Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Mountain Lake - AVAILABLE
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Hi, I'm bill Alexander, the Papa
of the magic of oil painting.
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Now, since you are my family, I have to
show you obvious something new again.
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So how about we go into the forest?
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And the pain on my deforest in
today, I will not talk about the
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equipment buckles you now with all
that, did we have a different paint?
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We have different brushes,
different equipment.
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What will help us to
create faster and better?
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So fire off your man number magic, right?
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We put that magic, right,
right on the canvas.
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Then I have to brainwash
myself what I want to do.
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And I told you already, I wants
to paint kind of a mountain.
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And the forest in front of it, like
the, like the mountain overlooking the
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forest, something in that direction.
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Maybe that might be nice.
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So we fired off, get that
paint on that magic right on
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that's obvious.
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Visit time to me when I have it.
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DVCA your surroundings.
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I wish I wouldn't have to.
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I could paint that, put that on before
already, but it's good for you to see
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how we put that magic right on the,
who I saunter verdict C make sure
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you have every little spot covered.
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If there is a brush here,
just get off like that.
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They fly off.
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You have no problems there.
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Too much.
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No.
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Good.
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Not enough.
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No.
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Good.
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No good.
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No, it's no problem.
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Wash your brush.
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Wash your mighty brush.
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Make sure you have a dry brush.
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Slam out that paint dinner, no
pain dinner into that added box.
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I go over the whole thing.
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See,
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and take off what would be too much.
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And you feel there's a certain drag.
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When, when I come to that point,
I feel that it's a certain drag,
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but tells me I'm just right.
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If it is not dragging, right.
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I couldn't ever start because too
much, you push the paint and if it's
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not enough, it becomes a sturdy.
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You cannot, the slip is not
there or you can slide, right.
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So I've asked my brush again,
get rid of all that extra paint.
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Clean it again like that.
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And I use a bit of pressure and blue
and create a kind of a happiest guy.
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He happiest guy me and
what my dream is here.
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That would be all full of trees.
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I wouldn't worry about, but
the you're paying more in
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order to understand it better.
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They often people telling
me why you buy the devils.
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You put all that paint on here.
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If you covered it up again.
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But I like to see, I like to see
in my mind the who from far have I
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come in clothes, the clothes, the
clothes, and you do it so fast.
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Why I worry?
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I don't lose any time.
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Z good.
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Clean the brush again.
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Make sure you have a dry brush?
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No, I think, but the, I wants
to have a mountain high up.
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And the trees all around this,
you're just an Albany in the forest
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and you look out there and you
see far by mountain scene there.
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And then the trees far have I come
closer, closer like a Valley and
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you see the T tops come forest, but
then some big trees in front and
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then it kind of avoid there far.
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Have I come?
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You all big, big, big, big, and
it gives you like a little, okay.
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Maybe in order to.
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Haven't been there.
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I put just a bit, but some of the
lots of it would be covered up
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just is the corner of the brush.
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You see?
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She has where the corner
of the brush all day long.
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That's about every shower.
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They're
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good.
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Clean your brush.
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God, I wish I, I wish I wish
you would learn creative power.
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If it isn't your mind, we have
the equipment and the know
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how to put it on the canvas.
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I think that is the wonderful thing.
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And you put on too fast.
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You do it instantly because there is
so much, you know, as long as you have
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to paint then to start drag and, and
when, when the painting start dragging.
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Then you lose the glory
and the hallelujah.
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And then I use go fishing home.
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If some paintings don't come
out the way I want, then I just
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said to my wife, forget it.
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I go fishing and that's good.
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At least I get after canvas.
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It got to be always fast,
fast, because then I'm fresh.
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I'm in the mood.
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I'm there.
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I, then that's what I
would like to show you.
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It was a time when people.
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Picked on me, especially on the shows in
Los Angeles, there was there that guy is
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knocking off his paintings, but when they
tried it themselves, that they learned,
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he needs a lot of time to learn that
knocking off a painting because you need
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the power, you need that on mighty, Oh,
you have that vibration, but you want to
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do that, you know, already, I, I prepare
myself for that beautiful, beautiful
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four by mountain in the sky there.
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And, and then, uh, And I
see it with such a glory.
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I, I enjoy myself by,
by just dang what I do.
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That's the nice part.
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Again, take a look here.
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How I put it?
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I put the block of white up here.
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It's not too much of mountain anyway.
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Uh, maybe not too much fun.
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Dyke Brown a little bit.
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And then when a Prussian blue and
alizarin Crimson does colors are
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just beautiful, beautiful colors.
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The, it has quite the distance.
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I will not be too hard on it.
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He turned it all over.
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Like I do here.
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The then, then you have a 3d mixed.
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All right, too.
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I think that's just the,
yeah, that would be wonderful.
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You can have it a little bit on the side.
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You don't see, it just depends
on what your, I, I bring it
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quite high up in my mind.
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High up the mountain.
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There, there the bed.
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Maybe he had peaks sticking out
there and then here up, up, up again,
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and then down here and see, make it
make an exciting, exciting mountain.
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Maybe here a little bit of a slow.
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Maybe he had a little bit up the, and
that would be most all I wants to show.
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hour, let us all around our, let
us all run out in your mind, see,
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create something really exciting,
create something real, really exciting.
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It kind of a mountain by
this, but it's like what?
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You really like yourself.
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If you like it yourself, if you
know your people are buying your
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paintings, they like it too.
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Okay.
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You hear me scrape and no paint, no paint.
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Do you know, I fired him and
guess like the mist disappear
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into yonder into nothing there.
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He let it go out there.
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That's good.
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Had the big trees where they have planted.
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They will all cover up that again.
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Good.
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So.
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We put the highlights on light.
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Maybe this time we let the light come
from this side, then, then we just run
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in the light from that side bit of red.
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Take a good look, how I've
taken off too much red already.
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You see, when you have to mix how
bad it is, then take and leave.
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Leave it on the side.
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The, we all make mistakes sometimes.
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It's better to have enough just to this.
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You don't lose too much
paint it just enough.
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That's good.
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Uh, side of the mountain.
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See how I hide my knife.
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He creates kind of a rim in front of.
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No for me, all of a
sudden a tune comes up.
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I hear melodies.
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I hit tunes.
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I, I becomes a happy by, I
think the I in my, in my mind,
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I walked through that forest.
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I'm walking through that forest.
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All of a sudden in a
beautiful look at that.
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Maybe here we put the bit life and that
one here, uh, maybe the shadow from this
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high mountain becomes a shadow there.
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Maybe let this pop up there again.
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The light have little
dry angles like that.
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The doctor brings it perspective.
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Watch, take it away.
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This particular shot here.
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Uh, the, I create kind of a
triangle here and that triangle
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makes it coming forwards.
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It's the optic illusion.
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We create those kind of illusions.
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You can make more triangles if
you want to see what it does.
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Can you see it?
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It brings it up.
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It brings it for vets.
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So, but as far by, I
wouldn't worry too much.
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I would put the little bit of
white and blue in the back.
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The divided duty again, have
a bit of a shot on this here,
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the white and blue alone.
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That's to blue, to blue bit
of move right into that.
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The how easy you can ground yourself.
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Now you see the, you see the power of
mixing on the canvas and not mixing on the
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palette makes you on the pallet is murder.
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But you have to make some time
it certain Carlos, there's nobody
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you can run away from that.
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Um, maybe here have a bit
of, uh, an, a beautiful look.
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How you, how you got that
mountain coming in life
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in between.
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If there's too much
pain done, take it off.
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Bring it over here.
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Even at the knife, look at
all the thousand details.
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It's one stroke and
that's a mighty stroke.
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Think about that one stroke.
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And as on mighty stroke, he
all does 5 cents strokes.
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They are not worth nothing.
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If you can live with that,
that's a good way of living.
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You're prosperous and you make
a happy buck and that's good.
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see here, I goofed it up.
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So I grew up with back any game.
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Ain't no problem.
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No problem.
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that's blue behind everywhere.
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You would think a little bit
of a blue invite here and
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then maybe here a little bit.
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Maybe he hadn't bothered Melinda's
bed, maybe hearing every bed.
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So I think they are in good shape.
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See, already that mountain is done.
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No, I use my big brush and I need
other light there because you
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know, we have lots of dark trees.
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What I want to do there.
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I use.
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White attach a Vite that can take
off what I got here already did
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this for the video, Fred, and maybe
a little touch of yellow in that.
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That is all I need.
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Now you can run up a little bit from here.
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You see it ties to kind
of a, uh, sweet tune.
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It puts a bit of a green in there.
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That's it?
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That is what you want to do.
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Good.
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See, now I talked about putting
the use your mountain colors.
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Now put more van Dyke Brown
into that passion blue.
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I live in Columbus and the potential
of yellow professional blue.
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Maybe that's that's the color ready?
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No.
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I've been paying the trees far
by far by three standing there.
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So you see the peak.
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See how I use my little brush botch
watch let's let's make you a chart here.
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Look, I take it off.
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So this, the brush is sharp,
dizzy, and it has two peaks, two
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sides, and those little peaks.
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Can you see what they're doing?
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They're giving you the, the peaks of
the, the, the, the trees in the mountain.
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You know, I pained us too,
because I lived there for me.
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It just, the next thing is
always, I paint that, but I, what
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I lived with, but I live fun.
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He see, and then fill in here.
247
00:14:06,660 --> 00:14:08,060
Is he always upstairs?
248
00:14:08,210 --> 00:14:09,590
Everything is standing up.
249
00:14:10,250 --> 00:14:11,120
Can you see that?
250
00:14:11,360 --> 00:14:16,040
Making sure this is obvious standing
up, it's standing up, standing up.
251
00:14:21,860 --> 00:14:26,450
he far away fuck my four way.
252
00:14:27,344 --> 00:14:32,744
You know, and then you come down
and when you come down again, watch
253
00:14:32,744 --> 00:14:37,814
this, it's all this old, nothing
into that, the out or nothing.
254
00:14:37,814 --> 00:14:39,074
I show you what I do here.
255
00:14:40,125 --> 00:14:43,265
I make, I make mist.
256
00:14:43,685 --> 00:14:47,104
I use white, even on my brush, watch this.
257
00:14:47,375 --> 00:14:51,574
The, I am, wants to have it
disappearing in yonder and into the.
258
00:14:52,035 --> 00:14:55,725
To the mist, let everything
dip it into the mist.
259
00:14:55,814 --> 00:14:57,875
Dan, there's a beautiful
painting coming out.
260
00:14:58,365 --> 00:15:02,655
The watch death, the Oh, uh,
nothing there, nothing there.
261
00:15:02,985 --> 00:15:07,415
And he leaves the peaks, but
more, more, vites watch this,
262
00:15:07,685 --> 00:15:09,905
watch this see more right there.
263
00:15:10,444 --> 00:15:11,675
More right there.
264
00:15:12,725 --> 00:15:12,995
Eh.
265
00:15:13,995 --> 00:15:14,895
No good.
266
00:15:15,675 --> 00:15:21,555
That's as far as my, as far as I think
I would start, you can make it further
267
00:15:21,555 --> 00:15:23,865
if you want to do the next step.
268
00:15:24,165 --> 00:15:26,205
That is the color I started off.
269
00:15:26,445 --> 00:15:31,355
Now I add a little bit more,
an Dyke Brown, bit more of an
270
00:15:31,365 --> 00:15:33,675
Dyke Brown, more of like Brown.
271
00:15:33,675 --> 00:15:34,785
No, actually.
272
00:15:35,805 --> 00:15:37,875
And right now, move on.
273
00:15:37,875 --> 00:15:41,505
Dyke Brown, leave it alone,
leave it just the same color.
274
00:15:41,505 --> 00:15:44,385
It's just more of a Dyke
Brown and you start off.
275
00:15:44,385 --> 00:15:47,505
All of a sudden here is
something coming down to her.
276
00:15:57,005 --> 00:15:59,075
do you learn something you learn?
277
00:15:59,135 --> 00:16:02,405
If I had left the same color down there.
278
00:16:02,985 --> 00:16:04,395
Doctor wouldn't show.
279
00:16:04,875 --> 00:16:07,995
See, I made it on purpose,
lighten or order to have that.
280
00:16:08,535 --> 00:16:11,444
And that is mother nature is the same way.
281
00:16:12,015 --> 00:16:20,535
Every time you think about the Valley,
think about mist, light smoke vibration.
282
00:16:21,405 --> 00:16:22,574
That is the violence.
283
00:16:22,605 --> 00:16:22,844
He, yes.
284
00:16:22,875 --> 00:16:24,255
Isaac goes into the Valley.
285
00:16:24,344 --> 00:16:26,235
So therefore I could pain.
286
00:16:26,505 --> 00:16:30,780
Uh, the same thing happened here.
287
00:16:30,780 --> 00:16:35,430
Again, I let that get lighter
and lighter light as gone.
288
00:16:35,670 --> 00:16:36,300
That's gone too.
289
00:16:36,300 --> 00:16:40,880
Now, when you come down and start moving
this spring, whisper just whisper.
290
00:16:40,910 --> 00:16:45,829
That's the whole thing D no, I
run it up from here to out of his
291
00:16:45,829 --> 00:16:49,850
eyes and they look at the trees
that are standing beautiful there.
292
00:16:52,635 --> 00:16:54,704
And here you can run it right up.
293
00:16:54,795 --> 00:16:58,094
Oh, the seed.
294
00:16:58,905 --> 00:17:01,545
That was that and that beautiful divine.
295
00:17:01,545 --> 00:17:04,935
You can dream the, I keep
that distance now again.
296
00:17:05,264 --> 00:17:10,935
And as you come down again, the, as
you come down, you meet, I make a nice,
297
00:17:10,935 --> 00:17:15,615
happy Valley there, Dawn and the vanity.
298
00:17:16,110 --> 00:17:23,300
Everybody's a little, you know, you hear
things you see, can you see already?
299
00:17:23,570 --> 00:17:31,460
How you, you, you, I, that is why
I I'm so happy because my paintings
300
00:17:31,550 --> 00:17:35,390
make me happy because I start singing.
301
00:17:35,420 --> 00:17:38,390
All of a sudden, I start,
I start, I don't know.
302
00:17:38,390 --> 00:17:41,900
I get too excited about what
I'm doing there because.
303
00:17:43,440 --> 00:17:48,120
I walk into that and I wish you
would see it that by two, because
304
00:17:48,330 --> 00:17:50,180
that is the title you paint.
305
00:17:50,300 --> 00:17:51,860
It is such an exciting time.
306
00:17:52,129 --> 00:17:56,150
I will close that Valley up there
because there will be more, more come.
307
00:17:56,600 --> 00:17:57,889
The, that just happened.
308
00:17:58,070 --> 00:18:03,020
That is a swing of whatever there,
but again, from now on when you
309
00:18:03,020 --> 00:18:08,435
are further, Let that get lighter
night light again, forget all that.
310
00:18:08,525 --> 00:18:12,635
Use your big brush again, and
the touch of white, the, and make
311
00:18:12,635 --> 00:18:14,465
sure you have lighter there again.
312
00:18:15,335 --> 00:18:18,485
See, this is a good lesson,
but I show you here.
313
00:18:19,175 --> 00:18:20,075
See, look at that.
314
00:18:20,315 --> 00:18:23,465
Look at that light disappeared and Yon.
315
00:18:23,535 --> 00:18:25,235
The leather appear nothing.
316
00:18:25,865 --> 00:18:29,975
No, that's good to see
the mist in the Valley.
317
00:18:30,630 --> 00:18:32,010
I missed in Nevada.
318
00:18:33,090 --> 00:18:34,680
Uh, isn't that beautiful?
319
00:18:35,480 --> 00:18:36,770
That's what I was mixed, the pain.
320
00:18:36,960 --> 00:18:38,730
I was an ode or nothing.
321
00:18:39,620 --> 00:18:43,250
And that feeling, you know,
sometimes when you can breeze, right?
322
00:18:43,560 --> 00:18:45,500
There's something wrong around you.
323
00:18:45,690 --> 00:18:48,140
And I feel obvious that
there's something wrong.
324
00:18:48,320 --> 00:18:49,460
He is nothing at all.
325
00:18:49,520 --> 00:18:53,630
It comes just order
Alexa, zoo power for feed.
326
00:18:53,630 --> 00:18:56,150
No, the same colors here.
327
00:18:56,360 --> 00:18:57,380
That was this.
328
00:18:59,430 --> 00:18:59,910
Passion.
329
00:19:03,320 --> 00:19:03,890
Can you imagine?
330
00:19:03,890 --> 00:19:04,940
I get stuck.
331
00:19:05,030 --> 00:19:07,490
I got stuck van Dyke Brown, mr.
332
00:19:07,490 --> 00:19:14,270
Dick van Dyke, you know, Dick van Dyke
when Dyke Brown, Dick van Dyke Brown.
333
00:19:14,630 --> 00:19:15,440
Okay.
334
00:19:16,910 --> 00:19:22,190
Again, the tune darker, even if you want,
you can add a bit of pressure and blue
335
00:19:22,190 --> 00:19:26,870
into that C and now I do the same thing.
336
00:19:28,380 --> 00:19:32,610
And cover up, but you don't like,
if you pain-free like I do here,
337
00:19:32,910 --> 00:19:36,480
if you paint a certain, certain
mountain, then you can do it.
338
00:19:36,900 --> 00:19:39,870
Maybe I just say it would be nice here.
339
00:19:40,140 --> 00:19:43,950
I mean, they start off there,
watch what's happening here.
340
00:20:01,530 --> 00:20:03,120
See what happened?
341
00:20:04,110 --> 00:20:06,900
You create a new beginning again, there.
342
00:20:16,655 --> 00:20:20,435
wonderful to, to come forward.
343
00:20:20,495 --> 00:20:24,024
As far as far as now, we've been showered.
344
00:20:24,024 --> 00:20:26,405
Just parts maybe here.
345
00:20:26,405 --> 00:20:31,625
I really bring out more because I
better come shoot with big, big trees.
346
00:20:42,090 --> 00:20:44,340
And you saw it was a good lesson.
347
00:20:44,490 --> 00:20:49,740
How I handled that paint first, I
had this color, then the same color.
348
00:20:49,740 --> 00:20:52,650
I added a little bit fun, like
Brown then had that color.
349
00:20:52,890 --> 00:20:55,140
Then I added van Dyke Brown at that color.
350
00:20:55,410 --> 00:21:00,510
And you see how I came forward
with good, good, good, good.
351
00:21:03,980 --> 00:21:04,240
yeah.
352
00:21:04,270 --> 00:21:09,530
Then you can form your own little voice,
whatever you, whatever you think you want
353
00:21:09,530 --> 00:21:12,080
to see, lots of that will be covered up.
354
00:21:12,560 --> 00:21:16,610
I concentrate on this more
or less than here now.
355
00:21:16,639 --> 00:21:21,620
I think I have reached that point
where I, where I maybe sometime
356
00:21:21,620 --> 00:21:24,560
a fan brush and mighty fan brush.
357
00:21:24,620 --> 00:21:24,800
And.
358
00:21:25,139 --> 00:21:27,689
And a touch of red and white.
359
00:21:27,750 --> 00:21:28,260
Take a look.
360
00:21:28,260 --> 00:21:29,280
How I do it here.
361
00:21:29,580 --> 00:21:32,250
Touch with red and white load.
362
00:21:32,399 --> 00:21:37,939
Your fan brush is loaded and sometime
it's good too, to have those.
363
00:21:38,000 --> 00:21:44,510
Upstrokes he kind of, uh,
three trunks in your mind.
364
00:21:45,110 --> 00:21:48,139
The, again, I will take it off like this.
365
00:21:48,705 --> 00:21:51,495
And then just upstrokes ZN butter.
366
00:21:51,504 --> 00:21:55,935
Does, can you see trees, tongues
here and that distance you don't see
367
00:21:55,965 --> 00:21:59,385
more or less nothing, but here in
this distance you see, or that the
368
00:21:59,385 --> 00:22:04,774
tree trunks there, and that's the
easier way of getting out of the end.
369
00:22:04,784 --> 00:22:10,215
Then you can stare cut the down
here with the same color, same
370
00:22:10,215 --> 00:22:16,335
paint, the, just let the X like the
branches in front, all of a sudden.
371
00:22:16,695 --> 00:22:18,825
And you show parts of the tree trunks.
372
00:22:19,575 --> 00:22:25,715
They hear where you come closer,
same color, leave it there.
373
00:22:25,775 --> 00:22:33,065
When Dyke Brown or a ton of Vandyke Brown,
passion blue, and the touch of yellow.
374
00:22:33,215 --> 00:22:35,014
I will take the yellow off.
375
00:22:35,585 --> 00:22:36,395
I very not.
376
00:22:36,815 --> 00:22:38,465
I take it off at the same brush.
377
00:22:39,705 --> 00:22:40,735
Then I ruined all that.
378
00:22:41,055 --> 00:22:42,765
I put some gala over here.
379
00:22:43,425 --> 00:22:48,495
You'll wonder where the yellow, when
it came over there, it came over there.
380
00:22:48,705 --> 00:22:53,295
They know, I add a bit of yellow
into the whole thing that gives me
381
00:22:53,415 --> 00:22:55,365
a little bit of a green there too.
382
00:22:55,415 --> 00:23:01,265
I'm and an arm is on fire
and mighty three up there.
383
00:23:05,840 --> 00:23:06,860
see what's happened though.
384
00:23:07,220 --> 00:23:08,659
How would that beautiful.
385
00:23:09,290 --> 00:23:14,030
That will be on the, that
will be shown the load.
386
00:23:14,360 --> 00:23:15,649
Look that brush.
387
00:23:16,070 --> 00:23:17,149
Let's talk about that.
388
00:23:17,149 --> 00:23:22,550
Now I get people ask me all this, how
the devil, they got those branches.
389
00:23:22,550 --> 00:23:23,120
So nice.
390
00:23:23,689 --> 00:23:25,610
My brush is noted.
391
00:23:25,730 --> 00:23:28,429
Can you see, can, can make it close.
392
00:23:28,550 --> 00:23:30,350
I hold it right here
in front of the pilot.
393
00:23:31,050 --> 00:23:33,270
It is just noted with pain.
394
00:23:33,510 --> 00:23:35,340
It ton of paint in my brush.
395
00:23:35,850 --> 00:23:39,570
The, and that is what makes
you, what makes you detailed?
396
00:23:40,920 --> 00:23:44,640
no good that all that the details
the branches are flying out.
397
00:23:44,880 --> 00:23:46,020
Isn't that beautiful.
398
00:23:46,050 --> 00:23:46,740
Look at that.
399
00:23:54,000 --> 00:23:54,720
Look at that.
400
00:23:57,195 --> 00:24:03,335
No, I covered all that up, except
I go from here, everyone from here.
401
00:24:04,265 --> 00:24:06,095
Can you see creative power?
402
00:24:07,505 --> 00:24:09,575
When you set yourself next to God?
403
00:24:10,235 --> 00:24:11,825
What a joy to be alive?
404
00:24:13,025 --> 00:24:15,455
Maybe I talked too much about
it, but I believe in it.
405
00:24:15,995 --> 00:24:19,745
I'm very successful with that
and I don't need any other help.
406
00:24:19,775 --> 00:24:23,915
That's the nice part
again, because I'm myself.
407
00:24:24,780 --> 00:24:28,110
And with God is far
better than with all that.
408
00:24:28,470 --> 00:24:29,730
I better not talk again.
409
00:24:30,090 --> 00:24:34,080
Cause I know I heard a lot of
people, they will not understand me.
410
00:24:34,080 --> 00:24:36,930
They have not learned
to, to be on their own.
411
00:24:40,740 --> 00:24:46,680
He look at that and
here I started singing.
412
00:24:47,250 --> 00:24:48,840
I started yodeling.
413
00:24:48,870 --> 00:24:50,640
I'm happy with myself.
414
00:24:52,425 --> 00:24:56,895
And the nice part is when you have
done the painting, you get paid
415
00:24:56,895 --> 00:25:00,075
for that, that's nice for everyone.
416
00:25:03,345 --> 00:25:08,655
So he tried to use those three colors
here, van Dyke, Brown, little bit
417
00:25:08,655 --> 00:25:13,695
of fresh and blue over here and
catch a yellow that gives you that
418
00:25:13,725 --> 00:25:15,735
extra little bit of a greenish tune.
419
00:25:16,635 --> 00:25:18,975
Well, it's very powerful, very powerful.
420
00:25:19,335 --> 00:25:23,895
The, you know, you can, you, it depends
on what she wants to cut off there.
421
00:25:24,315 --> 00:25:26,265
They, I can go out at the rain.
422
00:25:26,625 --> 00:25:27,075
Yes.
423
00:25:27,105 --> 00:25:32,975
They come with a very big tree and
they're no good that beautiful.
424
00:25:33,125 --> 00:25:35,345
Can you make a nice close up on this?
425
00:25:35,915 --> 00:25:37,355
The end, that beautiful.
426
00:25:37,355 --> 00:25:40,955
How loose, how breezy a
tree is standing there?
427
00:25:41,525 --> 00:25:45,215
I started working with a little brush
and fiddling and fiddling and fiddling.
428
00:25:45,795 --> 00:25:49,575
This is a joy to be alive and
see a painting ground like that.
429
00:25:54,825 --> 00:25:57,215
you wherever you need
the extra load up here.
430
00:25:57,215 --> 00:26:02,015
I like to let it disappear, but on top,
I wants to have it more open and free.
431
00:26:02,825 --> 00:26:04,085
See, there you are.
432
00:26:08,145 --> 00:26:14,315
No fires right into the bottom, whatever
there's fires right into to fill up the
433
00:26:14,315 --> 00:26:19,895
whole canvas because you need dark in
order to propane light, you need dark in
434
00:26:19,895 --> 00:26:24,034
order to paint light, let it all be done.
435
00:26:24,095 --> 00:26:24,395
Okay.
436
00:26:27,365 --> 00:26:29,855
Let us be dark in here.
437
00:26:29,885 --> 00:26:30,304
I would.
438
00:26:36,810 --> 00:26:37,919
He, how you cut it in.
439
00:26:50,490 --> 00:26:51,090
Oh, okay.
440
00:26:52,150 --> 00:26:52,240
Okay
441
00:26:57,980 --> 00:26:58,550
darker.
442
00:26:58,640 --> 00:27:01,250
You need a darker dark passion.
443
00:27:01,250 --> 00:27:02,690
Blue is happier a lot.
444
00:27:02,690 --> 00:27:04,190
Now van Dyke Brown.
445
00:27:04,460 --> 00:27:05,300
Look at this here.
446
00:27:06,020 --> 00:27:08,210
Passion blue and van Dyke Brown alone.
447
00:27:08,210 --> 00:27:09,050
Those two colors.
448
00:27:09,320 --> 00:27:12,290
See, you know, I got
this really dark again.
449
00:27:12,320 --> 00:27:15,650
Knowed your brush, flashing
blue and run Dyke Brown.
450
00:27:17,580 --> 00:27:19,590
If you have this kind of colors already.
451
00:27:20,220 --> 00:27:20,850
Beautiful.
452
00:27:22,230 --> 00:27:22,920
Very nice.
453
00:27:23,070 --> 00:27:23,760
Very nice.
454
00:27:24,870 --> 00:27:31,230
See now on this side and this side,
so I have to put more paint on you.
455
00:27:31,230 --> 00:27:34,740
Need a ton of paint to paint that way.
456
00:27:36,620 --> 00:27:40,010
Ain't no good that Oh man, in there.
457
00:27:46,310 --> 00:27:47,150
what I do.
458
00:27:47,210 --> 00:27:51,350
I would like to think that it's
the other side of the tree.
459
00:27:51,360 --> 00:27:53,510
See, that's the other side of the forest.
460
00:27:53,780 --> 00:27:57,890
Then I put the middle of trunks
and I put the branches in the front
461
00:27:58,160 --> 00:28:01,730
and I wants to believe the trees
become around, but there will be all
462
00:28:01,730 --> 00:28:03,500
the trees in front of those trees.
463
00:28:04,310 --> 00:28:06,170
The right now I only condition.
464
00:28:06,410 --> 00:28:08,450
I only condition my canvas.
465
00:28:09,135 --> 00:28:10,215
Do what I want.
466
00:28:19,205 --> 00:28:19,534
Go ahead.
467
00:28:19,865 --> 00:28:20,495
You here.
468
00:28:20,524 --> 00:28:21,754
Just don't worry there.
469
00:28:21,935 --> 00:28:25,625
This make it dark because you
wants to put the branches in front.
470
00:28:25,625 --> 00:28:28,534
You need a dock in order
to look into the forest.
471
00:28:28,564 --> 00:28:29,615
So there's no problem.
472
00:28:29,615 --> 00:28:31,264
There you need dr.
473
00:28:31,264 --> 00:28:31,955
Show delight.
474
00:28:32,044 --> 00:28:33,125
So I ever finished up.
475
00:28:33,750 --> 00:28:36,690
The other side, bring it
back to the same point.
476
00:28:37,020 --> 00:28:45,800
Maybe here I put the, uh, Oh, we
put the, I think this is still nice.
477
00:28:45,800 --> 00:28:48,500
Cause see, I always
have to make decisions.
478
00:28:48,500 --> 00:28:51,860
I wouldn't spoil this, but I
would like to start off there.
479
00:28:51,860 --> 00:28:54,380
Maybe let's start there.
480
00:29:06,000 --> 00:29:07,050
Okay.
481
00:29:10,340 --> 00:29:15,050
Oh God, it's nice to be life on the
canvas, you know, that's, that's it.
482
00:29:15,060 --> 00:29:19,270
I think that is what will make
you live long because you're still
483
00:29:19,280 --> 00:29:22,300
happier on your own bark and.
484
00:29:24,120 --> 00:29:25,410
And it's yours.
485
00:29:25,980 --> 00:29:28,950
I think every artist will
be happy to say, it's mine.
486
00:29:29,340 --> 00:29:30,780
Is this my work?
487
00:29:30,780 --> 00:29:31,770
Is this it?
488
00:29:31,770 --> 00:29:33,300
Did I live too?
489
00:29:33,690 --> 00:29:37,380
You see, I created that beautiful
board, whatever around here.
490
00:29:37,380 --> 00:29:39,330
And it was me, but did it.
491
00:29:39,390 --> 00:29:45,480
And if you can say that, I think it's a
beautiful vibe of living you're content.
492
00:29:45,480 --> 00:29:47,790
You're happy that you serve.
493
00:29:52,774 --> 00:29:54,284
Yeah, there you go.
494
00:29:54,695 --> 00:29:59,254
No, we will finish the middle part
because they have to go in before I go
495
00:29:59,254 --> 00:30:01,835
in further, I have to have that finish.
496
00:30:01,865 --> 00:30:04,865
Otherwise I, uh, next comes next.
497
00:30:05,105 --> 00:30:06,215
Next comes.
498
00:30:06,245 --> 00:30:06,905
Next.
499
00:30:07,504 --> 00:30:08,885
You see that?
500
00:30:08,915 --> 00:30:09,365
Is it?
501
00:30:09,455 --> 00:30:10,024
That is it.
502
00:30:10,605 --> 00:30:10,725
Okay.
503
00:30:18,345 --> 00:30:19,695
Look, watch the strokes.
504
00:30:19,725 --> 00:30:23,445
I just got tied all together.
505
00:30:24,045 --> 00:30:25,125
Tie it all together.
506
00:30:26,715 --> 00:30:31,035
See if I would the Z can
you see your hit watch here.
507
00:30:31,275 --> 00:30:34,785
If I hit the side there, it's
no good that you have to just
508
00:30:34,815 --> 00:30:37,035
finish it up before you go on.
509
00:30:37,905 --> 00:30:38,625
That's all.
510
00:30:38,625 --> 00:30:40,305
I wants to show anybody here.
511
00:30:40,800 --> 00:30:46,260
So make sure you have no paint
on, but have long, long lines
512
00:30:46,260 --> 00:30:49,320
running down, but no paint.
513
00:30:49,650 --> 00:30:52,410
If there's too much paint, you
can do what I show, you know,
514
00:30:55,020 --> 00:30:56,700
then you make your side strokes.
515
00:31:06,410 --> 00:31:07,460
No, you can.
516
00:31:08,355 --> 00:31:09,675
You can use your knife.
517
00:31:09,705 --> 00:31:12,195
If you want to, you can use a fan brush.
518
00:31:12,195 --> 00:31:12,975
If you want to.
519
00:31:13,155 --> 00:31:18,585
Maybe I show you with the fan brush,
any good art fan brush you create.
520
00:31:19,005 --> 00:31:20,235
I use watch it.
521
00:31:20,265 --> 00:31:21,825
Maybe you make a close up here too.
522
00:31:22,215 --> 00:31:24,195
I use this kind of a pain here.
523
00:31:24,555 --> 00:31:30,795
Was this on the pallet from the
mountains left and you use your height.
524
00:31:30,795 --> 00:31:33,975
You want to see, I would
say there's would be nice.
525
00:31:34,290 --> 00:31:34,440
Okay.
526
00:31:41,510 --> 00:31:45,410
And if you want, you can make
upstrokes little upstanding.
527
00:31:45,650 --> 00:31:46,850
You'll make it standing up.
528
00:31:47,150 --> 00:31:47,510
See,
529
00:31:53,480 --> 00:31:57,470
there you are, you could start off.
530
00:31:58,280 --> 00:31:58,370
Okay.
531
00:31:58,400 --> 00:32:03,050
But that becomes her own whatever you can
see wherever you were thinking, but, and.
532
00:32:04,679 --> 00:32:10,350
Use your big brush, again, your
big brush again and fire off.
533
00:32:10,350 --> 00:32:14,570
Like this is fire off like that.
534
00:32:16,669 --> 00:32:20,120
And he gave him a little
bit of that extra there.
535
00:32:20,870 --> 00:32:28,010
You know, you use your knife, you use
your knife, your mighty knife, and you
536
00:32:28,010 --> 00:32:30,949
create a kind of a shoreline there.
537
00:32:32,940 --> 00:32:36,180
See a happy little shoreline.
538
00:32:36,570 --> 00:32:39,510
Uh, my happy little shoreline.
539
00:32:40,970 --> 00:32:41,420
Yeah.
540
00:32:44,300 --> 00:32:45,379
Leaving his car hoof.
541
00:32:45,590 --> 00:32:49,250
He sometimes I like to come
make it a little Cove in there
542
00:32:49,670 --> 00:32:50,870
that becomes a good seller
543
00:32:54,080 --> 00:32:57,260
cause otherwise leaves that far by there.
544
00:32:57,530 --> 00:32:58,970
And then the next stroke.
545
00:32:59,475 --> 00:33:04,395
The next stroke would be a little
bit leave, leave that Cove in
546
00:33:04,395 --> 00:33:07,905
there, even come forward again.
547
00:33:09,735 --> 00:33:14,715
See, be very fussy with that
because this is the selling point.
548
00:33:15,195 --> 00:33:20,715
When you're you have it, you can
make a straight line, but it's
549
00:33:20,715 --> 00:33:22,335
not always the right thing to do.
550
00:33:22,395 --> 00:33:24,105
It's not always that I think to do.
551
00:33:27,180 --> 00:33:28,140
On certain spots.
552
00:33:28,140 --> 00:33:29,220
I'm very fussy.
553
00:33:36,320 --> 00:33:37,070
okay.
554
00:33:37,790 --> 00:33:39,110
Uh, okay.
555
00:33:39,290 --> 00:33:40,130
Okay.
556
00:33:41,630 --> 00:33:47,750
See, I come here a little bit in,
can you see that little Cove there?
557
00:33:48,170 --> 00:33:50,630
And it is kind of inviting thing.
558
00:33:50,630 --> 00:33:54,020
All of a sudden invites
you to be out there or.
559
00:33:55,304 --> 00:33:59,955
No, I think my other big brush and I
make some meaning with the corners.
560
00:34:00,014 --> 00:34:01,425
The here I pull.
561
00:34:01,575 --> 00:34:05,504
Can you see, I pull the lines
long here, do the same thing.
562
00:34:05,534 --> 00:34:08,505
Just a little, but it's
actually a hairline tach.
563
00:34:09,134 --> 00:34:12,884
Just the tip of the hair
tattoo and you see what I did.
564
00:34:13,004 --> 00:34:18,464
I buried myself a happy can you make a
nice close up on that happy little Cove?
565
00:34:18,824 --> 00:34:21,464
And I want you to think I'm happy there.
566
00:34:21,464 --> 00:34:22,605
I'm happy there.
567
00:34:22,904 --> 00:34:25,455
The, no, we can play with
a little bit of stuff.
568
00:34:25,475 --> 00:34:26,314
Sunshine.
569
00:34:26,645 --> 00:34:33,964
If you want to, if you want to be,
we can, we can, uh, let me see.
570
00:34:34,725 --> 00:34:36,194
The sun is coming from here.
571
00:34:36,344 --> 00:34:41,625
You can create, you can, if you want
to, let me show you something here,
572
00:34:42,134 --> 00:34:48,375
you, you, you, you can create the
kind of a Zen shine there on that
573
00:34:48,375 --> 00:34:55,665
side, the right and yellow and, and
the Tetra for red the, well, I would
574
00:34:55,665 --> 00:34:58,424
say I was on that field here then.
575
00:35:05,280 --> 00:35:07,460
see, maybe here,
576
00:35:10,760 --> 00:35:11,990
leave that in the dark.
577
00:35:12,080 --> 00:35:15,800
Leave that, let the light
hit it there a little bit.
578
00:35:16,730 --> 00:35:21,080
Again, let me put a bit more
power into that right now.
579
00:35:21,110 --> 00:35:21,890
I messed it up.
580
00:35:21,890 --> 00:35:22,160
My.
581
00:35:23,430 --> 00:35:27,560
Hands on my pad and I
have to clean it up death.
582
00:35:27,860 --> 00:35:32,780
He does sometime the problem when you
are so in it, you forget yourself.
583
00:35:32,780 --> 00:35:37,310
You are right living in the forest,
and then you gaps that are on things
584
00:35:37,310 --> 00:35:41,780
and articles on you have your hands
full of paint and garbage, and
585
00:35:41,780 --> 00:35:44,150
then it's time just clean it up.
586
00:35:44,180 --> 00:35:45,200
And don't be shy.
587
00:35:45,650 --> 00:35:49,520
It's bad as I have to do it
on TV, but it got to be done.
588
00:35:49,520 --> 00:35:51,650
You would have to do
at home too sometimes.
589
00:35:52,020 --> 00:35:55,740
Because it's just a
matter of via painting.
590
00:35:55,740 --> 00:35:56,009
We are.
591
00:35:56,029 --> 00:35:59,040
Can be no, again, thank the
light's coming from here.
592
00:36:00,209 --> 00:36:01,910
This is obviously shadow side.
593
00:36:02,000 --> 00:36:03,230
This is the light side.
594
00:36:03,230 --> 00:36:08,149
Then you create some time, a little bit
of a watch and a little bit of a light
595
00:36:08,270 --> 00:36:12,200
light attached there, maybe here too.
596
00:36:13,910 --> 00:36:15,290
And just leave it like that.
597
00:36:16,160 --> 00:36:18,529
You don't have to go on
everywhere because you.
598
00:36:19,170 --> 00:36:23,339
You have clouds or some clouds in
the sky, but cover, but let's have a
599
00:36:23,339 --> 00:36:25,290
little bit of sunshine on this side.
600
00:36:26,160 --> 00:36:30,270
That's just diabetic and it's
actually on mighty distance.
601
00:36:31,560 --> 00:36:32,310
Can you see it?
602
00:36:33,540 --> 00:36:36,509
If you want, you can have it
here, but light and light.
603
00:36:36,930 --> 00:36:40,020
I wish you would not do it because
light and light is nothing.
604
00:36:40,110 --> 00:36:40,560
Nothing.
605
00:36:40,814 --> 00:36:45,075
So you have nothing there, even
if it does get loo it is light and
606
00:36:45,075 --> 00:36:47,984
light and the dark here is fine.
607
00:36:47,984 --> 00:36:49,814
You can already get the vibe with that.
608
00:36:50,504 --> 00:36:53,294
The, this dream, if I
let the light hit that.
609
00:36:54,835 --> 00:36:55,924
Okay.
610
00:36:56,314 --> 00:37:01,535
No, put the middle line into the trees.
611
00:37:01,805 --> 00:37:03,575
I would put the tree trunk.
612
00:37:03,575 --> 00:37:08,915
And you remember, we talked to the,
how I got the tree trunk in there.
613
00:37:09,420 --> 00:37:11,700
He can't do it all the way
through if you want to.
614
00:37:12,150 --> 00:37:12,960
But I really do.
615
00:37:12,960 --> 00:37:18,230
I plow to that is he, my
knife works like a plow.
616
00:37:18,560 --> 00:37:21,380
It plows, and the canvas is shown there.
617
00:37:22,340 --> 00:37:24,200
See, I take the paint device.
618
00:37:24,620 --> 00:37:29,330
I have a little bit of, uh, of, uh,
even when, when I texted the canvas,
619
00:37:29,330 --> 00:37:30,860
how about we make it close up here?
620
00:37:31,220 --> 00:37:32,330
I don't have it straight.
621
00:37:32,340 --> 00:37:34,220
I have it just a bit on the land.
622
00:37:34,730 --> 00:37:36,390
So like a plow and I still.
623
00:37:36,795 --> 00:37:37,424
Pilot up.
624
00:37:37,545 --> 00:37:41,805
I don't go along with my knife, my knife
with obvious pulley to wants to plow.
625
00:37:41,805 --> 00:37:45,075
And, but I push it with power up.
626
00:37:45,075 --> 00:37:46,575
Does the street this way?
627
00:37:46,625 --> 00:37:48,125
You got the paint divide there.
628
00:37:48,725 --> 00:37:49,805
You see here too.
629
00:37:51,465 --> 00:37:54,825
And I hit it off, dead
on that Taz to be Praxis.
630
00:37:55,125 --> 00:37:57,735
The, we would add the
little things lid on.
631
00:37:58,005 --> 00:38:00,135
Then here you have all
the three standing there.
632
00:38:00,315 --> 00:38:02,445
Here you have all the
three standing there.
633
00:38:02,685 --> 00:38:03,985
Then here gather other trees.
634
00:38:04,035 --> 00:38:09,375
And then there's maybe other
three this by the, to work in
635
00:38:09,375 --> 00:38:11,665
Lauder, three trunks there.
636
00:38:12,645 --> 00:38:18,525
Then Dan here, see, look at that.
637
00:38:20,535 --> 00:38:23,085
Joy to be alive on your own canvas?
638
00:38:23,445 --> 00:38:26,565
No, I will use a touch
of what I have here.
639
00:38:26,775 --> 00:38:30,045
Yellow and light is coming from this side.
640
00:38:31,845 --> 00:38:33,885
Always smash where the
light is coming from.
641
00:38:34,385 --> 00:38:37,595
Edward B maybe a little bit
of a light heading there.
642
00:38:38,885 --> 00:38:40,295
They had the, there
643
00:38:45,965 --> 00:38:46,325
E.
644
00:38:47,654 --> 00:38:53,174
Maybe he is, you put a little
bit of her lights on and then bed
645
00:39:03,935 --> 00:39:05,435
the product with light and shadow.
646
00:39:05,565 --> 00:39:07,745
Always think the light
is coming from this side.
647
00:39:08,134 --> 00:39:11,345
No, I put my three trunks in
and I have to highlight that
648
00:39:11,615 --> 00:39:13,654
our bias from the light side.
649
00:39:14,295 --> 00:39:17,384
If, if there would be any light
coming down as will be always
650
00:39:17,384 --> 00:39:20,085
from, from that side is same here.
651
00:39:20,145 --> 00:39:22,265
You see same here.
652
00:39:24,485 --> 00:39:25,325
Okay.
653
00:39:26,495 --> 00:39:28,295
Yeah, you are there you, yeah,
654
00:39:36,634 --> 00:39:42,964
don't worry about going overboard here or
there because then you, you, again, I use.
655
00:39:43,305 --> 00:39:44,384
That paint.
656
00:39:44,774 --> 00:39:50,415
I have a dirty brush and he was
yellow and the gala turns green
657
00:39:50,415 --> 00:39:51,734
because I have blue in that.
658
00:39:51,795 --> 00:39:54,705
And when like Brown and
it gives me a happy green.
659
00:39:54,734 --> 00:39:59,444
Can you see how I take it off that
big brush is loaded all of a sudden
660
00:39:59,774 --> 00:40:01,365
with the other kind of a pain.
661
00:40:01,935 --> 00:40:03,075
No I ever fire.
662
00:40:03,075 --> 00:40:04,785
And maybe start off here.
663
00:40:05,415 --> 00:40:06,254
They look at that.
664
00:40:15,055 --> 00:40:17,214
Again, you was the same thing.
665
00:40:17,265 --> 00:40:19,625
Repeated, just load the brush.
666
00:40:19,865 --> 00:40:21,424
The brush got to below that.
667
00:40:32,855 --> 00:40:36,065
they dabbled here and there and
there, wherever you think you
668
00:40:36,065 --> 00:40:39,185
need some branches, this is the
branch branches coming forwards.
669
00:40:39,605 --> 00:40:44,315
You see, before we painted the other
side and we paint the middle and now
670
00:40:44,315 --> 00:40:46,595
I paint the branches coming forward.
671
00:40:49,770 --> 00:40:53,700
You cover up lots of a
tree trunk here and there
672
00:41:03,590 --> 00:41:08,720
same on this side for the
tree trunk and their yard.
673
00:41:08,750 --> 00:41:09,320
Look at that.
674
00:41:09,830 --> 00:41:11,390
How easy it is to do that.
675
00:41:11,665 --> 00:41:11,855
Okay.
676
00:41:14,855 --> 00:41:23,375
No, your highlights again, wherever
your dank, your needs, um, highlight
677
00:41:23,495 --> 00:41:27,905
the there's all these branches
covering up the tree trunk and there
678
00:41:27,905 --> 00:41:31,835
are openings and you create the
openings and that makes it so nice.
679
00:41:34,385 --> 00:41:40,685
Me and again, he used the, the green.
680
00:41:42,690 --> 00:41:45,150
And now I, that was a bit too tic there.
681
00:41:45,360 --> 00:41:49,710
So I, I just covered up, you
cover up things you think they
682
00:41:49,710 --> 00:41:51,570
should, they should be covered up.
683
00:41:55,080 --> 00:41:56,340
Good, good, good.
684
00:41:56,790 --> 00:42:02,370
The now the next step is I
will put sunshine on, I use
685
00:42:02,370 --> 00:42:04,290
the other brush because.
686
00:42:08,405 --> 00:42:12,245
if I bumped that out and I need the
same paint, I lose too much paint.
687
00:42:12,485 --> 00:42:16,025
I use a second brush with
the white and yellow.
688
00:42:16,715 --> 00:42:18,845
See, now I got three days of sunshine.
689
00:42:19,445 --> 00:42:19,835
Right.
690
00:42:19,835 --> 00:42:24,275
And get a little touch of Fred,
every little touch of red into that.
691
00:42:25,205 --> 00:42:26,615
See, you know, watch this.
692
00:42:27,275 --> 00:42:28,565
I know I fired.
693
00:42:28,565 --> 00:42:31,385
And the sunshine there.
694
00:42:35,419 --> 00:42:38,750
And maybe let it disappear on the
bottom because there are other
695
00:42:38,750 --> 00:42:42,560
tees around and the sun wouldn't
go through on the uncertain spots.
696
00:42:42,560 --> 00:42:46,310
It's just one spot like there,
these certain spots you pick
697
00:42:46,310 --> 00:42:52,040
up again, the same thing.
698
00:42:56,299 --> 00:42:58,279
Oh, the sun is hanging in that tree.
699
00:43:04,740 --> 00:43:05,310
SI.
700
00:43:05,810 --> 00:43:06,710
Beautiful.
701
00:43:07,339 --> 00:43:12,500
And again, and again and
again and again and again.
702
00:43:15,740 --> 00:43:16,080
Okay.
703
00:43:16,089 --> 00:43:18,500
That and, but nice branches.
704
00:43:18,830 --> 00:43:20,299
You fired him out.
705
00:43:20,750 --> 00:43:27,020
Do you see all the little here T here?
706
00:43:27,049 --> 00:43:27,350
Yeah.
707
00:43:28,380 --> 00:43:33,990
You have a nice, happy to little
tree wants to grow out of that.
708
00:43:34,590 --> 00:43:36,150
Makes it very, very nice.
709
00:43:37,740 --> 00:43:41,400
Keep it dark on the bottom because
every show you what we do more dare.
710
00:43:41,850 --> 00:43:43,080
Keep it dark on the bottom.
711
00:43:47,000 --> 00:43:49,730
No, we will lighten up this one here.
712
00:43:50,600 --> 00:43:52,580
I will make a chart first.
713
00:43:53,090 --> 00:43:56,060
The, because I would like to
bring it out a bit better.
714
00:44:08,254 --> 00:44:13,174
leave it dark in between, but
then look at this, the how nice
715
00:44:13,174 --> 00:44:15,604
you shoot out the branches there.
716
00:44:18,875 --> 00:44:18,964
Okay.
717
00:44:19,205 --> 00:44:20,404
Hey, that's nice.
718
00:44:20,404 --> 00:44:21,245
That's really nice.
719
00:44:22,205 --> 00:44:23,044
Okay.
720
00:44:23,134 --> 00:44:23,884
Okay.
721
00:44:28,500 --> 00:44:33,020
So here, here, the, that, you
know, here is something happened,
722
00:44:33,439 --> 00:44:35,060
what will be happening to you too?
723
00:44:35,240 --> 00:44:39,500
Sometimes to have so much paint in
the middle of the brush, just to
724
00:44:39,500 --> 00:44:41,660
brush don't act that tall anymore.
725
00:44:42,180 --> 00:44:43,310
That brush becomes.
726
00:44:43,950 --> 00:44:46,470
Dead, just so dry and too much paint.
727
00:44:46,470 --> 00:44:49,080
And what I do, then I wash it all out.
728
00:44:49,170 --> 00:44:53,160
I start from scratch and use the
looseness of the hair again in
729
00:44:53,160 --> 00:44:58,860
order to do create branches D
there was a good last night thing.
730
00:44:59,010 --> 00:45:03,330
The, my brush became free again with
all that clumsy paint in the Madrid.
731
00:45:03,600 --> 00:45:06,900
And now I can start making
dark branches again,
732
00:45:10,690 --> 00:45:12,230
here against that light.
733
00:45:12,500 --> 00:45:13,040
Watch this.
734
00:45:14,700 --> 00:45:15,060
See,
735
00:45:18,420 --> 00:45:20,759
damn, I covered it all up nicely.
736
00:45:24,049 --> 00:45:25,340
Here's the same thing.
737
00:45:25,759 --> 00:45:28,009
The show, what he wants to show.
738
00:45:28,279 --> 00:45:30,290
I maybe come around like this,
739
00:45:34,040 --> 00:45:35,660
the air that makes it beautiful.
740
00:45:37,200 --> 00:45:38,910
The you bring it out sodas.
741
00:45:39,060 --> 00:45:41,640
Can you make a nice close
up on that particular spot?
742
00:45:42,090 --> 00:45:44,670
Leave it against that voter loose too.
743
00:45:44,680 --> 00:45:45,150
Good.
744
00:45:45,360 --> 00:45:50,670
See, I make a branches hanging over
there and you fire up on top here.
745
00:45:51,270 --> 00:45:54,720
See, I wants to make it more dark
again, back whatever I can, because I
746
00:45:54,720 --> 00:45:56,340
would like to do something I'll stare.
747
00:45:57,810 --> 00:45:58,110
See?
748
00:45:58,230 --> 00:46:02,310
No, I wants to make water out
of that here on the bottom.
749
00:46:03,390 --> 00:46:04,590
See how the water's coming.
750
00:46:05,160 --> 00:46:09,900
How easy and the minute they have all
that bought in again and nice long lines.
751
00:46:10,050 --> 00:46:11,700
Turn the brush over this way.
752
00:46:11,970 --> 00:46:13,530
This you don't have too much paint.
753
00:46:22,250 --> 00:46:25,640
see know you just go on, make water there.
754
00:46:30,050 --> 00:46:30,770
beautiful.
755
00:46:30,980 --> 00:46:31,460
Nice.
756
00:46:31,910 --> 00:46:32,450
Very nice.
757
00:46:32,810 --> 00:46:34,070
No, I will.
758
00:46:34,160 --> 00:46:34,910
I will.
759
00:46:35,930 --> 00:46:40,340
I will watch this may touch of red maybe.
760
00:46:40,850 --> 00:46:42,320
And the brush is loaded.
761
00:46:42,770 --> 00:46:47,450
The brush is loaded against
all that against all that.
762
00:46:47,930 --> 00:46:51,170
Look at the looseness of, of
this shrub I put in there.
763
00:46:55,655 --> 00:46:56,315
can you see it?
764
00:46:56,915 --> 00:46:59,555
See, but leave it light here
and leave it dark there.
765
00:47:00,155 --> 00:47:01,325
Cause against the light.
766
00:47:01,565 --> 00:47:04,175
So that's sometime it just
you're you're trapped.
767
00:47:04,565 --> 00:47:08,285
And I, I usually made the mistake
by putting, see, watch if I got
768
00:47:08,285 --> 00:47:12,635
this a little bit over here, but
very, very light, very, very light.
769
00:47:13,115 --> 00:47:14,675
And leave that dark there.
770
00:47:15,005 --> 00:47:15,905
Like this is it.
771
00:47:16,725 --> 00:47:19,695
Brushes that does branches
they're hanging over.
772
00:47:19,965 --> 00:47:21,735
So you can have it running on there.
773
00:47:21,765 --> 00:47:28,665
And the against a dark delight can see
light against dark, dark against light.
774
00:47:28,935 --> 00:47:29,925
There's beautiful.
775
00:47:29,925 --> 00:47:34,125
You know, it gives you a beautiful
feeling to, to have that all hanging
776
00:47:34,125 --> 00:47:38,255
over and that you see sometime that
kind of, uh, thinking like that.
777
00:47:39,635 --> 00:47:43,145
See, that's a good lesson.
778
00:47:45,975 --> 00:47:49,895
The the, can you see if you
make, I wish the, can you make
779
00:47:49,895 --> 00:47:51,515
a nice close up on all that?
780
00:47:51,725 --> 00:47:52,925
Does they see this?
781
00:47:52,925 --> 00:47:57,785
You people out there see all the
beautiful details and it can be only
782
00:47:57,785 --> 00:48:02,735
done with a certain pain, but the certain
thickness, if it's too thin, it blobs.
783
00:48:02,795 --> 00:48:06,545
If it's too thick, you get nowhere
you saw, I showed you a brush Russ.
784
00:48:06,785 --> 00:48:10,835
So blah zoo tickled already
this, I had to wash it out and
785
00:48:10,835 --> 00:48:12,455
you will run into all of that.
786
00:48:13,319 --> 00:48:15,360
Yeah, I just show you
what can be happening.
787
00:48:15,360 --> 00:48:18,779
And then it is a good lesson and
you really can live with that.
788
00:48:20,790 --> 00:48:21,240
Okay.
789
00:48:21,240 --> 00:48:21,660
Again.
790
00:48:22,095 --> 00:48:25,635
Hang it over, you know, I
used to fish under squeaks.
791
00:48:25,845 --> 00:48:30,165
You come out behind there and
you draw the line over the Bush.
792
00:48:30,345 --> 00:48:35,265
And sometime that you got the fish
online and that lousy fish went back and
793
00:48:35,265 --> 00:48:39,105
they were stuck with all the branches
and then you take your pants off and
794
00:48:39,105 --> 00:48:43,545
all of a sudden end, you got to get
the line free, but that's happened.
795
00:48:43,545 --> 00:48:45,135
That's a fishermen story.
796
00:48:46,685 --> 00:48:49,715
And that makes it nice to
live with mother nature there.
797
00:48:53,100 --> 00:48:55,590
Maybe we can create two parts.
798
00:48:55,830 --> 00:48:58,980
I will create kind of a opening here.
799
00:48:59,430 --> 00:49:05,970
See maybe here we can still see, we
can still see the shoreline there and
800
00:49:05,970 --> 00:49:08,040
it disappears here is hanging over.
801
00:49:08,280 --> 00:49:09,780
How about we do it like that?
802
00:49:09,990 --> 00:49:12,870
Then you have boats, vice of thanking.
803
00:49:15,000 --> 00:49:15,630
like this.
804
00:49:17,190 --> 00:49:21,420
But you see, I used a bit of blue
into that because it's a shadow
805
00:49:21,629 --> 00:49:23,670
that the sun is from this side.
806
00:49:23,819 --> 00:49:26,220
I could not use the light colors there.
807
00:49:26,730 --> 00:49:31,980
I use light color stare because I want
you to think in between it's the sun
808
00:49:31,980 --> 00:49:38,120
going through and that, that would
lift it up like that, that right.
809
00:49:38,120 --> 00:49:39,710
Is right and wrong is wrong.
810
00:49:41,280 --> 00:49:45,870
and if you want, you can use the fan brush
and around, around the long lines up.
811
00:49:46,200 --> 00:49:48,690
Can you see what it does then?
812
00:49:48,690 --> 00:49:54,720
Then let it disappear underneath that
this is from there on, is hanging over and
813
00:49:54,720 --> 00:49:56,970
that gives you a good, good lesson there.
814
00:49:57,720 --> 00:49:58,050
Maybe.
815
00:49:58,050 --> 00:50:02,850
Now I go and show you really finish
it up completely like the dust
816
00:50:02,850 --> 00:50:04,470
branches they're hanging over here.
817
00:50:05,070 --> 00:50:05,340
See.
818
00:50:09,645 --> 00:50:10,305
It just happened.
819
00:50:10,305 --> 00:50:12,915
There's a tree with the
branches hanging over.
820
00:50:13,185 --> 00:50:17,445
And then here, here, you can
see the day you could walk maybe
821
00:50:17,445 --> 00:50:19,185
around here onto the Creek.
822
00:50:20,384 --> 00:50:24,015
And I believe that's a beautiful
lesson here, but like we showed you.
823
00:50:24,884 --> 00:50:25,365
Okay.
824
00:50:25,485 --> 00:50:27,015
I ever called that side.
825
00:50:27,375 --> 00:50:28,035
No.
826
00:50:28,035 --> 00:50:28,875
Yeah, you can call.
827
00:50:28,904 --> 00:50:30,165
It's finished if you want.
828
00:50:30,404 --> 00:50:34,965
If you want, you can
put the snagging there.
829
00:50:35,325 --> 00:50:39,645
These sometime, I, I feel that
there's a big tree standing there.
830
00:50:40,274 --> 00:50:41,745
See a rotten
831
00:50:47,765 --> 00:50:49,504
You can put that in some time.
832
00:50:49,835 --> 00:50:55,055
If you want to dishonest coming
from this side, sun is coming, you
833
00:50:55,055 --> 00:50:59,645
know, where the sun is coming from
this side, and maybe, maybe you show
834
00:50:59,645 --> 00:51:01,384
a little bit of an insight there.
835
00:51:02,134 --> 00:51:03,875
It's a rotten piece of wood.
836
00:51:04,455 --> 00:51:08,625
See that shows you that broke survive.
837
00:51:09,015 --> 00:51:12,885
Time came where it broke by
as just sticking out there.
838
00:51:13,305 --> 00:51:18,045
And then you create a little bit
of a bark feeling, bark feeling
839
00:51:25,115 --> 00:51:25,625
too much.
840
00:51:25,685 --> 00:51:26,645
It's too much.
841
00:51:26,995 --> 00:51:28,445
You could take it off again.
842
00:51:28,475 --> 00:51:31,865
If you feed sometimes your knife,
doesn't cooperate with you.
843
00:51:32,265 --> 00:51:36,375
You just take it off and, and then put
the other side, a little bit of alizarin.
844
00:51:36,375 --> 00:51:38,715
Crimson is a nice burning color.
845
00:51:38,715 --> 00:51:41,415
I could see this as a bit of a red color.
846
00:51:41,475 --> 00:51:47,865
The Alison Crimson's have a
nicer, nicer, three feeling.
847
00:51:47,924 --> 00:51:52,634
Maybe here the line, uh, here,
maybe heal up a little bit.
848
00:51:54,225 --> 00:51:54,765
Yeah.
849
00:51:54,775 --> 00:51:55,215
You see.
850
00:51:55,820 --> 00:51:58,560
That becomes a happy little insight there.
851
00:51:58,740 --> 00:52:02,160
Sometimes you put it in the roof,
sticking out like a house in the back.
852
00:52:02,420 --> 00:52:05,150
It depends on what he wants to
create, what he wants to put in.
853
00:52:05,660 --> 00:52:06,170
All right.
854
00:52:06,230 --> 00:52:10,460
Let me finish up this side,
this side and this side here.
855
00:52:10,460 --> 00:52:13,610
I think I will do it this
way because it's news to me.
856
00:52:13,610 --> 00:52:15,890
I need to have in there.
857
00:52:15,890 --> 00:52:17,480
I would like to walk in there.
858
00:52:18,620 --> 00:52:19,520
I need that.
859
00:52:19,730 --> 00:52:21,020
See you are the artist.
860
00:52:21,020 --> 00:52:21,890
You are the creator.
861
00:52:21,890 --> 00:52:22,940
You're next to God.
862
00:52:24,660 --> 00:52:30,000
And I was on, I needed that and to
go on the, on that stream and draw
863
00:52:30,000 --> 00:52:33,870
my line in to the other side, that's
like a little Creek, like a Creek
864
00:52:33,870 --> 00:52:35,580
coming out and one in wherever.
865
00:52:35,580 --> 00:52:40,520
And then Chris, big leaks and
whatever, whatever, whatever, whatever.
866
00:52:42,380 --> 00:52:43,070
All right.
867
00:52:43,580 --> 00:52:48,080
So no, I just create the
kind of a dark tree there.
868
00:52:51,945 --> 00:52:57,315
Power for power for her passion blues.
869
00:52:57,345 --> 00:53:00,884
You remember, we want to talk
here then that he was passing blue
870
00:53:01,634 --> 00:53:03,404
and attach your phone dies Brown.
871
00:53:04,035 --> 00:53:10,185
And I got this going like this,
and I really, I have two brushes.
872
00:53:10,335 --> 00:53:12,735
Obviously take a look
here and light brushing.
873
00:53:12,735 --> 00:53:14,505
The dark was always handy in my hands.
874
00:53:15,194 --> 00:53:16,125
There shouldn't be in that.
875
00:53:16,125 --> 00:53:19,065
There should be like that, but
sometime I don't know why the devil,
876
00:53:19,065 --> 00:53:21,045
I hired him underneath my hands.
877
00:53:21,345 --> 00:53:27,254
And then I can write about a fire with
a light brush and I need maybe here
878
00:53:27,254 --> 00:53:30,134
a little bit of a beginning there.
879
00:53:35,254 --> 00:53:35,765
SI.
880
00:53:36,154 --> 00:53:42,725
Then I need, I need, I need,
I need here on mighty push.
881
00:53:45,525 --> 00:53:47,525
But beautiful loose.
882
00:53:47,765 --> 00:53:49,325
Don't make blocks now.
883
00:53:49,355 --> 00:53:51,395
Blobs, no blobs.
884
00:53:52,025 --> 00:53:55,535
So the it, then the paint
sticks on the Dicker paint.
885
00:53:55,655 --> 00:53:58,595
I feel all of a sudden it
gets quite tough on me.
886
00:53:58,895 --> 00:54:01,025
It is not doing too good.
887
00:54:01,325 --> 00:54:02,285
Then I will.
888
00:54:02,345 --> 00:54:05,285
I very put a bit of magic
right into that here.
889
00:54:05,285 --> 00:54:07,295
I need a little bit of a tree trunk shown.
890
00:54:08,045 --> 00:54:11,615
That would be nice if I have other
ones and maybe other one there.
891
00:54:12,629 --> 00:54:14,879
See like that?
892
00:54:15,470 --> 00:54:20,720
No, I go into the magic fight
and then it up a little bit.
893
00:54:21,020 --> 00:54:23,660
And no, you will see what's happened.
894
00:54:24,919 --> 00:54:25,399
Yeah.
895
00:54:25,419 --> 00:54:28,189
Wherever you are mighty on mighty
896
00:54:35,299 --> 00:54:36,470
and it's nice and loose.
897
00:54:36,710 --> 00:54:37,850
It's nothing blocking.
898
00:54:38,120 --> 00:54:38,990
That's what it is.
899
00:54:39,379 --> 00:54:40,759
That's what makes it so nice.
900
00:54:41,384 --> 00:54:45,254
Yeah, no, I will have a couple of Z.
901
00:54:45,265 --> 00:54:50,625
What happened there, don't be shy
fire and even hear a little bit of a
902
00:54:57,705 --> 00:55:03,075
C even if you touch a little bit of
right into that bit of right into that.
903
00:55:07,575 --> 00:55:10,115
And then all of a sudden you get.
904
00:55:13,290 --> 00:55:18,379
do you want us to run there in
that then I have, then you come out
905
00:55:18,379 --> 00:55:22,490
here, you come up there and you won.
906
00:55:23,240 --> 00:55:29,629
You won long that beer, the father
water there, the nice to create in
907
00:55:29,629 --> 00:55:33,770
that direction viewed for beautiful.
908
00:55:35,810 --> 00:55:38,750
And then you start singing
and you start this lane.
909
00:55:39,464 --> 00:55:42,435
And you are so happy out here.
910
00:55:46,504 --> 00:55:52,174
He maybe here, we gave him a couple
of extra shots on this side here.
911
00:55:58,444 --> 00:55:58,835
Yeah.
912
00:55:58,895 --> 00:55:59,345
You are.
913
00:56:01,355 --> 00:56:05,015
Maybe hear a little bit just to
break up the long lines, then
914
00:56:05,015 --> 00:56:06,815
you check it out here and there.
915
00:56:07,285 --> 00:56:10,665
But whether you think the lines
became too long, you see too much of
916
00:56:10,665 --> 00:56:15,225
the tree trunks, then you just break
it up and the painting is finished.
917
00:56:15,435 --> 00:56:17,595
You see, then take me too long.
918
00:56:17,595 --> 00:56:21,345
And I was all excited and
I bet you was excited too.
919
00:56:21,645 --> 00:56:23,115
I thank you for watching me.
920
00:56:23,145 --> 00:56:23,715
Bye bye.
End .srt file.
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