Monday, December 14, 2020

UNKNOWN Season, Episode, Canadian Sunset - AVAILABLE

Bill Alexander's

The Magic of Oil Painting


UNKNOWN Season, Episode, Canadian Sunset - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar. 


Begin .srt file.

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I want us to paint a kind of a sunshine

painting, whatever the sun really shine


2

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universe for saying Happy's on the fields.


3

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No, that was not belong to my show,

but I showed you how you should do it.


4

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Okay.


5

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I have something suddenly in your mind.


6

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No.


7

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When you watch me bitch, Viagra created,

I use a black canvas where is dark.


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That is light.


9

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I will use as many black canvas

as I can if I still have some more


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showers, because I think that is, and

we never know the value about what


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can be done with the black canvas.


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I even went to show a party, how you

make it, put it on the black canvas.


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It's just beautiful.


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So I aim for sunshine, sunshine.


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Okay.


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I put, I put, I put that oil on

that clear varnish, clear oneness,


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because you need that varnish first.


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And then again, you prepared

with the sunshine color and what


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would be the sunshine color?


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How about you guests?


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Whom are they ready?


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How would you guess?


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But I will put on do that.


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We will have fun.


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Carla.


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There's a kind of got to be

transparent, a transparent sunshine


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color, a transparent sunshine color.


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Oh, that should be enough.


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That should be enough.


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Not too much.


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Otherwise you ground yourself

and then you slide and slip.


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Nice.


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Covered like this.


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Like this?


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Nah, it's good.


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I wash my brush.


37

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Okay.


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Mighty, what would you put on.


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Uh, transparent Indian, yellow,

the, this here, that's this


40

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transparent Indian, yellow.


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We call it an Advil on Z here already.


42

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You can see it yellow, but

it varies on the canvas.


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Look like this, like shoe

cream, but it's nice and dark.


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It's nice and dark.


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Nice and dark.


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You know, it's funny.


47

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I was on your hum.


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You are my sunshine, my only sunshine.


49

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That's nice.


50

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Nice to, to have happy thoughts in

your mind when you fire in there.


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It's very contend.


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The now I will leave a land,

maybe the dark and have the


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sunshine firing up there.


54

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There's a very dark Island in

between or dark strip of land


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and that are, should turn into sunshine.


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you don't see that you see, but I

know when I put Vite against that,


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that's where it really pop up.


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That's really pop up.


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Now I put the little bit here in between.


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I wants to leave a darker, I wants

to see that like little Island


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there, but the little bit of


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Indian get over there.


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We'll be good.


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So something like this, see, no, we

very, very create and mighty sky.


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I use the Tetro, right?


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There's no dirt and maybe a bit more.


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And I would say the light, the

light, the sunshine is right there.


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wonderful and a nice hole

where it's dark there.


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You can pay him light, light,

and light is nothing and nothing.


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It's just impossible to live.


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So remember, if you wants to power

up more light, you have to have dark.


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And that was the idea

about that black canvas.


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he maybe here even a bit more,

just they would like to have


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that light really burning there.


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I think we learned something as not your.


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See, I've had some time blue on them.


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Any color you want.


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Now we have a red, I try to show you all.


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I had already copied with tapes

made with the red on, but this is


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not the yellow and the blue, and

you can use any color you have, but


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transparence you can use for that move.


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Move is a nice, transparent color.


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It depends on what I

just let the sky move.


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Like that gives me a nice

moving, moving sky there.


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But again, where the sun is, the

brightest, it just happened around.


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There are ways that punchline, I would

like not to miss that that's right there


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and let it get darker as you go on.


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So now I just hypnotized a little bit,

so this is becomes more, more together,


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but I don't want to miss the dark holes.


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Leave the dark holes there, but

just put it together like that.


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It gives you a better feeling.


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You can leave it somewhere, a little

string because that looks good too.


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Dubai, you feel your

feelings will tell you.


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It's just that what you want.


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Hey baby.


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Give him that whole line.


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That's the line we have there.


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Good.


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Beautiful.


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Nice, happy start.


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Now we fire the same thing in

the right to the water down there


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and I divide the whole thing breaks up.


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Oh, again, fire in here

into the sunshine first.


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And then you go with the

figures, whatever here, because


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the Indian get us in the back.


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So you have no problem to get that

yellow coming up and you only use Vita.


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Yeah, I'm very, very proud

now of our young teachers be


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trained, Lauder, young, new.


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Wonderful Thailand did teach us and

there will be more on TV now and every


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show the talent and they have power.


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And that would be nice.


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That would be nice.


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That would be so nice.


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So again, use your fan brush now.


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Any good old fan brush will do

the job and I will take right off.


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See here again.


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I know, just, just give them

that little bit of extra there.


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So there's dance.


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Is that just around,

down in the water there?


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That's good.


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Good now use your big

brush and we make water.


122

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That does kind of lines would be nice.


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Those long lines


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that makes water.


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You see,


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and when you do it, do it like this,

not like this, the, if the brush is this


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way, you press that paint on rather, and

it will give you those nice long lines.


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So we were, we were, we were, we were, uh,


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Yeah, no, you make those kind of lines.


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You have a nice, that comes.


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You see alone.


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That could be a painting.


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Isn't it.


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You don't, you don't have to do

anything else except put your name on.


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And that's it.


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And that's something, no,

naturally we are bit more fussy.


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We would like to see on the other side,

how that comes up and down, whatever


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I use this app green here, the fuse

app green, and I will maybe build


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up there a little bit of whatever I

wants to think they could be trees.


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you wouldn't see it on TV.


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I'm sorry, but that

will be just like land,


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but I will bring it out a bit more.


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This, you understand it later

on, but first I have to have


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that SAP green on there.


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If you, whatever you plan

there, that that's fine.


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Nine,


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whatever you plan there, we can

have some time with just the


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bigger ones sticking out there.


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This, this happened.


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One is obvious one bigger than

the other and the stairs really.


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Sticking out there, but

that's your own taste?


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No, whatever you think your

plan or you want to see


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you know, it's just

such a wonderful thing.


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We got so much mail.


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So many people write to me and I'm

so proud to tank now, always on.


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I never thought about myself.


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I really, everyone tells

me your was a good teacher.


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You give us lots of ideas and you know, it

makes me very, very happy and very proud.


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And usually you always

think I never do enough.


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Now.


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I would like to show more, comes

to happy ending, and I wish I could


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really do as much as possible.


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So, but then you can only

do so much and that's it.


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So watch me here a little bit.


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I just, the, what I see their reflections,

the Mustang half of that is the


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reflection in the board and half of that

is, but that will be brought out soon.


167

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The first they put that

SAP green on everywhere.


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Yeah, but you don't see it.


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You don't see it.


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Now.


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We went to have it on denim to

show you how we get that coming up.


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E no, you, you, you do it like

this, you know, like, yeah.


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We let her gently.


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Whatever you see on top Robert into

the water, but then watch, watch


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whatever show you I was showing.


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I was show you.


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Let's see, I just don't want

this, uh, abrupt ending here.


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I like to have a little bit of like this.


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See now you, you, you can

go in to see what I do.


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I grab a little bit of that Indian,

yellow, and I create, I would say.


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But the more bit more, right.


182

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Fi Indian Yaz a written

more, right like that.


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And I would say maybe

here, here, here, here.


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Yeah.


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There's a happy little short, like,

can you see all of a sudden you connect


186

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all that we know you can see it.


187

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I hope the camera shows that

sometime I feel it is so dark.


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Let me do it a bit louder, a little

bit more that you can see it.


189

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Maybe I'd do it too,

but more powerful there.


190

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It would show showing the

camera by the under painting.


191

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You can see it, but, uh,


192

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I wants to see you seeing it.


193

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If he's on, see it, then I failed.


194

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so I just bring it out a little bit more.


195

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It's the value of that mighty

black canvas, what can be done?


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It's just wonderful.


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It's just on the foot.


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And that would be in

the water, in the water.


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You're on those long lines and

you, but I really did a cut


200

00:16:43,670 --> 00:16:46,880

it in half and that was it.


201

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So that's good.


202

00:16:57,125 --> 00:16:58,185

No, we will.


203

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We will, we will think it is close

to the sun there to the light.


204

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I will dance and things there.


205

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Look, Oh God, that the

camera would show that.


206

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Is it, is it good on the camera?


207

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Just you see it, as long as you see it.


208

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That's the main thing.


209

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The here, here in Nevada, I

did long lines and here I just


210

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gave him led or things of a C.


211

00:17:35,280 --> 00:17:39,150

Maybe in the middle of, in his

sunshine, what his son is the best.


212

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Maybe we give him a bit more dare

just, just what his son is the best.


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00:17:46,500 --> 00:17:49,170

I think that would pop

up that we'll see you.


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Then you can judge yourself and you go

on and let that get dark or dare he,


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00:17:54,840 --> 00:17:57,120

this, this is what would make it, pay me.


216

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And you can see the value of

that on mighty black canvas.


217

00:18:01,590 --> 00:18:03,209

I can work it out so nice.


218

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So nice stair and whoever started

off that, wasn't I'm I saw a lot of


219

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paintings, but he painted on the black

canvas and there's where I learned how


220

00:18:17,399 --> 00:18:22,230

to pin portrays on the black canvas.


221

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See.


222

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Uh, just go this long, just go

along and, and literally like


223

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the branches are popping up.


224

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Branches are popping up.


225

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See, that's it.


226

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No more.


227

00:18:52,490 --> 00:18:52,850

I just.


228

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And now that could be enough, but

I want you to do more in order


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just to see it on the camera.


230

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That's the main thing.


231

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That's the main thing.


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And the sun and the sun make

it the loudest or the best


233

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Maybe we even give them our mighty

push here, here, just, just in the sun,


234

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even if that's a shed door,

but you need the punch there.


235

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You need to, you need power there.


236

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That makes it nice.


237

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Into the sun, everything start

gluing after the sun gets darker.


238

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So no V very


239

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hypnotized audit.


240

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Yeah.


241

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See, and watch how happy you get.


242

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No, he do it like this.


243

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No, we will use the fan

brush, the almighty fan brush.


244

00:20:13,965 --> 00:20:15,014

And again, take a look.


245

00:20:15,014 --> 00:20:16,185

How I take it off.


246

00:20:16,455 --> 00:20:17,455

I go right in it.


247

00:20:17,455 --> 00:20:18,895

This is the softer, right?


248

00:20:19,115 --> 00:20:19,264

Yeah.


249

00:20:20,784 --> 00:20:26,824

The dang about for mountain, for

roads, for bird streets, when you cut


250

00:20:26,824 --> 00:20:31,564

the Birch trees and, and you need the

birchbark, you need a thick, strong pain.


251

00:20:32,145 --> 00:20:33,254

For that kind of a thing.


252

00:20:33,254 --> 00:20:37,665

You always use that thick

paint, but for this is good


253

00:20:37,875 --> 00:20:39,465

because this can float better.


254

00:20:40,245 --> 00:20:50,315

The, what I do here, I just caught in a

little bit of a, of a Shortline there.


255

00:21:01,170 --> 00:21:02,270

Yeah, and you start off here.


256

00:21:02,270 --> 00:21:03,320

You're very loud.


257

00:21:03,530 --> 00:21:07,220

You talk loud, but then when you

come out here, you start whispering.


258

00:21:09,530 --> 00:21:10,790

You said nothing, nothing.


259

00:21:11,505 --> 00:21:11,745

Yes.


260

00:21:11,745 --> 00:21:12,525

It's such a power.


261

00:21:12,795 --> 00:21:17,355

You get the power of living coming

in and it all pulls together.


262

00:21:17,475 --> 00:21:22,215

And there's like, when, when you think,

and the sports field, wherever that


263

00:21:22,215 --> 00:21:27,525

big hooray, or we are winning, or

we are doing good or we, and this is


264

00:21:27,555 --> 00:21:33,665

that blows up right there, all of a

sudden he, and that makes it so nice.


265

00:21:33,875 --> 00:21:35,225

So nice.


266

00:21:35,945 --> 00:21:38,525

No, you, you, you, you.


267

00:21:39,959 --> 00:21:42,330

The, the fan brush is

quite a nice little animal.


268

00:21:43,010 --> 00:21:43,399

Tell you.


269

00:21:46,310 --> 00:21:50,959

Hey, nice, nice.


270

00:21:52,129 --> 00:21:52,909

No, he showed you.


271

00:21:52,909 --> 00:21:54,500

I hope he showed you everything.


272

00:21:54,500 --> 00:21:54,830

Now.


273

00:21:55,459 --> 00:22:01,850

He showed you on the blue canvas

and the red and the no, the Indian,


274

00:22:01,850 --> 00:22:06,620

yellow and the, in this case, I

just pushed it up and did it better.


275

00:22:07,545 --> 00:22:09,885

The little bit of push that I push.


276

00:22:10,695 --> 00:22:14,865

Give you kind of a good

IC standing up IDs.


277

00:22:15,585 --> 00:22:17,175

Some you're standing up there.


278

00:22:18,215 --> 00:22:22,535

C no, V V.


279

00:22:22,565 --> 00:22:31,895

Well, yeah, the fenders has

a little bit of a, of a.


280

00:22:32,685 --> 00:22:33,105

It does not.


281

00:22:33,105 --> 00:22:37,754

The street line is our service kind of

like the voter would be you understand


282

00:22:37,754 --> 00:22:44,205

that, see that, but press not too

hard as harder, you will learn that


283

00:22:44,294 --> 00:22:49,905

there's a certain tach is a beautiful

task and a certain other task is ugly


284

00:22:52,395 --> 00:22:56,895

because you're an artist attached

would touch what I apply Valium.


285

00:22:57,210 --> 00:22:57,870

My fitter.


286

00:22:58,230 --> 00:23:03,720

And I tell you, I have six fitteds home

and every fiddle has a different or R E.


287

00:23:04,020 --> 00:23:06,570

And you know, it's just

beautiful to touch that wood.


288

00:23:07,140 --> 00:23:08,040

Oh God.


289

00:23:08,040 --> 00:23:10,740

There's like God in

heaven that talks back.


290

00:23:11,310 --> 00:23:15,210

And does the same when you touch,

touch the paint, touch the canvas.


291

00:23:15,480 --> 00:23:17,730

See that, Oh, God is a good living.


292

00:23:18,330 --> 00:23:19,650

You would think you're in heaven.


293

00:23:27,949 --> 00:23:32,570

That's what I have traveled with,

with the pilots, with the plastic


294

00:23:32,570 --> 00:23:35,060

pallets, I should keep my mouth shut.


295

00:23:35,510 --> 00:23:39,379

We started them too, but

I can't live with them.


296

00:23:39,949 --> 00:23:45,080

I got to have wood, wood,

natural are not doing a tour.


297

00:23:45,139 --> 00:23:46,969

Not to nature.


298

00:23:47,449 --> 00:23:47,899

Nature.


299

00:23:48,020 --> 00:23:49,399

Nature is God.


300

00:23:49,699 --> 00:23:51,739

And with God I can live.


301

00:23:52,365 --> 00:23:53,275

But God, I can.


302

00:23:53,275 --> 00:23:56,865

The very, very, very, very

easy that's no problem.


303

00:23:57,465 --> 00:24:02,295

D he had little bit of fought

the movements there and then


304

00:24:02,295 --> 00:24:03,945

you can push it or whatever.


305

00:24:04,725 --> 00:24:08,775

See maybe here one more.


306

00:24:10,905 --> 00:24:11,145

See.


307

00:24:11,205 --> 00:24:15,585

Now, if you want to know, if you come

forward, you can use your mighty knife.


308

00:24:16,725 --> 00:24:18,045

I will, I will.


309

00:24:18,689 --> 00:24:20,719

Prepare some paint right there.


310

00:24:20,750 --> 00:24:21,689

See how I do it.


311

00:24:22,199 --> 00:24:24,389

Put up something a bit more white.


312

00:24:24,840 --> 00:24:27,389

It's too yellow that right.


313

00:24:27,389 --> 00:24:32,449

Like this, then here's the duck

that really posts posted up.


314

00:24:34,070 --> 00:24:34,879

Can you see that?


315

00:24:37,010 --> 00:24:42,500

Because you build the kind of edge there

and that edge is standing up nicely,


316

00:24:42,500 --> 00:24:44,840

you know, the, and then you're just, uh,


317

00:24:53,345 --> 00:24:57,004

and as you come forward, you

can always make it a bit bigger.


318

00:25:05,585 --> 00:25:06,635

They're not wonderful.


319

00:25:07,145 --> 00:25:12,815

It's wonderful to live like that with

all your inside power you become.


320

00:25:13,229 --> 00:25:15,419

Next to God, you are the creator.


321

00:25:15,810 --> 00:25:20,070

You create something, but there was just

a black canvas, a couple of minutes ago.


322

00:25:20,100 --> 00:25:24,570

All of a sudden you have and what ever

you can do now, that is such a powerful


323

00:25:24,570 --> 00:25:30,239

way of living because you know, you have

created some, you put your name on that.


324

00:25:30,300 --> 00:25:34,169

That was one of your wonderful

DS you live, and that will


325

00:25:34,169 --> 00:25:35,760

live on after you are dead.


326

00:25:36,360 --> 00:25:37,560

And that's the nice part.


327

00:25:38,610 --> 00:25:42,570

I think this is something we

are, that's where it comes to


328

00:25:42,570 --> 00:25:49,139

religion and why we have, we need

something that is human to hang on.


329

00:25:50,100 --> 00:25:54,030

There's nothing wrong with that because

we, we actually, we would love to


330

00:25:54,030 --> 00:25:56,310

live forever when the time comes.


331

00:25:56,820 --> 00:25:58,350

You have to go, you feel sorry.


332

00:25:58,350 --> 00:26:03,449

This is so wonderful and everything is

so beautiful and now I have to leave


333

00:26:03,449 --> 00:26:07,919

it, but it would be nice if you can

leave something behind something good.


334

00:26:08,955 --> 00:26:11,165

Not blood, not, Oh God.


335

00:26:11,175 --> 00:26:12,824

And they think about VARs and vacuum.


336

00:26:13,004 --> 00:26:15,074

I hate rapper, blah, blah,

blah, blah, blah, blah.


337

00:26:15,155 --> 00:26:15,965

Oh God.


338

00:26:16,264 --> 00:26:18,155

I have three bullets in my behind.


339

00:26:18,155 --> 00:26:19,294

I don't want anymore.


340

00:26:19,415 --> 00:26:20,135

And they want to see them.


341

00:26:20,145 --> 00:26:25,145

No American having bullets in there behind

we wants to live on an underpainting.


342

00:26:25,294 --> 00:26:30,544

You really live on for a long,

long, long, long, long time.


343

00:26:30,844 --> 00:26:34,475

I shouldn't have talked like that, but

sometime you get the character, right.


344

00:26:35,314 --> 00:26:36,635

Did you enjoy that?


345

00:26:38,235 --> 00:26:41,534

I shouldn't have talked, but you

got sometimes do care divided,


346

00:26:41,955 --> 00:26:45,945

but living, we got to live on and

you have to see a better tomorrow.


347

00:26:46,335 --> 00:26:50,205

And if we all just can bring a better

tomorrow, isn't that wonderful.


348

00:26:51,195 --> 00:26:52,754

Have a happened tomorrow.


349

00:26:53,115 --> 00:26:54,165

I see you again.


350

00:26:54,314 --> 00:26:54,855

Bye bye.


End .srt file.


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FREE DOWNLOAD - BILL ALEXANDER'S THE MAGIC OF OIL PAINTING - SUBTITLES! DOWNLOAD HERE!

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