Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Mountain Mist - AVAILABLE

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You just wouldn't believe it.

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I just fed my fish.

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Do you ever have seen

smiling fish in the sunshine?

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I couldn't type.

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Can I have my easel right

down to the Creek again?

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I must be close to happy

and smiley smiling animals.

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So I would paint a fog.

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You see, now I'm all excited because

mother earth is feeding me the noise

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of diverter and what I have seen

when you see, when you feed fish, I

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tell you it's just a joy to be alive.

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So I'm ready to fire in the magic.

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Right?

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I just put the magic right on.

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I just straighten it out.

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I don't want to be so much time

just putting the magic, but you

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would say the guy who spent too much

time putting that magic right on.

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I just take it more or less off.

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Nobody too much.

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Good.

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See, beautiful, beautiful, beautiful.

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Why is she a brush?

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I even create a kind of a fog kind of

a fog let's let's take the palette.

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And white is on the canvas.

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I ever used.

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Van Dyke Brown is a good fall

color, maybe a touch of alizarin,

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Crimson touch of blue and, and the

airplane is not happening either.

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There's no typing either D and then

let's see what we got out here.

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Kind of a fog.

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I hope that it's a foggy color.

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I have to attach it tasted it is fog.

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Isn't fog.

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Beautiful.

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It is fog.

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You see, I know my Carlos because

Vandyke Brown and blue alizarin

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Crimson does call colors.

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They give you earth.

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They give you air VIT device on

the touch of blue is in there,

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but more you put the blue on.

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I know I just munch it up in a ZZ.

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Let that be.

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Heavy and loose and like a bend conducted,

like on my depend conductor fires then.

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And if you need more, you pass a bit

harder to get out and then the light.

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Can you see it?

00:02:16,440 --> 00:02:21,300

And then you say here, the father's

lifting off August lifting off there.

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August the, I press, I

just, the brush is loaded.

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I just pass a bit harder than here

and just press a bit hard to hear.

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And all of a sudden nays

foggy scene is coming up.

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Nice fall.

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You seen this coming up.

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And all of that far?

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No, you can.

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I still clean my brush more

because they're very deep waters.

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There will be water, but the Vata

is the farmers roiling on the ward.

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I just clean my brush out here now.

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Oh, that I think we have a nice,

happy foggy colors in there.

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No, I wash my non mighty brush.

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And I really, I really, you know, I

like to add a touch of like bloodstream,

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a touch of alizarin Crimson.

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This is just a wonderful color.

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It gives me obvious that it has

a kind of a smiling, allegedly

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Crimson has a kind of a smile.

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Can you see it now?

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But very, very careful.

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Yes.

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That, that it gives me a morning.

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That gives me a morning

feeling the sun is just.

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Tonight to get to the clouds, the sun

see that didn't touch, but the why I

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put it on you hardly, I hardly don't

attach it, but I am filter that bit of a

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raid to, to do the, do the scene there.

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Beautiful.

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Beautiful.

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See, now I will use my fan brush.

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One of my, on my defend rushes and

every create some kind of a foggy

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D I just look just like you blow.

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There's a tree standing far by

three, the fog existed three

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Luken and order the fog there.

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And there's a disappear.

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Let her disappear and nothing.

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She is.

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Standing out wherever you think there's

a little opening, let the tree, but you

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see what color I just cleaned my palette.

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I just cleaned that palette, maybe

trees, but foggy very, very foggy.

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You can have two together issue or isn't

she, ah, something in that direction.

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See, and then that disappear in the fall.

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Again, the, and maybe he is

known as a bit of a tree there.

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He maybe hears a kind of a four

leaf tree there, but you see

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how delicate she's dressed?

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Yes, yes.

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To so-and-so and so-and-so maybe

here can be a bigger one and,

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but leave fog in between the fog

in between the, there you go.

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But make it, make it follow

me and not the other details.

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Very, very solved.

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Very, very so the, and then you can

have other fan brush and you use Vite.

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You want to do right.

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And the touch of alizarin,

Crimson, white, and attached.

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See how I put it together?

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I don't go in the paint.

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I just go what?

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I I'm scared to have too much paint

on the, just the touch of a red.

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Yeah,

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that little bit of a touch

for red does so good.

103

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It does so good.

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It has blood Albus and

it has nukes healthy.

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It's loose.

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Harrity somewhere the zone.

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This is hazy and it hits that

little bit here and there.

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And, and you bring it out again.

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The same movements, the same movements.

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Just a little bit of maybe here.

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I created a kind of a like cloud, like

the father's moving, the father's moving.

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Yeah, and then just finish, finish.

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And usually underneath the fog,

you can always create kind of a

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shadow underneath the fog.

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I w this garbled up here, whatever

I can and having a little bit of a,

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I would delegate you have to work.

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This is very, very, very, very.

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It's fog.

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You always have to dank is fog every,

close it in, every closed it all.

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And then it's the other tree.

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Now I have to get some pain together.

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Again, think about those three colors when

Dyke Brown, Prussian blue and alizarin,

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Crimson and advisers on the canvas.

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But the why you put it on, you can have,

that might be too hard, but I do know.

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Um, maybe not, I I'm very cared for,

but this tree is already a bit closer.

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The, this tree is a bit closer already

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coming out of that fog.

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There

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that's a bit closer.

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Then you can have all the tree here, maybe

in between here coming close, closer.

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Is he next comes next to you.

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I painted that first there's I can

paint that in front and that comes a

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00:08:01,955 --> 00:08:07,534

bit closer then as a bit darker and

then let it disappear in the fog again.

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Okay.

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Yeah.

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Maybe here, here is some

shit sticking out there.

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Some grout, whatever you think Bush.

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I was fishing very often on the leaks.

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And then all of a sudden you see

something sticking out, but then this fog,

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00:08:28,500 --> 00:08:30,540

again, everything is dipping into fog.

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You maybe hear something, whatever

that moves, but I, I stand it up.

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You see all my movements are standing up.

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Try to stand it up.

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Then it has a meaning.

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It has on my demeaning.

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He beautiful.

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Now the next step again,

have a clean brush.

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Mighty clean brush and you fire

a new fog the again, right.

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And do the same thing.

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I'm scared to go into that on mighty

paint, just very careful, you know,

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Luca of that, uh, in a beautifully.

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Z like it comes in and shifts

as a shift behind and the

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whole call is folly and fishy.

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And here you just created a kind

of a Royal, the father's rolling

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00:09:34,140 --> 00:09:40,949

by, by that one here bothers

me then every bothered them.

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And by the medium me

alone, I need you alone.

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Okay.

158

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Okay.

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Good.

160

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We start already with something coming

out a bit more detailed, detailed.

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I will use van Dyke, Brown,

trash and blue in Crimson.

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Again, the same colors and maybe

a touch of yellow into that

163

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this time, because I come close.

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You see?

165

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No, we will be well, maybe here.

166

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Maybe like that?

167

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No, we let that disappear in fog

to adjust the field coming down.

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And, and the fathers rolling up

again again, the same treatment

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here with attacher Fred tactical,

alizarin, Crimson, or other that

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gives you that trade it's relaxed.

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Isn't it too much, too much.

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They don't go on.

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No, when there's too much

stuff to music and fair enough.

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00:11:01,595 --> 00:11:04,205

And again, with a bit of

lighter color, there they are.

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That's it.

176

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That's it, you know, you

can come up, come down.

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And then, and see the nice part

is all of a sudden your let

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00:11:11,745 --> 00:11:13,665

the fall, this dance up there.

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Yeah.

180

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That the fog just dance up there.

181

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Then you cut it in half.

182

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See, that's what you do very often.

183

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Then see, look, here's dad to turn around.

184

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And this happened, is it happy to breeze?

185

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And the farmers are

already over like this.

186

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Good.

187

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Yeah.

188

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Right now you play your

little games with the fog.

189

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I really use a clean, big brush and

you hit the ties, the whole thing,

190

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they advertise the whole thing.

191

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See that makes it nice and foggy, more

folly, more Farley, because he wants it.

192

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Nice and Zoloft here.

193

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You can just have some

upsells that are stand up.

194

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Beautiful.

195

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It's very soft, very soft, very soft.

196

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No.

197

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And make it all nice and foggy again.

198

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Happy farm the morning.

199

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No again.

200

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That's a mighty brush, you fire and

Carlos now, and there's just happened

201

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as the tree North divide use that

the trees don't destroy anything.

202

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What's nice already is that I

watched her, he sat the front tree.

203

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Now, is that the zone?

204

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Does it?

205

00:12:49,349 --> 00:12:54,660

I would say here is one big

one, right from the zone.

206

00:13:03,620 --> 00:13:08,839

My score down because it is just so close.

207

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See, otherwise next, next, next.

208

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And the disappears in yonder.

209

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That's a very, very good lesson here.

210

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If you just can follow it around,

that's a mighty tree there.

211

00:13:29,910 --> 00:13:32,430

So no, here we will.

212

00:13:32,579 --> 00:13:38,699

We will create a, kind of a,

kind of a little shoreline there,

213

00:13:41,040 --> 00:13:43,349

kind of a little shoreline there.

214

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See the movements, see the movements.

215

00:13:53,085 --> 00:13:55,155

Everything is standing up beautiful grout.

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You never can do it with small brushes.

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It's almost impossible.

218

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Remember that big brush when

you know, I tell you the toot

219

00:14:04,875 --> 00:14:06,165

talking all about that big brush.

220

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If it doesn't work for you, sleep

with that brush, the first night

221

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fell in love with the brush.

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Dan it's revoked for you.

223

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I cannot tell you because the other

people ask me how you, why you got to,

224

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because it's certain pains were to do it.

225

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And that brush is scared for that.

226

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Beautiful.

227

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Look at this.

228

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Look at Argus, then Berlin

Rashi says standing up there and

229

00:14:34,595 --> 00:14:40,355

yeah, you want, you can just

fire it in to the water there.

230

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Okay.

231

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And there's nothing beautiful when you

can do those kind of things with a copy

232

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of strokes, not this, you sit there for

hours and fiddle and fiddle and failure.

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I used to do that and I hate to

think I shiver when I think back

234

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on the time when I had to do it,

because this is just, it's living.

235

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There's a joy to be on this earth.

236

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And I bet you, God will

love you for doing that.

237

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There's so much power, so much on mighty

power in, in, in, in the thing like that.

238

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No.

239

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Oh, he would have finished up.

240

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Right?

241

00:15:21,980 --> 00:15:25,880

I would like to, I would like

to, to add the little bit of

242

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see the fan brush sometime.

243

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It's a beautiful brush by

this, doing it like this.

244

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SI.

245

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Yes.

246

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Dang.

247

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That's a happy little

three standing there.

248

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Can you make a close up if you really

see that it's such a beautiful thing.

249

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You fire it right into

the water there again.

250

00:15:51,015 --> 00:15:54,005

You just ended up beautiful.

251

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It's not stiff.

252

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The lines are not stiff.

253

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If you can get a nice

close up on this line.

254

00:16:00,209 --> 00:16:01,469

And there's this wonderful.

255

00:16:01,770 --> 00:16:04,439

And then you create as many as you want.

256

00:16:05,189 --> 00:16:07,589

You can even have it here, going up there.

257

00:16:09,709 --> 00:16:18,199

See that is what mother nature is all

about and fires right into the water.

258

00:16:20,060 --> 00:16:24,140

Yeah, you can have other one here.

259

00:16:36,365 --> 00:16:37,745

in a nice divide.

260

00:16:37,775 --> 00:16:38,585

It moves.

261

00:16:39,095 --> 00:16:42,995

It's just beautiful, just beautiful.

262

00:16:43,475 --> 00:16:48,665

It fires right into the water and

let the dance, whatever, whatever

263

00:16:48,665 --> 00:16:51,245

the water will show you see.

264

00:16:51,615 --> 00:16:51,855

Yeah.

265

00:16:51,855 --> 00:16:52,275

Yeah,

266

00:17:02,225 --> 00:17:03,125

this is wonderful.

267

00:17:03,665 --> 00:17:06,605

I really do enjoy myself by

doing those kinds of things.

268

00:17:07,595 --> 00:17:14,645

So now we can go on and on the, make it

like this now see, and then you make water

269

00:17:14,645 --> 00:17:18,545

out of that beautiful water or the debt.

270

00:17:18,974 --> 00:17:21,375

And then use your mighty knife.

271

00:17:22,125 --> 00:17:29,085

Now we come out at that fog

attach of yellow, red, the mix

272

00:17:29,085 --> 00:17:33,615

it in here, but I have a little

bit of jerk whatever's in there.

273

00:17:33,885 --> 00:17:36,015

It gives you kind of a color.

274

00:17:37,005 --> 00:17:38,925

The kind of awkward color.

275

00:17:42,645 --> 00:17:43,285

Beautiful.

276

00:18:04,985 --> 00:18:09,335

isn't a nice, I always come to life again.

277

00:18:09,695 --> 00:18:13,235

Then I, every painting, I painted

so many paintings in my life,

278

00:18:13,625 --> 00:18:18,665

but I always get new excited by

this, the Z and how it comes in.

279

00:18:18,665 --> 00:18:22,385

It's such a joy to see

every time it is going.

280

00:18:22,385 --> 00:18:22,745

Good.

281

00:18:29,524 --> 00:18:30,665

and it is original.

282

00:18:30,675 --> 00:18:33,004

You never can make the

second painting like that.

283

00:18:33,004 --> 00:18:34,145

There's most impressively.

284

00:18:39,120 --> 00:18:39,600

Me.

285

00:18:49,400 --> 00:18:52,790

No, if you want, Oh, we have

to put the tree trunk in here.

286

00:18:58,180 --> 00:18:59,180

That's nice.

287

00:19:02,720 --> 00:19:04,340

I use more paint again.

288

00:19:05,100 --> 00:19:12,930

Load your brush, alizarin Crimson,

Prussian blue van Dyke Brown, and

289

00:19:13,050 --> 00:19:15,060

the, I need the other dark here.

290

00:19:16,020 --> 00:19:17,040

Now the dark here.

291

00:19:17,340 --> 00:19:21,000

I want that three be dominant

that that's the tree.

292

00:19:23,490 --> 00:19:25,380

See the benches watch.

293

00:19:25,620 --> 00:19:26,550

Let me show you here.

294

00:19:26,610 --> 00:19:28,710

I should see the branches flying.

295

00:19:30,540 --> 00:19:32,670

See that that's the whole idea.

296

00:19:38,600 --> 00:19:38,990

We'll get that.

297

00:19:38,990 --> 00:19:39,350

Shut up.

298

00:19:39,440 --> 00:19:40,790

Sticking out there.

299

00:19:44,030 --> 00:19:46,879

No, this, this, this,

maybe like this here.

300

00:19:58,670 --> 00:19:58,760

Okay.

301

00:20:01,300 --> 00:20:04,320

Yeah, happy little river.

302

00:20:04,850 --> 00:20:08,540

I know you can, whatever, whatever

you feel, it comes to naked.

303

00:20:08,720 --> 00:20:11,149

You can always add something here.

304

00:20:11,149 --> 00:20:12,679

I would like to see by dog.

305

00:20:16,100 --> 00:20:18,649

I don't know, you choose too

much colors because I would

306

00:20:18,649 --> 00:20:20,210

like to bring out that fog.

307

00:20:21,105 --> 00:20:22,185

No here in front.

308

00:20:22,665 --> 00:20:24,045

We wouldn't have any fog.

309

00:20:24,395 --> 00:20:24,575

Wow.

310

00:20:30,725 --> 00:20:39,005

If you want to know, you can maybe,

maybe here might be a nice, but can you,

311

00:20:39,065 --> 00:20:43,355

can you see, can you make a close up

shot on this particular shot, please?

312

00:20:43,355 --> 00:20:43,655

Here.

313

00:20:44,195 --> 00:20:47,225

It just, how nice and loose.

314

00:20:47,775 --> 00:20:50,675

If it starts blocking, don't go on.

315

00:20:50,685 --> 00:20:55,665

Stop the music because see, can you

take your foot too close up on my brush?

316

00:20:56,205 --> 00:21:03,155

See how loose that brushes never, never

washed his brushes with soap and water.

317

00:21:03,295 --> 00:21:09,035

I, before I forget, I have to mention that

because it never worked for you anymore.

318

00:21:09,275 --> 00:21:12,485

The Bristol brushes, they have

to be cleaned with, with paint

319

00:21:12,485 --> 00:21:15,965

in the, or with special odorless

paint, then assist the best.

320

00:21:16,605 --> 00:21:20,175

And then it will keep the figure,

see the beautiful figure stare.

321

00:21:20,715 --> 00:21:21,945

And that's what we live off.

322

00:21:22,605 --> 00:21:26,955

The anyone that sees your painting,

he would think that takes you weeks.

323

00:21:27,195 --> 00:21:28,185

It takes a week.

324

00:21:28,245 --> 00:21:29,985

Zen Dubai, take it off.

325

00:21:31,125 --> 00:21:33,555

Watch I take it off like Kenya.

326

00:21:34,035 --> 00:21:35,385

I hope I heard it right.

327

00:21:36,105 --> 00:21:43,505

I take it off like this and is he

can receive the shape, the shape.

328

00:21:45,330 --> 00:21:48,270

But when I touch it, no ever touch it.

329

00:21:48,689 --> 00:21:52,919

If I touch it on a pallet, just

see that on the pirate here, see

330

00:21:53,460 --> 00:21:58,379

in the beautiful stroke, it is a

touch and move, touch, and move.

331

00:21:59,100 --> 00:22:03,540

See that alone is worth a lot

of money, but I showed, you

332

00:22:03,540 --> 00:22:06,590

know, I saved you lots of time.

333

00:22:06,919 --> 00:22:10,730

All you artists out there,

you should work one hour.

334

00:22:11,265 --> 00:22:18,915

Uh, D and are five hours on the beach and

watching the girls go by and that's fun.

335

00:22:19,605 --> 00:22:23,175

That's just the way that an artist

should live and you can make in the short

336

00:22:23,175 --> 00:22:27,465

time, all of those details and you sell

your paintings, you make enough money

337

00:22:27,465 --> 00:22:30,105

to be happy and have a happy smile.

338

00:22:30,465 --> 00:22:34,139

And when the age comes up,

like in my age now, You know,

339

00:22:34,139 --> 00:22:36,090

one day I really have to go.

340

00:22:36,240 --> 00:22:40,110

I will smile to the end

of my and the undertaker.

341

00:22:40,110 --> 00:22:41,280

He will hit me in the face.

342

00:22:41,280 --> 00:22:42,600

He was there, that son of a gun.

343

00:22:43,110 --> 00:22:46,620

He started smiling that they can meet.

344

00:22:46,710 --> 00:22:50,280

Our mighty technique

is what makes you good?

345

00:22:51,169 --> 00:22:56,149

You know, here, I just, I had to cut, but

the looseness, see, this is what says, is

346

00:22:56,159 --> 00:22:58,770

that on mighty looseness of your brush?

347

00:22:59,280 --> 00:22:59,879

See.

348

00:23:00,735 --> 00:23:04,425

And then no one, no one

can pick on you now.

349

00:23:04,455 --> 00:23:06,284

We better not talk any more.

350

00:23:06,615 --> 00:23:08,445

I will finish up my painting.

351

00:23:09,764 --> 00:23:10,814

Otherwise I get fired.

352

00:23:16,205 --> 00:23:21,514

I hope you learn something from this

because it's very important for me to

353

00:23:21,514 --> 00:23:23,794

know you, you enjoy your satisfying.

354

00:23:24,150 --> 00:23:28,920

And have fun and I feel I'm the Papa,

I'm the father of the whole thing.

355

00:23:29,130 --> 00:23:31,350

And that is all I ever wants to know.

356

00:23:31,760 --> 00:23:31,940

Yeah,

357

00:23:40,100 --> 00:23:46,070

no, you can highlight it a little bit,

which again, yellow, B if you have a

358

00:23:46,070 --> 00:23:51,680

little bit of Seth green seed and you

can just highlight it here a little bit.

359

00:23:52,770 --> 00:23:53,520

Yeah.

360

00:23:53,970 --> 00:24:00,930

Near attaches of green gives you

a happy little here a little bit.

361

00:24:02,340 --> 00:24:07,200

The they're still close

to the front, right?

362

00:24:07,740 --> 00:24:09,300

The how nice it comes

363

00:24:13,760 --> 00:24:16,400

and it's still loose,

still loose and open.

364

00:24:16,500 --> 00:24:16,800

Hmm.

365

00:24:26,990 --> 00:24:34,010

See, when, before you close up,

he would just grab a bit of faint

366

00:24:34,400 --> 00:24:43,970

and you have a happy coming out

there and you see what happened.

367

00:24:44,820 --> 00:24:54,540

Happy little road coming out there and

get wider rider rider, rider ride one.

368

00:24:54,540 --> 00:24:56,610

Do you like to walk on

this happy little road?

369

00:25:03,395 --> 00:25:06,125

The joy, the joy

370

00:25:16,055 --> 00:25:18,515

aren't you happy to see

just beautiful lines.

371

00:25:19,385 --> 00:25:27,045

And if you want, you can add the

little bit of, uh, Uh, fencing there.

372

00:25:27,105 --> 00:25:32,865

If you feel you can have a fence post

and there here's our fence posts,

373

00:25:36,305 --> 00:25:37,625

highlight that a little bit.

374

00:25:47,015 --> 00:25:47,555

That's it?

375

00:25:48,205 --> 00:25:48,865

That's it.

376

00:25:50,655 --> 00:25:51,225

No.

377

00:25:52,515 --> 00:25:52,995

Yeah.

378

00:25:53,385 --> 00:25:57,735

And here and here, and you can

have something sticking out there.

379

00:26:05,445 --> 00:26:07,305

How would that family becomes a life?

380

00:26:08,775 --> 00:26:12,945

Maybe here we need a

bit more from this side.

381

00:26:23,955 --> 00:26:24,855

See what happened?

382

00:26:25,500 --> 00:26:31,770

A happy little painting is finished in

such a short time and someone will come

383

00:26:31,770 --> 00:26:39,660

along and he will offer you a nice,

happy buck and you are happy forever.

384

00:26:39,930 --> 00:26:41,460

Happy forever.

385

00:26:42,720 --> 00:26:44,850

Maybe he has more.

386

00:26:44,850 --> 00:26:47,250

You put it out as more at Vox.

387

00:26:47,260 --> 00:26:48,480

You walk into that.

388

00:26:49,560 --> 00:26:50,610

Did you enjoy it?

389

00:26:51,645 --> 00:26:52,605

I had the other fun.

390

00:26:53,295 --> 00:26:55,335

Did you hear the birds and the bees?

391

00:26:56,085 --> 00:26:56,985

Thank you for watching.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Mountain Mist - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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