Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Mossy Trees - AVAILABLE

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I'm always happy and excited to be

the jury again, but you won't believe

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what I did last night, I came here

to silver faults in Oregon and I

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decided I will sleep under the tree.

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Because it's so wonderful.

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And I picked up honesty under

three advisable, but shivery, but

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I really did enjoy it in my age.

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I thought I never will do it

again, but it was a joy to be here.

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And I'm so excited to that content.

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I tell you mixed me vibrating again,

and I will show you what I saw.

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How about that?

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So I've been fired in this almighty

canvas, the fish jumping, the birds

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are singing and the sun is shining.

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I tell you as a paradise.

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Okay.

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Fireman put that on mighty magic, right

on, put it on mighty magic, right around.

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Yeah, it's wonderful.

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When you, when you paint, I

wish you would excite yourself.

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There's, you know, it's just

offered to start the painting,

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then you are not there.

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But this really did it today, being

an outside and seeing the fish jumping

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and hearing the birds early in the

morning, it was a little bit of moist,

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you know, but it was just wonderful.

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I put be blue on a happy

blue happy blue sky.

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No, I really show your

dos on mighty trees.

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I see here.

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As far, see, I watched the

show, the sky between the trees.

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So that's what I put just

a bit of blue on there.

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That's all.

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There's no clouds.

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You can see nothing.

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I don't paint what I see right now.

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I just have something in my mind

and I want you to unload it.

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Make sure, sure.

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You have a dye brush.

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I will use, uh, Taylor green,

Taylor blue and attach of yellow.

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And it gives me kind of a happy

green there, maybe a touch of

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black into that kind of watch this.

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Just movements, just movements, but

show this guy in between shower.

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This guy in between.

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See you leave openings, leave

all these here in the middle.

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And maybe I leave more.

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And as you come down, these between

dark and green and all the colors,

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when you look into the wilderness,

it is impossible to say that is

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dark and green and bluish tune.

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And the red is doing.

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I see.

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So I, I just, uh, uh, condition my canvas.

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That's the right word.

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I condition my canvas.

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Yes.

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Leave the minute you don't have to, you

can have, depending on what your plan,

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I need dark in order to show light

without dark, there is no light.

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So firing, firing, darker here.

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As you go down under the

tree, it's really dark.

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It's really dark.

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It's really dark.

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More, so more so dark, the same colors.

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See, uh, Taylor, green, Taylor, blue

and black, and a touch of green.

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And that's the colors I fire in here.

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Okay.

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If you have some time here on

the canvas, just cut them off.

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Like I showed you there.

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Sure.

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You have a dry brush here.

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There'd be water.

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See, I pulled already the water in.

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See how nice, how nice you pull

the water in how that's done.

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That's supposed to be water and here

I will have some trees and branches,

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some Mazi trees, and I will use.

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Kind of a brush like this, he kind of

a brush like this and you, you, you

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Well, God, that does threes.

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I tell you,

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I, this time I will have the sun come

you're right in between here somewhere.

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And they have branches and

they have branches and they

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have branches hanging down

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and their branches.

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You don't have to be fussy there

because they won't be all full of

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Moss and zipper farts here in Oregon.

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Ed, I never have seen a

nicer place like that.

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I'm very, very excited about that

because it's like a rain forest.

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The trees are laying on each other.

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I see a lot of deer.

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You see larder rabbits on the road.

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And I have not seen the bear, but the

game people told me they are bears.

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Most everything is around here.

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The big branches are hanging

down, they're leaning.

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So we remain here.

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That's what we've been devoted to know.

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Doesn't matter.

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Doesn't matter.

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Put the trees in there even.

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Eight as the other three light there.

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That's what I see here.

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You wouldn't believe it.

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There's this one tree

behind the other three.

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One is very croaky to others

lane in the other standing up.

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And they're just all the trees right

behind there again, and all the trees

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right there, behind there, again,

straight or Crocket that doesn't matter.

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This, put it in the value tank.

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I will use a liner brush.

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Then didn't line up brush

and mix some little branches.

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The, you can have little branches

down here and they're hanging

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down more or less the obvious

hanging down and don't be fussy

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and never show your value.

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You shouldn't be fussy.

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Lots of little branches, little lines, the

lines, Crockett lines in between behind

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just follow, follow branches

at just a real wilderness park.

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see, I'm not very fancy, but

either the paint get bigger, small,

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and never show you why the now

we will be, well, we will tank.

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We will tank ever deigned the sun.

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The sun is just hanging in tears.

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Isn't that wonderful.

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It is not wonderful.

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Just create this almighty.

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Now, when you have the sun there with

the sun, you fire on that branch, the

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son is he has happened lying on the

branch and big Mars is hanging down.

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Big.

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Mars is hanging down, not everywhere.

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Just parts, whatever you think is on could

hit maybe here, this undead hit there.

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And a brand look at that, all, let that

hang down like that and pack it packets.

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See, why do you think the sun

will hit, uh, and have it crooked?

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Let them, uh, you don't worry

on this particular painting.

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I tell you, I wish you would

come here and see it because.

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It is most impossible

to, to not do it right.

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You're done using your

obvious dangit street line.

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That would be wrong to

do it here in this park.

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on his stare was where you think

that you cannot do it on this side.

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Are dentists on V.

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Already set the sun in here.

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Dan is where the sun is and

between the branches I ever get

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that other more, but that that's

the why we would like to see it.

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Just let it blur there.

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And then maybe here is one shot.

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There's one shot and here here's one hit

and there's one hit and there's one head.

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See, there's hit him wherever

you think this could be.

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But obvious from the sunny side,

the sun is side on the street.

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See, and that works out.

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Yes.

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Wonderful.

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Yes.

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I heard and like that first and like that.

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And then you have darker D then there's

more hanging down in the dark, the

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darker Moss, please hanging there.

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Mars is everybody hanging in here

in between here around you don't

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have to be in the sunshine, have the

shadows, but mosque have to hang out.

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Yeah.

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She in the shadow there that is.

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Not in the sun, but use those two

colors, one with yellow and white and one

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with Taylor green and touch your vibe.

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See, and that's what very good.

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That was like really good.

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You know, you can, wherever you're doing

in between that something, hang there.

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Just let something hang there.

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That doesn't matter.

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It doesn't matter if you go here,

you won't believe what you see here.

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See, that's why you should

paint free and powerful.

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Don't fit it.

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Zen music.

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Ah, that one day don't fit it.

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Just fire in foreign.

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No mercy, no mercy.

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See as just wonderful.

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Just wonderful.

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And here, here, let the same

do it in and around the sun.

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what do you know?

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What do I know when you

look into the forest?

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There is nothing.

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You can say it is this forest.

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You paint for us.

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That's wonderful.

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Wonderful.

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You hear me?

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You create kind of a light, but there

lights, but there in the background,

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we a bit of light around there

and there they justify you create.

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then have other branch.

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We will do it after when we come

closer, maybe here, or you have some

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day here, maybe here in between.

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This indicates that's a branch

and that's on top other.

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In the shadow, the God, the fire and

this fire and no mercy, no mercy.

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Oh no.

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Here we created a kind

of a grass, grass land.

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Beginning of the pool grassland and push

it in already there, like reflection

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the letter, all that reflects in there.

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And then you can apply.

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You can apply like this here, you see this

like that and let it come in like this.

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You see, can you see how it reflects it?

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Vote wise.

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Oh, you got to vote the,

right now the dark tree.

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But in the meantime, we will create some

more sun spots, sun spots, more sun spots.

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Yeah.

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Wonderful wonder, always talk to

her, make us very happy and excited.

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Otherwise, when excitement leaves you.

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Then you are not there anymore.

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You are not there anymore.

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Just different spots, little

spots that pop up everywhere.

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There's other excitement spots.

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Just do it.

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So just your feed.

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You'll pull it out together.

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Maybe here should be it's on this here.

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And maybe here, we gave him a little

bit of a happy boarder, a happy little

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barter there there's excitement border.

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It was wonderful.

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When the flies around you, lots of fun.

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Lots of fun.

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See, maybe hear a little bit of

excitement, but there's something not

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just hang down there, whatever it is.

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I never, I never saw that

nice place like this.

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And you have it audit around

view set if it's just wonderful.

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Oh, it, again,

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I never thought Oregon has

a rain forest like this.

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see then, then Mick, may Roman,

let me show you something.

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We might just do it like this.

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There's just one branch, right?

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Hanging in the water.

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They're coming out there

and you see the guns.

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See that branch, what you see and

let us test be a part of whatever.

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Have the guts have the guts

to do those kind of things.

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See that fire back in again,

220

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and then you can let the

STEM dishonest there.

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Maybe here we.

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Bring some sun light around there.

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Maybe he is sums on light and

obviously Victor kind of removes

224

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that does the STEM gets around, make

that STEM around, see here, maybe

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sun would hit dad a little bit, maybe

whatever, whatever, whatever may in

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between that the sun would be there.

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White and yellow, white, and

yellow, but they use there.

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Is she, or isn't she.

229

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John's mother,

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maybe use big brush and around the

little bit of a sun beam like this.

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you can go look at this

kind of a painting.

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Uh, sometime it close up.

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You could pin a corner of the house

sometime and have a spite of app.

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And the sun hits us spite of app,

but it's really, really good.

235

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No, I just, just.

236

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A bit of highlighting in the Bush

here and it is in the water too.

237

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Maybe a bit more powerful, more powerful.

238

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that's what I slept.

239

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That's night.

240

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You know, it's just wonderful.

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Sometimes you make the other jokes

when they're tired, they told the

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camera, man, I slept under the tree.

243

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You know, he says to me,

did the bear kiss you?

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I say it wouldn't be good.

245

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He didn't dishonorable.

246

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And he didn't show up.

247

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It didn't show up.

248

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make the out of that.

249

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Go into details a little

bit more detailed.

250

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This makes it more exciting.

251

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Like this tree here, this branch, let that

be in the water to see that that gives

252

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you more voter feeling and this move.

253

00:19:37,254 --> 00:19:41,294

I make a bit more darker here

and have him running there.

254

00:19:42,225 --> 00:19:44,475

Now you just dress it

up a little bit more.

255

00:19:44,595 --> 00:19:45,405

So there's a

256

00:19:49,175 --> 00:19:51,155

that ends up wherever it ends up.

257

00:19:54,285 --> 00:19:56,565

The, I need a little bit

more power in the water.

258

00:19:59,115 --> 00:20:01,485

Uh, here, maybe that's a shadow.

259

00:20:01,875 --> 00:20:02,895

Nice.

260

00:20:19,905 --> 00:20:22,185

That Oliver make that painting.

261

00:20:22,635 --> 00:20:23,595

Beautiful.

262

00:20:38,045 --> 00:20:38,254

Okay.

263

00:20:38,705 --> 00:20:41,285

He, I would like to have lots

of power in that painting.

264

00:20:43,275 --> 00:20:44,745

That's our mighty painting

265

00:20:48,675 --> 00:20:50,385

event, just catching up with me,

266

00:20:53,415 --> 00:20:54,375

but we had no vision.

267

00:20:54,435 --> 00:20:58,485

That's night, your catching up with me.

268

00:21:18,195 --> 00:21:20,765

see, how does he make pattern pallet get

269

00:21:28,835 --> 00:21:32,915

No, we can make some light lines.

270

00:21:34,679 --> 00:21:39,870

Lighter colors, some lighter colors

for the sun, but hit, tear the spot

271

00:21:40,409 --> 00:21:43,560

and here to spot and dare to spot.

272

00:21:44,100 --> 00:21:50,179

And there's something here and here

and maybe here, whatever, wearing a

273

00:21:50,179 --> 00:21:56,419

tank that the sun hits, some places

stare you that gives you more light

274

00:21:57,020 --> 00:22:02,030

that gives you more life in the pain

to the, you wants to sell your work.

275

00:22:02,520 --> 00:22:03,510

In order to sell it.

276

00:22:03,510 --> 00:22:10,679

It's always nice to, to, to have a

lighter Carlos there Z in the water too.

277

00:22:18,709 --> 00:22:19,310

So.

278

00:22:20,655 --> 00:22:24,465

No, let's go over again

with the big brush.

279

00:22:24,765 --> 00:22:27,015

Just make sure you don't

have too much paint on.

280

00:22:28,245 --> 00:22:34,455

And then you just that beautiful

water showing up all of a sudden.

281

00:22:35,085 --> 00:22:42,395

Now you use your mighty knife

and create CRE kind of whatever.

282

00:22:42,395 --> 00:22:47,705

No, uh, Mud sand,

283

00:22:55,235 --> 00:22:56,405

sand

284

00:23:00,695 --> 00:23:01,865

kind of ochre color.

285

00:23:01,865 --> 00:23:02,555

You mix

286

00:23:06,125 --> 00:23:06,784

287

00:23:12,825 --> 00:23:18,075

Something like this can

come the four of us,

288

00:23:21,485 --> 00:23:23,885

there's like a little pool in there.

289

00:23:24,875 --> 00:23:27,035

You're better than the pool in there.

290

00:23:36,305 --> 00:23:36,395

Yeah.

291

00:23:36,415 --> 00:23:38,195

See how it works.

292

00:23:52,280 --> 00:23:59,180

make sure you have a pain for this

quite, uh, uh, solid, because you can

293

00:23:59,180 --> 00:24:01,520

make far better lines and far better.

294

00:24:05,735 --> 00:24:10,295

Maybe here be pulled out kind

of a light edge, little bit of

295

00:24:10,295 --> 00:24:15,095

a light edge here, here, here.

296

00:24:21,185 --> 00:24:24,575

You see, see how that works.

297

00:24:44,580 --> 00:24:45,510

maybe here,

298

00:24:51,760 --> 00:24:52,169

dad.

299

00:25:14,824 --> 00:25:16,385

I hope you enjoy it.

300

00:25:16,804 --> 00:25:19,804

I come to a happy, happy ending.

301

00:25:20,669 --> 00:25:22,620

And you'll see how fast you can do it.

302

00:25:23,610 --> 00:25:26,129

It is the speed, but it keeps you healthy.

303

00:25:26,399 --> 00:25:31,620

It has the speed, but keeps you

happy and it floats and it floats

304

00:25:31,689 --> 00:25:35,250

and, and keep it altogether.

305

00:25:35,580 --> 00:25:40,139

If you spend too much time, you

lose, you lose that almighty spirit.

306

00:25:40,500 --> 00:25:41,850

You lose that on my tea.

307

00:25:43,665 --> 00:25:44,625

Being here.

308

00:25:45,165 --> 00:25:50,205

See, and that is what I think is a

wonderful, when you can, when you can

309

00:25:50,205 --> 00:25:56,534

tell the story, whatever you want to

pain, you unload it and you are heretic.

310

00:25:56,625 --> 00:25:59,235

When the painting is finished,

you are still babbling.

311

00:25:59,625 --> 00:26:00,855

Keep that bubbling up.

312

00:26:01,575 --> 00:26:07,185

And as long as you are in a bubble,

it is a joy, a couple of little, very

313

00:26:07,185 --> 00:26:10,754

little attaches there that pushes you.

314

00:26:11,250 --> 00:26:13,169

Yeah, student outings and little lines.

315

00:26:13,169 --> 00:26:16,139

You see little lines coming up

there, but you really want in

316

00:26:16,139 --> 00:26:19,260

the water there, here and there.

317

00:26:20,340 --> 00:26:25,610

You see, you see, you see now

maybe a couple of strokes here.

318

00:26:26,129 --> 00:26:27,220

What happened then?

319

00:26:27,260 --> 00:26:32,720

Upstairs there, it looks like

the grass is standing up.

320

00:26:33,379 --> 00:26:39,110

The grass is steady,

ending up, up, up hub and.

321

00:26:40,770 --> 00:26:45,240

And what more should I tell you?

322

00:26:45,720 --> 00:26:48,450

It's a rough idea about what I saw let's.

323

00:26:48,640 --> 00:26:49,620

Let's see.

324

00:26:50,670 --> 00:26:51,660

What'd you like it?

325

00:26:51,780 --> 00:26:54,180

Or do you like it or you like it?

326

00:26:54,810 --> 00:26:55,800

I had a lot of fun.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Mossy Trees - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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