Sunday, December 13, 2020

S08E02 Del's Pond - AVAILABLE

Bill Alexander's
The Magic of Oil Painting

Season 8, Episode 2, Del's Pond - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

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There's well, there's much.

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Benny way.

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Blue Kenny's either.

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God is guided white blue sky.

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You got to get into that

amazing mood without it.

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I shouldn't be even on that camera.

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And it was you, you, people called me

back in and that makes me doubly happy.

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You know, I thought I'm already finished,

but all the time phones are ringing.

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We get mailed home.

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Why are you going to get back on TV again?

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So I feel very honored about that.

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Therefore, I have to really be good.

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Thank you for doing that.

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So now I try to make a new show and

I tried to get a little bit on the

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abstract side because we have so many

artists and most of them I trained

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and very proud of, but, uh, two,

and it's obviously the same thing.

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Let me use the knife

to do as much as I can.

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So I think about the green, green

grass of home, you know, you have to

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really make a story up in your mind and

I'm Lord the whole story I like in my

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mind, I see beautiful green leaf trees.

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There will be not one 43.

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I paint a lot of forties because I

live in the 40 country, a country.

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And I will have big, big leaf

trees flexing in the water and a

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bit of land front and they will

have done it all with the knife.

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Okay.

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We put that on my team.

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Magic vitamins.

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You hear me saying again

that on mighty magic, right?

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I wish you would think about that too,

because we all need the encouragement.

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We are need that because as more

as I am bobbing myself up as

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better, that painting will be.

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I can go on that painting very miserably

and it would be a misery painting

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and it really hang on your voice and

will cry on your shoulder all day.

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Tiny and you will not like that.

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I think we all like to see happy D happy

beginning of a D the sparks are flying.

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The birds are singing

and the sun does shine.

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Even if the sun doesn't

shine, you make it shine.

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So that's good.

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Too much magic by it is not good.

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So I cut it down as much as possible.

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So I do this with the

brush because it gets it.

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Works faster.

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I wash my brush, paint dinner,

you know, this whole deal.

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Anyway.

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Make sure, yeah.

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I have a dry brush now.

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I got my palette.

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I can put the paint on already.

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Can you see what's on this?

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Take a piano from light

into the dark and zap green.

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I put in the meter.

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I will put the happy little

bit of a blue sky on this time.

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Stop.

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From the top Taylor blue.

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Oh, it's a nice, it's a nice blue.

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I, it in her, in.

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But you see, I see that

painting finish already.

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I see it all finished and that

makes a big, big, different there.

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So here even a little bit of a

light up couple of bombs are there.

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If it is too dark, maybe

here I show a little bit.

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Blue on the water.

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So I see that there will

be kind of a water stretch.

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I want you to flex it

in the water in here.

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I put some green in front.

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I just wash my brush or clean my

brush out there have too much paint.

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Oh, that's good.

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Wash your brush.

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No, I would use my mighty knife

and we were, I will show you now.

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Then the paint sticks on the ticket pain.

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But in this case, I wanted a little bit

thinner there because I want to show you,

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I want us to put some green trees on dare.

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I use SAP green and I, this

time I liked this lippy

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feeling, then I branches, right.

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Dubai is Z.

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If, if this would be dryer, This

would go on the right device.

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But by having it like this, you see what

I like this time, this slippery feeling.

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See, look at that.

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If I keep it dry and no, I would,

I would have gone on the right

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divided, which stick, right divide.

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But this time.

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I aimed for that.

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I want you to have it.

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So C say the sun is coming from

this side, then they press a

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little bit hard on this side.

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See, and that's it got on there.

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And it's the other three that is kind

of a abstract, beautiful abstract stuff.

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Now I never painted that way because

as older you get as more, you.

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Oh, you say you, you become a

different artist and you will

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see all the other art, the other

artists, they have their develop,

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their own style and their undoing.

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And then finally got stair landmark

and that's the divide they will live.

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See, it's beautiful.

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Isn't it.

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By doing that, you have all the details.

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I would say.

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I just see own big, big trees there.

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Uh, very bushy trees.

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Then

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you saved me.

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Make a happy ending there.

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Happy ending there.

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Maybe he'll be left.

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We let the County show a little

bit more than you have to

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create your own little figure.

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Stare.

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You will have to see it in your mind.

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If I do it all the same,

then it would look.

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It would look ugly.

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Actually it did the variety, the

ups and downs, the four and bags

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that didn't and tick is obviously

the opposite, but mix of painting.

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If you have it all in the same height,

then you would get sloppy and you,

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uh, you start sleeping and then your

dad, and that we don't want that.

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He that's what I created here.

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Couple little paintings there.

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And a little trees there and because

being an artist, you know, that

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that's divided with work better.

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He maybe here really it isn't one

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here, maybe mighty big one again.

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see by having that Lou that

makes the whole penny excited.

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The, I think we learned

something as long as you pain.

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As more, you become a Fox.

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If you watch my ears, they're

pointed and irregular my tail

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because I outsmart my canvases.

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I want you to sell that canvas.

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I wants to make a happy buck with

that canvas and they only can

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do it when I make it sellable.

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And if I do it, I show

you using that will sell.

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See, and that makes it nice.

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Okay.

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No here I ever use maybe blue

and the darker color on the

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bottom here on the bottom there.

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Hey, that that's good.

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That's good.

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But I did hear black.

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Can you see what I do

blue and put it in here.

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And then he was a dark on the

bottom in between some horse stock.

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He had very nice abstract.

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SI SI SI SI Senora.

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You always have to think on

the bottom as far as, yeah,

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no, you create tree trunks.

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You can run them in like this

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Oh, that's one, the two stick out there.

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Maybe here one here, one here.

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One that's depends on

whatever your mood is.

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You just fire in like

that visual happy too.

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And do your job that you're happy.

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Spirit that happy.

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Dark they'd be in that canvas because

if you are miserable venue or to that

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canvas, there will be a busy repairing.

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Hey, maybe he'll be put

some little things in there.

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See what the knife can do for you.

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It's just fantastic.

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And you are powerful and fast.

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Not ever use a little bit of yellow

and never just highlight a little

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bit here from the sunny side.

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Sun is at ancestry sunny side, the sun.

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Okay.

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Nice.

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Isn't it.

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Look this light.

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Dang.

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You're next to God.

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You lead the light, you as

our minority leader of light.

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I want light there and

I have light assemble.

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I would like to have light, uh, Yeah, it

just happened and it fosters light there.

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Wonderful.

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That's your, you're so

powerful on your own canvas.

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What makes it double nice?

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Uh, God, isn't it really sometime, you

know, that's my religious thinking.

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Sometime you go to bed and you say,

thank you for whatever you give

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me to di it was a wonderful day,

but I made it Vonda for myself.

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Because I talked about that

and I wanted to live happy.

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I talk about it very much now.

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I hope you have not taken tired

of that, but I know there's

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so much misery in this ward.

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And if we can give a little bit

of happiness, it is worth a lot.

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The I just put and can you see by

having access to you and having

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that bit of a vet on my side?

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So it gives me dust pullets.

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He has given me this kind

of a modern pulling feeling,

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ah, 11, nine.

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So, no, we fire in.

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I very, I very get, think about that.

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All that into the water

there, fire at the right end.

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isn't that wonderful, but the couple

of strokes that is, but I wish he

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could learn with a couple of strokes.

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You make a mighty masterpiece.

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It is.

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Oh four.

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Then you have to die on one canvas

and you fiddle around and fiddle

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around and you never get finished.

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You knew what you want.

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I want the freshness.

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I want that Marine.

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I want the trees.

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There was the walk in, in my mind.

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I was a walk through the other

side, wherever I come out there

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and happy fields in Montana.

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You ever went to Montana country?

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One time.

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I said, uh, I tell you.

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And you do it with the couple happy stroke

and where the coffee happy thoughts.

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He harmonizes the higher, lower here.

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. And look, but the nice pen is already

looking at me and now I get, I get

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excited, more excited by seeing what

I'm doing then that makes it nice.

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When you can, when you're on work, excites

you, then, then you're in good shape

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and all that you can do

with it on mighty knife.

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And that's what I liked so much.

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C E C no fire.

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This one here

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on this side,

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a little bit more.

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See, no, I will think, I will think

maybe it's put a bit of fight.

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Look what I do here, but we'll fight.

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But the highest, I, I want you to give

a high tune all the way down in that

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little bit of here, or we come down,

we come down, becomes on their car.

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They come in there.

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You feel like you feel like

you, he wants to walk through

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that to the side and see Z.

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What happened this side touch with

red and mixed myself with kind of a

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happy, happy, uh, not like awkward,

but then they kind of a reddish.

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That's true red to red.

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I grounded myself.

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I showed you how you shouldn't do it.

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I take from here and I, I

ruined our dad, but I can do

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it because I have lots of pain.

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Ah, you see I'm head of you.

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Okay.

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And I will create kind of a Sandy beach.

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Dare

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canvas, Sandy, Sandy spot.

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Yeah.

233

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Now you don't talk loud anymore.

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You only Vesper on the Vesper.

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He now you use your brain.

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Make sure you have a nice day brush.

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Oh, wait a minute.

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Before I go on, I should see.

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I want you to cheat.

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I need that in there.

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I only went up to here.

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I'm glad I thought about it.

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He put it on, just see how this is what

I want to show you because of our paint.

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We can do those wonderful things, right.

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This paint is, has a built in power.

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It will obviously give one stroke.

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You see on mighty stroke,

there is not a sloppy stroke.

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I could slap it off and I wish you

would see that on this side here.

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Look it over.

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Look at the details.

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How many details with one of my distro?

252

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This is if I had to paint.

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Maybe a little bit.

254

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That's good.

255

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Now I will use my big brush and you,

you, you have only two sides, one

256

00:16:35,090 --> 00:16:39,470

side like this, then the other side

like this, and then wash the brush.

257

00:16:39,470 --> 00:16:40,670

You call that paint on.

258

00:16:41,325 --> 00:16:42,375

Wash the brush.

259

00:16:43,275 --> 00:16:45,225

Don't go on and go on and go on.

260

00:16:45,225 --> 00:16:47,865

And she messed up that whole painting.

261

00:16:48,345 --> 00:16:53,955

See, I could go on and on and, and

the remodel that will pay any one side

262

00:16:55,395 --> 00:17:02,535

turn around the other side, you heard

of her, but look, I got to wash it.

263

00:17:02,595 --> 00:17:08,085

I cannot allow myself to, because then

I, I would ruin that whole painting.

264

00:17:11,325 --> 00:17:15,195

He got one side turned

around the other side.

265

00:17:16,565 --> 00:17:18,245

Oh, that paint wash it off.

266

00:17:19,445 --> 00:17:23,165

So for some time you have to be

a brush washer, but that's okay.

267

00:17:23,795 --> 00:17:26,375

If you can have a good

results, then do it.

268

00:17:29,585 --> 00:17:35,555

Hey, one stroke, other

stroke, wash your brush.

269

00:17:41,615 --> 00:17:46,415

One stroke, other stroke, wash your bra.

270

00:17:49,175 --> 00:17:49,325

Okay.

271

00:17:53,555 --> 00:17:55,955

One stroke, other stroke.

272

00:17:56,375 --> 00:17:58,415

So I made it not beautiful.

273

00:17:58,415 --> 00:17:59,105

Look at that.

274

00:17:59,915 --> 00:18:00,785

So fine.

275

00:18:06,955 --> 00:18:08,475

No, you do it like this.

276

00:18:13,905 --> 00:18:14,534

Oh God.

277

00:18:22,035 --> 00:18:30,005

Yeah, no, the next step for B, I

put the cup of coffee tree trunks in

278

00:18:30,005 --> 00:18:32,525

here, especially for that bigger tree.

279

00:18:47,875 --> 00:18:48,425

treats us.

280

00:18:48,845 --> 00:18:51,335

I mean, just the bigger

trees I want to bring out.

281

00:18:52,955 --> 00:18:54,305

Uh, I'll make it a bit Caracas.

282

00:19:02,490 --> 00:19:06,990

He fires right into the water.

283

00:19:12,950 --> 00:19:13,730

Let's see.

284

00:19:14,090 --> 00:19:14,870

Next one.

285

00:19:15,260 --> 00:19:16,220

Maybe this one

286

00:19:20,270 --> 00:19:21,050

think it's really.

287

00:19:31,325 --> 00:19:32,465

and it's exciting.

288

00:19:32,465 --> 00:19:38,615

And it's a beautiful, you see that your

beautiful results in such a short time.

289

00:19:39,215 --> 00:19:40,625

Your heart is just pumping.

290

00:19:40,625 --> 00:19:41,165

Good.

291

00:19:41,615 --> 00:19:43,355

Your blood is running good.

292

00:19:43,415 --> 00:19:47,225

Everything has a good

you're in good shape.

293

00:19:50,385 --> 00:19:51,705

And that makes it good.

294

00:19:51,825 --> 00:19:52,665

That's good.

295

00:19:52,665 --> 00:19:55,545

Living then art had the main name.

296

00:19:56,055 --> 00:20:03,375

If art makes you happy, makes you a

Harrity, then art was good for you.

297

00:20:04,575 --> 00:20:07,965

And if it doesn't do that, then

if something has gone wrong.

298

00:20:11,985 --> 00:20:13,965

That was not the right message.

299

00:20:14,055 --> 00:20:15,655

Dan, maybe E

300

00:20:25,365 --> 00:20:27,285

C no ever.

301

00:20:27,305 --> 00:20:28,605

He was my big brush again.

302

00:20:29,355 --> 00:20:33,135

And just cut it down a little bit.

303

00:20:35,804 --> 00:20:39,645

You always think you got the

vibe twice, 200 brush over.

304

00:20:55,580 --> 00:20:56,810

I only clean it up.

305

00:20:56,810 --> 00:21:00,909

No, it's a very loose, loose, new

store that likes to clean the tears.

306

00:21:00,909 --> 00:21:04,790

See the different between there

and there just cleaned the tears.

307

00:21:09,450 --> 00:21:15,830

yeah, no, the next step would be,

I finished up, I finished up that.

308

00:21:16,695 --> 00:21:20,205

Shoreline, maybe here I look for power.

309

00:21:20,205 --> 00:21:22,965

Now I would like to see a little bit more.

310

00:21:25,604 --> 00:21:27,495

Maybe that brings it out more.

311

00:21:30,254 --> 00:21:33,375

This word, do a better

job there, right in front.

312

00:21:37,595 --> 00:21:41,555

That's why the guys come around the

bench and they were fishing in here.

313

00:21:42,785 --> 00:21:47,014

No, we were, we were, we were like,

314

00:22:05,085 --> 00:22:05,475

SI,

315

00:22:08,975 --> 00:22:13,115

you know, and, and it's funny, it's

more you get on and work on your

316

00:22:13,115 --> 00:22:15,695

canvas as more excited I get here.

317

00:22:17,705 --> 00:22:20,044

And I think that is what I want to say.

318

00:22:20,105 --> 00:22:24,125

That it's good living, good living.

319

00:22:24,395 --> 00:22:27,845

Now we will be very

creative kind of other side.

320

00:22:28,935 --> 00:22:32,774

This is this side, yellow and green.

321

00:22:32,774 --> 00:22:36,014

We put it together and I just

322

00:22:45,095 --> 00:22:45,845

go get that.

323

00:23:06,825 --> 00:23:07,455

SI.

324

00:23:12,995 --> 00:23:14,735

And that can be super nice.

325

00:23:14,825 --> 00:23:19,655

It is, it just stared and normally

Vonda for painting, but it's all

326

00:23:19,655 --> 00:23:24,365

done by your knife and it's all

originated because it's your.

327

00:23:25,185 --> 00:23:26,385

You're untaught.

328

00:23:27,465 --> 00:23:33,075

You just put yourself in this kind

of a landscape and you fired off

329

00:23:33,105 --> 00:23:34,605

and made that beautiful painting.

330

00:23:34,605 --> 00:23:34,905

There,

331

00:23:38,675 --> 00:23:38,855

there.

332

00:23:45,540 --> 00:23:50,670

Yeah, no, if you, if he got more

excited, if he wants to have something

333

00:23:50,670 --> 00:23:58,440

more done too, you can sometime

I feel I need the VOC to leak.

334

00:23:59,040 --> 00:24:01,139

And then you are the opposite side.

335

00:24:01,710 --> 00:24:05,340

They give you a kind of a gray

see between white and gray

336

00:24:05,340 --> 00:24:09,420

and red, black to black there.

337

00:24:11,520 --> 00:24:15,360

I would say here, there's a

happier road coming out there.

338

00:24:21,230 --> 00:24:21,650

Yeah.

339

00:24:21,710 --> 00:24:24,620

A happy little road.

340

00:24:25,640 --> 00:24:27,470

Call me out from here.

341

00:24:31,379 --> 00:24:33,060

Ending up in Nevada there.

342

00:24:40,830 --> 00:24:45,710

See, we could fight the

perspective, make it inviting.

343

00:24:46,310 --> 00:24:48,290

Like it becomes really nice.

344

00:24:48,290 --> 00:24:53,060

Now when you make it prospective, right.

345

00:24:53,805 --> 00:24:57,075

Divided Vita wider.

346

00:24:57,405 --> 00:24:59,475

He has violated, Oh God.

347

00:24:59,735 --> 00:25:07,955

As a wonderful perspective road is invites

you, you opened the door and that invites

348

00:25:07,955 --> 00:25:10,264

you right into our mighty painting.

349

00:25:11,014 --> 00:25:12,004

And that is good.

350

00:25:13,805 --> 00:25:14,405

That's good.

351

00:25:15,605 --> 00:25:19,985

After you're finished with

that pain to use it back and.

352

00:25:21,075 --> 00:25:22,365

You'll feel so good.

353

00:25:22,695 --> 00:25:26,835

It's just a nice feeling that you can

354

00:25:30,095 --> 00:25:35,075

handed that to yourself and it's

originally, but I like so much on

355

00:25:37,685 --> 00:25:42,605

maybe here we go a little bit darker, a

little bit of a darker room on the road.

356

00:25:42,635 --> 00:25:46,805

Usually on the road side, it's always

something little ditches or whatever.

357

00:25:48,345 --> 00:25:50,295

And the other side, you

can do the same thing.

358

00:25:54,575 --> 00:26:02,435

No, no, we just, we just, just go over

the whole thing and see where we can.

359

00:26:02,615 --> 00:26:07,565

You could even, you can highlight now if

you want, you can highlight this so you

360

00:26:07,565 --> 00:26:11,675

can highlight this a little bit either.

361

00:26:11,685 --> 00:26:13,925

Naturally you would have to

hide us in the border too.

362

00:26:15,480 --> 00:26:22,580

See, I just would like to see a

little bit of a, in the voice coming

363

00:26:22,600 --> 00:26:28,770

right down to the water edge there

and make it find a line there, maybe

364

00:26:28,770 --> 00:26:38,210

here a little bit and, and maybe

hear a little bit more and that if

365

00:26:41,450 --> 00:26:41,900

no.

366

00:26:42,570 --> 00:26:45,270

I think this nice, nice painting.

367

00:26:46,500 --> 00:26:49,890

Then you enjoy it a little bit abstract.

368

00:26:50,070 --> 00:26:55,470

It's powerful and you live hard and

powerful and it gives you a nice painting.

369

00:26:56,250 --> 00:26:57,390

Thank you for watching me.

370

00:26:57,600 --> 00:26:58,170

Bye bye.

End .srt file.

S08E01 Bill's Mountain Waterfall - MISSING

Bill Alexander's

The Magic of Oil Painting

Season 8, Episode 1, Bill's Mountain Waterfall - MISSING

Since this mp4 file is MISSING, nowhere to be found, I cannot process this and make the .srt file for this episode.

Apologies.

S07E13 West Virginia River - AVAILABLE

Bill Alexander's
The Magic of Oil Painting

Season 7, Episode 13, West Virginia River - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:05,280 --> 00:00:09,090

Oh West Virginia mama mountain.

00:00:09,090 --> 00:00:14,620

Dan, take me home, please take me home.

00:00:14,670 --> 00:00:17,700

My mom green and a nice.

00:00:18,330 --> 00:00:24,270

I would paint West Virginia, a

happy little stream is Stony stream.

00:00:24,480 --> 00:00:27,690

The Valley, you see it in

West Virginia would be nice.

00:00:27,990 --> 00:00:30,150

First again, I have to bother myself up.

00:00:30,150 --> 00:00:35,370

I have to sing all those songs and they

have to be right there in West Virginia in

00:00:35,370 --> 00:00:37,890

the vendors on China array and whatever.

00:00:38,070 --> 00:00:42,959

And I have to create my

own now of West Virginia.

00:00:44,070 --> 00:00:44,610

Good.

00:00:44,640 --> 00:00:45,099

Good, good.

00:00:45,260 --> 00:00:50,190

But the magic they decided at the,

on the, see, no, it's no problem.

00:00:50,879 --> 00:00:52,140

No problem.

00:00:54,080 --> 00:00:55,129

Don't put too much on.

00:00:55,190 --> 00:00:59,060

I want you, every time I

start too much magic rights.

00:00:59,120 --> 00:00:59,870

It's the same.

00:00:59,870 --> 00:01:01,160

Like you doing too much.

00:01:01,699 --> 00:01:04,940

You start stuttering and you

really fell off the cliff.

00:01:08,115 --> 00:01:08,475

Good.

00:01:08,685 --> 00:01:12,494

So if we could create the sky, maybe

I could create a sky, a little bit

00:01:12,494 --> 00:01:21,645

of a, uh, ho ho sky, a bit of a blue

first and let that blue bit, the touch

00:01:21,645 --> 00:01:27,884

of alizarin Crimson tasted test.

00:01:27,884 --> 00:01:29,925

It tastes that tasted

00:01:36,030 --> 00:01:36,750

I don't know it then.

00:01:41,000 --> 00:01:42,440

it got too much paint on the brush.

00:01:42,650 --> 00:01:44,030

Then use it down here.

00:01:44,510 --> 00:01:46,190

You see never draw paint, divide.

00:01:46,740 --> 00:01:52,100

Sometime you just happen in all your,

I might be thinking and feelings.

00:01:52,100 --> 00:01:54,980

You, you put too much paint on the brush.

00:01:55,370 --> 00:01:58,010

Then I was printed out or hours.

00:01:58,040 --> 00:01:59,750

Now in this case, I wash it out.

00:02:00,620 --> 00:02:01,910

They wash it out.

00:02:06,110 --> 00:02:09,650

You got enough on the bottom

and now you've just pushed

00:02:09,650 --> 00:02:11,270

that paint into wherever.

00:02:20,270 --> 00:02:21,110

No paint.

00:02:21,350 --> 00:02:22,790

There's no paint on the brush.

00:02:23,420 --> 00:02:24,680

No of paint on the brush.

00:02:28,430 --> 00:02:29,030

Good.

00:02:29,240 --> 00:02:30,290

No, I will.

00:02:30,350 --> 00:02:30,860

I will.

00:02:30,920 --> 00:02:31,490

I will.

00:02:32,130 --> 00:02:35,220

I will clean your garage,

clean your garage.

00:02:40,520 --> 00:02:50,690

Um, I would use Vite touch of white,

red, and yellow, and a touch of

00:02:54,330 --> 00:02:56,120

touch of black.

00:02:58,290 --> 00:03:01,710

The like a cloud, like cloud Mudder.

00:03:03,500 --> 00:03:04,070

Um,

00:03:08,000 --> 00:03:10,130

see you mix with that blue there.

00:03:10,670 --> 00:03:15,060

See automatically you always have to

think what color is underneath it.

00:03:15,060 --> 00:03:21,110

This whole technique is bedded up

on mixing on the canvas via if you

00:03:21,110 --> 00:03:25,250

understand that, then you would

say, I know by using this color.

00:03:25,964 --> 00:03:29,385

I didn't put any blue in, because I

know the blue is already on there.

00:03:29,385 --> 00:03:30,945

You see there, look at that.

00:03:32,535 --> 00:03:33,315

See what's happened.

00:03:33,795 --> 00:03:39,285

No, I guess a bit of a fuzzy in there,

but I really had in my mind, in the

00:03:39,285 --> 00:03:45,704

beginning, this you have to learn,

and it becomes the easy way of living

00:03:45,885 --> 00:03:49,245

easy by creating easy by of painting.

00:03:49,454 --> 00:03:56,280

And maybe now I would put the little

bit of, uh, of, uh, Yellowish reddish

00:03:59,310 --> 00:03:59,700

color.

00:03:59,700 --> 00:04:07,860

And from the bottom up white, yellow,

and red, white, yellow, and red.

00:04:07,950 --> 00:04:10,020

The how I do it, Jesse here.

00:04:10,020 --> 00:04:12,050

And I know roughly that,

that's what I thought.

00:04:12,380 --> 00:04:13,520

That's what I thought it is.

00:04:13,530 --> 00:04:16,579

It, is it the beautiful look?

00:04:17,880 --> 00:04:19,590

Vest with junior high.

00:04:19,590 --> 00:04:21,390

Here we are calm.

00:04:22,620 --> 00:04:23,250

00:04:30,840 --> 00:04:32,580

got here.

00:04:32,610 --> 00:04:35,640

Maybe you have it tight on the

brush and brush it out here.

00:04:36,360 --> 00:04:37,860

It might be in the water there.

00:04:41,265 --> 00:04:42,854

No, I would use the same brush.

00:04:42,885 --> 00:04:44,895

I don't clean my brush.

00:04:45,164 --> 00:04:51,075

I just put a little bit of blue

and, and I lived in Crimson.

00:04:51,705 --> 00:05:00,575

I lived in Clemson and use you use,

uh, I would say a distance on my

00:05:00,604 --> 00:05:05,864

desk and then the, I make us lions.

00:05:17,914 --> 00:05:22,985

Now come closer, a little touch

of green and two that they know.

00:05:22,985 --> 00:05:26,615

I have the same color cashew of green.

00:05:40,955 --> 00:05:46,115

he does this make myself a deep,

deep, deep come from there on for

00:05:46,655 --> 00:05:51,095

the in case sometime I feel I would

like to have a little bit more depth.

00:05:51,275 --> 00:05:52,325

See what I do here.

00:05:52,760 --> 00:05:56,750

I like to show that sometime you

give them the little pockets there,

00:05:56,810 --> 00:06:00,770

you see like this, they watched

this, it does, it does feel good.

00:06:02,360 --> 00:06:03,020

Can you see that?

00:06:03,260 --> 00:06:08,180

All of a sudden you feel this moist

in there, this the stuff that you

00:06:08,180 --> 00:06:13,280

do it sometime like this and just

that the peaks stick out there.

00:06:13,905 --> 00:06:19,565

Hey, I make so much power, so much

or mighty power, two inch brush.

00:06:19,895 --> 00:06:28,265

And I wear, I wear, I wear use zap green

and what they got here while they on here.

00:06:28,745 --> 00:06:29,945

And I ever.

00:06:39,380 --> 00:06:40,549

it didn't come right.

00:06:40,789 --> 00:06:46,250

I use a bit of blue and

green, uh, SAP green.

00:06:46,549 --> 00:06:48,500

And we start again.

00:06:48,770 --> 00:06:50,809

I want us to show details there.

00:07:07,755 --> 00:07:14,405

isn't it crazy how a song can linger on

and on and on and on and on with that

00:07:14,435 --> 00:07:19,505

best with genius song, I refinished

that on my D painting and the guy who

00:07:19,594 --> 00:07:21,335

wrote that song, I think it was nice.

00:07:22,275 --> 00:07:28,594

There's some nice songwriters

sometime we don't have those kinds

00:07:28,594 --> 00:07:31,565

of songwriters anymore, too bad.

00:07:32,159 --> 00:07:36,810

But then what the devil, the obvious

changes there was obvious changes.

00:07:37,859 --> 00:07:40,859

Some of them to the better sometimes

to the dumber sometimes to the

00:07:40,859 --> 00:07:43,200

calmer, sometimes the newcomer.

100

00:07:43,760 --> 00:07:44,020

Yeah.

101

00:07:44,020 --> 00:07:47,179

I have a do-over but ever

102

00:07:50,840 --> 00:07:52,940

a little bit of white and yellow.

103

00:07:53,659 --> 00:07:54,770

They had put it in here.

104

00:07:54,770 --> 00:07:56,000

The, how I mix it there.

105

00:07:56,359 --> 00:07:57,479

And then there's this.

106

00:08:01,650 --> 00:08:02,520

Make it through that.

107

00:08:02,520 --> 00:08:06,230

It's a bit of movements

there and I got that.

108

00:08:06,230 --> 00:08:08,750

Holy Holy, Holy Holy.

109

00:08:09,080 --> 00:08:13,820

No, we were, we were, we

were, we were you remember?

110

00:08:13,820 --> 00:08:15,830

We talked about Stoney.

111

00:08:16,159 --> 00:08:21,310

I would like to show the stones

and the movement of Arbus.

112

00:08:21,310 --> 00:08:24,110

Sometime we shout too

much sand and too much.

113

00:08:24,440 --> 00:08:26,150

The, I try to mix a kind of a.

114

00:08:27,180 --> 00:08:32,850

Uh, Stony color, like, like

stones, there's a Stoney color.

115

00:08:33,240 --> 00:08:39,179

And here I thought I can be darker there,

116

00:08:51,170 --> 00:08:55,189

there fires right into the water.

117

00:09:04,505 --> 00:09:08,225

no white, the tick solid, strong white.

118

00:09:08,225 --> 00:09:10,295

You have to have that without that.

119

00:09:10,295 --> 00:09:11,345

You are dead.

120

00:09:11,495 --> 00:09:13,055

You cannot make it happen.

121

00:09:13,505 --> 00:09:18,125

And now I just sort of flag and of stone.

122

00:09:21,755 --> 00:09:25,085

the let, let mother

nature take care of that.

123

00:09:25,445 --> 00:09:27,785

Well, you cannot count the stars.

124

00:09:28,115 --> 00:09:33,125

You cannot count the stones on the

shoreline there, the idea's stairs.

125

00:09:33,155 --> 00:09:35,075

Just, just so it's all right.

126

00:09:35,105 --> 00:09:35,525

Yes.

127

00:09:35,525 --> 00:09:35,975

Yes.

128

00:09:36,005 --> 00:09:36,335

Good.

129

00:09:39,335 --> 00:09:41,585

No other stones under the river.

130

00:09:42,935 --> 00:09:43,265

Eh.

131

00:09:46,845 --> 00:09:56,805

Fire right into see fire right in no

mercy fires right into the water day.

132

00:09:58,005 --> 00:09:59,835

You have a nice distance already there.

133

00:10:00,815 --> 00:10:07,415

He, no, you use your big bra clean

and Oh God, this the little attached.

134

00:10:07,445 --> 00:10:08,555

Otherwise you ruin it.

135

00:10:08,555 --> 00:10:09,905

You're ruining it.

136

00:10:12,090 --> 00:10:14,590

D and then, uh, uh,

137

00:10:21,440 --> 00:10:26,900

no, it depends on how long you

wants to have your, your reflection.

138

00:10:26,900 --> 00:10:28,820

I think pull it a bit more down.

139

00:10:29,270 --> 00:10:34,630

I put it a little bit more down that tight

would be nice to have it like this, this

140

00:10:34,640 --> 00:10:36,800

title harmonize with your background.

141

00:10:38,340 --> 00:10:39,540

He that does it better.

142

00:10:39,690 --> 00:10:40,140

That's it?

143

00:10:40,200 --> 00:10:41,230

That's it.

144

00:10:41,880 --> 00:10:43,170

It's just fine.

145

00:10:43,350 --> 00:10:44,220

Tastic.

146

00:10:44,985 --> 00:10:49,785

I dunno, it's more fun or

tastic, whatever it is.

147

00:10:50,235 --> 00:10:51,375

So good.

148

00:10:51,545 --> 00:10:52,115

Good.

149

00:10:52,665 --> 00:10:57,285

No, you, you, you, you, you, you,

you, you go into the magic, right?

150

00:10:57,285 --> 00:10:58,574

A touch of magic, right?

151

00:10:58,574 --> 00:11:02,415

You see, like I do here and you make

yourself a bit of a dinner, paint.

152

00:11:03,074 --> 00:11:04,755

It didn't have paint sticks on the ticket.

153

00:11:04,755 --> 00:11:06,765

Paint that out to tick paint.

154

00:11:06,854 --> 00:11:08,115

You can make it then pain.

155

00:11:08,564 --> 00:11:08,805

Okay.

156

00:11:08,805 --> 00:11:11,055

Now, if you have all done

paint, you get nothing.

157

00:11:11,685 --> 00:11:13,005

You are lost.

158

00:11:19,815 --> 00:11:23,825

West Virginia or Rocky mountain.

159

00:11:24,185 --> 00:11:31,445

No mama mountain bring me, you

know, I can see you put devil is

160

00:11:31,445 --> 00:11:36,995

already on the road for so long and

he failed and he goes home to mom.

161

00:11:38,375 --> 00:11:39,005

Oh God.

162

00:11:39,005 --> 00:11:42,005

Bring me home the last time.

163

00:11:42,420 --> 00:11:45,689

He's coming or he got

the right he's happy.

164

00:11:45,689 --> 00:11:51,479

No, he got the right home and, and

all it was on the opposite door.

165

00:11:51,540 --> 00:11:54,750

Mama said, I am glad you are back son.

166

00:11:54,780 --> 00:11:57,390

We're gun Ziering away from home.

167

00:11:58,469 --> 00:11:59,910

I said, I even went from home.

168

00:12:02,880 --> 00:12:04,780

No, we have a ready, nice look.

169

00:12:05,070 --> 00:12:06,930

That alone is a nice painting.

170

00:12:07,140 --> 00:12:08,370

You just re-aim it.

171

00:12:08,520 --> 00:12:12,240

And you have a nice, but Ben yet it's not.

172

00:12:12,870 --> 00:12:16,260

And usually that's why we start always

in the middle and build it up and

173

00:12:16,260 --> 00:12:19,050

out and over and often and fire in.

174

00:12:19,050 --> 00:12:20,220

And there is no mercy.

175

00:12:20,940 --> 00:12:24,690

The, no, I would go into

the black SAP green.

176

00:12:25,515 --> 00:12:27,555

Taylor green.

177

00:12:28,335 --> 00:12:29,355

There we are.

178

00:12:29,355 --> 00:12:32,925

No, we started already getting

the other step of the whole thing.

179

00:12:44,400 --> 00:12:45,270

Ever come around

180

00:12:57,410 --> 00:12:58,219

there you are.

181

00:12:59,319 --> 00:13:00,410

It's not nice.

182

00:13:01,485 --> 00:13:04,605

And a knife, but here I

have to get a bit distance.

183

00:13:04,635 --> 00:13:08,865

I have to get a bit of a

gray three color in there.

184

00:13:13,225 --> 00:13:14,505

The attach of right.

185

00:13:14,625 --> 00:13:21,735

Maybe it didn't provide for giving me a

bit more green, gray, gray, gray, gray, E.

186

00:13:36,985 --> 00:13:40,865

in this case, we, we, we

give him a tree trunk there.

187

00:13:47,585 --> 00:13:48,905

yeah, it doesn't come out.

188

00:13:48,905 --> 00:13:49,535

Good enough.

189

00:13:49,565 --> 00:13:52,055

Then we were fired in like this.

190

00:13:54,005 --> 00:13:55,235

We make it go.

191

00:13:55,355 --> 00:13:56,795

We make him go.

192

00:13:57,990 --> 00:14:01,710

Like this and we would croak.

193

00:14:01,710 --> 00:14:03,000

It can be bit straight.

194

00:14:07,710 --> 00:14:12,570

And then you, you can use a little

brush and have a little bit of

195

00:14:16,350 --> 00:14:17,220

yellow.

196

00:14:24,645 --> 00:14:25,385

That's fine.

197

00:14:26,105 --> 00:14:26,555

That's fine.

198

00:14:26,555 --> 00:14:31,475

Maybe the tire up, I will show a

little bit more light and the peak,

199

00:14:31,535 --> 00:14:33,245

maybe a bit better peak there.

200

00:14:36,425 --> 00:14:37,625

Uh, that's better.

201

00:14:37,985 --> 00:14:40,535

They always for the

height, this is the light.

202

00:14:40,565 --> 00:14:41,165

The best.

203

00:14:44,405 --> 00:14:45,695

That was my favorite show.

204

00:14:49,110 --> 00:14:51,540

No, we go onto the next step.

205

00:14:51,689 --> 00:14:52,230

First.

206

00:14:52,230 --> 00:14:53,730

We will be where we will.

207

00:14:53,730 --> 00:14:57,959

We will, before we ruin it,

shout right in the water there.

208

00:14:59,550 --> 00:15:03,750

Then we will roll in some big stones.

209

00:15:05,130 --> 00:15:07,440

Again, the dark first.

210

00:15:07,770 --> 00:15:10,770

See that I have already

made a Stony color there.

211

00:15:11,100 --> 00:15:15,540

Maybe a little touch, more blue,

maybe a little touch, more alizarin

212

00:15:15,540 --> 00:15:20,070

Crimson, and see what I got a little

bit as a beautiful Stony color.

213

00:15:20,520 --> 00:15:22,170

And we were never all in one

214

00:15:51,410 --> 00:15:57,140

So that is what we see now is

what you see is what you get.

215

00:16:03,185 --> 00:16:09,695

no, again, use Vite, maybe touch

her for ed who was nice, vetted

216

00:16:09,875 --> 00:16:11,465

something like this color.

217

00:16:12,635 --> 00:16:17,705

And you just put the stones together.

218

00:16:21,185 --> 00:16:23,315

let mother nature take care of it.

219

00:16:25,560 --> 00:16:26,880

Eh, yeah.

220

00:16:36,320 --> 00:16:41,300

West Virginia Stony river.

221

00:16:52,380 --> 00:16:56,969

So, no again, then the pain

sticks on the ticket pain.

222

00:16:57,239 --> 00:16:59,670

Sometimes you wish you had

more room on the pilot.

223

00:17:00,119 --> 00:17:01,410

I need a bigger palette.

224

00:17:02,160 --> 00:17:05,550

The biggest pallet I ever made when

I started that technique, I thought,

225

00:17:05,550 --> 00:17:07,710

boy, you have as big as the pilot.

226

00:17:09,750 --> 00:17:11,819

Maybe here we have a good start there.

227

00:17:13,589 --> 00:17:17,250

He here you put the water line in there.

228

00:17:21,015 --> 00:17:21,735

No with that.

229

00:17:30,155 --> 00:17:34,295

Nice, nice, nice.

230

00:17:45,305 --> 00:17:50,045

uh, let's see how you put it the

life, how you bring things to

231

00:17:50,045 --> 00:17:53,285

life because you are next to God.

232

00:17:53,465 --> 00:17:55,985

You are the greatest creator ever.

233

00:17:56,405 --> 00:17:58,085

God gave you that talent.

234

00:17:58,085 --> 00:18:02,345

And he said, you fire in and make

the world the way I show you.

235

00:18:03,090 --> 00:18:07,290

Put it just on canvases

and that's a good feeling.

236

00:18:07,470 --> 00:18:08,580

Good, good feeling.

237

00:18:09,940 --> 00:18:10,240

Yeah.

238

00:18:10,270 --> 00:18:10,670

Yeah.

239

00:18:11,830 --> 00:18:16,910

No, the next step would be

the next step would be zap

240

00:18:16,910 --> 00:18:22,310

green, uh, black passion blue.

241

00:18:22,400 --> 00:18:25,820

And I go right in here and I

put a ton of paint on my brush.

242

00:18:26,090 --> 00:18:28,650

Look, lots of pain, lots of pain.

243

00:18:28,670 --> 00:18:30,860

And this happened, there is one.

244

00:18:31,440 --> 00:18:33,720

I mighty trees standing there.

245

00:18:43,520 --> 00:18:47,720

See, no, we have to bring out the bit of

light and shadows and highlights there.

246

00:18:48,350 --> 00:18:51,080

And otherwise we get nowhere.

247

00:18:57,020 --> 00:18:57,170

Yeah.

248

00:18:57,170 --> 00:18:58,370

I use a fan brush.

249

00:19:00,345 --> 00:19:04,215

I think that's a little bit

of bring it out like that.

250

00:19:05,085 --> 00:19:06,435

Bring it out like that.

251

00:19:22,805 --> 00:19:23,165

he?

252

00:19:23,375 --> 00:19:24,605

No, you got to come.

253

00:19:24,605 --> 00:19:25,355

Nice.

254

00:19:26,345 --> 00:19:27,285

Nice.

255

00:19:29,250 --> 00:19:30,090

Hey here.

256

00:19:30,090 --> 00:19:36,379

He gave him a little bit of a higher

ed, the, and against the dock.

257

00:19:36,500 --> 00:19:38,600

I would like to have a

little bit of light to you.

258

00:19:38,750 --> 00:19:39,740

You dress it up.

259

00:19:39,889 --> 00:19:41,180

You are the creator.

260

00:19:41,180 --> 00:19:44,750

You are next to God, and

then you get all the answers.

261

00:19:45,300 --> 00:19:46,080

God touched.

262

00:19:46,080 --> 00:19:47,939

You put light on there.

263

00:19:48,330 --> 00:19:49,200

It's just happening.

264

00:19:49,200 --> 00:19:49,590

Nice.

265

00:19:49,879 --> 00:19:53,929

He, then, then I get that dark

coming out without that light.

266

00:19:53,990 --> 00:19:55,129

I got nothing.

267

00:19:55,760 --> 00:19:57,139

The end you fires right into.

268

00:19:57,139 --> 00:19:58,939

Well, can you see how you make a picture?

269

00:19:59,659 --> 00:20:03,740

You are the creator, you dream

it up and as long, or you will

270

00:20:03,740 --> 00:20:06,439

pain as more, he become a Fox.

271

00:20:06,439 --> 00:20:07,610

Your ear is appointed.

272

00:20:07,610 --> 00:20:10,100

You have a tail boy, you are on a ball.

273

00:20:10,100 --> 00:20:11,060

You are right there.

274

00:20:11,689 --> 00:20:12,350

Nice.

275

00:20:12,379 --> 00:20:14,149

Nice, nice, nice, nice, nice, nice, nice.

276

00:20:14,645 --> 00:20:20,824

The here in this case, I, I will even use

attach of SAP green and um, Oh my God.

277

00:20:20,824 --> 00:20:24,905

Now I go nuts, uh, magic white into that.

278

00:20:25,175 --> 00:20:26,735

The, and make it lighter.

279

00:20:26,885 --> 00:20:30,155

The lighter tear would be still better.

280

00:20:30,155 --> 00:20:30,695

You see?

281

00:20:35,004 --> 00:20:35,784

No, you got it.

282

00:20:36,600 --> 00:20:39,120

Hey, there you are in the water too.

283

00:20:39,360 --> 00:20:43,590

I use the double power now and have

that big tweak coming out for vets.

284

00:20:44,430 --> 00:20:48,660

You know, I say from here on,

we were make water out of that.

285

00:20:48,870 --> 00:20:49,290

There.

286

00:20:50,270 --> 00:20:51,810

Need a little bit of flying stick.

287

00:20:51,870 --> 00:20:54,150

Can you make a close up

shot on this little bit?

288

00:20:55,260 --> 00:20:56,220

There's a beautiful view.

289

00:20:56,220 --> 00:20:57,060

There it is.

290

00:20:59,660 --> 00:21:00,500

I dreaming.

291

00:21:00,500 --> 00:21:00,740

Yes.

292

00:21:00,770 --> 00:21:01,730

I of God.

293

00:21:02,210 --> 00:21:03,110

It is so nice.

294

00:21:03,320 --> 00:21:06,410

It is so nice when it start ticker.

295

00:21:07,160 --> 00:21:07,640

See it.

296

00:21:07,640 --> 00:21:08,570

Tickets already.

297

00:21:08,570 --> 00:21:09,350

They're so nice.

298

00:21:10,350 --> 00:21:11,700

You don't know what to do anymore.

299

00:21:11,700 --> 00:21:12,240

You jump.

300

00:21:12,450 --> 00:21:12,680

Yeah.

301

00:21:12,690 --> 00:21:13,860

When done by the vendor.

302

00:21:13,890 --> 00:21:19,530

No, no, no, no, no, but it's such a

beautiful feeling when you can paint in

303

00:21:19,530 --> 00:21:24,390

that direction, the Taylor green, and

I want you to have a darker and all the

304

00:21:24,390 --> 00:21:27,330

dark colors here and no, I fire him.

305

00:21:27,360 --> 00:21:29,820

He gets a darkest, you can get in.

306

00:21:29,910 --> 00:21:31,350

Here's your other stage?

307

00:21:37,245 --> 00:21:42,345

Yeah, I'm here on even more, even more

308

00:21:55,055 --> 00:21:56,195

and avoid the dead.

309

00:22:01,835 --> 00:22:03,615

No vivid, we will.

310

00:22:03,615 --> 00:22:04,035

We will.

311

00:22:04,035 --> 00:22:12,855

We will, we will, we will give him a

little bit of a Teton shown there and

312

00:22:12,855 --> 00:22:16,065

he, it definitely has to be a bigger one.

313

00:22:16,095 --> 00:22:19,215

Your show, a big part

of a tree trunk there.

314

00:22:20,565 --> 00:22:24,765

He, and you fired it in the water.

315

00:22:26,490 --> 00:22:29,070

He, he can't give him little scratches.

316

00:22:33,120 --> 00:22:40,480

So, and then you highlight that a

little bit, a little bit like this.

317

00:22:40,480 --> 00:22:44,310

This is a different green, the little

bit of a different green there.

318

00:22:50,805 --> 00:22:53,655

But leave the dark leaves done

done through in that dock there.

319

00:22:53,655 --> 00:22:55,125

Otherwise you get into trouble.

320

00:22:55,745 --> 00:22:57,695

He ain't no, here, here,

here, here, here, here.

321

00:22:58,115 --> 00:23:01,655

I have to, I have to.

322

00:23:04,125 --> 00:23:05,355

Cause they do all that paint.

323

00:23:05,625 --> 00:23:07,004

I have to do it that way first.

324

00:23:07,004 --> 00:23:08,264

And then you do it that way.

325

00:23:08,595 --> 00:23:14,835

There's water and no, I will copy

extra stones in there again, front

326

00:23:15,495 --> 00:23:23,195

he that's what makes it nice as a

big thunder, another board or there

327

00:23:29,284 --> 00:23:29,885

SI.

328

00:23:32,745 --> 00:23:36,485

Uh, and let the colors, all

the, all the colors it's like

329

00:23:36,485 --> 00:23:38,554

marble, you don't mix it dead.

330

00:23:38,554 --> 00:23:41,585

Look it, this is what I

do here is all the colors.

331

00:23:41,585 --> 00:23:43,685

They are just next to each other.

332

00:23:44,014 --> 00:23:50,645

And then you marble it in your market

and you fire in the water there.

333

00:23:53,084 --> 00:23:54,345

What sticks out.

334

00:23:54,405 --> 00:23:55,635

It's good now.

335

00:23:55,635 --> 00:24:01,395

No, no, you, you, you mix that

a little bit again, like a Stony

336

00:24:01,405 --> 00:24:08,975

color with a bit of orange, orange,

and now there's that big stone.

337

00:24:12,635 --> 00:24:12,814

Yeah.

338

00:24:13,135 --> 00:24:13,685

Beautiful.

339

00:24:13,865 --> 00:24:14,495

Oh God.

340

00:24:14,975 --> 00:24:15,995

It hurts.

341

00:24:33,409 --> 00:24:37,850

E and then you make water and you,

you, you, you, you, you, you will

342

00:24:37,850 --> 00:24:40,970

make, uh, waterlines up there here.

343

00:24:46,745 --> 00:24:47,945

yeah, there you are.

344

00:24:48,665 --> 00:24:55,055

No it, no time you finish up

this side, this side here.

345

00:24:55,205 --> 00:24:58,595

Uh, hanging over, hanging over there.

346

00:25:08,879 --> 00:25:10,860

See how nice that works.

347

00:25:11,610 --> 00:25:16,399

Like, uh, uh, wow.

348

00:25:17,060 --> 00:25:17,179

Okay.

349

00:25:17,629 --> 00:25:18,740

You like this?

350

00:25:18,740 --> 00:25:19,189

Do you like

351

00:25:22,780 --> 00:25:28,639

the brush does the whole thing

you see in a wonderful and no

352

00:25:28,639 --> 00:25:30,470

time you have that side too.

353

00:25:30,889 --> 00:25:37,370

And you make a couple of three

terms covered three trunks here.

354

00:25:46,625 --> 00:25:51,215

let's see probably three

tongues here, maybe here.

355

00:25:51,215 --> 00:25:59,254

Maybe you're just added over,

over, over like this, the.

356

00:25:59,925 --> 00:26:02,535

And then maybe here you

just, just whatever.

357

00:26:02,825 --> 00:26:03,155

Yeah.

358

00:26:03,245 --> 00:26:10,265

Just whatever, whatever he

beautiful Stony cliff there.

359

00:26:13,415 --> 00:26:13,735

Yeah.

360

00:26:13,735 --> 00:26:14,225

Yeah.

361

00:26:15,035 --> 00:26:16,205

And that's wonderful.

362

00:26:16,655 --> 00:26:20,375

And now time you got the

painting the way you want.

363

00:26:21,695 --> 00:26:27,405

Maybe a bit of light , but let us

see this, that Marvin's feeling.

364

00:26:27,435 --> 00:26:32,855

That's what will make your pain

the now time you got the dare where

365

00:26:32,855 --> 00:26:39,605

you say I one more, that's it maybe

here I put the little bit of just a

366

00:26:39,605 --> 00:26:41,435

little bit of highlights in there.

367

00:26:42,605 --> 00:26:46,804

Maybe here a every bit

and here a little bit.

368

00:26:47,105 --> 00:26:48,245

And that is it.

369

00:26:49,024 --> 00:26:50,075

You enjoyed it.

370

00:26:50,625 --> 00:26:56,475

There's very Dean young mama

and Dan broadened me home.

371

00:26:57,375 --> 00:26:58,754

No, he's fishing on that river.

372

00:26:58,785 --> 00:26:59,264

The soundbar.

373

00:26:59,264 --> 00:27:00,675

No, he's happy to be home again.

374

00:27:00,975 --> 00:27:02,264

Thank you for watching me.

End .srt file.

S07E12 Sunlight I - AVAILABLE

Bill Alexander's
The Magic of Oil Painting

Season 7, Episode 12, Sunlight I - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:01,740 --> 00:00:06,240

The bill on Xander show is brought

to you by Alexander art, create

00:00:06,270 --> 00:00:09,990

beautiful oil paintings faster and

easier than you ever thought possible.

00:00:10,680 --> 00:00:13,200

Even if you've never picked

up a paint brush in your life,

00:00:14,010 --> 00:00:16,260

Alexander art, you can paint.

00:00:16,440 --> 00:00:18,690

We promise Alexander art

00:00:23,000 --> 00:00:23,690

today.

00:00:24,470 --> 00:00:27,740

We will show you some kind of a moody ID.

00:00:29,085 --> 00:00:35,115

Um, you know, I showed you so many

other pennies already, but today I

00:00:35,115 --> 00:00:40,905

have something in mind to load up your

ideas about the mood of something you

00:00:40,905 --> 00:00:47,894

can paint a mountain or a farm in the

rain and the snow and the wind and

00:00:47,894 --> 00:00:50,805

the steam and in the mud, whatever.

00:00:51,255 --> 00:00:57,825

But I have something seen when you are to

the red woods as a sample, it is so dark

00:00:57,825 --> 00:01:03,195

and the need and uncoupled sun beams, they

shoot out from one side and the lighten

00:01:03,195 --> 00:01:06,285

up is part of it gives you a certain mood.

00:01:06,525 --> 00:01:09,285

You, you feel out of it on

your arm is in the dark.

00:01:09,525 --> 00:01:14,835

And all of a sudden out of nowhere

comes this beautiful zone beams and it

00:01:14,835 --> 00:01:17,205

lights up a distant part of divorce.

00:01:17,595 --> 00:01:19,695

And this aim for this ID.

00:01:20,100 --> 00:01:27,030

So we will, we will put the magic right

on and you know, roughly what I have

00:01:27,030 --> 00:01:33,690

in my mind, there's this, the sky, but

there will be loud at dark, you know,

00:01:33,690 --> 00:01:39,300

there's, it don't have to be the red

was you see it in every place sometime.

00:01:39,630 --> 00:01:43,979

And, uh, there you are magic, right?

00:01:44,009 --> 00:01:45,179

Every, put it on top.

00:01:45,854 --> 00:01:51,735

But more as we haven't really there,

maybe here a little bit on the bottom and

00:01:51,765 --> 00:01:59,565

I've, uh, I will fill the canvas, a wash,

my brush, a brush, my, our mighty brush.

00:02:01,425 --> 00:02:12,675

And I will use that black paint here as a

kind of a black pain again, and go up here

00:02:12,675 --> 00:02:21,345

and go right out there, wash the brush

and I need dark, lots of deep dark there.

00:02:22,035 --> 00:02:23,265

So it's good.

00:02:24,135 --> 00:02:26,865

To use just dark.

00:02:27,995 --> 00:02:30,815

He just helps me lead on it.

00:02:30,815 --> 00:02:38,495

Acts like magic Vite, but it has, I need

lots of dark vibes put Vite on if you need

00:02:38,495 --> 00:02:46,505

so much dark there, but I go into divides

and let it, Oh, see there that is there.

00:02:57,965 --> 00:02:59,405

see how nice it works.

00:03:00,185 --> 00:03:02,855

Not too thick, not so too much.

00:03:02,885 --> 00:03:06,125

Paint on, keep the paint off.

00:03:06,545 --> 00:03:08,585

So I first out here again.

00:03:09,089 --> 00:03:10,799

So he ended up leaves me.

00:03:10,980 --> 00:03:15,109

That leaves me dark in the middle

here, but it looks like this very

00:03:15,109 --> 00:03:17,179

wet and I don't like that vet.

00:03:17,570 --> 00:03:21,230

Now I showed you something,

but we'll be hard on you.

00:03:21,560 --> 00:03:22,910

The ticket paint.

00:03:23,239 --> 00:03:24,739

Now, here we are the stock.

00:03:25,100 --> 00:03:31,700

I got to have a Dick strong paint it, pick

a paint will not stick on a thinner paint.

00:03:32,505 --> 00:03:35,204

And what I got here is it

didn't paint right now.

00:03:35,385 --> 00:03:41,055

So I'm in trouble, help, help

I'm in trouble, but it's good.

00:03:41,055 --> 00:03:42,075

It's a good lesson.

00:03:42,615 --> 00:03:43,755

I needed that docs.

00:03:43,775 --> 00:03:47,775

I should have steered up my

black sea and that black is just

00:03:47,775 --> 00:03:49,305

took the oil off from the top.

00:03:49,515 --> 00:03:54,975

I show you exactly what I did

wrong, but I could get out of that.

00:03:54,975 --> 00:03:55,965

Don't worry about that.

00:03:56,175 --> 00:03:59,055

But in order for you to do right.

00:03:59,575 --> 00:04:04,705

Try to steer up that black paint

whenever you have it and make sure you

00:04:04,705 --> 00:04:08,245

have a T this is two, two, two din.

00:04:08,965 --> 00:04:14,515

And if I use a Dick paint, what I

really need, then, uh, it will not work.

00:04:15,175 --> 00:04:17,815

It didn't paint will

stick on the ticket pain.

00:04:17,964 --> 00:04:21,355

If I had the ticket paint on

there, that will be just perfect.

00:04:21,654 --> 00:04:23,545

But this time I did it wrong.

00:04:23,970 --> 00:04:25,500

I apologize for that.

00:04:26,990 --> 00:04:27,590

That's a nice one.

00:04:27,590 --> 00:04:29,060

The teacher does it wrong.

00:04:29,600 --> 00:04:30,920

I always was happy in school.

00:04:30,920 --> 00:04:36,320

When the teacher made a mistake, then you

see, you don't know everything either,

00:04:36,350 --> 00:04:39,170

either neither, neither, and this time.

00:04:39,290 --> 00:04:40,400

But see what I do here.

00:04:40,580 --> 00:04:47,180

I just brush it out a little bit

more, or I go into my dry paint here.

00:04:47,240 --> 00:04:51,200

You see, we always have

vapin and use this.

00:04:51,510 --> 00:04:53,549

See, that is more like it.

00:04:53,909 --> 00:04:55,169

You see what I did wrong?

00:04:55,409 --> 00:04:59,159

I just used the oil off

and that this is fast.

00:04:59,159 --> 00:04:59,729

My headache.

00:05:07,515 --> 00:05:13,755

So in my mind, every bee tree standing

there, and I can be like that.

00:05:14,525 --> 00:05:17,914

You have a good start now and

the paint, and now I have it with

00:05:17,945 --> 00:05:20,135

ticker and I can work with that.

00:05:20,495 --> 00:05:21,544

The is good.

00:05:21,544 --> 00:05:22,924

That was a good mistake.

00:05:22,924 --> 00:05:25,174

And I think it was a good, good lesson.

00:05:25,950 --> 00:05:31,289

If you work this technique, you need

obvious a Dick solid paint in order to

00:05:31,289 --> 00:05:36,740

make sun raises to make it break, make

the mountains, whatever, whatever there.

00:05:36,800 --> 00:05:37,460

Okay.

00:05:39,919 --> 00:05:47,060

So maybe now that's why we have

to make sure you have a dry brush.

00:05:47,270 --> 00:05:49,099

That's why we have the Rattlebox here.

00:05:49,820 --> 00:05:53,450

See, I have a little thing, but

I shaked that brush out this.

00:05:53,450 --> 00:05:55,039

I don't have any.

00:05:55,560 --> 00:05:56,550

Annie

00:06:00,380 --> 00:06:03,620

painting in the brush because paint

in that is your biggest enemy.

00:06:08,150 --> 00:06:10,430

Do you even make a happy blue sky there?

00:06:12,500 --> 00:06:12,800

No.

00:06:12,800 --> 00:06:14,210

You brought it nice together.

00:06:14,930 --> 00:06:16,820

All coming together.

00:06:17,630 --> 00:06:24,540

Eh, On the floor, even if he wants

to have it a bit more blue, just go

00:06:24,540 --> 00:06:29,340

on again from the top, but dry and

keep it dry, dry, dry, dry, dry.

00:06:32,640 --> 00:06:34,230

I'm so glad I showed you.

00:06:34,955 --> 00:06:36,065

But I did wrong.

00:06:36,245 --> 00:06:38,465

That will be, you will not forget it.

00:06:38,855 --> 00:06:39,755

She may be here.

00:06:39,755 --> 00:06:44,375

I put a bit of blue and I can put it

all over that blue because blue and

00:06:44,375 --> 00:06:48,365

yellow turns green and there will

be lot of green and that's fine.

00:06:49,295 --> 00:06:50,165

That's fine.

100

00:06:51,405 --> 00:06:53,715

That is one there for

101

00:06:57,015 --> 00:06:57,495

no.

102

00:06:57,645 --> 00:07:06,465

Nikki was Mike glad and naive, and I have

split the mountain and you don't have to,

103

00:07:06,795 --> 00:07:16,065

but it is just fading far of a far away

a mountain in the mist alizarin, Crimson.

104

00:07:16,625 --> 00:07:23,195

Little touch of alizarin Crimson,

but get you mix it a bit warmer.

105

00:07:23,914 --> 00:07:30,695

The something like this, he turned us

around and maybe here you're far away

106

00:07:39,505 --> 00:07:40,825

as a mountain boy.

107

00:07:53,450 --> 00:07:54,770

Can we see the details?

108

00:07:54,799 --> 00:07:56,780

Can you see the thousand details?

109

00:07:57,289 --> 00:07:57,859

He does this.

110

00:07:58,010 --> 00:08:03,409

That's what I wish he would use that

heart paint, kind of a hearth, paint,

111

00:08:03,440 --> 00:08:09,740

whatever you can find in the stores,

as long as it's solid and strong.

112

00:08:10,280 --> 00:08:12,169

And then you fire in.

113

00:08:13,475 --> 00:08:16,405

Uh, the, I use that phrase, right.

114

00:08:16,555 --> 00:08:21,385

But I want to have a little touch of

Indian, yellow in it, a little touch ever.

115

00:08:21,385 --> 00:08:22,075

See how I can.

116

00:08:22,344 --> 00:08:25,795

I want you to put more sunshine

in Indian gallows sunshine.

117

00:08:25,945 --> 00:08:27,655

Can we see here when I mix it?

118

00:08:28,075 --> 00:08:31,915

It gives me that little

bit of extra sunshine.

119

00:08:33,054 --> 00:08:34,525

Damn man.

120

00:08:34,554 --> 00:08:38,695

I ever, Oh, he say the

light's coming from this side.

121

00:08:39,085 --> 00:08:39,595

Okay.

122

00:08:39,595 --> 00:08:40,885

Then I call it in half.

123

00:08:43,830 --> 00:08:45,840

Oh, God, isn't that fantastic.

124

00:08:46,110 --> 00:08:46,470

Little bit.

125

00:08:46,470 --> 00:08:47,520

The details.

126

00:08:47,550 --> 00:08:49,050

They're good to look there.

127

00:08:49,810 --> 00:08:54,090

There's always one stroke and this

mighty stroke, and this is what

128

00:08:54,090 --> 00:08:57,030

makes life so exciting and easy.

129

00:08:57,080 --> 00:08:57,860

I see.

130

00:09:04,230 --> 00:09:07,760

Then here is the same as a blue sky.

131

00:09:07,790 --> 00:09:09,020

We have no sun.

132

00:09:09,615 --> 00:09:14,415

Patches just as a happy blue sky.

133

00:09:14,574 --> 00:09:20,025

See that little bit of Indian Gallo is

just like, sunshine gives you that little

134

00:09:20,025 --> 00:09:22,125

bit of on, but not too much yellow.

135

00:09:22,785 --> 00:09:27,135

I, this cut it in very clear for as

long as the tones, a little bit of,

136

00:09:27,435 --> 00:09:31,245

of sunshine color, it cuts it in half.

137

00:09:38,960 --> 00:09:44,240

But can we see the breaking feeling that

breaking it breaks and you, and that is

138

00:09:44,240 --> 00:09:49,070

what is very, very, very important, tiny.

139

00:10:04,595 --> 00:10:05,795

Again, but more.

140

00:10:15,520 --> 00:10:16,160

good.

141

00:10:17,270 --> 00:10:25,640

No, we will use the big brush, dry

and clean, and we brush out here.

142

00:10:26,250 --> 00:10:33,390

I want us to show you something like

blur blended in like mud, like mist

143

00:10:33,660 --> 00:10:38,730

as a kind of a mist coming out there,

kind of who missed call me out there?

144

00:10:40,310 --> 00:10:49,610

I E no, we were, we were, we were,

the sun is coming from this side.

145

00:10:50,840 --> 00:10:53,480

I very create a kind of a.

146

00:10:55,380 --> 00:11:00,010

Condition first I remove, I remove yeah.

147

00:11:03,200 --> 00:11:03,620

Things.

148

00:11:03,620 --> 00:11:06,710

See what is in the

brush now I wash it off.

149

00:11:06,710 --> 00:11:08,790

Can you see it as a, I had known my paper.

150

00:11:08,870 --> 00:11:09,230

Yeah.

151

00:11:11,060 --> 00:11:12,410

I conditioned that.

152

00:11:12,660 --> 00:11:14,840

And with, I make sure there's not.

153

00:11:14,900 --> 00:11:19,340

So the, what I want you to

pull in here, some sun rays.

154

00:11:19,980 --> 00:11:24,510

See, and the sun comes out and

there will be big trees on this

155

00:11:24,510 --> 00:11:27,449

side and big trees on this side.

156

00:11:27,449 --> 00:11:33,360

And, and the, as long as it is dry,

you remember I had already in the

157

00:11:33,360 --> 00:11:37,890

beginning kind of a wet paint and

that would handicap see, see you

158

00:11:37,890 --> 00:11:40,530

how much I can clean out there.

159

00:11:47,265 --> 00:11:56,444

So, no, we will, we will have a happy

beginning ever use this thick paint, touch

160

00:11:56,444 --> 00:12:05,474

off Indian, yellow in it, make it the

sunshine color, make it a sunshine color.

161

00:12:05,745 --> 00:12:06,795

And he was more.

162

00:12:06,795 --> 00:12:08,385

Can you see how I condition it?

163

00:12:09,449 --> 00:12:13,530

Make sure you have lots of

paint in your brush all over.

164

00:12:13,800 --> 00:12:18,740

See that brush has soaked that

brush has no that's with pain.

165

00:12:19,790 --> 00:12:24,050

The, yeah, no, I will see you must tank.

166

00:12:24,079 --> 00:12:25,699

There'll be trees in front of it.

167

00:12:25,939 --> 00:12:28,130

It comes from behind the trees.

168

00:12:33,110 --> 00:12:34,100

Hey, what happened?

169

00:12:34,640 --> 00:12:39,890

No, I can't go on too long

then I will mess it up again.

170

00:12:39,920 --> 00:12:47,420

Clean it on your paper, like I do here

and make yourself that whole thing again,

171

00:12:49,610 --> 00:12:57,530

make it so it, the brushes vetoed and

brought us no pain and you're just.

172

00:12:57,680 --> 00:12:58,010

Yeah.

173

00:13:15,470 --> 00:13:16,160

Oh, watch.

174

00:13:16,640 --> 00:13:17,240

We will.

175

00:13:17,360 --> 00:13:22,760

We will, we will act, there

is some kind of a far I will

176

00:13:23,030 --> 00:13:26,540

have, uh, this far my issue.

177

00:13:27,120 --> 00:13:28,650

Covered tree sticking out.

178

00:13:28,920 --> 00:13:30,180

I use this paint.

179

00:13:30,180 --> 00:13:32,190

Can you see here that gray?

180

00:13:32,190 --> 00:13:35,040

My mountain paint is maybe too dark.

181

00:13:35,070 --> 00:13:38,940

I lightened it up a little bit

with, with this white and Indian

182

00:13:38,940 --> 00:13:41,970

urine and have seed backpack.

183

00:13:42,810 --> 00:13:43,710

It's too light.

184

00:13:44,040 --> 00:13:47,880

The a bit darker when you

touch it to make your decision.

185

00:13:49,580 --> 00:13:50,690

That's that's good.

186

00:13:58,880 --> 00:14:00,050

Little touch darker.

187

00:14:00,770 --> 00:14:03,439

And you think like that

tree standing there,

188

00:14:07,560 --> 00:14:12,589

you see a couple of trees,

there's a pairing and in whatever,

189

00:14:22,310 --> 00:14:22,640

maybe.

190

00:14:25,770 --> 00:14:26,939

Make it uneven.

191

00:14:27,569 --> 00:14:28,140

There's done.

192

00:14:28,140 --> 00:14:30,510

Look like soldiers, just

standing in the row.

193

00:14:35,819 --> 00:14:37,170

So that's good.

194

00:14:37,500 --> 00:14:42,660

Now, again, with that paint,

you just go over again.

195

00:14:42,900 --> 00:14:44,579

Is he and let that.

196

00:14:45,000 --> 00:14:47,010

Come out with no, where there

197

00:14:52,550 --> 00:14:52,969

beautiful.

198

00:14:52,969 --> 00:14:57,140

You see, you can see in the mud

and the mist trees far away on the

199

00:14:57,140 --> 00:15:03,439

mountain side and the sun views come

out and, and all of a sudden, all of

200

00:15:03,439 --> 00:15:10,339

a sudden, you, you, you go into black.

201

00:15:11,100 --> 00:15:19,500

Look, what I do into blue, into SAP

green and your brushes again, load it.

202

00:15:20,280 --> 00:15:27,360

You see what happened to brushes

loaded and now you three up there.

203

00:15:36,150 --> 00:15:37,110

Can you see what happened?

204

00:15:37,110 --> 00:15:40,110

All of a sudden, now it

comes from behind the tree.

205

00:15:41,010 --> 00:15:44,790

Now you farm it to something,

but you have already planted.

206

00:15:45,990 --> 00:15:51,250

And that's what makes a beautiful

painting fire in the branch there.

207

00:15:51,450 --> 00:15:52,680

Other they're loose.

208

00:15:56,070 --> 00:15:58,680

No, you can just fill

in that whole corner.

209

00:15:59,040 --> 00:16:00,000

I knew what happened.

210

00:16:01,110 --> 00:16:05,060

See how nice you formed a

whole new world in the midst.

211

00:16:05,070 --> 00:16:06,930

The sun was coming from behind.

212

00:16:07,320 --> 00:16:10,830

And if you want, you can open

up a little bit in between, but

213

00:16:11,070 --> 00:16:12,900

already that is a nice painting.

214

00:16:13,740 --> 00:16:17,580

And then you just gone having

maybe here some big trees.

215

00:16:30,015 --> 00:16:31,545

He just left the dock.

216

00:16:34,595 --> 00:16:37,805

They just Mark it on,

like, like I show you here.

217

00:16:38,074 --> 00:16:40,954

Now we can create a beautiful insight.

218

00:16:40,954 --> 00:16:45,454

There, there very B there

have be here in front.

219

00:16:45,814 --> 00:16:46,655

There will be.

220

00:17:04,310 --> 00:17:10,099

So I got the beautiful in Luke now,

and this is decide what is unreal hit.

221

00:17:10,940 --> 00:17:15,290

See that's society by the sun

will hit everybody gendered there.

222

00:17:16,064 --> 00:17:17,864

And it'd be very gendered there.

223

00:17:19,714 --> 00:17:23,554

So we were filling the whole

thing at least, you know, roughly

224

00:17:23,885 --> 00:17:25,655

that's what you show that's what?

225

00:17:25,655 --> 00:17:26,464

The far right.

226

00:17:26,464 --> 00:17:26,944

Distance.

227

00:17:26,984 --> 00:17:27,064

Yeah.

228

00:17:27,875 --> 00:17:32,135

And now you can dress it up a

bit more, but it looks better.

229

00:17:33,064 --> 00:17:34,985

I need a couple of branches coming out.

230

00:17:34,985 --> 00:17:35,854

They're coming.

231

00:17:36,034 --> 00:17:37,594

They're coming out.

232

00:17:37,594 --> 00:17:41,824

They're coming out there.

233

00:17:42,215 --> 00:17:43,415

No, on this side.

234

00:17:44,385 --> 00:17:46,695

This, I do believe dark VRR.

235

00:17:46,695 --> 00:17:52,835

There are other, there are

there and the tree tongue dare

236

00:17:57,485 --> 00:17:58,685

cheat on there.

237

00:18:01,110 --> 00:18:01,590

Yeah,

238

00:18:06,770 --> 00:18:07,820

no, we will.

239

00:18:07,970 --> 00:18:09,770

The sun is coming from this side.

240

00:18:10,129 --> 00:18:19,820

I will use a, kind of a Indian Gallo and

that is, you know, it kind of a blue.

241

00:18:23,834 --> 00:18:29,084

Watch now I couldn't explain, even though

there is a kind of a blue and that there

242

00:18:29,084 --> 00:18:35,774

is a kind of a red there's yellow and

white, and I mix myself a color like

243

00:18:35,955 --> 00:18:39,375

occur, but individual her red to see.

244

00:18:39,375 --> 00:18:41,195

And then what happened to here?

245

00:18:48,965 --> 00:18:51,935

The, you create.

246

00:18:55,065 --> 00:18:59,265

Can you see the sun going to hit in

between an album's in between the

247

00:18:59,265 --> 00:19:03,705

branches, the sun hit the tree trunk and

it lights up your tree trunk a little bit.

248

00:19:03,705 --> 00:19:07,265

They're there, but they're there.

249

00:19:08,355 --> 00:19:08,965

Look at that.

250

00:19:09,675 --> 00:19:10,155

Wonderful.

251

00:19:14,705 --> 00:19:17,255

I know a dude, but just do it like that.

252

00:19:17,255 --> 00:19:17,705

Fine.

253

00:19:18,125 --> 00:19:21,185

And if you want, you can have

a little scratches out there.

254

00:19:32,555 --> 00:19:34,895

Play it, play it against the light.

255

00:19:34,895 --> 00:19:35,225

Yeah.

256

00:19:38,580 --> 00:19:39,090

Good.

257

00:19:39,209 --> 00:19:39,540

Good.

258

00:19:39,659 --> 00:19:40,169

Good, good.

259

00:19:40,730 --> 00:19:43,040

No, on this side was the opposite.

260

00:19:43,399 --> 00:19:49,490

I would have more of that white paint with

two red like awkward tune, but in a rage,

261

00:19:49,939 --> 00:19:58,939

it has a kind of a smile that paint and

I have a, I have a three times light and.

262

00:20:01,379 --> 00:20:03,270

He has.

263

00:20:03,270 --> 00:20:03,750

Yeah.

264

00:20:04,010 --> 00:20:08,030

And you know, that's hard

paint that is like, like glue.

265

00:20:08,090 --> 00:20:11,090

It would stick when I put it

on average stick on there.

266

00:20:11,420 --> 00:20:14,690

The thing that makes it so nice,

you don't have to fit it too long

267

00:20:14,930 --> 00:20:17,030

to get it on your dish forever.

268

00:20:17,030 --> 00:20:18,290

You think it really light up?

269

00:20:18,915 --> 00:20:27,405

You have fires on, is he, maybe he

is a bit more that he is and he has

270

00:20:27,405 --> 00:20:32,595

said on here's a bag one bag fun.

271

00:20:43,410 --> 00:20:46,050

Make a big one day, but that's

272

00:20:49,820 --> 00:20:50,700

no, that's fine.

273

00:20:50,880 --> 00:20:58,670

No, you use your two inch brush the

linen one, the Linden brush, and you use

274

00:20:58,730 --> 00:21:08,870

yellow and white and a bit of Indian,

yellow, gold, and highlight this side.

275

00:21:08,940 --> 00:21:09,060

Okay.

276

00:21:17,480 --> 00:21:18,370

See, thanks.

277

00:21:18,370 --> 00:21:20,480

The sun comes in and hits this virus.

278

00:21:25,190 --> 00:21:28,010

Maybe a little touch of

green would be nice too.

279

00:21:28,550 --> 00:21:36,140

You know, we can have the branches flying

out there and let that dock be in between.

280

00:21:42,629 --> 00:21:43,620

Yeah.

281

00:21:46,610 --> 00:21:51,020

Can you see no, this, the dark side

light comes from this side and lines

282

00:21:51,020 --> 00:21:55,010

up the trees on this side, and now you

can play your little game is it's just.

283

00:21:55,129 --> 00:22:00,199

Beautiful to, to learn what

you got in your insight.

284

00:22:00,439 --> 00:22:05,179

And everyone sees a date coming up and

going back and going in and you see

285

00:22:05,179 --> 00:22:10,520

the sun coming up and you see the light

and shadows sometime the wandering,

286

00:22:10,790 --> 00:22:15,469

wandering zone patches on the fields

or in the mountains and all that.

287

00:22:15,570 --> 00:22:19,620

You got to learn to live with,

and that is what makes it so nice.

288

00:22:20,120 --> 00:22:23,480

That's what I'm so proud

of, of whatever you pain.

289

00:22:23,659 --> 00:22:26,389

It will be original and

it will never be second.

290

00:22:26,670 --> 00:22:31,550

You can only show it once the

highlight wherever you think.

291

00:22:32,000 --> 00:22:33,139

And look at that.

292

00:22:33,920 --> 00:22:35,720

See, and this is the sunny side.

293

00:22:38,570 --> 00:22:45,975

And then if you want, you can create a

mighty, mighty, mighty, uh, Oh me with

294

00:22:45,975 --> 00:22:52,395

the red and white and I, the Bush is

just standing there in the sunshine.

295

00:22:53,024 --> 00:22:54,225

The, uh,

296

00:22:58,205 --> 00:23:02,495

maybe here little catch

they would catch there.

297

00:23:03,125 --> 00:23:07,625

And then all of a sudden, they're

hear here a little bit, who

298

00:23:07,625 --> 00:23:08,945

are you bringing it to life?

299

00:23:09,245 --> 00:23:13,445

And then all of a sudden I would

use a knife, even for that.

300

00:23:14,129 --> 00:23:20,129

All of a sudden death is

just on line right in here.

301

00:23:29,570 --> 00:23:35,409

And that's something that's a happy

little wandering road to have beautiful.

302

00:23:36,585 --> 00:23:45,015

Call me out and this son has tears the

part of that road, he, and whatever

303

00:23:45,015 --> 00:23:46,755

it's called, whatever it's called.

304

00:23:47,315 --> 00:23:50,735

See, and then you can have

here a little bit of Allergan,

305

00:23:50,735 --> 00:23:53,195

Crimson, and, and just color.

306

00:23:53,285 --> 00:23:55,385

See, you can add.

307

00:23:56,325 --> 00:23:58,455

So just kind of a color

that's in the shadow.

308

00:23:58,455 --> 00:24:02,895

Now you can have a bit more

talk and blue is access.

309

00:24:11,120 --> 00:24:11,330

Okay.

310

00:24:15,220 --> 00:24:21,280

And this side light up as much as you

want that this Heuer side, that this is on

311

00:24:21,280 --> 00:24:25,240

the side, the sun needs side on history.

312

00:24:25,629 --> 00:24:26,649

Uh, go ahead.

313

00:24:27,879 --> 00:24:28,659

Cut cut

314

00:24:32,050 --> 00:24:32,860

down there.

315

00:24:33,220 --> 00:24:35,860

Uh, yeah, fine.

316

00:24:37,680 --> 00:24:43,230

And then if you want, you can

have a reds and blues and this

317

00:24:43,230 --> 00:24:45,000

kind of thing, color there.

318

00:24:45,000 --> 00:24:47,100

You can have a look.

319

00:24:47,610 --> 00:24:49,940

It gives you a, still in the shadow there.

320

00:24:49,960 --> 00:24:52,710

Some guy out there, he flew it out.

321

00:24:54,120 --> 00:24:54,659

Yeah.

322

00:24:55,530 --> 00:24:56,100

Here.

323

00:24:56,370 --> 00:24:56,459

Okay,

324

00:25:01,159 --> 00:25:02,419

that's on the shadow side.

325

00:25:02,600 --> 00:25:09,080

And even here you can go a darker,

darker, and he was just in a shadow.

326

00:25:10,095 --> 00:25:12,465

I can put it out like

this, if you want to.

327

00:25:13,185 --> 00:25:18,165

And the sun had stopped by, and then

here, here, here, here in your mind, you

328

00:25:18,565 --> 00:25:22,784

would create this on mighty big tree here.

329

00:25:23,235 --> 00:25:27,764

You see a part of that big

tree trunk is he is not Vonda.

330

00:25:30,690 --> 00:25:36,210

Is that all that disappears and yonder,

there is a part you see, little bit

331

00:25:36,210 --> 00:25:39,840

of that tree sticking out there and

there, and then, then Darrin there,

332

00:25:40,890 --> 00:25:48,420

and then you, you, you, you break it

up, break it up, see you in there.

333

00:25:48,630 --> 00:25:51,540

Some big branch movements.

334

00:25:54,780 --> 00:25:57,930

Maybe here you see what happened.

335

00:25:58,200 --> 00:26:02,720

Odd of a sudden you got

nice, happy little painting.

336

00:26:02,990 --> 00:26:07,070

And it was a very exciting little

thing, but with light and shadows

337

00:26:07,100 --> 00:26:08,900

and the mist and the sun beams.

338

00:26:09,170 --> 00:26:14,300

And I just want you to bring out a

little bit more, this light here,

339

00:26:14,750 --> 00:26:18,680

this light, that is the that's

the hit in the canvas again.

340

00:26:28,725 --> 00:26:31,695

Maybe he had a little bit,

give him a happy ending.

341

00:26:33,635 --> 00:26:37,195

Is he creative power out of nowhere?

342

00:26:37,205 --> 00:26:40,865

You put the mood, you set

the clock who's at the time.

343

00:26:40,865 --> 00:26:44,525

You that's why they always

say you are next to God.

344

00:26:44,795 --> 00:26:46,985

It's just so wonderful to live like that.

345

00:26:47,285 --> 00:26:48,485

Thank you for watching me.

346

00:26:48,485 --> 00:26:49,865

I hope you enjoyed it.

347

00:26:50,045 --> 00:26:50,675

I love you.

348

00:26:51,195 --> 00:26:52,905

One more beautiful oil paintings.

349

00:26:53,685 --> 00:26:59,565

Bill's paint and all your art supply needs

are only a click away@alexanderart.com.

350

00:27:00,555 --> 00:27:02,415

Just click on the online store link.

351

00:27:03,315 --> 00:27:03,915

You can paint.

352

00:27:04,365 --> 00:27:07,305

We promise Alexander art.com.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Sunday, December 13, 2020

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The Magic of Oil Painting

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The Magic of Oil Painting

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Sunday, December 13, 2020

S08E02 Del's Pond - AVAILABLE

Bill Alexander'sThe Magic of Oil Painting

S08E01 Bill's Mountain Waterfall - MISSING

Bill Alexander's

The Magic of Oil Painting

S07E13 West Virginia River - AVAILABLE

Bill Alexander'sThe Magic of Oil Painting

S07E12 Sunlight I - AVAILABLE

Bill Alexander'sThe Magic of Oil Painting

FREE DOWNLOAD - BILL ALEXANDER'S THE MAGIC OF OIL PAINTING - SUBTITLES! DOWNLOAD HERE!

Bill Alexander's
The Magic of Oil Painting

Bill Alexander's
The Magic of Oil Painting

Bill Alexander's
The Magic of Oil Painting