Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Alligator Bonnet - AVAILABLE

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It's nice for me to again,

on the black canvas is sad.

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There's nothing vibey use a black canvas.

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You know, I always thought I was

the first one, but invented the

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ID to paint on a black canvas.

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But then when I looked up on the

other artists had Amber on long, long

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ago, he painted on a black canvas.

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And I said, why did Devin

no, T there is something.

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And I tell you as more you pain, as

long as you paint as more hungry, you

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are for light because all the paint

meat never will give us daylight.

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That means we have to create the

illusion, uptick, illusion as darker.

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You will have it as lighter.

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The light will show.

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So now, you know, ID why

I use a black canvas.

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I want it as dark as possible.

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I still think when I have a black

canvas, then, uh, I cut down

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on, on, on, on light colors.

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And during every show you more light and

how I arrived there, I used black latex.

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Black latex is the best.

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Paying your canvas with

black latex and let it dry.

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And then on a dry canvas, you fire in now,

it's depends on what subject you want.

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In this case.

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I thought I will paint a very simple thing

to the, but it would be a good teacher.

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Lots of imagination.

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Creative power.

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You know, copying every kid can copy

something, but I want you to learn this.

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You become the creator.

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You are next to God and whatever you

put on the canvas, that's original.

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That is one of your on my little dream.

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What you had home in this case, I

want you to paint the water lilies.

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Bought the lilies.

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They have our kinds of waters

and all kinds of names.

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And I, you know, usually you look

up on, on all kinds of that stuff.

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Allegate the bandits, you know,

it's, it's, it's a Lily pad too.

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And I would say, I want to paint.

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They have a different devote.

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The Lily itself has, it stands up more.

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They're all about the least they have

flat or in different colors, but the

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alligator bonded will stand up a bit more.

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And that's what I thought.

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Every pain that one

now, how did that look?

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I have a black canvas and I

wants to really the bio that.

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Flat countries where you have the

marshes and, and I use SAP green,

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take a look here on stat magic, right?

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I will use SAP green and SAP green.

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You can see already when they pull it off.

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It is transparent.

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Can you see, you can see the

pallet here on the side too.

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So we will, but that's AB

green on, on the whole canvas.

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No.

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Because the swamps are

green, muddy and whatever.

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And you see when I have that green

on and don't put too much on this,

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you can really make it tacky.

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And as long as the whole canvas is

covered with that on my tea, SAB green.

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So, but otherwise unstaffed magic Vite.

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I use SAP.

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Corinne.

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Yay.

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Nice fires on.

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But you're serving on mighty mood.

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Thank you.

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A floaty and us between those water

lilies or the alligator bonnet.

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Watch the alligators.

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That's nice, but you see what I aim for?

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I'll mighty punch.

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No, we will.

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We will go on soon.

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I'm finished with this.

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It takes a little while

to get it on the right.

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I should have done it maybe right

before, but when we wants to teach,

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we should do the whole thing.

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Right.

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This, you understand the whole process.

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So with other words, The black

canvas and I aim for green.

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I use transparent SAP it's that

green is actually tan spins

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anyway, so it makes it easy.

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See, now here.

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Everything is fine.

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We go up and down sun.

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Good vertical.

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You know, I really, yeah.

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Obviously you can see the little bumps

there, make sure you have it nice.

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And even then, Dan, you really get all

the, the boards that have to get that

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vote and nice, you know, it has to come

far West, but it's not all covered.

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Right.

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Then you have trouble.

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Make sure your canvas is covered from

top to bottom C and then you do it

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like this, then you feel the bumps.

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You feel it right on your brush.

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yeah, you are.

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If they're here on these, push it off.

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That's all good.

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No, I very.

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I, I make my safe horizon line.

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I would say you're ever used the

middle, roughly that that's good enough.

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Or I convert below the middle would be

maybe better, but I like to use Taylor

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green, see a little touch of Taylor green.

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Can you see it here?

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Do I take it off?

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It's the same transparent and

it's a little bit darker, but

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more, more, more powerful.

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You see Luke in the middle,

it gets darker some way.

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See, I need a dog.

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And when was it?

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I was at far by an as dog.

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I got a desk.

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No, it's it's already so dark, but

this makes a darker, Hey, look at that.

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Don't forget.

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No, I use Taylor green.

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Hey.

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You can see it here on the pilot

that this is SAP green and Ben,

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when you put it off, see here is

Stan spin and I pulled this off.

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You see, it's done spins.

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Good.

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No, we know exactly what we are

doing now comes this subject.

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Good.

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I even imagined.

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Yeah.

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For my little details.

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We use my knife and the touch of right.

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Cause a long is he on the dark

canvas, white and white, nothing on

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nothing is nothing but on this dog.

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That's why I chose my, whatever.

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He was a touch of white and attached of

yellow and the little touch of any red.

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I don't want it too bright.

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That's too red.

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No, maybe a bit more white,

something like this color.

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It's hard to explain that color

because it's, off-white in that room

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or what I like now I would say here

is the horizon line in water lines.

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He water lines.

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Then why the names coming for arrest?

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I don't know if you see it,

these just Verve lighter and

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have it like in the middle.

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The there's a punch is it's not too good

to spread it out all the way through.

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Lee is right to the middle.

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And by, by having that zap green,

now this color turns a light green,

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but little bit with the red tune.

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Can you see.

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the, and make it small and

the back and come by there.

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He invited her here.

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I invite her here.

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I invite her here and visor here.

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The, no, you are there.

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No, use a big brush again.

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I wouldn't even clean the brush.

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It's all paint on and follow the lines.

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See, I want you to destroy it

and wants to have it in the back

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darker and let it come lighter.

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Lighter even attach it, watch see it.

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There's a PSR there and I put it in lines.

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You pull the lines long.

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Otherwise it looks like

there's water coming forwards.

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It's up to you.

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How you want to do it

now, but this is the ID.

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Have it very little in perspective,

it gets bigger, bigger, bigger bag.

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And then you think that's water.

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It's an optical illusion,

but it's fantastic.

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We still have a flat canvas and all of

us on a show kind of avoid the movement.

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Now what's in the background.

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Reimagine.

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I would say, I would say there is

a, I might use a little brush there.

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I just wants to down and maybe

touch you just red and white.

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You see how I take it off?

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And I would say behind there.

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Yeah, there's a big tree standing.

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Dad did a pan bang avant Bay at Crockett.

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Let it reflects in the water there.

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See,

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maybe let it just Dawn, Dawn.

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There's something here,

something in Crockett there.

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And that's all going to

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Good.

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Good.

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He was your big brush again.

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Watch how it is.

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Appears.

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Nice.

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Just that Dawn's there.

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Yeah, no, I very, I will use my

one inch brush and everything.

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They're big trees on the

side and the growth there.

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The girl was just hanging into the water.

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Let's hang it in.

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I will use a bite here C and

the touch of yellow and the

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green is already on the canvas

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and now loose, loose brush.

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He has loose.

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Can you see it as loose as possible?

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Yeah.

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And I will hang it in there.

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Hang in friend.

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Anion.

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he let his opinion, you can see

some just hanging in the water

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and you can hang it in the watch.

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You can hang it in to a point

or the tickets, the water, this,

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and then you can reflect it back.

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As the reflection in the board that you

see there, that's higher up, but this

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one hangs nice in there and maybe the

other one is hanging down up there.

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The end of the brush

would do a fantastic job.

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If you use a dry paint.

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He, no, he can see how that feeling

of something is hanging from the side.

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The big Teresa, right on the side here.

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I don't want to paint him.

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I just like to hang it in like this.

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Maybe hear something

and almost attach you.

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See that little attached to this.

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It looks like.

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yeah, all of us, something hanging

into the author, hanging into water.

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Maybe here, let the hero, let the

dog come down the, in the middle.

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I do it.

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Can we see the beautiful attaches?

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You have looks like

little bags hanging down.

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I let it disappear that did

appear and it wasn't on there.

213

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There's a fierce whatever, but

ever comes around and pull it.

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The forest like that.

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He, I think that's a good lesson.

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You never know what you

really could use it sometime.

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And that's just hang down here too.

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A little bit with w one maybe

here be hanging on down this way.

219

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he just make it so aim for a punch.

220

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I want you to have in the

middle that a mighty punch that

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dad, I don't care too much.

222

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What's going on there.

223

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What's going on up there.

224

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As long as you really.

225

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Overloading is not good either.

226

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Maybe he far away, far away a little bit.

227

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I never show you how you make it far

by leaning on the no chose to Gallo.

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Very much.

229

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Maybe here is one hanging in there.

230

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yeah.

231

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As hard as get hit as loud as he had, I

hit harder than it hangs in like this.

232

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Hey, let it go out there.

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That's there,

234

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whatever they are.

235

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You just, just dance it in.

236

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So, you know, it's fall of

green hanging into that water.

237

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No, you can have a little bit

of, uh, of, uh, I dumb it down.

238

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You see, by just attaching it this

way, but with the it's just the Z

239

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the bar have never cleaned that.

240

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Brush.

241

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The brush has stared VAT full of that

paint when they started off, we just

242

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attach it and it turns more green.

243

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Actually they're here.

244

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Sometimes it's just a Mark and even

a lawyer from the top down and let

245

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it be lighter, lighter, lighter here.

246

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I wouldn't worry too much.

247

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Yeah.

248

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Uh, hair.

249

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This is just the figure of whatever.

250

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And then you cut it down here and

get it light, bigger, bigger baby.

251

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So it has that, is it acid?

252

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No.

253

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No.

254

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He can see all that in your own mind.

255

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There are trees around and they're

all hanging into the water and no,

256

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I very, I will get the idea about

does support the lilies ever used.

257

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Right?

258

00:16:13,370 --> 00:16:14,270

That's your fight.

259

00:16:15,780 --> 00:16:16,890

And the tissue yellow.

260

00:16:18,390 --> 00:16:21,630

I never think there is a water Lily patch.

261

00:16:34,830 --> 00:16:35,100

Nice.

262

00:16:35,100 --> 00:16:36,690

Just use your brush to this.

263

00:16:36,720 --> 00:16:40,650

Um, And put it in, whatever

you thank you for by little

264

00:16:40,650 --> 00:16:44,930

bit and small convey or beggar.

265

00:16:45,680 --> 00:16:50,510

He, maybe he has one here.

266

00:16:50,510 --> 00:16:51,500

This one.

267

00:16:52,755 --> 00:16:56,925

Can you see how you get

perspective in it's rendezvous?

268

00:16:56,985 --> 00:16:58,005

It's so simple.

269

00:16:58,275 --> 00:17:00,045

That's what I want to show you.

270

00:17:00,295 --> 00:17:01,325

December stinks.

271

00:17:01,335 --> 00:17:06,345

Sometimes can be so powerful if you

pull the power together to one or mighty

272

00:17:06,345 --> 00:17:12,525

punch and every show you how I put the

mighty punch right in, in one spot.

273

00:17:12,735 --> 00:17:15,135

And the whole pain is built on that.

274

00:17:27,125 --> 00:17:29,075

you can dream all kinds of things.

275

00:17:29,375 --> 00:17:31,925

So actually, if I

hadn't, what time do you.

276

00:17:32,295 --> 00:17:34,665

My problem has always been, I go on TV.

277

00:17:34,995 --> 00:17:37,635

I have to get those couple of minutes.

278

00:17:37,635 --> 00:17:39,495

They gave me, I have

to be happy with them.

279

00:17:39,855 --> 00:17:42,945

You can put the frog on dragonflies.

280

00:17:43,365 --> 00:17:47,445

Oh, there's so many things you can

have a little windblown and you

281

00:17:47,565 --> 00:17:50,835

let it brought the Lily flap up.

282

00:17:51,225 --> 00:17:53,915

You know, there's one end is

flipped up and you see it.

283

00:17:53,925 --> 00:17:55,215

Some of them, they flip over.

284

00:17:56,205 --> 00:17:59,745

I just tell you that if I had time,

it would do all kinds of things.

285

00:18:01,710 --> 00:18:06,090

Maybe one day they give me time zone.

286

00:18:06,140 --> 00:18:06,890

That's fine.

287

00:18:07,220 --> 00:18:13,490

The here in front, I would use a bit extra

advice and give him that Vita rim there.

288

00:18:13,879 --> 00:18:14,120

Yeah.

289

00:18:28,065 --> 00:18:29,865

And then let it disappear here.

290

00:18:30,285 --> 00:18:31,965

Here's something here.

291

00:18:31,965 --> 00:18:35,775

Something issue, isn't she?

292

00:18:38,295 --> 00:18:38,475

Yeah.

293

00:18:38,475 --> 00:18:40,785

As long as you have it,

very powerful in the front.

294

00:18:41,175 --> 00:18:45,855

Maybe we make this water line

into a Lily pad because it's

295

00:18:45,855 --> 00:18:48,075

so nice just to right there.

296

00:18:48,585 --> 00:18:51,375

And that's a big one right there.

297

00:18:52,215 --> 00:18:53,505

See, look at that.

298

00:18:59,580 --> 00:19:00,060

Good.

299

00:19:03,199 --> 00:19:05,409

You can steer the show a little bit over

300

00:19:09,770 --> 00:19:13,250

has blown this way and

turned all the water.

301

00:19:13,550 --> 00:19:15,980

Usually the wind turns to the leaves.

302

00:19:18,320 --> 00:19:23,000

Then you see th they're all hanging

this way now ever use a smaller brush.

303

00:19:23,925 --> 00:19:27,225

If I can, maybe a little

fan brush would be good too.

304

00:19:28,245 --> 00:19:34,305

And I very have a dinner right

here and right there, and every

305

00:19:35,295 --> 00:19:37,455

put the little rim around there.

306

00:19:37,515 --> 00:19:37,995

You see

307

00:19:43,185 --> 00:19:46,725

that little bit of a rim here and there.

308

00:19:54,615 --> 00:19:55,215

See

309

00:20:03,005 --> 00:20:04,065

here to

310

00:20:09,195 --> 00:20:09,615

see.

311

00:20:10,695 --> 00:20:15,165

No, you hang in there, Waterlily there.

312

00:20:15,824 --> 00:20:22,034

And this one, this particular one, a

pain, it's a kind of a standing one.

313

00:20:28,665 --> 00:20:33,155

See, can you see now all of a

sudden that vote, that really

314

00:20:33,365 --> 00:20:36,064

brings a big punch into the canvas.

315

00:20:36,335 --> 00:20:37,145

That Vite is.

316

00:20:37,485 --> 00:20:40,905

Exceptionally bright here

for the black canvas.

317

00:20:41,084 --> 00:20:44,595

If it had a light canvas, it

never would show like that.

318

00:20:45,105 --> 00:20:45,645

You see?

319

00:20:45,645 --> 00:20:47,175

No, here we were.

320

00:20:47,554 --> 00:20:54,004

We were creates a little reflection

going in the water there.

321

00:20:55,955 --> 00:20:56,345

Hey,

322

00:21:02,195 --> 00:21:04,834

look how that always on punches out.

323

00:21:05,405 --> 00:21:06,875

Then we will have.

324

00:21:09,794 --> 00:21:12,345

That is the big one right in front.

325

00:21:17,254 --> 00:21:20,585

Maybe we have here one,

but as far, if I it's just.

326

00:21:21,449 --> 00:21:22,439

Just there.

327

00:21:22,949 --> 00:21:25,439

Can you see the difference

between distance?

328

00:21:25,620 --> 00:21:29,490

If you learn to paint distance,

this is a wonderful thing to

329

00:21:29,490 --> 00:21:30,990

learn to paint fence post.

330

00:21:31,260 --> 00:21:35,100

When you have the fence posts going

into the land, or you have a city

331

00:21:35,100 --> 00:21:38,850

streets and you have the holidays

getting smaller, smaller, smaller,

332

00:21:38,850 --> 00:21:44,129

disappearing, yonder learned that

I just had the class last week.

333

00:21:44,429 --> 00:21:48,449

And there was the main thing

was we talked about how I know.

334

00:21:49,260 --> 00:21:56,250

Perspective how I know distance, how I get

it in the, this is quite a big fashion.

335

00:21:56,520 --> 00:22:01,650

And I tell you as more, you paint as more

common sense shows you all of a sudden,

336

00:22:01,830 --> 00:22:04,890

you know, I paint a tree names, sorry.

337

00:22:06,905 --> 00:22:08,955

And you have a swing.

338

00:22:08,955 --> 00:22:14,355

You have a big tree there, but big

branches and you put a swing on and then

339

00:22:14,445 --> 00:22:20,024

you put the kid in the swing and then you

know exactly the size of the swing, the

340

00:22:20,024 --> 00:22:25,064

size of the kid, the size of the chain

hanging down and the size of the branches.

341

00:22:25,365 --> 00:22:28,995

There's certain things your ice

starts you already, or by seeing

342

00:22:28,995 --> 00:22:32,024

it that tells you that is consent.

343

00:22:33,300 --> 00:22:40,230

See, when I paint a house as sample,

um, people coming out of that house,

344

00:22:40,560 --> 00:22:45,480

then I paint the house with the door

and the windows, and then the people,

345

00:22:46,139 --> 00:22:48,810

the people have to go into that tour.

346

00:22:49,610 --> 00:22:55,710

You see the ID, how you should, how

you should find your, your perspective.

347

00:22:56,040 --> 00:23:00,030

Then the people from the door on

everyone has to go to that door.

348

00:23:00,180 --> 00:23:02,490

I cannot paint people on that door.

349

00:23:02,490 --> 00:23:03,060

Bigger.

350

00:23:03,390 --> 00:23:06,960

They all have to be that size,

but from then on the people

351

00:23:06,960 --> 00:23:08,910

get in bigger, bigger, big ass.

352

00:23:08,910 --> 00:23:09,930

They call on the front.

353

00:23:10,180 --> 00:23:12,600

He asked to go after house, but this way.

354

00:23:13,120 --> 00:23:16,180

See, and if you learn that,

then you can see here.

355

00:23:16,180 --> 00:23:22,570

The same thing, the here is having my

eyes staring at me or that the that's

356

00:23:22,570 --> 00:23:24,970

the that's the size I can do dare.

357

00:23:25,120 --> 00:23:31,030

See, maybe here's one, but

he says just a dawning.

358

00:23:31,900 --> 00:23:34,120

I said this, the Dawn or something.

359

00:23:36,990 --> 00:23:41,700

No, he can see they're all the same

size, but as they get in further, their

360

00:23:41,700 --> 00:23:44,100

disappeared there's appear and disappear.

361

00:23:44,430 --> 00:23:50,910

Then this one, I really a

reflection of water here, but I see.

362

00:23:51,930 --> 00:23:54,300

And then we make water out of that.

363

00:23:55,274 --> 00:23:58,004

It needs a nice dry brush.

364

00:23:58,335 --> 00:24:01,095

I first I hypnotized the

whole thing a little bit.

365

00:24:01,395 --> 00:24:06,735

Is he by all the lines, even the lines

on the water lilies they become and

366

00:24:06,735 --> 00:24:09,795

here you just make it water underneath.

367

00:24:09,825 --> 00:24:13,935

Can you see all of a sudden that

underneath looks like water,

368

00:24:15,045 --> 00:24:18,615

maybe for us to take a use,

push it down a little bit more.

369

00:24:18,915 --> 00:24:19,815

See what they did.

370

00:24:20,295 --> 00:24:22,605

I just push it down a little bit more.

371

00:24:23,550 --> 00:24:26,220

So then I have the size

and then you go over again.

372

00:24:26,910 --> 00:24:27,840

Can you see this?

373

00:24:27,840 --> 00:24:28,290

No.

374

00:24:28,950 --> 00:24:32,280

Then you this little stroke,

mixed water, all of a sudden.

375

00:24:32,550 --> 00:24:36,420

Now you think you have all the, he,

this comes down and from here on, it

376

00:24:36,420 --> 00:24:40,560

should be vaulted, but watch what I

do here now, I was on by doing this.

377

00:24:40,890 --> 00:24:45,270

That means from here on it looks like

water and it reflects in the water.

378

00:24:45,780 --> 00:24:47,250

Maybe I should show you that again.

379

00:24:48,240 --> 00:24:51,630

And this takes us to the water

here at hits the water dead.

380

00:24:52,980 --> 00:24:53,730

Okay.

381

00:24:55,320 --> 00:25:00,810

See, I know from here on, I put

reflectors on the inner flexing,

382

00:25:00,899 --> 00:25:07,200

reflecting in the water, but this I

don't touch, but this I will attach.

383

00:25:07,740 --> 00:25:08,820

See this.

384

00:25:08,820 --> 00:25:10,649

I will attach like this.

385

00:25:11,310 --> 00:25:11,820

You see?

386

00:25:11,910 --> 00:25:12,420

No.

387

00:25:12,794 --> 00:25:15,165

It looks like it's

reflecting into the water.

388

00:25:16,155 --> 00:25:24,854

Then I used the magic fight and I

will, I will put the line underneath.

389

00:25:24,945 --> 00:25:29,175

Look what shot, what happened

then he, soon I put this on.

390

00:25:29,534 --> 00:25:36,395

This gives you that little bit of movement

there and the same as here, but little

391

00:25:36,395 --> 00:25:41,195

bit of a vein gives you a little bit of

a tickler, sheer water movement there.

392

00:25:41,195 --> 00:25:41,645

He see.

393

00:25:44,750 --> 00:25:46,580

I think that was a good teaching.

394

00:25:46,610 --> 00:25:48,200

There was a good learning ID.

395

00:25:49,290 --> 00:25:53,010

Then you can reflect in whatever

you want, but I really, really

396

00:25:53,010 --> 00:25:55,950

wish maybe you should help me too.

397

00:25:56,250 --> 00:26:00,300

If you were the right end and

Teradata guys give him one hour.

398

00:26:00,389 --> 00:26:04,170

And I would always like to see your

other show sing along with bird.

399

00:26:04,170 --> 00:26:09,120

As you can paint along with me, I have

lots of people asking me, I put my easel

400

00:26:09,120 --> 00:26:12,810

up and before I start, you already finish.

401

00:26:13,650 --> 00:26:15,389

And I thought if I got the hour.

402

00:26:15,630 --> 00:26:17,730

It's up to, you know, it's public.

403

00:26:18,540 --> 00:26:23,250

If you want it phone in and tell him, I

think it would be a wonderful show where

404

00:26:23,250 --> 00:26:25,890

I can say I put my easel up, you're ready.

405

00:26:26,040 --> 00:26:29,580

And we put the magic right on or whatever,

be like in this case, the green on.

406

00:26:29,820 --> 00:26:32,820

And I bet in that case, I would

put the painting in the background.

407

00:26:33,715 --> 00:26:35,945

Then you see already

what should be painted.

408

00:26:36,185 --> 00:26:41,435

And I tell you, we all will be happy

and we all love each other and we get

409

00:26:41,435 --> 00:26:47,225

the better world of art and painting

and creating you see, okay, this is

410

00:26:47,225 --> 00:26:50,735

all I could show you today, but can

you see that nice and mighty punch?

411

00:26:51,395 --> 00:26:52,775

So it is all right.

412

00:26:52,865 --> 00:26:53,285

It's not.

413

00:26:57,135 --> 00:26:58,395

Thank you for watching me.

414

00:26:58,754 --> 00:26:59,205

I love.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Alligator Bonnet - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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