Bill Alexander's
The Magic of Oil Painting
Season 8, Episode 12, Rain Forest - AVAILABLE
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Nice to be back in your home.
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You need the other brainwasher every time
you shut on your TV, there's other brain
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Bosch, either cigarettes or whatever.
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I hope I am a good brainwasher.
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So if you paint it, it's nice.
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If you get in touch with me,
because I painted all my life and.
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I think I'm a good teacher because
I was a good teacher in Los Angeles
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because we had always a full house
and I would like to be a good teacher.
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So today I have, again, you see a white
canvas and every time you go on your
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canvas, you got to bother yourself up.
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I always have to talk to myself.
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You, you got to condition yourself
because sometime I don't feel up to par.
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And it's happened to you too, but by
talking to yourself and like, excuse
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the word brainwashing in the morning, I
do a certain brain wash in the morning,
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or every time I go on my canvas in
order to be ready to what I want there.
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So today I thought about a rain
forest, rain, forest rain forest does
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everything that mossy trees, water.
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So.
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Put something together.
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So I thought I put the
happy blue sky in the back.
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No clouds whatsoever, but LA the trees
and reflect some all in the water.
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Maybe that the water come out of the
trees that makes it a bit more romantic.
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See, as long as you know what you
want, then you can space that canvas.
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See, I would say that I give
him maybe from here or ever
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just Mark it on the little bit.
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Everything from here, there
will be the water on, off.
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See space it in your mind and let it
come out, out, out, out the Bush so I
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can have to condition the whole thing.
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So whatever do now, make a
happy blue, blue sky, a happy
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blue sky, a happy blue sky.
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And as you, the, on the, like I said, in
the beginning, you got to be in shape.
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You got to be you condition yourself.
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But the canvas, the canvas does condition
me by see, when I see what's the outcome
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already, I see a blue sky, a deep sky.
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My mood gets up.
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I get happier and you see
that what we really need.
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A lot of people want drugs for whatever.
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Maybe for hour being happy.
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The, I dragged myself up with
what you just saw here right now.
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I got the nice deep sky
already in a couple of seconds.
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And in a couple of seconds,
I conditioned myself good.
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That is what we want.
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If I just spend a happy time on my
easel, when you hit retirement now with
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the clean brush, go from the bottom up.
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See, then I go into the paint
and if your darker, darker,
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darker, and can you see it?
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There's an optic illusion.
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Olive is on it.
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Is there.
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Deep sky.
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See, by having a lighter
there and darker on top.
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Good.
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No I where there's no rain
for, excuse me, low land.
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So I will thank put all kinds
of trees in, but shout the sky.
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They showed the sky in between.
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So first I will, I will.
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Yellow and blue gives you a happy green.
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See you, then you can control, you can
use SAP green if you want to the, and
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then I have, uh, uh, you know, here, I
just, just, uh, dang about does, does,
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uh, Marcy trees see, look at that,
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but leave, leave the sky in between.
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See you already, you can.
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Thank you.
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Sit on top of the streets and you look
down, you sit on top of the streets
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and you look down don't don't don't
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you guys.
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Oh, just dance.
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It enrich.
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Why you one there
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maybe here I make a dark hole.
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Like it's coming out as a dog there.
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Then I use a bit more yellow
and Prussian blue and a fire in
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there, kind of a dark, dark hole
fires right into the water there.
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See fires right into the water,
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and then you will up and put
your on feelings on already.
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See, I want you to have
loose branches up there.
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You see copper loose
branches flying up there.
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And heavier, heavier, heavier,
and take her on the bottom.
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See how easy, but otherwise what I want
to say here, I conditioned that canvas.
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I put the salt and condition in there.
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They, and if you want, you can put
the wind in there and whatever.
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SI and the bottom, you can
have a bit more ticker.
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You must think about rain
forest as green it's.
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UC is full of full of water,
full of Mars, full of thickness.
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It is, it's like a thick red carpet,
but this particular spot I want
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you to put dark, very dark and
all that dog and wants to raise.
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See that gives you that extra punch.
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It gives you extra punch there.
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The now you fire in the whole thing and
the water fire that all into the water,
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the, and that dark, that dark fire.
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Right.
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And dark and to the water.
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Yeah.
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Yeah, that's nice.
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And on the bottom, let's
show some bit of white.
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See the sky could be, but
make it dark underneath.
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No.
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So more Vandyke Brown.
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Assaf green.
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Uh, I would say impression
blue and yellow.
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Passionate blue and yellow.
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It kind of a dark, dark green,
dark green, more, more underneath.
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See more, make a dark there, see more dark
there and then pull it down, pull it down,
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um, more there and then pull it down.
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But I do, I conditioned my whole canvas.
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To what I want and then more dark there.
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And then there and loose branches
flying there, loose branches there.
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Maybe he had gone out of the canvas,
even the button show sky in between.
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here.
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I have other brush this time.
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It kind of, uh, Oh, but
you can use any, any brush.
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What gives you the thickness
of the tree trunks?
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The, I will use alizarin Crimson.
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Prussian blue van Dyke Brown and
have a dark red, red, or dark.
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The allergen Crimson turns
it into red, blue and Brown.
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And then you three movements
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C.
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And if you can fire them
right into the water too.
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Yeah.
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I was just all kinds of fruits and,
and, and, and branches and, uh, curves.
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And look at that divide.
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You really would see it there as
an auditory, right behind maybe
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Berry one or coming down there and.
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And you press harder, harder into
the water, make those curvy, uh, you
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hear them, you hear those trees when
they, when this day, you know, when
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they, when they, uh, that's kind
of a thing right there, the other
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brand is just going out like this.
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All the branches coming in like this
there's all the three coming up,
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like this fires right into the water.
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There's the other three behind there
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load up as many trees as
you would like to see there.
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And as you run the
distance, make them smaller.
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Z by there's lot of drought, the trees.
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Hey, that's just, uh, just
front end, whatever you have
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three branches, three branches.
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Big tree trunks.
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You can bring them up.
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You can bring them down.
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And Jess just paying
your heart divide there.
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Heavy one, right into the water too.
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Right into the water too.
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See now you highlight them.
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You can use a fan brush.
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If you want.
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Say the light is coming from that side.
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Touch of white touch of red
touch of white touch of red.
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See what I do here and a touch of yellow.
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Create your own leader.
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See, just highlight not everywhere
because you must think that a lot of the
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branches and all the leaves that cover
up, just highlight certain spots there.
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Certain spots
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he's done spot.
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Certain spots there.
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See fires right into the water into water.
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Maybe he is a spot where you
highlight there's a spot.
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There is a spot maybe here.
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So you don't want everywhere because thank
their openings, their objects, and the sun
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really hit it somewhere here and there.
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That's what you aim for right now.
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Yeah.
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That's what you aim for right now.
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That's what you aim for right
now, then how nice it's coming.
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Yeah, it does give them.
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the, uh, the rain forest,
uh, or the rain forest.
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And if you want, you can
pull it into the inside.
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You see like this, that gives you, it
makes the tree trunk round the, just
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put it into the inside and every bit.
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He has happened that makes it around
the trees become around right there.
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And you're filing, filing
no mercy, no mercy.
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Maybe here this one, head as one
on top here is the other one, their
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other one, their other one there.
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They put lots of, uh, Lights and
lots of fire in here and there.
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And the audio is on.
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This becomes that Eddie it
start, it started moving.
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It starts moving.
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It gets a life.
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It gets a life.
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See, and like I said, have this kind
of, uh, kind of a side, move it kind
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of a side move that makes it nice.
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Nice.
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And around the tree trunks,
it fires right into the water.
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It will automatically come there.
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And here you just have to dive
in a little bit, even if there's
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that dark it's hardly, you know,
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make it busy there.
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Okay.
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Then you, then you use the little
brush highlight, highlight yellow.
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See what I do yellow and go
right into the blue there's blue
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and the tones give you that.
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Nice green.
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See everything is just lined up easy.
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You can add, attach your vibe to that.
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That gives you a bit better highlight
that you would highlight maybe here.
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Yeah.
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In a beautiful how you, you know,
that's why I talk so much about
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creative power and I come to the
highest, highest stage of my, my tank.
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And I always say I'm close to God because.
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Thank you like that you are close
to God because look about you can
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do your, your head, the large, your
head, or does Fonda for things there.
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See,
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I always think hit them from hitting
from the light side, obviously the
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light side, the light side, the light
side, and leave the dog on that side.
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They decide hours where the light comes
from because you make the decisions,
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you are the creator you are next to
God, and that's what makes it so nice
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and a beautiful look at that.
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And now time, all of a
sudden my hands do things.
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I don't know.
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I don't know.
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I don't know.
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I just do it because common
sense tells me to do it.
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Didn't hear, maybe cover up
that hole over right over that.
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The branch, the logo that there.
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Yeah.
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I gave him that.
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I, you see me, you will always be one,
one vibe, because I would like to have
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a little bit of a movement into that.
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That gives you a little bit of an
extra in movement when movement.
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the first fire and this is where the water
comes out, but we will go after that.
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After a while after I just
let me finish up here.
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First, the light spots in that canvas.
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Go over, go over the tree trunk.
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You don't worry.
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Then you go over the tree trunk.
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And then, and then if you, if you
get that Marcy feeling, see what I
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do use the same, but load the brush.
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And I will pick some branches like this.
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We picked some branches like this here
and pulling mosque down and the nice.
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Just pull something down when you
see that hanging, it looks fantastic.
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There's something here in the back
and you see it hanging down there.
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That's hanging down, uh, maybe
here on this branch, we always
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try to get the branches.
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The, that gives you that gives you
this particular big branch here.
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Uh, that that really that'd be
rain for us, us be rain for us.
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Uh, it makes it nice.
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It makes it really nice.
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We gave him the run the little line
on top and pointed out then down.
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And if there's lots of wins, just go
over to bend, pull it with a vent.
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Nice.
239
00:18:12,045 --> 00:18:17,325
It reflects, it reflects things back
like this one would reflect here.
240
00:18:19,695 --> 00:18:23,015
So you just give him harmonize a
little bit, but the whole thing,
241
00:18:23,385 --> 00:18:25,525
harmonize harmonized, harmonized.
242
00:18:26,015 --> 00:18:27,245
See maybe here we go.
243
00:18:27,245 --> 00:18:27,575
And.
244
00:18:28,500 --> 00:18:34,790
And pull it down there and then, and,
and, and just, just create, create
245
00:18:34,790 --> 00:18:38,510
things, create things in the background.
246
00:18:39,080 --> 00:18:39,800
What do we know?
247
00:18:39,800 --> 00:18:40,610
What do we see?
248
00:18:40,610 --> 00:18:41,600
Maybe here a,
249
00:18:44,720 --> 00:18:47,810
just create certain fee
and a certain height.
250
00:18:48,020 --> 00:18:49,610
It is not too bad anymore.
251
00:18:50,060 --> 00:18:50,780
See too high.
252
00:18:50,840 --> 00:18:52,010
I wouldn't go too high.
253
00:18:52,730 --> 00:18:55,130
Then I watched those trees there.
254
00:18:55,650 --> 00:18:58,920
And the height, it seems to
be dryer and there's no Moss.
255
00:18:59,190 --> 00:19:04,550
See, there's nothing to pull down, but
pull it down here in between this create
256
00:19:04,550 --> 00:19:06,890
you as little bit of there's other branch.
257
00:19:07,100 --> 00:19:09,950
You don't see the branch, but you
see the Moss hanging down here
258
00:19:09,950 --> 00:19:15,530
and there and, and put it into the
water, put it into the water, see
259
00:19:16,590 --> 00:19:18,440
that that's the whole game we play.
260
00:19:24,140 --> 00:19:24,300
Yeah.
261
00:19:24,300 --> 00:19:24,560
Yeah.
262
00:19:24,740 --> 00:19:29,150
See, and then here on the trunk,
obvious, push it a bit sideways.
263
00:19:29,720 --> 00:19:37,400
That sideways pull gives you kind
of an extra, extra, extra movement.
264
00:19:41,030 --> 00:19:42,710
See that makes you a tree around.
265
00:19:43,460 --> 00:19:44,720
It makes you a tree around.
266
00:19:48,435 --> 00:19:50,415
See, all of a sudden it becomes a life.
267
00:19:50,445 --> 00:19:56,165
It becomes very much a life wherever,
wherever you think you would love to
268
00:20:06,365 --> 00:20:11,465
see wherever you think you
could add something, do it.
269
00:20:11,895 --> 00:20:15,015
Okay now let's let's fire in here first.
270
00:20:15,435 --> 00:20:18,885
I don't clean that particular
brush on this part here, because
271
00:20:18,885 --> 00:20:21,075
I want you to have it coming out.
272
00:20:22,365 --> 00:20:24,705
I want you to create
the kind of adept there.
273
00:20:25,335 --> 00:20:30,585
See light, very light strokes,
very light strokes, very light
274
00:20:30,585 --> 00:20:33,405
strokes, very light strokes.
275
00:20:34,505 --> 00:20:41,015
Hey, so now you, you, you, you, you, you.
276
00:20:41,550 --> 00:20:47,399
I would say the sun, the sun
277
00:20:53,600 --> 00:20:56,810
hits in there, the sun hits in there.
278
00:20:57,439 --> 00:20:58,820
The sun hits in there.
279
00:20:59,060 --> 00:21:00,830
See Bayview a little coast.
280
00:21:00,860 --> 00:21:03,770
They're like coming out like this,
281
00:21:07,340 --> 00:21:08,719
see how it works.
282
00:21:09,500 --> 00:21:10,310
See how it works.
283
00:21:11,925 --> 00:21:15,915
and this is what makes it a
nice, that dark dark in there.
284
00:21:18,615 --> 00:21:20,055
here's a little sunspot
285
00:21:24,425 --> 00:21:26,735
play light and shadows,
the light and shadows.
286
00:21:26,915 --> 00:21:28,475
You must think it is so crowded.
287
00:21:28,475 --> 00:21:34,535
They're so full of grout and it has
openings, but the sun just hits some time.
288
00:21:38,179 --> 00:21:39,570
Then, let it be dark.
289
00:21:39,629 --> 00:21:40,830
Let it be dark again.
290
00:21:43,610 --> 00:21:43,939
Maybe.
291
00:21:43,939 --> 00:21:45,320
Here we go.
292
00:21:47,870 --> 00:21:49,399
Thank you about the rain forest.
293
00:21:49,550 --> 00:21:50,360
Lots of bad.
294
00:21:50,899 --> 00:21:54,860
Lots of Mars it's floating around.
295
00:21:54,860 --> 00:21:57,709
Is it just beautiful?
296
00:22:06,740 --> 00:22:11,600
See there's upstrokes there's upstrokes
they give me, they gave me that extra
297
00:22:11,600 --> 00:22:14,540
little bit of a crowd of grass there.
298
00:22:15,210 --> 00:22:19,010
You can use more green
now, the more green,
299
00:22:22,430 --> 00:22:23,330
something like that.
300
00:22:23,720 --> 00:22:25,370
Now use your knife now.
301
00:22:25,920 --> 00:22:28,980
And then we fire in more light.
302
00:22:29,190 --> 00:22:34,230
Yellow are the same, the same, just a
bit more white, but more white into that.
303
00:22:34,710 --> 00:22:38,940
And then here I created a
mighty mighty beginning.
304
00:22:40,670 --> 00:22:46,760
Uh, yeah, they need some
powerful, powerful, powerful,
305
00:22:50,360 --> 00:22:52,100
well, powerful lines there.
306
00:22:53,175 --> 00:22:54,135
See that that's it.
307
00:22:54,465 --> 00:22:55,245
It's coming up.
308
00:22:55,965 --> 00:22:59,415
See that makes us really
rain, rain, forest.
309
00:23:13,835 --> 00:23:15,695
See something like that.
310
00:23:17,070 --> 00:23:19,410
Oh, God, no it's coming.
311
00:23:19,620 --> 00:23:25,880
It's coming out from somebody there
and you fires right into the, to hear
312
00:23:25,880 --> 00:23:28,550
and give them a bit more bit more.
313
00:23:29,270 --> 00:23:35,120
See that comes in steps coming out
there, and it makes a nice painting.
314
00:23:35,330 --> 00:23:39,320
And you see if you can think in
that direction, it is original.
315
00:23:39,770 --> 00:23:41,000
It is your dream.
316
00:23:41,580 --> 00:23:43,100
That's your on mighty dream.
317
00:23:43,485 --> 00:23:45,315
And it is not a copy.
318
00:23:45,645 --> 00:23:48,885
It is a part of, it's a part
of the time in your life.
319
00:23:49,065 --> 00:23:53,264
You capture that on mighty power
and this is what makes it good.
320
00:23:53,975 --> 00:23:56,195
You see now it makes a good living.
321
00:23:58,024 --> 00:23:59,105
Good, good.
322
00:23:59,435 --> 00:24:05,375
So, but otherwise, if you listen to
Papa, if you listen to Papa, your
323
00:24:05,375 --> 00:24:10,175
very original artist, he will be
the greatest ever lived on earth.
324
00:24:11,340 --> 00:24:13,020
The greatest ever lived on earth.
325
00:24:13,590 --> 00:24:15,090
Lots of creative power.
326
00:24:15,620 --> 00:24:16,700
Oh, look at that.
327
00:24:16,970 --> 00:24:21,470
Oh, lots of creative
power, lots of energy.
328
00:24:21,950 --> 00:24:25,070
Lots of being here and
you can holler loud.
329
00:24:25,100 --> 00:24:26,270
I am here.
330
00:24:26,570 --> 00:24:28,129
I lived in that time.
331
00:24:28,430 --> 00:24:29,750
I was here.
332
00:24:30,110 --> 00:24:31,070
See, look at that.
333
00:24:31,730 --> 00:24:32,360
Look at that.
334
00:24:32,750 --> 00:24:36,860
She has a couple of nice
than a strokes there.
335
00:24:39,405 --> 00:24:42,885
And all of a sudden became
a nice water and the rain.
336
00:24:43,625 --> 00:24:45,005
Can we see your packet?
337
00:24:45,275 --> 00:24:46,115
You pack it.
338
00:24:46,115 --> 00:24:51,665
Actually, you pack it with, with
badness and the goose, the green, the
339
00:24:51,665 --> 00:24:58,205
green, sometime you're lifted up here
and there's so much lush green there.
340
00:24:59,285 --> 00:25:03,755
See lots of green on the bottom
green on top green hanging down
341
00:25:03,965 --> 00:25:06,755
green, everywhere, and you feel bad.
342
00:25:07,355 --> 00:25:08,375
You really feel bad.
343
00:25:08,865 --> 00:25:14,865
And that is what makes it, what I
did create here is a vet painting,
344
00:25:15,375 --> 00:25:17,685
lots of veterans all the way around.
345
00:25:21,155 --> 00:25:25,235
No, you just put Tappy
waterlines in here and there,
346
00:25:29,525 --> 00:25:30,785
happy water lines.
347
00:25:31,055 --> 00:25:33,605
See the water lines, bring the water flat.
348
00:25:33,995 --> 00:25:35,675
You light that water flat.
349
00:25:36,005 --> 00:25:37,685
You have that in look like that.
350
00:25:38,280 --> 00:25:39,690
This is very important.
351
00:25:40,140 --> 00:25:42,420
That's why we see those water lines.
352
00:25:43,200 --> 00:25:45,540
If you want, you can put the crocodile in.
353
00:25:46,530 --> 00:25:47,970
I don't have time for that.
354
00:25:49,440 --> 00:25:52,230
If I had more time, I would
do all kinds of things there,
355
00:25:57,410 --> 00:26:02,210
maybe here, and then you could
put a water grout in there.
356
00:26:03,050 --> 00:26:05,570
You can have, uh, as a sample.
357
00:26:06,659 --> 00:26:08,310
Let D in the front here,
358
00:26:16,080 --> 00:26:18,570
do you want this by hitting it like that?
359
00:26:19,439 --> 00:26:21,780
It is better than, than fine lines.
360
00:26:22,020 --> 00:26:23,310
You hitting it like that.
361
00:26:23,580 --> 00:26:25,860
It gives you those bulrushes.
362
00:26:25,919 --> 00:26:27,149
You see you standing there.
363
00:26:27,750 --> 00:26:31,290
See, and then you create this
kind of a mud there where that
364
00:26:31,320 --> 00:26:34,240
badass floating on and you have.
365
00:26:35,010 --> 00:26:35,399
Yes.
366
00:26:35,429 --> 00:26:36,419
Perfect.
367
00:26:43,610 --> 00:26:45,500
You can go on and on and on.
368
00:26:45,500 --> 00:26:53,270
No, but I think that's a beautiful,
beautiful ID or memory of a rain forest.
369
00:26:53,780 --> 00:26:54,679
Did you enjoy it?
370
00:26:56,400 --> 00:26:57,330
I learned from it.
371
00:26:58,050 --> 00:26:58,740
Wonderful.
372
00:26:58,800 --> 00:27:00,720
Thank you for letting me be in your home.
373
00:27:01,230 --> 00:27:01,710
Bye bye.
End .srt file.
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