Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Fishing Village - AVAILABLE

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The magic of oil painting was made

possible by grants from Aaron brothers,

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art marts and Koenig's art emporiums.

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and I fired him to DVR in new

Bedford, new Bedford, Connecticut.

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The mayor said to me, you better.

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Mentioned new Bedford

on TV and I will do it.

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Hey mayor, mayor.

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He was a nice feather.

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I liked him.

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The magic virus is on the canvas

and I want you to paint a kind

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of a scene from new Bedford, with

boards and with all those, the

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Harbor and the, how is this under?

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And it is a long job.

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I better smarten up this time.

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I have to rush, see what I do now.

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And it's good for you.

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To watch me because it is really,

uh, you have to, you have to see.

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Remember, bring it home.

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I've asked there and I just, I can

never paint the same, but I can make

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some kind of, uh, what, what I have

seen, but I bought the stock in my mind.

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I unload this time on the canvas, how

much we give new Bedford, a happy,

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happy sky, or look at that happy blue.

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That's a tale of blue this

time, kind of a happy blue.

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We give Bedford, you see your

people out, the new Bedford there.

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Uh, huh?

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He, what happened?

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We give you a happy blue sky and blew

right into the water on the bottom.

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Yes.

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See how it works.

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Yeah, it was a good time.

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I had lobster dinners

and all that every night.

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Thanks dude.

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The vest is the best.

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No, I said I shouldn't abstain that.

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I spoiled it for myself.

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You know, home is home.

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I really grew up up here in the

West and I really do like it here,

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but it was really nice out there.

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And the people who are,

yes, family has steak.

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Yes.

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Fantastic.

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You see, now this guy and I

will put the kind of this time

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a bit with maybe yellow and red.

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Let me see, watch this here.

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Kind of a touch of yellow.

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Does the touch of yellow.

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I read and read and

see what they got here.

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More yellow.

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You see there?

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Yeah.

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And I will just put it in

between the it's hardly.

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You don't see it CFS.

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It makes it more lighter, but I was

having bright, bright, maybe a touch,

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more yellow there, even a touch more.

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Hello on horizon blind.

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Oh, that's good.

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You know, you brush it out

because the magic right.

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Is on the canvas.

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The canvas is vet and look what I got,

but adapt now I have it for by and

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sky's come closer, closer, closer.

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Oh boy.

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No, let's see.

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But I saw there was lots of . Live trees.

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They don't have so many forties divide.

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We have it here on our coast, on

the East coast and the West coast.

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I will take some blue, a little bit

Crimson again and, and, uh, maybe.

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Touch of SAP green into

that and a man shit up here.

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And now let's, let's face the cameras.

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I would say I would make a dark

hair boots and a water and a house

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on the stairs, standing there and

a big boat maybe moving in and then

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first start out at first comes first.

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The background is yeah, threes

there, threes, threes, but Lou.

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That doesn't matter.

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It doesn't matter.

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Start off from the detected, the heavy

tree stare heavy three stare viewed.

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What do you know?

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What do we all know when you're far away?

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It is just so.

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But what I wants to show you here, the

impression I still can remember something,

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and I wish you could do that too, because

that seems to be a part of this technique.

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The, and you are on the AI, go

from the dark, into the light.

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Now I want us to create that CU that

shoreline further on, further out there.

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And further out what

happened the magic, right?

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Cause into my canvas and you see the

colors getting lighter and lighter

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and make it smaller, smaller, smaller

there's appearing in the John.

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Uh, and uh, this was a two bus turn.

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Well, it goes around there.

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Marches off.

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You see what you do now.

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I hope you learn something

from what I show you here.

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See.

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You start from this side because

this is the closeup and you

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have the heavy, powerful colors.

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And as you AF it gets lighter,

lighter, lighter already.

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I got no, uh, no here, I just put the

little bit dark and then let it disappear

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into yonder, whatever it is there.

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Oh fine.

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The next step is I will put, maybe

I use it and then brush this time.

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Uh, let me see.

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Hello.

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Let me put a bit of white and take a look.

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How I do that.

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Why?

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I think it after the pilot and put litter,

dang about boat, masters and boat masters.

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The other one.

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There's the other one.

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There's the other one.

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Here's a bigger one.

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There's the other one

that thought other one.

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He just laid in, in a mist, in

the fog and in the distance as you

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come closer, you make it more clear

and more clear and more brighter.

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The thing about their boats underneath

that come later on and you March off

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here, here, here, here, here, here, here.

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Yeah, just one into whatever,

whatever, whatever, whatever,

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whatever they know here.

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And then, then you sometimes put two

together there and maybe one together.

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Then there one there.

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And, uh, uh, he had Dobber and

they carve upside down, down and

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set up already that's to you.

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What I said, creative

power, creative power.

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Yeah.

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And that makes it unique

because you are original.

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You don't copy things.

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okay.

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Small little things in between.

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Now we will start off maybe

with the little brush, keep that

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little brush and I use a blue,

watch this here, taking a look.

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That's all a little bit of a fairly

Bentley work blue there you see there.

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Use that color and you create

boats there standing Bay wise,

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but that's just the impression

that the impression you must dank.

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New Mustang does all that is

coming from and make it disappear.

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Disappear.

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hear you whisper again.

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See, and if you want to go find

that you can already make this as a

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board, then you can pronounce this.

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Looks like a boat are ready.

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Yeah.

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Maybe like that.

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They'd add here too, but

don't be too fussy test.

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Just put your impression on.

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Whatever, maybe here you make

it through this and then build

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up on the board, the stair

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and hang on.

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It tended to flexes in the water too.

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If you want to,

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then you highlight that you

highlight that a little bit here

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and a couple of bright lines on top

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that does it copied, but I lines.

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See bit of highlights there and there

and there, the others on your tank, their

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boats already see do I, that I don't have

much time here on this particular one.

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I wish I could.

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It would be nice.

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So, all right, now we will be put,

uh, I use van Dyke Brown and dark,

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dark colors, and I will cut in a pier.

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Let the pier come like there.

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Uh, like that the, no, you already have

the beginning of the whole thing that's

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behind and that peer standing there.

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Um, maybe we give him a bit of a front.

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You can look up to that peer.

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See, see the, see what

I use here on color.

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It's it's.

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When Dyke Brown and the texture of blue.

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No on the pier.

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What you see on the peer, right?

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Is on the pier.

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Now, you know yourself, there are ropes,

there are boxes, stairs things there,

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bangs there, things there hangs there.

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Dang, whatever.

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I saw it at Tunney, I saw boundary.

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The guy came in, he unloaded the ropes.

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That's what had come to the ropes.

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It was the old two cars

of ropes was lying there.

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Okay.

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so you make it to life.

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You put it to life, you

are done mighty creator.

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We, then you put it right down, a dark

down underneath there's all kinds of

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shadows and all kinds of, uh, uh, Hey,

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okay.

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See now you, you, you put the

life by putting some white.

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I put some white, that

stern wood in there.

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You see that is the beginning.

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That's what it is.

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It is a Baker.

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You know, that there's for the

sailors, when they get drunk, they

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don't throw over, you know, they

usually get hung up on the, on,

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on that big, uh, what does it do?

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12 verify 12, you know, when you get

drunk and they have their drinks,

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sometime all kinds of stuff there.

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And you have to, it's amazing

how they stayed on the ground.

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I see that.

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Yeah.

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Oh, okay.

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I'm glad you have the pier.

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We get the light's coming from that side.

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We gave him a bit of light there, bit of

light there, bit of light there, but the

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flight there and he, the ropes we get

when he can ha ha ha no, visually in the

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house for two, we've been little house.

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We built a little house.

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We put maybe here, here, this, and then.

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And then checked that Stanley on

top there, I use a kind of old, he

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was old would call us Vandyke Brown.

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yeah, he was a dad standing there.

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No one that appears to him, but

the new Bedford, they are on

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the bottom, they all do good.

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You're not fooling around there.

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That's just another harvest

where they haven't been rotten.

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Not the new batch for they're good guys.

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They give me lobster to eat and

ah, yeah, by such a good guy.

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Okay.

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Then here we put this side and

this side of that, our check, they,

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you know, you cut it in like this.

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Yes.

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Fires right into the water

fires right into the water.

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Fire the right into the water.

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See Dan, maybe put some light in

front here, like this and like this.

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Oh no, I showed you how

you shouldn't do it.

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Even blobs up like that

and take it off nicely.

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You see?

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Okay.

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Uh, no, he got his, no, he got

his damn you put the big door.

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That's a big door where

the guy spoke all it.

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I guys fuck out there and he underneath

the roof make it darker underneath

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the roof and he get darker, but

there's the other house behind here

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is the other house behind here.

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And he has a flat roof

and has a flat roof.

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That's the why you here, you put

your picture like this together.

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I put together, you know, Louis Freeh

and with too much, uh, much, um, uh, I

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haven't been fiddling around too much.

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The other, I never got it done.

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I know.

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That's good idea.

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Make it stock.

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Don't laugh about me.

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Be nice to me.

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They don't give me more

than eight minutes.

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Okay.

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Now the next step would be, I put

this third, Sunday, you know, that

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house, that pier standing on stairs.

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It, uh, the other one, the other

one, you always think you have

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this behind one of some decide.

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One is behind.

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One is on this side, let them

dance into the water at them,

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all dance into the water.

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There they are the one other line

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and then they have repaired it underneath.

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This one is cross because

there was something went wrong,

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something didn't do, right.

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They had to prepare to Paris

and I had to, to Paris.

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I don't want to send him there.

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Um, he had to shoot behind each other

because everyone comes out already there.

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No, we got to go going.

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And then you highlight that

you hide light, that that is

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attached or whatever on the side.

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And look at that beautiful.

254

00:15:34,475 --> 00:15:35,885

and then you can't go too high here.

255

00:15:35,885 --> 00:15:40,145

We still knew her because the shadows

underneath either the shadow from

256

00:15:40,145 --> 00:15:43,025

the, from the top, keep it dark there.

257

00:15:43,805 --> 00:15:45,395

They can't do too much there.

258

00:15:46,145 --> 00:15:46,715

Okay.

259

00:15:46,775 --> 00:15:47,135

Okay.

260

00:15:47,135 --> 00:15:49,324

We will put a big boat cover up things.

261

00:15:49,475 --> 00:15:53,795

Now we will, we will, we will have

a clean brush, have a clean brush.

262

00:15:57,180 --> 00:15:58,560

Have a clean brush.

263

00:15:59,310 --> 00:16:00,450

I hope I do it right.

264

00:16:00,690 --> 00:16:02,130

You fell as a new Bedford.

265

00:16:02,430 --> 00:16:03,390

You still like it.

266

00:16:04,020 --> 00:16:04,680

I hope.

267

00:16:09,390 --> 00:16:11,340

See, now what we do watch this.

268

00:16:11,970 --> 00:16:15,480

Oh, no, it's too dark to light, to

light, to light, to light, to light.

269

00:16:15,510 --> 00:16:19,770

I caught myself should

be a bit darker now.

270

00:16:19,770 --> 00:16:21,450

See, that's why it was my time now.

271

00:16:22,230 --> 00:16:23,700

And if I lose my shirt too.

272

00:16:24,930 --> 00:16:25,680

Uh, okay.

273

00:16:25,770 --> 00:16:26,310

Okay.

274

00:16:26,970 --> 00:16:30,930

Now you fire in like this,

make it dance, make it dance.

275

00:16:31,440 --> 00:16:32,910

They make a dance in the water.

276

00:16:36,720 --> 00:16:38,610

See, can you make it close up there?

277

00:16:38,910 --> 00:16:42,300

Then you see the, the, the, the

dancing effect in the water.

278

00:16:42,990 --> 00:16:44,100

See it like that.

279

00:16:44,520 --> 00:16:48,630

Then you, you, you, you, you

put waterlines in like this.

280

00:16:52,095 --> 00:16:53,385

He, how we handle that?

281

00:16:58,845 --> 00:17:00,105

Oh no, it's coming.

282

00:17:00,765 --> 00:17:03,885

No, it's calling the in

order to make it faster.

283

00:17:04,145 --> 00:17:05,165

I have to have a board.

284

00:17:05,194 --> 00:17:09,514

There is a big board that came

from China, a big boy, a big

285

00:17:09,545 --> 00:17:12,004

boy from China standing there.

286

00:17:14,760 --> 00:17:19,679

, you know, I cheat, you know, because

they have to make, I have to work fast.

287

00:17:20,099 --> 00:17:22,889

I have to put the boat in and

either not to put too many details.

288

00:17:23,919 --> 00:17:24,720

Yeah.

289

00:17:25,250 --> 00:17:27,349

Big boys from China's standing there.

290

00:17:32,540 --> 00:17:33,350

They broke it.

291

00:17:33,350 --> 00:17:36,110

That big bullets from China.

292

00:17:38,430 --> 00:17:43,620

Fire at Buddha right into the

water fired right into the water.

293

00:17:44,310 --> 00:17:45,480

Put a top on there.

294

00:17:45,930 --> 00:17:46,840

Put a happy top.

295

00:17:47,060 --> 00:17:47,660

Yeah.

296

00:17:47,960 --> 00:17:55,200

So they put some China men in put some

China man, uh, with China, but the China,

297

00:17:55,200 --> 00:17:56,750

Amanda, on the bar, they're out now.

298

00:18:07,475 --> 00:18:08,525

Oh, okay.

299

00:18:08,645 --> 00:18:09,125

Okay.

300

00:18:10,055 --> 00:18:10,955

Uh, okay.

301

00:18:11,225 --> 00:18:13,105

Oh, we have to give him

a little house up there.

302

00:18:13,595 --> 00:18:16,565

The old China man, he's steering the boat.

303

00:18:16,595 --> 00:18:18,845

That's that's his boathouse there.

304

00:18:18,845 --> 00:18:23,085

You see, eh, Okay.

305

00:18:23,175 --> 00:18:23,805

Okay.

306

00:18:24,225 --> 00:18:26,004

So we put a couple of glass Flinders.

307

00:18:26,024 --> 00:18:27,284

They have glass dead too.

308

00:18:27,975 --> 00:18:29,955

He has a fan of vendors there.

309

00:18:32,504 --> 00:18:33,405

Give him a roof.

310

00:18:35,445 --> 00:18:36,254

You give him a roof.

311

00:18:36,465 --> 00:18:41,415

Can you see how you get the painting

together without any headaches, but the

312

00:18:41,415 --> 00:18:46,995

big laugh with the big joke and with the

big, lots of fun, that's the way to paint.

313

00:18:47,055 --> 00:18:48,555

That's the right to fly.

314

00:18:51,795 --> 00:18:52,754

the other side.

315

00:18:53,504 --> 00:18:54,525

He hit me.

316

00:18:54,525 --> 00:19:00,285

You can put a couple of, uh,

China man is looking at others.

317

00:19:00,285 --> 00:19:05,295

The whole shined him in is

hiding there behind you.

318

00:19:05,295 --> 00:19:07,215

See there you are.

319

00:19:11,010 --> 00:19:13,199

As we fire and things,

320

00:19:16,830 --> 00:19:22,649

he know we reflected right into the

water there, right into the water there.

321

00:19:24,379 --> 00:19:27,149

And, and you push it

into the water like this.

322

00:19:31,534 --> 00:19:36,514

Hey, Dan, here, you have a little bit of

movement and easy vendors moving the boat

323

00:19:36,514 --> 00:19:41,675

a little bit, and it gives you a little

bit of a, uh, kind of a movement there.

324

00:19:42,425 --> 00:19:45,365

The board is vaguely on a little bit.

325

00:19:51,950 --> 00:19:55,730

the, you know, the next step you

just have other boats, there's a

326

00:19:55,730 --> 00:20:00,410

bit big American board coming in

on this side, a big son of a man.

327

00:20:01,010 --> 00:20:03,470

He has all the prawns and all the fish.

328

00:20:04,070 --> 00:20:05,629

He are smarter than the Russian boy.

329

00:20:05,930 --> 00:20:10,940

I would say they said, you know,

that boats for they are, they

330

00:20:10,940 --> 00:20:14,450

are not even, they're not even

seeing us around the, a deck.

331

00:20:14,790 --> 00:20:17,700

They take everything out of the water.

332

00:20:18,030 --> 00:20:19,710

They're they, they're all, nothing awry.

333

00:20:20,820 --> 00:20:23,730

It's amazing when you hear

the guys talking about it, but

334

00:20:23,730 --> 00:20:28,100

every day, uh, he here that's

American fishing boats coming in.

335

00:20:28,730 --> 00:20:29,900

It's a happy guy.

336

00:20:29,960 --> 00:20:30,920

He's a happy guy.

337

00:20:31,520 --> 00:20:32,600

There's a happy guy.

338

00:20:33,740 --> 00:20:38,000

You give him a boy thing too.

339

00:20:38,030 --> 00:20:42,650

He has a, he has a fish fish

thing there, you know, it's not.

340

00:20:43,274 --> 00:20:45,705

Then that row in the back there.

341

00:20:51,764 --> 00:20:53,865

E C T Z.

342

00:20:54,074 --> 00:20:55,185

I'm good on time.

343

00:20:55,514 --> 00:20:58,784

I hope I get it for before

that shoots me off here.

344

00:20:59,385 --> 00:21:00,405

I am scared already.

345

00:21:00,405 --> 00:21:00,885

I'm scared.

346

00:21:00,885 --> 00:21:01,665

Stiff.

347

00:21:03,524 --> 00:21:04,875

How stiff is stiff.

348

00:21:07,655 --> 00:21:09,375

I feel like it's right into the water.

349

00:21:09,794 --> 00:21:12,435

Put things on here, but things.

350

00:21:12,534 --> 00:21:14,955

Split the thing on, on board,

351

00:21:22,205 --> 00:21:26,405

you know, I got the nice fishing boat

home waiting for me when I come home.

352

00:21:26,405 --> 00:21:29,135

Boy, I really, I ever knew

what this guy is doing.

353

00:21:30,395 --> 00:21:34,054

I'm jealous of him and jealous of him.

354

00:21:38,794 --> 00:21:39,725

See there.

355

00:21:41,310 --> 00:21:42,600

So I decided if the board

356

00:21:45,659 --> 00:21:49,020

no, I have to do it the

right way I get fired.

357

00:21:49,530 --> 00:21:53,520

And that's the side, that's

the side there in the house.

358

00:21:53,790 --> 00:21:58,020

And it has a little bit of a thing

up there, but he has a fishing,

359

00:21:58,020 --> 00:22:01,350

you know, fish box up there.

360

00:22:05,580 --> 00:22:08,820

And it has a kind of a mass desk.

361

00:22:08,880 --> 00:22:09,240

They can

362

00:22:12,900 --> 00:22:16,650

see it has a kind of a mass sticking

out there, but that guy has a radar.

363

00:22:17,910 --> 00:22:18,660

He has a reader.

364

00:22:18,660 --> 00:22:19,830

He's a good guy.

365

00:22:20,820 --> 00:22:21,390

Look at him.

366

00:22:22,590 --> 00:22:24,510

I like to have a reader too.

367

00:22:25,560 --> 00:22:29,460

And he has, I deliver on 10 up there too.

368

00:22:29,460 --> 00:22:33,270

You know, he, he talks

to his wife sometime.

369

00:22:34,155 --> 00:22:35,265

It talks to his wife.

370

00:22:35,745 --> 00:22:35,985

Hey,

371

00:22:41,505 --> 00:22:43,215

now this guy is rolling in.

372

00:22:44,955 --> 00:22:49,455

Just guys were on the end, so we'll

be giving him some, she lasts too.

373

00:22:50,385 --> 00:22:53,295

They give him some glass too there.

374

00:22:54,195 --> 00:22:54,315

Yeah.

375

00:22:54,345 --> 00:22:56,385

I like this kind of a color as glass.

376

00:22:57,435 --> 00:22:59,895

It gives you that kind

of a glassy feeling.

377

00:23:00,600 --> 00:23:05,400

And if you want, you can give him a

bit of a shine there on this side,

378

00:23:05,400 --> 00:23:06,960

the light's coming from this side,

379

00:23:10,980 --> 00:23:11,880

from this side.

380

00:23:15,750 --> 00:23:20,400

Yeah, yeah, yeah, yeah, no, but

otherwise, fuck you really see today,

381

00:23:20,940 --> 00:23:23,850

the freedom of, of expressing yourself.

382

00:23:26,910 --> 00:23:28,650

And it works.

383

00:23:28,740 --> 00:23:29,820

It just works.

384

00:23:29,850 --> 00:23:35,220

You don't have to make a, a dead on

copy of whatever, because you don't

385

00:23:35,220 --> 00:23:38,900

know that, but you can make your own

impression about everything I've seen.

386

00:23:39,170 --> 00:23:42,650

You're a member, you bring

it home and you fire in.

387

00:23:42,740 --> 00:23:46,520

And boy, what a joy, what fun to be alive?

388

00:23:46,550 --> 00:23:47,640

He, here, we put that.

389

00:23:48,800 --> 00:23:52,910

I said we can still put that

Rita in there to everyone too.

390

00:23:53,594 --> 00:23:57,344

Then, if you're really sharp

now you're really high in light

391

00:23:57,344 --> 00:24:01,844

that, ah, but that is only for,

you know, guys with steady hands.

392

00:24:02,235 --> 00:24:05,925

You know, if you have too

many drinks, you can do that.

393

00:24:07,114 --> 00:24:08,074

It wouldn't work.

394

00:24:08,645 --> 00:24:12,784

Then he can't have too much too much

of what car or risk or whatever.

395

00:24:12,784 --> 00:24:18,334

You know, that thing bourbon

there then love bourbon.

396

00:24:19,685 --> 00:24:20,375

Okay.

397

00:24:22,170 --> 00:24:24,990

He, no, we put the cover on top too.

398

00:24:24,990 --> 00:24:26,760

There you see?

399

00:24:26,940 --> 00:24:28,230

No, no.

400

00:24:28,230 --> 00:24:32,700

The next step is we into the

water and the same thing.

401

00:24:33,120 --> 00:24:37,530

See what we did here, but

that boat is in motion.

402

00:24:37,830 --> 00:24:40,470

It is rolling in field.

403

00:24:40,470 --> 00:24:41,040

Look at that.

404

00:24:41,220 --> 00:24:42,300

Let it roll in.

405

00:24:42,450 --> 00:24:43,260

See the water.

406

00:24:44,330 --> 00:24:45,320

Let it come.

407

00:24:45,410 --> 00:24:46,100

Let it come up.

408

00:24:46,100 --> 00:24:46,550

There.

409

00:24:47,990 --> 00:24:49,070

He is in motion.

410

00:24:49,100 --> 00:24:49,280

Yes.

411

00:24:49,889 --> 00:24:53,810

He's floating in and behind see behind.

412

00:24:55,860 --> 00:24:56,250

Yeah.

413

00:24:57,260 --> 00:24:59,000

No, cause that, no, that's nice.

414

00:24:59,000 --> 00:25:00,860

If he can express yourself like that,

415

00:25:07,969 --> 00:25:11,540

it doesn't matter abstract,

but it is nothing wrong.

416

00:25:11,959 --> 00:25:13,340

Now the, you are younger.

417

00:25:13,340 --> 00:25:15,500

You have more power, you can do it better.

418

00:25:16,699 --> 00:25:17,000

Yeah.

419

00:25:18,044 --> 00:25:21,375

But for the moment now, there is Johnny.

420

00:25:21,705 --> 00:25:27,605

He just came out of the hall

and he has to repair something.

421

00:25:27,605 --> 00:25:30,784

There is he, he sits

there with his knees up.

422

00:25:31,774 --> 00:25:38,705

See, he just came out of the hall

and he has, uh, he is checking up on,

423

00:25:38,905 --> 00:25:42,605

on the, on, he looks into the boxes.

424

00:25:43,024 --> 00:25:45,155

How many prawns they have?

425

00:25:46,415 --> 00:25:46,625

Yes.

426

00:25:46,625 --> 00:25:46,915

He.

427

00:25:48,330 --> 00:25:49,230

Can you see Johnny?

428

00:25:50,160 --> 00:25:51,990

I have for flex him in the water too.

429

00:25:56,880 --> 00:25:58,650

And here's the big captain standing there.

430

00:25:58,890 --> 00:25:59,580

So I never gone.

431

00:26:00,690 --> 00:26:04,080

He's standing here and he gives

him a heritage for whatever

432

00:26:04,080 --> 00:26:06,270

he did wrong was around.

433

00:26:07,260 --> 00:26:09,690

I don't like what you did next time.

434

00:26:09,690 --> 00:26:10,560

Behave better.

435

00:26:11,250 --> 00:26:11,790

You see.

436

00:26:12,705 --> 00:26:13,815

That's what it is.

437

00:26:14,055 --> 00:26:17,285

That's one of the things, a

little bit of red in his face.

438

00:26:17,345 --> 00:26:22,475

You said that you've been afraid because

after the trip on, see, you know,

439

00:26:22,475 --> 00:26:25,625

they all are quite soaked with what?

440

00:26:27,365 --> 00:26:27,545

Yeah.

441

00:26:27,545 --> 00:26:27,965

442

00:26:31,415 --> 00:26:33,335

I think the guys knew better.

443

00:26:33,365 --> 00:26:35,615

Whatever hit me when I talk like that.

444

00:26:36,365 --> 00:26:37,805

And they're such nice people.

445

00:26:38,640 --> 00:26:39,480

Don's on.

446

00:26:39,540 --> 00:26:41,160

I am not, I'm not too bad.

447

00:26:41,160 --> 00:26:42,510

I'm not so bad after all.

448

00:26:43,050 --> 00:26:44,070

I'm a good guy.

449

00:26:44,280 --> 00:26:45,150

I'm a good guy.

450

00:26:45,600 --> 00:26:48,270

So no, I better get that going here.

451

00:26:48,330 --> 00:26:53,760

He has on there, here and, and

put motion in the whole thing.

452

00:27:01,740 --> 00:27:06,900

You see, you see, you see,

you see that is what I do see.

453

00:27:07,110 --> 00:27:10,320

Maybe here a little bit of a

shoreline, let it disappear.

454

00:27:15,030 --> 00:27:19,410

yeah, I know whatever you want

ever had more time, you know,

455

00:27:19,410 --> 00:27:22,350

you could do more, you could do

a movie scan, the whole thing.

456

00:27:22,350 --> 00:27:24,630

I could put more stuff on there and.

457

00:27:24,990 --> 00:27:29,670

And, but like everything

comes to a happy ending.

458

00:27:30,210 --> 00:27:33,790

Everything comes to a happy

ending, every put the couple

459

00:27:33,790 --> 00:27:38,340

of trapper who was in there.

460

00:27:40,620 --> 00:27:41,010

See,

461

00:27:44,060 --> 00:27:47,270

and what isn't that right.

462

00:27:47,950 --> 00:27:48,500

Okay.

463

00:27:49,430 --> 00:27:50,090

That's it.

464

00:27:51,020 --> 00:27:52,190

I got no more time.

465

00:27:52,250 --> 00:27:53,570

Thank you for watching me.

466

00:27:53,630 --> 00:27:54,230

Bye bye.

467

00:28:00,815 --> 00:28:04,775

to receive an instructional book

containing full color reproductions of

468

00:28:04,775 --> 00:28:09,275

all the paintings created for this series

and instructions on how to paint them.

469

00:28:09,695 --> 00:28:16,745

Please send $10 to magic for post office

box two seven two seven Huntington beach,

470

00:28:16,775 --> 00:28:19,625

California nine two six four seven.

471

00:28:41,645 --> 00:28:45,845

the magic of oil painting was made

possible by grants from Aaron brothers,

472

00:28:45,845 --> 00:28:49,054

art marts and Koenig's art emporiums.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Fishing Village - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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