Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Golden Riverscape - AVAILABLE

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That's a nice tool sometime.

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Oh, It's just wonderful to be with

you again, the magic writers on,

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you know, I came in today, the sun

was shining, the birds were saying,

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and my God, they were so happy.

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I thought, Oh God, it's not

wonderful to be alive on this earth.

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And you know, the weather all

around you, it loads you up.

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But yesterday I saw on

TV, the river in China.

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And there's something that

little bit, what you see taches

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off what you do tomorrow.

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I thought, God, when it's all that water

rushing down, eating the earth divide.

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And I see it in British Columbia

and LA the rivers were that powerful

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waters, eating earth to buy.

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And it really rolled

stone with too much power.

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And I thought to the, I would

paint that not the yellow river.

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I would paint a part

of what, where I live.

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And if it'd be interesting, watch that.

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So I will have on mighty mountain stare

threes, but every come out with that

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are mighty waters where we just, Oh God,

it be, that's what I saw last night.

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I think we all should sometime we see

certain things and that inspires us.

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What can I paint or what can I unload to

the, and that really did something to me.

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And I S I see it very often

when I go into the mountains.

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So that's why all the magic white is on.

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And I am in a mighty mood betters.

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Good.

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Neighbors they're singing.

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Oh, that's good.

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So I clean my brush and I wants to put

it in a kind of a Zony color though.

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This time I will.

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I think I use Indian gala.

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Look at that in a nice.

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Yeah, let's start off with

Indian yellow, the whole canvas.

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And there's not the galley river,

but I like to put sunshine in because

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I saw the sun to D is just great.

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And then as you feed your life, you feel,

Oh God, it's so wonderful to be alive.

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See what I do.

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I can prepare the whole

canvas, which Indian, yellow.

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More bit more than you tick

it off like that and fire in

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there's no mercy, no mercy.

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You know, it's so wonderful when you

can, uh, when mother nature, that's kind

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of a religion, you know, you feel all

of a sudden mother nature is speaking

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your up when it then whom, right?

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No, I build a trail.

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On my little summer cottage and I

wasn't, when people come there before

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they have breakfast, they should run

around that Lake and swim across and

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then they can come in for breakfast.

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Wouldn't that be?

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Nice, boy.

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They're hungry.

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They're full of red cheeks.

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It's in the eyes of God,

but the life is so nice.

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You see, you hear me talking?

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You think the guy's crazy.

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How many artists are, because

when you think about the guy cuts

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his ear off, it's not too good.

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Okay.

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Watch I put the bit black into that.

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No, the, I need a darker

color, but that was awesome.

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Well, first I have a repair.

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See in a nice bit black watch this

black and a touch of Indian yellow.

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That gives you an interesting sky.

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Invest in color again, black

and yeah, the you are wrong.

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I show you what you should

not really do in this case.

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I should dig my own mighty knife

and take a bit of Indian, yellow

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off here and put it on here.

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The other guys, I messed up my

whole palette just by going into

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the black, then it also should

take a little bit black like that.

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Cause I know I need black and, and

Indian, yellow dividers on the canvas.

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That means I can mix here nosy.

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Look, it makes it easier.

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I can save my paint.

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Uh, good, good.

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Yeah and make it nice, nice

movements, nice movements, and was

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a bit darker down there this time.

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I know what I want you to have that

water coming out here and against the

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darker color, the water would look more

or for the, how you do you create your.

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You conditioned your canvas

to watch your subject?

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Me and my SABIC.

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There's that on mighty water and whatever.

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They're

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like, let it be bumpy.

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Let it be bumpy.

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You know, here, here, this would be all

water and water would come down there.

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Bit more darker.

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Bit more darker or was on the bottom.

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I just conditioned my canvas.

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No, I know myself, Jack.

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I have no problem what I will

do later on, but I need dark.

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If I have dark, I can

show light for is no dark.

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There is no light, light, and light

is nothing and nothing is nothing.

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Yeah, you are.

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Okay.

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Mr.

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Nothing, ham, nothing ham.

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Okay.

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I just tried to find out as dark

as I can get there, so, no, we very

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rarely, we will put a brush of I for

a while and go into little details.

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I thought I will put the

little mountain peak on here.

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You overlook that voter files

and all that water rushing down.

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And you see on the other side, a

little bit of land, a little bit

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of mountain, a little bit of trees,

whatever, whatever, whatever.

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So maybe I use my on my tin knife and.

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Touch of white and black and Indian,

yellow harmony, harmony, harmony

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rhyme, rhythm, harmony, bit more black.

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Can you see how I take it off?

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I just mixed myself a kind

of a distance mountain color.

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So that would be good.

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He know we, we say, we would

say no, when I put my knife on.

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Uh, I wish I had a bit more

light around that mountain.

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Can you see how you decide

sometime don't do it.

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You have more strength.

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This looks like a curtain coming down.

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And if I do this, what I do know

that will help me, it will help me.

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Watch this, then you learn a

lot by just watching things.

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we have to make decisions sometime

by seeing our eyes, tell us

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already do that, but don't do that.

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If I would have done it, I would

miss all those beautiful colors here.

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Good, good, good, good.

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See, no, I can do that.

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I think he, against that light, he

can, you see the dark watch, but

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more but more but more of that.

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I could pound in every bit of move

that gives me a bit more, more dark.

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See this kind of a dork.

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Yeah, that's the belly.

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No, I got to say, Hey, maybe here.

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I just power into kind of a mountain peak.

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Eh,

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Do your mountain divide.

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You think you wants to see if you

have a specific mountain in your

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mind, then fire that then they, I

have no specific mountain in my mind.

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I just want to see a rough part of the

mountain scene, mountain land up there,

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and maybe here, here, leave me here.

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Can be.

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No, you you white and Indian yellow.

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So you have to harmonize and

I have to keep that, that gold

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in the picture from now on.

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Oh, maybe that's good.

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This is good.

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And you highlighted there a little bit.

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Isn't that wonderful when you

see those beautiful lines.

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So many details.

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One on my distro kazoo much has

so, so much power, you know,

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wonderful.

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No, I think that you

couldn't do it better.

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Maybe he had a little bit, uh, maybe he

had a little bit there Dan, a little bit.

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See then they leave the

colors in the background.

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I wouldn't worry.

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He can rather have a little bit more.

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Indian yellow, just Indian yard.

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Very bit of dirt.

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And have it just hanging on a bit there.

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Yeah.

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Yeah.

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That's good.

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He gives you a nice, nice feeling.

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Now you would think sometimes

it would be good to have some

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little trees standing up there

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in the Valley.

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Some trees grown of dare.

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If you want to think like that,

and then you sing a happy tune.

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Ah, it's so wonderful.

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It's so wonderful to be a life.

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It's all dust, wonderful colors

and all the wonderful dreams.

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He asked me, I put a copy

of the dark trees on.

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Yeah, maybe D and a bit more

doctor that more DACA and it

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was carpet darker colors down.

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No.

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See already, I try to aim

for more dark here, the end.

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That's why I built a couple

of happy trees up there.

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Can you see how you become a Fox?

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How are you?

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Uh,

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There you are.

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Yeah.

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Okay.

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All right.

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Now the next step will be, I ever

used, you can use the fan brush.

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FINRA is a good instrument right now.

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Yeah.

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If you have the biggest

fan brush would be better.

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See, I use Vite.

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So you know that Indian

yellow is on the canvas.

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You don't worry.

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You use this plain white and Tang.

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Oh God.

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What is boiling up there?

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Dark.

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See, then you can come out

like with the dark from here.

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He tried to pretend that I used to think

you were standing on this side corner

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and if he does, water's boiling up,

God has so much power and then tickling

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it down or taking it up a little bit.

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You need a dark in order to have

the, I tried to get that massive.

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It must hit the other stone down

there and just shoots up from there.

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Can you see the power of creating it?

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Just fantastic.

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Fine task three against the dark.

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No, no, you come down here with the

light again, come down here other than

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Okay.

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Create that water coming down.

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The immediate dark.

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I knew her at.

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I need a deer.

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Oh God.

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As we go crazy.

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If you watched us those rivers

for day when they come down,

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there's form there's movements.

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Yes.

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Uh, sparks the sparks sometime just

kind of sparks, you know, you just use

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Vite and, and, and, and conditioned

look for that to condition your brush.

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So this, you have this in the brush.

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You see, you can see

the sparks in the brush.

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You opened up the paint, obviously

aim for the tick solid paint, and then

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the paint will keep that brush open.

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He liked.

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Yes.

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See, look at that.

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Can you see it?

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Dang, then you can have,

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he does need sparks and you

can have them here, here, here.

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You definitely don't

want this falling down.

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See

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and up there.

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And then you fire in your friend.

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No mercy.

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Yeah, just, just whatever your hand does.

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It's all right.

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So send me whatever you hand us.

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No, that's beautiful.

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The dang delights coming from there.

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Use this.

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Yeah, you put it down

and have a dock behind.

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I was thinking light and she

said, Oh, we'll have it done.

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And let's go here and year.

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And then again, you can rush it

by, you can bring things up all

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of a sudden, it's just some bear.

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You have a little bit of a.

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Buried up there you

created in your own mind.

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See then let it go by here, here.

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Only here.

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So no, you, you need darker

colors, darker colors.

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You here.

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Okay.

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Dog collars, make your water dance

and, and you, you hear a noise

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you hear on mighty noise about

that whole water coming down.

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he on this side, you rather

have a little bit dark.

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Sometime you create a dark

from here, um, into the light.

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You certain things, you, you put

the effort into do a dare and

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then you can just dance along.

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When you look into those

waters, try to tickle.

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E something like that.

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you always see the waters rushing

down or coming up with turning.

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light on top.

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I would like to have, see, this

would be our lighter, obvious.

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Try to have a dark down here,

see where the stones are.

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00:19:54,695 --> 00:20:00,215

And then from there, this in the shadows

then becomes around and in your own

256

00:20:00,215 --> 00:20:03,635

mind, you form it and move molded.

257

00:20:03,965 --> 00:20:04,835

You're good.

258

00:20:04,835 --> 00:20:05,675

All dry.

259

00:20:14,450 --> 00:20:20,210

so I think I, I am

quite all right, so far.

260

00:20:29,120 --> 00:20:30,080

he is darker.

261

00:20:30,080 --> 00:20:35,390

He gets underneath as more, you form it

in your mind, then you can create this

262

00:20:35,390 --> 00:20:37,070

kind of stuff that I showed you here.

263

00:20:37,705 --> 00:20:41,455

Oh, just the dark into the

light, dark into the light.

264

00:20:41,905 --> 00:20:47,725

It gives you around must be a stone or

whatever it's hit stare, and then you

265

00:20:47,725 --> 00:20:52,405

create more and asked, you know, so at

first, make sure you have enough dark,

266

00:20:52,645 --> 00:20:55,435

then it's easy to put the light on.

267

00:20:57,325 --> 00:20:59,955

So no, we put the light on

268

00:21:08,865 --> 00:21:11,024

Watch this lots of light now,

269

00:21:14,865 --> 00:21:24,794

and I will, I will see create this,

this power, this power, or the

270

00:21:24,794 --> 00:21:27,465

round, like a halo, like a glue.

271

00:21:27,915 --> 00:21:29,955

Put the glue into that holder.

272

00:21:31,695 --> 00:21:34,905

There, here.

273

00:21:34,905 --> 00:21:35,745

I need that.

274

00:21:41,930 --> 00:21:44,570

something you burst it, bursts it out.

275

00:21:44,810 --> 00:21:48,350

If you want to then

leave it dark in between.

276

00:21:48,350 --> 00:21:52,730

And then finally you create a kind

of around their own, their own here.

277

00:21:52,730 --> 00:21:53,570

The other one

278

00:22:02,629 --> 00:22:03,620

thank you about water.

279

00:22:03,620 --> 00:22:03,950

No.

280

00:22:11,449 --> 00:22:13,399

SI SI.

281

00:22:13,939 --> 00:22:15,860

I know here we were shut down.

282

00:22:15,889 --> 00:22:17,030

We were shut down.

283

00:22:28,545 --> 00:22:29,925

And it should down.

284

00:22:30,075 --> 00:22:34,755

He ain't give him a little bit of

a halo around their head burst.

285

00:22:35,610 --> 00:22:36,419

Is he, and then he

286

00:22:40,080 --> 00:22:41,610

give me a little bit around.

287

00:22:42,840 --> 00:22:44,340

No, you create whatever you want.

288

00:22:44,340 --> 00:22:48,000

You can have it dancing down

this way, this way, this way,

289

00:22:48,000 --> 00:22:52,379

this way, that's up to you.

290

00:22:52,379 --> 00:22:55,350

Now you create those kind of,

291

00:22:58,350 --> 00:22:59,700

for me, spots.

292

00:23:08,595 --> 00:23:09,105

Hey

293

00:23:19,395 --> 00:23:19,965

dad.

294

00:23:27,014 --> 00:23:28,905

No, I just created this to buy your one.

295

00:23:28,935 --> 00:23:29,625

No, that's it.

296

00:23:30,435 --> 00:23:30,975

That's it

297

00:23:40,925 --> 00:23:42,705

light coming out here.

298

00:23:43,565 --> 00:23:43,975

Hey.

299

00:23:44,085 --> 00:23:48,375

Hey, no, you use your mighty knife and.

300

00:23:52,560 --> 00:23:54,060

More heavier, right.

301

00:23:55,200 --> 00:23:56,460

And a dad.

302

00:23:57,240 --> 00:23:58,860

And you.

303

00:24:00,240 --> 00:24:05,460

Get the front stones and I use

Alison Crimson, Prussian blue,

304

00:24:06,060 --> 00:24:07,920

and she is a close up there.

305

00:24:08,280 --> 00:24:14,400

And Indian, yellow, lots of Indian Gallo

in, I wants to have that harmonizing color

306

00:24:14,400 --> 00:24:18,990

there, but lots of dark, lots of stock.

307

00:24:22,140 --> 00:24:25,230

He know he creates kind of a.

308

00:24:30,240 --> 00:24:31,379

Stone stair,

309

00:24:46,340 --> 00:24:53,120

look at that jazz, jazz, more that on

there's a big Stony side then for on.

310

00:25:07,170 --> 00:25:14,190

See how easy you get

it together, more dark.

311

00:25:14,210 --> 00:25:15,440

She has much darker.

312

00:25:15,440 --> 00:25:16,010

She can.

313

00:25:16,550 --> 00:25:18,470

It's just, she's closed up now.

314

00:25:18,500 --> 00:25:21,830

You come close to the front

and you need a lot of dark.

315

00:25:21,920 --> 00:25:22,310

Okay.

316

00:25:37,889 --> 00:25:38,280

Okay.

317

00:25:47,145 --> 00:25:57,045

No, you highlight that with

white and yellow in C like this

318

00:25:57,045 --> 00:25:58,815

and other figures in that too.

319

00:25:59,565 --> 00:26:02,565

No, you come up like this.

320

00:26:07,700 --> 00:26:08,570

The very loose.

321

00:26:08,600 --> 00:26:09,350

That's your knife?

322

00:26:09,620 --> 00:26:11,660

Let your knife do the job.

323

00:26:12,140 --> 00:26:14,960

These stones, you cannot.

324

00:26:15,170 --> 00:26:16,940

It's like you count the stars.

325

00:26:17,630 --> 00:26:18,860

You cannot count them.

326

00:26:19,880 --> 00:26:25,970

See and stone movement, smart, tick

Dan chart, long, whatever, whatever

327

00:26:25,970 --> 00:26:29,780

you do there, maybe here a little bit.

328

00:26:33,195 --> 00:26:37,035

He just gives you a nice

Stoney Stoney front there.

329

00:26:38,475 --> 00:26:42,525

He has to look at that.

330

00:26:42,525 --> 00:26:43,395

Isn't that beautiful.

331

00:26:45,885 --> 00:26:48,915

There they are.

332

00:26:49,095 --> 00:26:51,195

See how fast you got it together.

333

00:26:54,420 --> 00:26:57,060

Yeah, just push her on there.

334

00:26:58,050 --> 00:27:04,110

He, it looks like thousand stones

and into the water and there you are.

335

00:27:04,530 --> 00:27:09,690

That is all it wants

to show you enjoyed it.

336

00:27:09,700 --> 00:27:13,020

It was tester imagination thing.

337

00:27:13,020 --> 00:27:13,650

You know, you.

338

00:27:14,775 --> 00:27:16,845

Was excited and you put it on the canvas.

339

00:27:16,845 --> 00:27:19,425

You unloaded that and

I feel happy about it.

340

00:27:20,115 --> 00:27:21,675

I hope you learn something from that.

341

00:27:22,335 --> 00:27:23,445

Thank you for watching me.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Golden Riverscape - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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