Bill Alexander's
The Magic of Oil Painting
Season 3, Episode 9, Seascape - AVAILABLE
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Now in this painting, what I'm going to
show you as how to get water movement.
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And I put it into the form of a
seascape and I've also used the
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Alexander Black medium down here
so that I'm always working with
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a dark, dark paint underneath.
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And all I have to do is pull out
light, like we'll be working with
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today, and it's really exciting to see.
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Cause there's a lot of things.
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Look at the movement I get just by having
the dark underneath and presenting light.
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It's going to be fun.
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Let's go for today's painting.
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You will need the following tools
and William Alexander oil paints.
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Number two liner brush w
Alexander magic pallet knife.
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W Alexander magic blending brush two
and a half inch w Alexander magic
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foliage brush one inch white bristle
fan brush w Alexander's original black
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medium w Alexander's magic white.
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And the following William Alexander
oil colors, titanium white,
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Indian, yellow,
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cadmium yellow, yellow, green
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Vandyke Brown.
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Burnt umber
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SAP green.
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Now in the seascape today, what we'll
be doing is we'll be tinting the top
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half with the magic white and the bottom
half with the Alexander Black medium.
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And what I want to teach you.
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Is to put a real thin coat
of this magic on here.
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Look at that.
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This Alexander White
medium is very, very thin.
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It's a thin consistency.
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And what I want you to do is
work it in all directions.
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Get it on the inside of that canvas.
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You never want it laying on top
and go about, Oh, approximately
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one third, the way down.
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Lot of pressure, a lot of
pressure, a lot of pressure.
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All right, go.
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Now let's clean and dry that brush
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clean and dry.
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The brush.
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Shake out the excess dry.
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Keep this brush.
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Dry has to be dry.
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Now.
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Want to go back into the black and medium?
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And again, you want a thin coat of this.
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So you apply a lot of pressure,
a lot of pressure, a lot of
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pressure never painted on there.
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Otherwise you get a buildup of paint
that you'll always be having to work
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your paint all day by doing that.
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Just want to wet down the canvas.
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I use the black, whenever I
want to create dark and in C
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in seascapes, it's beautiful.
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Cause you're always trying
to work in a lot of dark.
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And by using this medium, it's already
there, Florida pressure come up to
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the whites until you meet the white.
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See how it's starting
to turn a little gray.
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Okay.
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That way your canvas,
your entire canvas is wet.
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Okay.
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A lot of pressure.
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Excuse me.
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Now, let me clean and dry that brush.
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I'm pulling the brush across the screen,
pulling the paint out from the brush,
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the paint's falling to the bottom.
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So I'm never having to work in that mud.
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Okay.
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That brush.
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Oh, okay.
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Now what I'm going to do is I'm going
to tint both the magic white and the
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black medium with just a touch of color.
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Now, when I say just a touch of
color, What I want you to do is just
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pick up like, so come up in here.
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Let's, let's tempt the bottom with some
SAP green a little bit and work it in.
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Um, excuse me.
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I met thalo green, work it in.
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They're working in, they're working in,
they're working in there now, before I
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go back over in here, what I want to show
you, I'm going to do this malaria here,
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so you can see this at the same time.
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Okay.
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Yeah, I've got my green on here
and my black smell over there.
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Now, what I want you
to do is to test, okay.
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I want you to test the magic white
and what I, what I'm doing up here
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is I'm thumping my canvas, use a
different finger, thump your black
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medium, and at the same time,
different finger come over here and
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thump where I've put the green on.
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Now, what you're going to see is a.
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Shiny fingerprint.
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And through there, they all should
be the same consistency wanted that
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nice, shiny fingerprints showing if
you have too much pain on there, you're
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going to be working in too much of
a buildup of paint and you won't get
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the highlight to pull out for you.
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So when this on here, I use a
lot of pressure, lot of pressure,
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a lot of pressure, move it
around in there all the way up.
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But like, so now we've got a
nice dark green to play from
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clean and dry.
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The brush,
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shake out the excess
dry, dry, dry, dry, dry.
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Now I'm going to make, um, a blue mix
up here for my sky and we'll use it.
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Again, in the foreground.
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You know what it is is it's one part
Vandyke Brown, one part pressure and blue,
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and one part, one half bar, excuse me.
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One part Vandyke Brown, one
half part pression blue and
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one half part Dalal green.
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And the other colors I'll be using
today are my titanium, white,
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Indian, yellow, cadmium yellow.
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Of course my theolo green Vandyke Brown.
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Okay.
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Burnt umber and some SAP green.
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Now what I want you to do with
this, this is my sky color.
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And I want you to pick that up and I want
you to marble the three colors together.
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Don't mix it, just keep lifting
it and working one into the
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other, like, so work it in there.
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Work it in there.
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Now we're going to tend our sky with this.
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So pull your paint.
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We'll a little bit of
paint away from the pie.
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If I went back in there with my
brush to that pile of paint, I'd
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be picking up way too much paint.
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And when I'm tinting, remember, just
get a touch of color, not min the cow.
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Just a little bit of
paint is on that brush.
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Little bit of paint.
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A little bit of pink goes a long way.
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Come up in here.
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I want it nice and dark open through
there, kind of a blue, green, blue, green,
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work it down in, down in, work it down in,
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down into meet the dark
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kind of a C.
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See green sky.
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Okay.
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Now let's clean that brush.
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We'll get it all.
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Ready for hip hypnotizing.
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I'm going to put in some
little bit of cloud work.
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I'm not going to play the
clouds up too much today.
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And I don't usually do that when
I have this much water, but I
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do want to show a little bit of
cloud movement back in there.
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Now let me show you here,
how to load this brush now.
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The Alexander fan brush
remember is stiff bristle.
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And I pick up some of that nice firm
paint, both sides, drag it away from the
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pile of paint on my palette, come up in
here and a watch the authority I get.
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Okay.
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Push it in here.
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Pull my brush.
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Like so right jabbing in there.
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Go up in here.
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Look at the movement.
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Of that brush, look at the movement.
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Look how it turns poles, the firmness
of the paint it's pulling it.
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They're pulling itself off their
back, down in through here.
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Like, so one load of the brush, a
little more movement up in there.
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Look at that.
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Can you see that?
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I'll do this slow.
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You just let it bounce
around and twist and turn.
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Pull itself off.
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So you have to have that stiff bristle.
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It's gotta be there a little
something up in there.
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Maybe move something
just up in through here.
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It kind of a dirty brush,
a little paint left.
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So I'll put a little clown up in
there and little something up in here.
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Not much.
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I wanted to show too much, little
hands, little idea, like, so.
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And a little more highlight right
up in there and move it down here.
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Like, so now let's clean that brush.
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You'll be using a lot of
your titanium wine today.
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Now clean, dry two and a
half inch blending brush.
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Now remember this brush is, is
specially made so that when it touches.
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Look how gentle I am.
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It opens up at the same time.
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It feathers that out.
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Light touch, blends it in, lends it in.
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The few hairs are touching
that from paint underneath.
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It stays still and it blends down
into softness, softens all that up.
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Real nice.
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Real nice.
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Okay.
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See that, look at that.
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Look at that slow motion.
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Just a few hairs are touching.
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If I added a lot of it
would wipe it all out.
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Or if I went faster, I would look
like I was using more pressure.
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But since we have the time today,
I'm able to show you some of the
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keys to making this technique work.
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Now we're going to put a little
bit of sand down in here.
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And what I want you to do is take a
one inch, the one inch foliage brush
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and a little bit of your sick whites.
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Pick up a little thick wide,
and then come over here and
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add a little that burnt umber.
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I do most of my mixing with the brush.
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Just come up in here, lighten this up
a little bit, pull it over in here.
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I do this first because when
I put the sand in there, it
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splatters a little bit up in here.
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And after I create my waves, I don't
want to have to go back and correct that.
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Now I'm going to have you take
some of the black medium, put
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it out here on your palette.
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And I want you to add
just a little bit of.
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Brent number two, that
little bit of burnt umber.
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You want to loose loose
paint, a loose paint.
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Now I'm also going to have
to take some of the Alexander
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odorless thinner and loosen it up.
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Just a hair more has to be
a little bit looser than me.
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Um,
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Then the medium, a little bit looser.
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We're going to spray in some sand.
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Okay.
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I'm going to take a little more white
and make, pick up some magic white
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little mom or number in
that, like so lighter.
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Let's a lighter.
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Excellent.
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And add just a little more.
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My paint thinner.
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Okay.
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And one more time.
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I'm going to pick up some of the magic
and just a touch of my Indian, yellow.
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Just the touch of my Indian, yellow.
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Okay.
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Kind of have three different little
shades and different colors there.
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And pick up just a little
bit just to hear thinner.
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Now, let me show you how to do sand.
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Take your fan brush.
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Now you're going to have to put
your pallet down for a minute.
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Whoops, let me put it over here.
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Gonna have to, and we're going
to pick up, are you there?
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Why don't you load that
brush the same way?
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And what we're going to do is when
you come up in here, I'm gonna take
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my finger like, so, and that loose
paint and barely touch it in there.
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Flip it off the end of my finger.
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So then she can get a spray.
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You can flip it off the end of your knife.
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If you don't mind, get your finger dirty.
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Either way.
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It's good.
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Good.
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A little sparkle of sand in there.
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Little sparkle of sand, little dark
first start with my dark, and then
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I'll come back in with my lighter
shades, a little up in there.
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Okay.
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Clean and dry that brush.
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Pick up the next shade and do the
same thing a little bit lighter shade.
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Look how I'm just flicking the few
hairs off the end of my finger.
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Okay.
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Get that little spray of sand.
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Look clean, dry brush.
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And
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the lighter shade.
244
00:15:54,560 --> 00:15:56,120
See the sparkle I'm getting now.
245
00:15:57,260 --> 00:15:57,950
That's nice.
246
00:16:04,220 --> 00:16:04,760
Okay.
247
00:16:04,790 --> 00:16:05,960
Now we've got some sand.
248
00:16:07,310 --> 00:16:09,050
Oh, let's clean that brush.
249
00:16:10,860 --> 00:16:15,329
Get it all ready to go again because
we'll be using this brush throughout
250
00:16:15,329 --> 00:16:18,060
the whole rest of the movement in here.
251
00:16:18,990 --> 00:16:25,439
Now let's take, let's take,
um, some of your thick white
252
00:16:27,630 --> 00:16:29,040
let's get that cleaned up here.
253
00:16:30,089 --> 00:16:33,900
All of my wave movement is done
with just some titanium white.
254
00:16:33,959 --> 00:16:35,819
And let me show you something here.
255
00:16:36,569 --> 00:16:38,939
Let's say we want a little sunshine
coming down in through here.
256
00:16:39,465 --> 00:16:40,215
And let's do that.
257
00:16:40,215 --> 00:16:42,555
Let me show you that that
would be good for you to see.
258
00:16:43,545 --> 00:16:49,365
I'm going to pick up some Indian, yellow,
and just say, we say, you want to put
259
00:16:49,365 --> 00:16:54,185
some little flicker of light back in here.
260
00:16:54,185 --> 00:16:57,365
You won't see this now, but when I
come back in here with the, you see
261
00:16:57,365 --> 00:17:01,805
it a little bit, your son's kind
of shooting down in through here.
262
00:17:03,035 --> 00:17:06,635
When I come back in here with the
whites, it'll pick that yellow up.
263
00:17:10,714 --> 00:17:11,675
a little up in there.
264
00:17:11,704 --> 00:17:13,474
So we'll go ahead and add that now.
265
00:17:17,405 --> 00:17:21,964
And it'll show through when
we paint our paint, our waves.
266
00:17:21,964 --> 00:17:26,165
Now we're going to take some of that
titanium white, and you're going to
267
00:17:26,165 --> 00:17:28,385
have to keep this brush clean and dry.
268
00:17:29,254 --> 00:17:33,274
Now, almost straight up, back
in here, you're not going to
269
00:17:33,274 --> 00:17:36,304
see much and you want this land.
270
00:17:36,885 --> 00:17:38,715
Or this water to meet the sky.
271
00:17:40,155 --> 00:17:40,485
Okay.
272
00:17:40,515 --> 00:17:41,355
Look at the movement.
273
00:17:41,475 --> 00:17:45,555
Just a little flicker, kind of
erased the line, raised the line
274
00:17:49,035 --> 00:17:49,845
back up in here.
275
00:17:49,845 --> 00:17:53,775
Make a little line it's back in distance.
276
00:17:55,575 --> 00:17:57,195
It's back and distance.
277
00:17:57,225 --> 00:18:01,515
Just kind of erase the line, work
the sky into the water a little bit.
278
00:18:03,555 --> 00:18:04,755
You have all your dark there.
279
00:18:04,755 --> 00:18:07,425
So all you have to do
is present the lights.
280
00:18:11,205 --> 00:18:12,555
I'm getting a little closer.
281
00:18:12,555 --> 00:18:15,015
So we'll give a little more movement.
282
00:18:15,435 --> 00:18:19,395
You're really going to have fun with
this because when you look at this
283
00:18:19,395 --> 00:18:22,965
little light here now underneath,
what I'll do is I'll pick up right
284
00:18:22,965 --> 00:18:25,455
underneath and pull it to the side.
285
00:18:26,715 --> 00:18:28,815
And all of a sudden you see
a little cap of water there.
286
00:18:30,015 --> 00:18:34,455
Maybe a little illusion up in here,
a little more down at the bottom.
287
00:18:34,635 --> 00:18:39,975
I pull it in to create the wave like, so
288
00:18:43,545 --> 00:18:45,045
you can have your water going in.
289
00:18:45,045 --> 00:18:48,735
Any directions, all directions.
290
00:18:48,885 --> 00:18:54,245
It's all good there, depending
on the time of day, what the day
291
00:18:54,245 --> 00:18:56,615
is like, could be a stormy day.
292
00:18:57,080 --> 00:18:58,380
Depends on your coastline.
293
00:18:58,380 --> 00:19:00,840
I'm painting mostly the Oregon coast.
294
00:19:00,840 --> 00:19:02,580
Cause that's what I'm familiar with.
295
00:19:03,390 --> 00:19:05,010
And we have a lot of rough water.
296
00:19:06,610 --> 00:19:08,580
Lot of rough water breathable guy there.
297
00:19:08,910 --> 00:19:09,210
No, sir.
298
00:19:09,210 --> 00:19:12,330
I just pushed the paint on there
and then dragging at the bottom
299
00:19:13,680 --> 00:19:16,860
a little more little cap and
then pull it in at the bottom.
300
00:19:17,370 --> 00:19:22,440
Pull it down into your
dark, down into your dark.
301
00:19:23,460 --> 00:19:25,320
Pretend like you're in a
little inner tube out there.
302
00:19:26,970 --> 00:19:29,790
Feel the movement feel the movement
303
00:19:35,030 --> 00:19:37,790
Oh, a little more movement up in there.
304
00:19:38,780 --> 00:19:41,210
Play with it a little more movement.
305
00:19:41,990 --> 00:19:44,630
Pull it in, pull it in now.
306
00:19:44,640 --> 00:19:45,350
Look how I'm pretty.
307
00:19:45,350 --> 00:19:48,530
Well, just tipping my brush
and almost going to the side.
308
00:19:49,340 --> 00:19:53,840
I don't walk, like almost tip
it and go straight across.
309
00:19:55,530 --> 00:20:00,690
That's one of the biggest people
make a mistake on in seascapes
310
00:20:01,380 --> 00:20:02,370
is they want to get that.
311
00:20:02,400 --> 00:20:06,750
They keep thinking that the ocean
roars, well, it does, but in a
312
00:20:06,750 --> 00:20:08,520
painting it's a little more quietly.
313
00:20:09,990 --> 00:20:11,670
Bring a little movement up in there.
314
00:20:11,850 --> 00:20:15,540
A little something you're
letting the light pull from
315
00:20:15,540 --> 00:20:18,240
the dark and my darks there.
316
00:20:19,500 --> 00:20:20,610
Isn't that black, medium.
317
00:20:20,610 --> 00:20:20,970
Nice.
318
00:20:20,970 --> 00:20:21,450
Under there.
319
00:20:21,540 --> 00:20:22,680
Look at the color.
320
00:20:22,680 --> 00:20:24,330
I'm getting, see green.
321
00:20:27,030 --> 00:20:29,310
And I have all the depth
already there for me.
322
00:20:31,230 --> 00:20:33,630
No, a little closer up in here.
323
00:20:34,470 --> 00:20:41,250
It'd be, bring this a little more,
give it a little more swirl down into,
324
00:20:44,910 --> 00:20:48,020
back, down over, over.
325
00:20:50,250 --> 00:20:50,670
Okay.
326
00:20:50,670 --> 00:20:51,840
Let's get that brush clean.
327
00:20:55,590 --> 00:20:58,920
Let me do a couple of these in
slow motion, a little bit slower.
328
00:20:59,790 --> 00:21:01,680
You need to see that a little bit slower.
329
00:21:03,210 --> 00:21:05,850
I load the brush, both sides.
330
00:21:06,450 --> 00:21:11,390
I'm letting the stiffness of that brush
and the firmness of that paint the work.
331
00:21:11,870 --> 00:21:15,350
And all I need to know is that if
I come up in here and maybe even
332
00:21:15,350 --> 00:21:22,340
just put a line, just kind of gently
sloping, a little line there, that
333
00:21:22,340 --> 00:21:23,600
I can have something going for me.
334
00:21:24,375 --> 00:21:29,385
Cause I come back up in here,
touched just underneath, come back.
335
00:21:29,385 --> 00:21:36,735
And you're just underneath pulling
in light, light touch, light touch,
336
00:21:41,285 --> 00:21:42,965
a little more wild or right up in there.
337
00:21:43,355 --> 00:21:43,715
Look at that.
338
00:21:48,514 --> 00:21:49,955
No chips, Ryan.
339
00:21:49,955 --> 00:21:53,135
They're a little coming into
the light coming into the light.
340
00:21:57,095 --> 00:21:59,915
I saw all of a sudden, you'd
seen some water movement.
341
00:22:00,455 --> 00:22:06,995
Now this lesson today, it's done with
a seascape in mind, but when you're
342
00:22:06,995 --> 00:22:12,004
doing whitewater in a river or, or
anything else it's done the same way.
343
00:22:13,385 --> 00:22:16,715
So your lesson is to learn
how to do water action.
344
00:22:18,034 --> 00:22:20,044
And we're putting it in
the form of a seascape.
345
00:22:21,845 --> 00:22:22,565
What up in there?
346
00:22:23,320 --> 00:22:28,139
Been there, learn to play with
it a little swirl up in there.
347
00:22:29,909 --> 00:22:30,360
Okay.
348
00:22:30,389 --> 00:22:31,590
Let's clean that brush again.
349
00:22:34,959 --> 00:22:40,139
Say you want to tell this tip a wave a
little back up in here a little more down.
350
00:22:40,530 --> 00:22:44,040
So you have a little more of a, I'm
kind of pushing that brush in a little
351
00:22:44,040 --> 00:22:51,389
bit and I pull it this way or this way.
352
00:22:53,160 --> 00:22:58,260
To just starting to cap over
there, back into nowhere,
353
00:22:58,980 --> 00:23:00,570
just starting to cap in there,
354
00:23:05,820 --> 00:23:12,170
like some, so all you have to do is
twist that little brush here or there.
355
00:23:12,170 --> 00:23:13,100
Get loose.
356
00:23:13,220 --> 00:23:14,930
That's the whole key to scapes.
357
00:23:15,260 --> 00:23:15,920
Get loose.
358
00:23:16,935 --> 00:23:18,645
A little more something up in here.
359
00:23:18,645 --> 00:23:22,514
Maybe bring it up and then meet
that one little water movement.
360
00:23:22,544 --> 00:23:23,985
Maybe swirling this way.
361
00:23:24,975 --> 00:23:26,534
Maybe swirling down that way.
362
00:23:27,794 --> 00:23:29,145
I could almost see it happening.
363
00:23:30,855 --> 00:23:32,084
Get the pull three gentle.
364
00:23:32,115 --> 00:23:33,435
I'm not pushing that on there.
365
00:23:33,554 --> 00:23:34,844
Let the paint do the work.
366
00:23:37,655 --> 00:23:41,405
And I think let's, let's put one.
367
00:23:41,405 --> 00:23:42,695
That's rolling over this way.
368
00:23:42,725 --> 00:23:43,475
That would be good.
369
00:23:46,005 --> 00:23:46,755
That's okay.
370
00:23:46,755 --> 00:23:47,205
Let's see.
371
00:23:47,205 --> 00:23:54,135
Right in here, we see one coming
in at this angle working its
372
00:23:54,135 --> 00:23:58,755
way into the beach area there.
373
00:24:03,945 --> 00:24:11,475
Light touch light judge, light
judge, little shadow in there.
374
00:24:13,035 --> 00:24:14,505
Lights clipping through there.
375
00:24:15,945 --> 00:24:20,085
Now what I'll do is I'll take,
and I will play up to that spring.
376
00:24:20,085 --> 00:24:26,385
A nice little kind of smash in my
little brush in there a little bit
377
00:24:26,385 --> 00:24:28,845
here, maybe a little bit up in there.
378
00:24:29,855 --> 00:24:35,195
And underneath I pick up a little
bit of that paint and lift the
379
00:24:35,195 --> 00:24:37,145
bit of the paint and I pull it in.
380
00:24:38,850 --> 00:24:41,640
Pull it across a lot
across, pull it across
381
00:24:47,010 --> 00:24:47,410
clean.
382
00:24:50,120 --> 00:24:56,720
Uh, I think we're ready for a clean paper
towel now clean, keep that brush clean.
383
00:24:57,620 --> 00:24:59,930
Want to keep this white nice and white.
384
00:25:01,910 --> 00:25:05,180
And let's bring that down just a
little bit and then bring this in.
385
00:25:07,455 --> 00:25:12,314
Little flicker of light down
over, down, over, down, over
386
00:25:16,125 --> 00:25:20,564
back in a little more light in through
here, you're showing some light into
387
00:25:20,564 --> 00:25:24,254
the sand, into the sand, into the sand.
388
00:25:27,425 --> 00:25:28,774
Isn't this good?
389
00:25:29,165 --> 00:25:29,915
This is fun.
390
00:25:29,945 --> 00:25:32,284
You know, this way of doing seascapes is.
391
00:25:33,405 --> 00:25:33,825
It's grit.
392
00:25:33,825 --> 00:25:36,345
And I look at just in that
one move, you can see value,
393
00:25:36,375 --> 00:25:37,815
you can see different colors.
394
00:25:38,775 --> 00:25:39,465
It's all right.
395
00:25:39,465 --> 00:25:42,695
They're not over now.
396
00:25:42,695 --> 00:25:46,755
This one, we're going to have curling
in a little more and a little bit
397
00:25:46,755 --> 00:25:48,495
lighter right up in through here.
398
00:25:49,815 --> 00:25:50,445
Pull it in.
399
00:25:50,595 --> 00:25:51,455
Yeah, one more light.
400
00:25:52,205 --> 00:25:58,715
Going back in there, back into the
little shadow there, back over.
401
00:26:00,245 --> 00:26:00,515
See.
402
00:26:00,899 --> 00:26:04,530
Move your arm across,
move your arm across.
403
00:26:11,480 --> 00:26:13,459
little more light up in through here.
404
00:26:17,510 --> 00:26:20,750
A little more light
lights flowing, coming.
405
00:26:20,750 --> 00:26:28,730
It'll cross kind of across a little
more light, a little more light.
406
00:26:30,300 --> 00:26:31,320
Into the sand.
407
00:26:32,610 --> 00:26:35,310
Now, what am I going to
finish this off, over here?
408
00:26:35,310 --> 00:26:38,189
Because we're going to be putting,
doing some more work over here, but we
409
00:26:38,189 --> 00:26:40,350
do need to finish this off, over here.
410
00:26:41,210 --> 00:26:42,830
Now, load the brush again.
411
00:26:42,860 --> 00:26:48,740
And with the corner of that brush, I
give me some little movement up in here.
412
00:26:48,949 --> 00:26:55,220
A little wave splashing down, roaring
over a little more, something up in
413
00:26:55,220 --> 00:26:57,949
here and then pull it the bottoms.
414
00:26:58,680 --> 00:27:00,360
Maybe swirl that in there.
415
00:27:01,200 --> 00:27:05,520
What did the bottom, your little
phone going up into the sand?
416
00:27:10,440 --> 00:27:13,880
Oh, can you almost see something
happen up in there to pull it
417
00:27:13,880 --> 00:27:16,580
down in, learn to play with it?
418
00:27:17,960 --> 00:27:21,950
Maybe a little guy up in,
through here, pulling down in,
419
00:27:25,270 --> 00:27:27,050
into the sand, into the sand.
420
00:27:32,445 --> 00:27:36,075
It's nice not to have to go back in
there and create all those darks.
421
00:27:36,165 --> 00:27:41,145
It's nice to have him there to work
from a little more spray up in there.
422
00:27:42,585 --> 00:27:44,835
No more highlight that's out.
423
00:27:44,835 --> 00:27:46,004
Look it just lightly.
424
00:27:46,004 --> 00:27:47,535
I'll just touch sometimes.
425
00:27:48,315 --> 00:27:49,575
Just tap it in there.
426
00:27:52,845 --> 00:27:54,075
Just tap it in there.
427
00:27:55,695 --> 00:27:57,795
Let it play into the sand.
428
00:27:57,825 --> 00:28:01,635
You got illusion of a little
movement on itself in there,
429
00:28:02,115 --> 00:28:03,435
maybe a little onto the sand.
430
00:28:05,595 --> 00:28:14,175
Like, so now let's take a little
bit of the magic white and a little
431
00:28:14,175 --> 00:28:20,325
bit of the Indian, yellow, little
magic and a little Indian, yellow.
432
00:28:20,925 --> 00:28:21,975
How are you doing back there?
433
00:28:22,065 --> 00:28:22,575
Pretty good.
434
00:28:23,335 --> 00:28:24,135
You enjoying this.
435
00:28:25,365 --> 00:28:27,855
This is the best way to
ever be in a sea escape.
436
00:28:27,945 --> 00:28:28,665
It's easy.
437
00:28:29,205 --> 00:28:29,835
Fun.
438
00:28:29,985 --> 00:28:31,275
You have all your darks there.
439
00:28:31,305 --> 00:28:32,985
All you have to do is create light.
440
00:28:33,195 --> 00:28:34,275
What else could you ask for?
441
00:28:34,935 --> 00:28:37,455
Okay, now I got a nice loose paint.
442
00:28:37,845 --> 00:28:38,205
Okay.
443
00:28:38,595 --> 00:28:43,545
Now what I'm do every time I load
my knife is I just pull it through.
444
00:28:44,550 --> 00:28:47,939
Well through a couple of times, the
loose paint will pick up on the knife.
445
00:28:48,679 --> 00:28:51,889
Now on a come up in
here, a lot of pressure.
446
00:28:53,030 --> 00:28:58,399
I'm going to create a little
where the water rushes into
447
00:28:58,399 --> 00:29:00,530
the sand, meets the sand.
448
00:29:01,790 --> 00:29:04,310
Maybe enter the sand a little
bit there, pull it down in,
449
00:29:07,399 --> 00:29:08,270
pull it in here.
450
00:29:14,010 --> 00:29:17,929
see why it's important to put
that sand on first, you can get
451
00:29:17,929 --> 00:29:19,129
a little carried away with that.
452
00:29:19,459 --> 00:29:23,540
It gets sometimes it'll get over a
little up in here, a little over in
453
00:29:23,540 --> 00:29:28,310
there and maybe bring some of these
movements up in, through here, up
454
00:29:28,310 --> 00:29:33,830
in the mid that back down over your
light is really shown through there.
455
00:29:35,000 --> 00:29:35,689
Okay.
456
00:29:35,899 --> 00:29:37,399
Well, something up in there.
457
00:29:39,165 --> 00:29:41,115
Now that is nice.
458
00:29:41,804 --> 00:29:45,495
What we're going to do now is we're
going to finish off this side and
459
00:29:45,495 --> 00:29:49,605
I want you to take that blue mix
that I had you mix for the sky.
460
00:29:51,225 --> 00:29:56,235
And I want you to add some SAP
green to it about equal parts.
461
00:29:57,915 --> 00:30:02,895
What you're looking for is a nice
dark green, nice, darker green.
462
00:30:07,935 --> 00:30:08,235
Mike.
463
00:30:08,235 --> 00:30:10,665
So got sick.
464
00:30:10,665 --> 00:30:13,064
That paint is that great?
465
00:30:13,965 --> 00:30:15,165
That's what that's.
466
00:30:15,165 --> 00:30:16,274
What does the work for us?
467
00:30:16,784 --> 00:30:21,615
The texture of the Alexander
paints has to be thick.
468
00:30:21,824 --> 00:30:23,415
You have to start with a thick paint.
469
00:30:24,495 --> 00:30:29,534
Now I'm going to have you load
a one inch full inch brush.
470
00:30:31,710 --> 00:30:34,020
And let me get a clean paper towel here.
471
00:30:35,870 --> 00:30:40,139
You have to get the paint on the inside
of the brush inside of the brush.
472
00:30:40,139 --> 00:30:46,260
So you have to use a lot of pressure and
work that paint in, work it in, work it in
473
00:30:49,379 --> 00:30:53,610
all the way in about halfway
down should be halfway down.
474
00:30:54,840 --> 00:30:56,220
Let me show you how to test that.
475
00:30:56,865 --> 00:31:00,135
I want you to pull that across
your palate and when it comes to
476
00:31:00,135 --> 00:31:03,515
a chiseled edge, you're perfect.
477
00:31:03,875 --> 00:31:05,555
Okay, great.
478
00:31:05,945 --> 00:31:07,265
We do like to be perfect.
479
00:31:07,295 --> 00:31:07,685
Don't we?
480
00:31:08,795 --> 00:31:09,095
Okay.
481
00:31:09,125 --> 00:31:12,575
Now the texture of this paint
is going to pull itself off and
482
00:31:12,575 --> 00:31:16,685
I'm going to start right back up
in here, right back up in here.
483
00:31:16,685 --> 00:31:20,555
We're going to give a
Oregon coast, Oregon coast.
484
00:31:21,455 --> 00:31:22,565
We're going to give a little.
485
00:31:24,659 --> 00:31:27,750
Movement out in, through here and
we're in the dark and all that up.
486
00:31:27,810 --> 00:31:29,399
I kind of make a line to go by.
487
00:31:30,510 --> 00:31:37,649
I want you to do the same thing
to kind of bring it in, bring
488
00:31:37,649 --> 00:31:40,379
it in dark and end up in here.
489
00:31:41,399 --> 00:31:45,899
Nice and dark got to have a playground
of dark so we can create light
490
00:31:47,669 --> 00:31:49,530
playground of dark so we can play.
491
00:31:50,220 --> 00:31:58,919
Play the light little back in here,
little backup in here, back down in here.
492
00:32:02,340 --> 00:32:05,070
Like so now
493
00:32:08,659 --> 00:32:10,230
little higher up in here.
494
00:32:10,350 --> 00:32:10,649
Bring it.
495
00:32:11,070 --> 00:32:15,300
Let's bring it a little more
roundness there and then back
496
00:32:15,300 --> 00:32:17,760
down yet, a little steeper.
497
00:32:17,879 --> 00:32:18,629
There we go.
498
00:32:18,629 --> 00:32:19,230
That's better.
499
00:32:21,465 --> 00:32:22,215
Back down here.
500
00:32:22,215 --> 00:32:30,945
And now what I want you to do is to
take the fan brush clean and dry.
501
00:32:31,005 --> 00:32:32,865
I forgot to clean and dry it.
502
00:32:34,275 --> 00:32:37,965
Bill bill will get me for
that clean, dry fan brush.
503
00:32:38,655 --> 00:32:45,945
Now let's go back and load it with that
dark green, pull it in, pull it in.
504
00:32:45,945 --> 00:32:47,565
Look, I'm pulling it across my palette.
505
00:32:48,285 --> 00:32:50,115
Work the paint to the inside of the brush.
506
00:32:50,985 --> 00:32:51,975
Now I'm going to come up in here.
507
00:32:52,485 --> 00:32:55,905
This is what we're going
to call Oregon scrub.
508
00:32:58,005 --> 00:32:58,245
Okay.
509
00:32:58,245 --> 00:32:59,595
Look at, I'm making a little line.
510
00:32:59,595 --> 00:33:00,735
I'll make a little line.
511
00:33:00,795 --> 00:33:02,235
Same way I did out here.
512
00:33:02,955 --> 00:33:04,305
Maybe make a little line,
513
00:33:07,815 --> 00:33:09,675
maybe a little something up in here.
514
00:33:10,635 --> 00:33:12,225
Maybe a little something
up in through there.
515
00:33:13,365 --> 00:33:17,145
Now with that line, I want you to take
just a few hairs and pull it up in there.
516
00:33:18,615 --> 00:33:19,514
Pull it up in there.
517
00:33:25,695 --> 00:33:26,534
Look it up in there.
518
00:33:26,564 --> 00:33:28,845
No pressure lightly.
519
00:33:28,875 --> 00:33:29,685
Pull it in there,
520
00:33:33,764 --> 00:33:37,725
fold it in, hold it in.
521
00:33:38,955 --> 00:33:43,485
Present a little paint and just
flip it around any direction.
522
00:33:43,485 --> 00:33:44,895
Maybe pull a little down there.
523
00:33:45,824 --> 00:33:55,985
Little down here, whatever little
touch there, pull it in same way.
524
00:33:55,985 --> 00:33:59,254
You would make Palm trees.
525
00:33:59,284 --> 00:34:04,115
If you were doing Palm trees,
maybe a little something
526
00:34:04,115 --> 00:34:07,534
down in here, pull it down in
527
00:34:10,654 --> 00:34:13,685
now by putting this big old shrub up here.
528
00:34:14,685 --> 00:34:19,005
It's going to put this, like it's on a
no, and you're looking down in already.
529
00:34:19,005 --> 00:34:23,655
You can start seeing that maybe a
little something to back up in here,
530
00:34:23,805 --> 00:34:29,235
a little something make a line is
tapping a line and then flip the paid-up
531
00:34:32,715 --> 00:34:34,515
up over, around or through.
532
00:34:38,295 --> 00:34:40,215
And we're starting to
starting to come alive.
533
00:34:41,355 --> 00:34:42,585
Starting to come alive.
534
00:34:42,614 --> 00:34:42,944
Okay.
535
00:34:42,944 --> 00:34:44,145
Down in through here.
536
00:34:45,315 --> 00:34:52,185
Little more, little more tap in
the color, flip it here and there,
537
00:34:55,755 --> 00:34:57,645
maybe that one's coming up to the side.
538
00:34:57,645 --> 00:35:01,424
Maybe this is kind of shooting
down, shooting down in
539
00:35:05,475 --> 00:35:07,904
and a little something back up in here.
540
00:35:11,060 --> 00:35:16,220
Lipid lipids and see different little
branches going on a little, maybe
541
00:35:16,220 --> 00:35:17,629
a little one hanging down in here.
542
00:35:18,169 --> 00:35:19,819
One set in front of the other.
543
00:35:21,379 --> 00:35:22,669
Keep that brush loaded.
544
00:35:24,140 --> 00:35:29,359
Keep the brush loaded, tap
on the paint and pull it in.
545
00:35:33,230 --> 00:35:35,390
And maybe something had
coming right down in there.
546
00:35:38,400 --> 00:35:39,420
Flip up the edges
547
00:35:43,050 --> 00:35:44,370
lip up the edges,
548
00:36:00,930 --> 00:36:04,970
some coming down through there, but
put up coming in into some dark now.
549
00:36:05,535 --> 00:36:07,305
We'll start coming into some shadows.
550
00:36:07,305 --> 00:36:13,095
So it's not as noticeable
a little guy up in there.
551
00:36:14,655 --> 00:36:15,435
Flip it in there.
552
00:36:17,495 --> 00:36:20,765
Now he was just a, just a touch.
553
00:36:21,155 --> 00:36:22,985
This is a touch right up in there.
554
00:36:23,225 --> 00:36:29,275
A little guy shooting its way,
little more coming down here.
555
00:36:30,815 --> 00:36:32,105
Shoot his way back in there.
556
00:36:32,255 --> 00:36:32,765
That's good.
557
00:36:36,455 --> 00:36:40,475
now, what I want you to do is to
pull all that together by taking
558
00:36:40,475 --> 00:36:46,415
some of your black, medium, and
a little bit of your burnt umber,
559
00:36:50,615 --> 00:36:53,225
black, medium, and a touch
of your burnt number.
560
00:36:53,315 --> 00:36:58,625
I want to lose paint and I want
you to pick up your line of brush.
561
00:37:00,510 --> 00:37:03,240
Now, watch how this rolls
around in my fingers.
562
00:37:04,590 --> 00:37:05,430
I'm loading
563
00:37:08,510 --> 00:37:11,180
that brush and I'm also keeping
a nice little point to it.
564
00:37:11,420 --> 00:37:14,540
So if you always load it like
that, it turns around your fingers.
565
00:37:15,020 --> 00:37:17,030
Now let's bring this together.
566
00:37:17,150 --> 00:37:21,800
It's bringing a little, little
movement up in through here.
567
00:37:23,720 --> 00:37:27,500
Bring it down in, down in.
568
00:37:28,335 --> 00:37:30,765
Well, maybe a little guy
shooting off in there.
569
00:37:31,095 --> 00:37:35,595
A little guy up in here, a little
something a little bit smaller.
570
00:37:37,125 --> 00:37:38,805
Let's see how that's tying that together.
571
00:37:38,805 --> 00:37:45,185
Now it's growing from something maybe
a little movement down in there.
572
00:37:47,685 --> 00:37:48,075
No.
573
00:37:48,215 --> 00:37:53,435
Well, some, a little guy this way,
maybe a little movement that way
574
00:37:53,825 --> 00:37:55,235
something happened through here.
575
00:38:00,360 --> 00:38:01,950
Breaking off in, through there.
576
00:38:07,850 --> 00:38:17,510
The allusion of down in, through
here, up in, through here, down Lexile
577
00:38:20,540 --> 00:38:21,680
movement, I've been there.
578
00:38:26,984 --> 00:38:31,785
Maybe a little guy, just little
ones, just a hint of something else.
579
00:38:31,785 --> 00:38:32,955
Going back on in there.
580
00:38:33,705 --> 00:38:37,395
Now I want you to take that
same color and add a little
581
00:38:37,395 --> 00:38:39,825
bit of your magic white to it.
582
00:38:40,004 --> 00:38:41,475
Just to lighten it up a little bit.
583
00:38:43,065 --> 00:38:43,995
Same color.
584
00:38:47,535 --> 00:38:47,595
Yeah.
585
00:38:47,615 --> 00:38:49,775
Any colors matter as long as right?
586
00:38:49,775 --> 00:38:53,855
As long as it's just a little bit lighter,
you can come back in here and you can
587
00:38:53,855 --> 00:38:59,405
put a little highlights on a few of these
where the light would be shining in there.
588
00:39:02,255 --> 00:39:05,615
Light would be shine right in
through there little movement.
589
00:39:05,675 --> 00:39:06,305
I've been there.
590
00:39:09,065 --> 00:39:11,765
The little light doesn't
have to go everywhere.
591
00:39:13,065 --> 00:39:18,525
Just the hint, hint of sweetness and
light kind of rounds us off a little bit
592
00:39:22,385 --> 00:39:23,825
like, so, okay.
593
00:39:23,825 --> 00:39:33,755
Moving in there now let's finish that tree
off by picking up some of that cat yellow.
594
00:39:34,205 --> 00:39:34,895
My highlights.
595
00:39:34,895 --> 00:39:38,735
Now look how much paint let's
pick up a little, little.
596
00:39:39,674 --> 00:39:40,515
Sappa green.
597
00:39:40,515 --> 00:39:44,895
We need a little more SAP
green, a little more separate.
598
00:39:45,674 --> 00:39:53,165
Now, pick up just to touch that, mess
it up in that yellow, little more
599
00:39:57,095 --> 00:39:59,944
now, the kind of nice
and loaded that brushes.
600
00:40:00,245 --> 00:40:00,875
It's not great.
601
00:40:01,234 --> 00:40:07,924
Now, what I want you to do is to tip
it like a saw into the magic white.
602
00:40:08,580 --> 00:40:12,270
And loosen that paint up.
603
00:40:16,670 --> 00:40:20,000
Now you can either do this
with the a one inch brush.
604
00:40:20,570 --> 00:40:23,540
Since we started with the fan brush, I'm
going to go ahead and show you that way.
605
00:40:23,570 --> 00:40:27,860
Now this tree also, you can do
with your, your one inch brush.
606
00:40:29,150 --> 00:40:30,560
One is brushed, but I did.
607
00:40:30,620 --> 00:40:35,840
I started you with, with the fan, so I
better carry you through with the fan.
608
00:40:36,765 --> 00:40:40,275
Same thing, load it up, load it up.
609
00:40:41,115 --> 00:40:41,595
Okay.
610
00:40:41,805 --> 00:40:44,715
Now let's bring in a little
highlight here and there.
611
00:40:45,675 --> 00:40:51,075
Little highlights, little
highlights flicking in there,
612
00:40:51,075 --> 00:40:52,785
a little sunshine up in there.
613
00:40:53,865 --> 00:40:55,335
You don't have to get
carried away with them.
614
00:40:55,815 --> 00:41:02,535
Like I say, I've used both the one inch
and the fan, usually whichever finds my
615
00:41:02,535 --> 00:41:05,355
hand the first, but if I start with one.
616
00:41:06,285 --> 00:41:08,085
I guess you should finish off with that.
617
00:41:11,925 --> 00:41:15,105
Finish off a little more light,
little light up in, through there.
618
00:41:16,095 --> 00:41:22,185
A little light light look how
nice that was pulling off for me.
619
00:41:23,085 --> 00:41:30,735
Little sunshine, little
sunshine, little more sunshine.
620
00:41:31,245 --> 00:41:33,735
Put my leaves, my branches in there first.
621
00:41:33,735 --> 00:41:40,185
So in places like right in through here, I
can pull some sunshine over that and flip
622
00:41:40,185 --> 00:41:43,965
it around that branch little sunshine.
623
00:41:45,905 --> 00:41:46,235
Okay.
624
00:41:46,235 --> 00:41:47,915
Little sunshine,
625
00:41:51,905 --> 00:41:53,105
little sunshine.
626
00:42:04,265 --> 00:42:06,035
Here and there, you don't
have to get too carried away a
627
00:42:06,035 --> 00:42:07,135
little something up in there.
628
00:42:07,165 --> 00:42:11,255
You can see something happening,
little something up in there
629
00:42:14,585 --> 00:42:15,455
and down in through there.
630
00:42:16,295 --> 00:42:19,605
Now, what I want you to do
is I want you to tell, okay.
631
00:42:26,024 --> 00:42:31,004
I want you to take that one
inch brush, and I want you to
632
00:42:34,605 --> 00:42:37,065
push this up a little bit here and there.
633
00:42:40,725 --> 00:42:45,045
Push it up here and there, push it up,
634
00:42:49,214 --> 00:42:49,785
push it up.
635
00:42:56,030 --> 00:42:58,910
A little here and there now.
636
00:42:58,940 --> 00:42:59,330
Okay.
637
00:42:59,600 --> 00:43:05,680
And your highlights, we'll take that
brush reloaded with the CAD yellow, a
638
00:43:05,680 --> 00:43:09,080
little bit of SAP green and the magic.
639
00:43:10,160 --> 00:43:13,340
And what we're going to do is
we're going to do the same here.
640
00:43:13,650 --> 00:43:19,370
A few places, drag it in sunshine
in there, little sunshine.
641
00:43:20,595 --> 00:43:21,465
Pull it in there.
642
00:43:21,555 --> 00:43:22,305
Pull it in there.
643
00:43:28,085 --> 00:43:28,575
Yeah.
644
00:43:29,884 --> 00:43:30,634
Come back in.
645
00:43:30,694 --> 00:43:32,465
Well, let's get a little more up in there.
646
00:43:32,674 --> 00:43:33,694
A little more up in there.
647
00:43:35,855 --> 00:43:40,415
Now, come back in underneath
that and create a little
648
00:43:40,415 --> 00:43:46,505
movement, a little movement, a
little movement, a little love.
649
00:43:48,884 --> 00:43:53,415
Keep that loose because you're working,
you have a thin, thick paint underneath.
650
00:43:54,285 --> 00:43:57,375
You need to loosen that up a
little bit so that it automatically
651
00:43:57,375 --> 00:44:00,285
pulls automatically pulls
652
00:44:07,365 --> 00:44:08,774
automatically pulls off there.
653
00:44:09,285 --> 00:44:13,365
You're thin is pulling
itself off the thick.
654
00:44:15,524 --> 00:44:15,615
Okay.
655
00:44:19,295 --> 00:44:20,115
Set it up a
656
00:44:23,835 --> 00:44:28,515
little more about been
through there, back down in
657
00:44:35,145 --> 00:44:37,125
there, a little shadow
back down in, through here.
658
00:44:48,230 --> 00:44:49,940
and, and keep it kind of
dark down in through there.
659
00:44:51,740 --> 00:45:02,720
Now let's go back in here and bring those
little guys down in like, so down in
660
00:45:02,720 --> 00:45:05,120
like, so one pulling in through there.
661
00:45:06,195 --> 00:45:07,875
One pulling in through here.
662
00:45:12,285 --> 00:45:16,755
Little shrubs, little movements,
pull it back in through a
663
00:45:16,755 --> 00:45:18,435
little something up in here.
664
00:45:20,295 --> 00:45:21,525
Little guys,
665
00:45:24,795 --> 00:45:26,685
maybe scoot one over this way.
666
00:45:36,795 --> 00:45:41,385
Lou wins kind of hitting this
banded over a little bit.
667
00:45:44,555 --> 00:45:50,895
Little guys moving back up in through
there, pick up just a little more
668
00:45:50,895 --> 00:45:53,415
highlights and work it around in there.
669
00:45:58,470 --> 00:46:04,500
Like, so now I'm going to take my knife
and a little bit of that watercolor we
670
00:46:04,500 --> 00:46:14,009
made over here, move this in, move this in
kind of splash it around that land area.
671
00:46:14,430 --> 00:46:16,830
Now see how that pushes
that right back out to sea.
672
00:46:18,899 --> 00:46:19,529
And you got it.
673
00:46:21,150 --> 00:46:23,130
No, that should just about doer.
674
00:46:23,160 --> 00:46:25,980
Now, let me get my name signed on here.
675
00:46:26,040 --> 00:46:30,690
I use the Alexander Black medium
because it's the right consistency.
676
00:46:31,710 --> 00:46:36,690
You want to lose paint,
flexibility of a liner brush.
677
00:46:45,350 --> 00:46:48,350
Let the paint pull off even.
678
00:46:50,010 --> 00:46:50,520
And my name.
679
00:46:51,870 --> 00:46:53,310
Hey, it's been great.
680
00:46:53,420 --> 00:46:56,910
I hope I've been able to teach you
something about water movement, and
681
00:46:56,910 --> 00:47:01,950
I want you to have a good time that
you get out there and get going.
682
00:47:02,400 --> 00:47:02,850
Thank you.
End .srt file.
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