347

00:21:37,470 --> 00:21:42,629

And then we very well

fed her desk in here.

348

00:21:43,290 --> 00:21:47,190

Maybe there maybe other three here.

349

00:21:52,035 --> 00:21:57,515

Yeah, that gives you really a little

bit of an abstract feeling, but a

350

00:21:57,515 --> 00:22:01,535

painting to perfect is not too good.

351

00:22:04,055 --> 00:22:09,725

And you know, the funny part is as more UV

pain, as more you let go and you will see.

352

00:22:10,365 --> 00:22:15,435

Are the other artists or the other

artist, they developed their own

353

00:22:15,435 --> 00:22:18,645

style or their unveil of painting.

354

00:22:19,365 --> 00:22:20,085

And that's good.

355

00:22:20,085 --> 00:22:25,505

And you should do the same thing, but

you should not get stuck with one, one,

356

00:22:28,805 --> 00:22:29,795

one ID.

357

00:22:30,545 --> 00:22:37,355

The, I show you some, they just knew

you were in as far as you want there.

358

00:22:38,745 --> 00:22:39,825

He may be here.

359

00:22:46,175 --> 00:22:50,525

You put the kind of a

tree trunk in the, there.

360

00:22:55,775 --> 00:22:56,075

Yeah.

361

00:22:56,075 --> 00:22:58,595

In fires, right into the water there too.

362

00:23:09,600 --> 00:23:14,840

Use your bank brush dry and push it right.

363

00:23:14,870 --> 00:23:16,670

Nice down like this.

364

00:23:17,960 --> 00:23:24,230

And then you make water out of that, like

this, see how nice that's water came and

365

00:23:24,230 --> 00:23:33,200

then you did, but the little bit of, uh,

uh, front end there, something like this.

366

00:23:35,040 --> 00:23:35,629

See.

367

00:23:37,380 --> 00:23:44,520

Something like this and the, and

then you would just stretch this

368

00:23:44,550 --> 00:23:53,970

out here, like this, add, add

the mountain, fill it nicely.

369

00:23:53,970 --> 00:23:54,450

370

00:23:56,115 --> 00:24:02,235

E, and then you you're, you, you

come to a happy, happy ending.

371

00:24:02,385 --> 00:24:05,895

You can, uh, hear kind of a desk.

372

00:24:05,965 --> 00:24:13,635

I mean, and maybe this one and this

one and this one in E and then he,

373

00:24:13,815 --> 00:24:21,785

this one in the title dank about

ice float or whatever ice, um, kind

374

00:24:21,785 --> 00:24:25,889

of, uh, Ice floating on the water.

375

00:24:27,090 --> 00:24:37,610

And that will give you a nice, happy

beginning of a nice painting you

376

00:24:37,639 --> 00:24:39,270

look at and make it bigger here.

377

00:24:39,270 --> 00:24:40,350

Like perspective.

378

00:24:40,680 --> 00:24:41,670

Can you see smaller?

379

00:24:41,670 --> 00:24:44,580

There starts off a bit smaller there.

380

00:24:48,075 --> 00:24:57,405

Smarter dare and get bigger, bigger,

bigger, uh, fires and like that.

381

00:24:58,305 --> 00:25:03,365

And it becomes, it's a very attractive

little painting and this is a good

382

00:25:03,425 --> 00:25:07,085

put a little bit on the abstract

side, but that's what we wanted.

383

00:25:07,625 --> 00:25:09,845

That's what we really

wants to show at this time.

384

00:25:11,885 --> 00:25:13,385

He be here, lady bad.

385

00:25:16,215 --> 00:25:17,595

and hear any bad

386

00:25:23,565 --> 00:25:25,725

E here.

387

00:25:25,725 --> 00:25:31,215

Maybe I put a bit of white in there,

so it just gives a bit of a highlight.

388

00:25:32,115 --> 00:25:35,595

D E here, maybe two.

389

00:25:47,220 --> 00:25:48,240

Maybe like that.

390

00:25:48,930 --> 00:25:51,790

And then here in between your cut.

391

00:25:52,229 --> 00:25:57,209

The long lines a bit down is he

done shout the whole long line.

392

00:25:58,770 --> 00:26:02,489

He could see when I did it,

I plowed to the whole thing.

393

00:26:02,820 --> 00:26:08,669

So I need to have some benches in front

of it like this, maybe one like this and

394

00:26:09,239 --> 00:26:14,669

maybe here and show the tongue in between

the, and then you, you, you, you, you.

395

00:26:15,505 --> 00:26:18,505

Give him a little scratch,

a dead little scratch there.

396

00:26:19,075 --> 00:26:24,415

And maybe here one here, one

in here on the, and it gives

397

00:26:24,415 --> 00:26:28,255

you a happy litter painting.

398

00:26:28,555 --> 00:26:30,625

No, you use your big brush.

399

00:26:32,129 --> 00:26:36,659

Before we have a happy ending, do it like

this, just give him, put it along lines.

400

00:26:36,689 --> 00:26:38,790

See what I do now does lines.

401

00:26:38,790 --> 00:26:39,870

They become long.

402

00:26:39,899 --> 00:26:46,010

See by pulling him, he look

at that, isn't that wonderful.

403

00:26:46,790 --> 00:26:47,959

Gee, I enjoyed it.

404

00:26:48,020 --> 00:26:51,530

That you enjoy it to something different.

405

00:26:52,070 --> 00:26:58,129

And when I go onto every pain, roughly

in the same direction, because I do

406

00:26:58,129 --> 00:26:59,810

something, what I didn't do before.

407

00:27:01,004 --> 00:27:05,295

Then maybe if you arrived and

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Glacier Palace - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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