Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Capistrano Ruins - AVAILABLE
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And when the smallers come back to , I
will be dare, but I must have pain.
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Here is the scene of Capistrano.
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I used to be there for all a
long time and I had my park and
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even in the front and, and mr.
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Nevarez.
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Oh, hi, mr.
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Navies.
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I hope you're still there.
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Uh, so I painted larder mission scenes
in the, in the, in the mission there and
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whatever else to do now, a little memory
of the mission that you see, how you make
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arch descend a name, it, name it, name it.
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I will show you how to do it, but I have
a good memory because of the same paint.
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What I paint here.
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I think I painted at least 10 times.
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So it will be a part of
QAPI Strano their mission.
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They're good.
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So I put them magic right on there, but
I'm already most finished most finish.
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So that's good.
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G the magic bites on the canvas and
fire in cobblestone, or it's always nice
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when you come down there in the spring.
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When this fathers come in, Then a lot
of people, you have no room to park
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and then you really see the atmosphere
is kind of an interesting atmosphere.
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I would have a, eh, copy Strano sky.
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Manessa your blue Manessa
blue Taylor blue tallow blue.
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You call it monastically blue.
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You can call it Taylor blue.
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The same blue has couple of names in this.
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Certain companies.
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So there's this, maybe
the sky, but I think
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deep sky like to disappear.
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No, I have that, that mission that
there was an earthquake long ago
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and they allow the runes and it's
interesting to paint us ruins.
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Very, I don't know if it hit the dead
on, but it's weird to be for sure.
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You will recognize it.
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That's this guy.
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I just cleaned my brush on the bottom.
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There is no water.
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I just cleaned my brush, had
nothing to do with that painting.
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Cause I needed a bit of
blue and yellow tone screen.
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I needed a bit of an earth color.
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I need that blue for leader on
for having, maybe hear the sand
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and the dust kind of color.
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Now I space it in my mind.
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I really used a knife.
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I would say the, the room I paint
is where you can see the arch there
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and you see the other side that
used to be a church coming in there.
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And I, I just roughly
got the height of it.
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So I make myself first to paint like a
cement paint that black and white more.
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Right.
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No, maybe the watch, how I do that here.
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Maybe a touch of red
would be good in that too.
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No, that's what you mean.
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That kind of a cement paint too dark, but
I will act like the sun is coming from
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this side and this ruin comes in here.
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and fall down.
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Something in that direction.
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Then here, here, here, I will have,
uh, that's just that often, you know,
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there is, they're big are very harsh.
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Yeah.
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And there's the inside of that.
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You see the inside of that,
some things like this.
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Yeah.
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See the inside of this,
something like this.
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Hey, and they were making stuff.
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That's this cheddar, is
it still in, is around.
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And you see, when I come out sometime
you see the square figures there.
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The, no, we would think from here
on that's just in the inside as the
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inside of that, that arch there.
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And I remember how hard roughly
of, I said kind of a rim round.
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That's a rim Ruan.
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I'm the, like this there.
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See, and you can make it through
the off because it's a ruin.
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He, we got it done together like this, and
then there was so much left from there.
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The roof.
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The I used to paint like this.
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No, I, I cannot say definitely
the height, but it's something
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like, there's something like this.
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I remember all that.
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They had to go around like this
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and I watched a really nice memory
of copper or nice memory of copper.
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Strano.
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first, you obviously use a bit
more doc, then you put the light
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on, then you don't have, you have
our dust dust inst ins forever.
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Doesn't matter the day that it's all
broken down, it's all just part of
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the, whatever came down on this side.
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I just remember, I know far, but that's
roughly what it would be, would be.
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Fi, no, I would use a bit of Vite again
and the sunshine called a yellow and
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the Tasha for red, the sunshine color.
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And I will, I will think now
this insight is in the shadow
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and this is in the sunshine here.
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That's what I did in
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sunlight.
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And here in the insight, there was some.
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The rough thumb.
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Chris.
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I remember had to paint
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E and sunshine spots.
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Sunshine here is on shine there.
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The, no, I got that outside wall.
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You need the dark in order to
have the inst, the Hulu, he,
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and then you put that up there.
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he, something like that more, more, more
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He, how it comes to get her.
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Now I have to create the kind of an
insight, a light I w I would, this
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is to match your unimagined needs.
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And I would say here is all the
sunshine colors and whatever, whatever.
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See, and then I would say the why
I think the sun should come in
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would be here, start getting light.
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There's light there, but that's the ruins.
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I tried to paint very rough.
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Like the sun is already in
the inside there so far.
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yeah, that's beautiful.
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So you can fire that together
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and he, with the knife,
you do a fantastic job.
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More here.
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Maybe I pull it up the tire there.
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No, I have to create, there was some
square feelings there, like, uh, Hmm.
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Oh, the square, I think three or four.
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No, if I give me if I have one
too many, he had one too many.
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That's what it is.
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Sometime he has one too many.
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It's a memory man.
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Or you have cobblestone or.
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it's good to see that, you know,
you can see how we all can remember
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roughly and roughly you will
say my God, that is the place.
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Yeah.
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And here you can breathe out
a bit more with darker colors.
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You can has the other one there.
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E R the one right there again,
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other one, like there again,
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Yeah, just, just this oil painting
as cotton, whatever here up there,
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but it's in the shed and the shed.
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You can see it right here.
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Maybe other square.
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That's going to bother me again.
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The nice when you can paint very rough.
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The why you think it could be,
it should be Hey, now we better
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be very finished up this side.
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This is a sunny side.
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That's the sunny side on the street.
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See?
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That is the sunny side.
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It was a knife strokes.
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You showed that some men
just in the sunshine.
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That's your yellow test, your red and
that all together, which white gives
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you just kind of a rough cementy colors.
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You let the paint be crumbling
because that is what it is.
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It's all crumbled up there already.
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All the funny part is
here in the sunshine.
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Oh, that's good.
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You see the paint was on.
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Just perfect.
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But I think he had, I have to get
a bit more shadowing on this side.
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Hey, Dan, down to the bottom, because that
is going in and the sun is coming from
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here as will be light on this side, but it
will be shed on this side and I can stare
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have the biggest staring Mark roughly.
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no, it's got to be darker here.
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It's got to be darker.
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Dez.
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The here I'd have to fire in more dark.
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I use blue.
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More blue and black theme there.
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Let us be really dark there.
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Well, that it's dark and there it is dark.
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You have light, you have dark because
as more sunshine you are under the
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sun, there is then dark is darker than
darker because it's the greatest thing.
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When you say that.
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As dark you have it as
more delight showers.
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I still would like to add
that crumbling feeling there.
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If you can see it as it is,
it's after the earthquake.
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And here, no, from here on, from
here on, I have got the feed in my
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that aren't shuts coming in there.
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They're standing dead so far
as the rune is all the ruins.
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What they paying here.
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D
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all the ruins
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and the shed though, you
hardly don't see anything.
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But it's nice.
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I think it's a good lesson too.
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When you can learn how to use the knife
with the rough cement and the rough I days
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here in between, there was some pillows.
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I don't know.
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I got to my right.
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There was something like this.
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Uh, some pillows standing there.
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On the side of, of the
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sounding like that,
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something like that.
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Then you, you, you, you would have to.
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Uh, come out like this, that came
out, like this comes out like this.
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Oh, maybe here, they put that little
bit of a Exxon there, there was
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something left, left over here.
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Time the left over here in the middle.
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I remember already we painted that too.
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Kind of got to be whatever advice is
on the shadow side, the dark, he put
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it over every, put it over like this.
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Yeah.
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Then I vary, I make it around here.
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So that shows up a little bit.
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He does to make it.
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So this, you think there was some
pillar standing, there was all the
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ruins is all half broken, half cracked,
half, whatever, whatever, whatever.
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Hey, and then here, maybe
we give him a happy ending.
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I think that came up, came up to whatever.
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I don't know exactly the
height anymore by the door.
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Something that Pedro extended.
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The end that gives you a nice cup of
strong feeling then here next to it
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would be the four bats hanging here.
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No, so, so, so.
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No, if he would put it off this side
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and then if was kind of an arch
to somewhere, there was the arch.
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I just remember for something like there,
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but it's all in the shadow.
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You don't have to hunt it too hard.
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See here on top.
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On top, we have the sun hanging
there, maybe a little bit.
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You can see a whatever
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and, and
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see like that.
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And we will, we will,
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this, we would say here is what
the sand starts or the road is.
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There's a shadow that builds a
shadow there and it's on the road
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so far coming up, maybe whatever.
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No, you that's your imagination.
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I just created a kind of a shadow there.
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Memory of carpus Terrano.
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And this lawless come back to
Congress atmosphere, you know, and
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I, I remember people was all excited.
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00:19:38,285 --> 00:19:42,125
They came from everywhere
and, and big dreams.
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And one year we couldn't hardly see it's
smaller, but then someone obviously came
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up and said, I saw him somewhere there.
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00:19:48,515 --> 00:19:52,235
And then there, that
particular year I saw nothing.
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Maybe I was blind and people
would like to know they definitely
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came in that maybe came in.
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I just had not the eye for that.
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D maybe here.
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I just give a little bit of a, it's
not there's just so this, you see there
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was an arch, this arch there on this
side, all the thing crumbles again.
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Then here, here, we will use yellow
and a bit of that gray and, and
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create a kind of a road there.
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No, I need some paint.
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Hey, Bella should put some more on good.
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The three colors, yellow, red, and
the Tetro fight, or lots of vice and
244
00:20:59,360 --> 00:21:03,590
the Tetro, Fred and little bit yellow
that gives you a little bit dirt.
245
00:21:03,650 --> 00:21:05,270
I put in whatever I have here left.
246
00:21:05,270 --> 00:21:09,770
You see whatever's left there and I
just gives you kind of an upper color.
247
00:21:09,800 --> 00:21:10,100
Yeah.
248
00:21:27,074 --> 00:21:29,024
Yeah, good.
249
00:21:43,200 --> 00:21:48,629
The the happier road there,
I would make it perspective
250
00:21:48,659 --> 00:21:49,980
this, you see it's coming out.
251
00:21:59,090 --> 00:21:59,240
Yeah.
252
00:21:59,240 --> 00:22:00,230
Buy some green there.
253
00:22:00,230 --> 00:22:02,030
I wants to put some green in there.
254
00:22:03,149 --> 00:22:04,740
And then we attain.
255
00:22:04,770 --> 00:22:09,240
We get roughly that's the
memory I have my mind.
256
00:22:09,659 --> 00:22:11,730
What was there?
257
00:22:12,240 --> 00:22:17,520
Maybe I've used SAP green
and I find some green there
258
00:22:23,129 --> 00:22:25,110
E just.
259
00:22:34,685 --> 00:22:40,955
Yeah, black, dark, some dark in between.
260
00:22:44,945 --> 00:22:45,935
Let it hang over.
261
00:22:45,935 --> 00:22:47,284
That's the truth out there.
262
00:22:51,754 --> 00:22:53,405
Some light spots in there.
263
00:23:18,570 --> 00:23:18,899
SI.
264
00:23:19,189 --> 00:23:23,669
No, we got closer, but my
God, I forgot the doves.
265
00:23:23,720 --> 00:23:26,960
They're tolerant of doves flying around.
266
00:23:26,990 --> 00:23:31,429
I think I have to do it if I run through
it or not, but I would just doubles it.
267
00:23:31,429 --> 00:23:32,189
Wouldn't be covered.
268
00:23:32,189 --> 00:23:33,439
Strano Hmm.
269
00:23:40,625 --> 00:23:43,025
yeah, we'll have to use a bit of it.
270
00:23:43,025 --> 00:23:44,375
Didn't the pain for that?
271
00:23:45,995 --> 00:23:47,735
No, no.
272
00:23:47,795 --> 00:23:50,495
I very rarely put the dogs in.
273
00:23:51,665 --> 00:23:58,145
I will use a little brush for that
and then just that flat around and
274
00:23:58,145 --> 00:24:03,095
I needed didn't have paint would
be good if I could, if I would.
275
00:24:04,740 --> 00:24:06,690
Paint sticks on a thicker paint.
276
00:24:07,560 --> 00:24:11,280
The can you see device is
different than that, right?
277
00:24:11,810 --> 00:24:14,160
This case I use a thinner, right.
278
00:24:14,700 --> 00:24:18,900
And you just let them fly around first.
279
00:24:19,170 --> 00:24:27,720
I would say in the darkest, the best,
the size use, the, whatever you.
280
00:24:33,135 --> 00:24:39,615
So it's just ID about something
white, white dogs, beautiful dogs
281
00:24:49,505 --> 00:24:50,645
flying around there.
282
00:24:54,005 --> 00:25:00,275
Sometime I thought I should take
one home and let them be loose on.
283
00:25:01,560 --> 00:25:07,939
On my little farm, we run is flattering,
but there are so many, no, when you paint
284
00:25:07,969 --> 00:25:09,679
one, you better paint a couple more.
285
00:25:12,709 --> 00:25:13,189
See,
286
00:25:26,449 --> 00:25:28,120
let the doves fly around.
287
00:25:35,010 --> 00:25:36,179
One dare.
288
00:25:47,060 --> 00:25:47,330
Yeah.
289
00:25:47,370 --> 00:25:47,870
Right.
290
00:25:47,899 --> 00:25:48,770
All right.
291
00:25:49,399 --> 00:25:52,610
I never saw a dark one or a gray one.
292
00:25:55,490 --> 00:26:00,050
Maybe they might be a gray one,
but I never saw him when maybe
293
00:26:00,050 --> 00:26:01,250
I didn't have ice for that.
294
00:26:05,360 --> 00:26:07,010
Let one sit on top here.
295
00:26:14,060 --> 00:26:14,450
Yeah.
296
00:26:14,450 --> 00:26:15,650
They're everywhere.
297
00:26:16,910 --> 00:26:18,050
Everywhere.
298
00:26:18,530 --> 00:26:21,290
Now I paid money in the
dark more or less because.
299
00:26:22,169 --> 00:26:24,419
Light and light is not good.
300
00:26:25,139 --> 00:26:25,560
Good.
301
00:26:25,919 --> 00:26:27,240
You can see them too much.
302
00:26:27,389 --> 00:26:29,790
No, you can go on and paint us, man.
303
00:26:29,790 --> 00:26:33,959
Yes, you want, because they're
all, they're all dogs there.
304
00:26:34,469 --> 00:26:36,929
They're running around
on the streets there.
305
00:26:37,229 --> 00:26:39,360
I just wish it hadn't been done with time.
306
00:26:39,870 --> 00:26:45,389
Then we can go on and paint a couple
more, but the timer runs out and
307
00:26:45,389 --> 00:26:49,229
I have to have a happy ending.
308
00:26:51,554 --> 00:26:57,074
How would we let it be like that, but
otherwise you can paint as many dogs
309
00:26:57,074 --> 00:26:58,845
as you want because they're all there.
310
00:26:59,955 --> 00:27:03,195
So you enjoy this different thing again.
311
00:27:03,675 --> 00:27:04,814
Thank you for watching me.
312
00:27:04,995 --> 00:27:05,475
Bye bye.
End .srt file.
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