Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Mountain Afternoon - AVAILABLE

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Funding for magic of oil.

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Painting five is provided by a

grant from Alltech art incorporated

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of Salem, Oregon manufacturers

and distributors of art supplies.

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love you.

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Love you.

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And the hug is wonderful.

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I feel like that I have to paint a

painting after noon today because I

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wants to put the nice variety into that.

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But always I know on the mail, you

wants to see a lot of mountains.

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How the hell you get that mountain.

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Right.

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And I was showing you really a mountain

scene today where you, where you

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really, the ruggedness of the mountain.

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If you live.

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In places where you don't have mountains,

it is hard to imagine, but most of you

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can leave the mountain out then and paying

the rest of what's below the mountain.

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So I have to put myself

in that are mighty mood.

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It's afternoon, it's lazy.

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And the mountain is vibrating.

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There is no snow on

the mountain this time.

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No, there's no anemone is very peaceful.

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Ever use a tailor green.

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I think a bit of tailoring.

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You take a look.

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I take a little bit of Taylor

green off as a bit of Taylor

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green, a little bit in the brush.

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Maybe start the already too

much, too much is too much.

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I shouldn't do it.

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I showed you right.

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I start off with wrong,

but see, I brushed it.

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I brush it out here, clean my

brush, and then I fire in again.

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See, I show you mistakes.

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It's good for you to know it

sometime because you will do it too.

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And then you become helpless, but they

show you the magic writers are no, I

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put the management on before was don't

expect me to pay pain, magic bite.

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Every guy can do that.

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I just fixed it.

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No, see, I guess, because if I

just, just mix it up then no,

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he got us all going beautiful.

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This around it.

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And Robin.

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Yeah, that's what I actually wanted in

the beginning, but I didn't want too much.

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So, see then it's too much on the brush.

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Wash your brush.

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You cannot make mistakes if you do it.

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Right.

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So I, I never, never think I can

make mistakes, the dry brush,

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and now I brought it all out.

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I got the mood and that lazy, just lazy.

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And now I will, I will, I will use

a texture of pressure and blue.

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Attached again, allusion

Crimson is depends on his.

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Depends on put it on watch.

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Yeah, but he too much in the brush.

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It's not good either already.

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If I have too much in the brush,

I brought it out on the bottom

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because you need dark there anyway.

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The light will be only

shown if you have dark.

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The, this is only like I clean my brush.

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See, I just cleaned my brush.

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I don't care.

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There will be no water.

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That's no water, but I

need the dark anyway.

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So, but I got the tune out of the sun.

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Can you see, I got that, got that one day.

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They got the, they wanted.

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I think that comes with experience,

that really comes with experience

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because as long as you paint as more,

you learn that there is no other way.

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There is no.

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Otherwise when you start you're

super particular and you're so scared

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about doing that and doing that.

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And I show you the looseness

and, and, and how easy it is.

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Even if you think you make

mistakes, there is no mistake.

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You see the others and they got

the nicest guy in the vault.

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Which start avatar, mighty mistake,

clean brush cleaners, or mighty brush.

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You need dark colors anyway, before I

wash it out and it goes into the, to

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the paint dinner here and I lose it all.

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So I brush it out there.

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Well, I would like to show

you something I learned.

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I learned we've got so many

newcomers coming up and I stayed on

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talk about this, you know, let me,

let me show you something again.

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It is just a reminder.

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Most of, you know, but there are

so many new people shopping on

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the TV set and all of a sudden

they see that and they never know.

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You have to have that screen

on the bottom of your tin.

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And then you have the,

the painting on top.

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Yeah.

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Just, this is just a reminder because

I know some people that write me,

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then they say very, I don't know how

the hell you handled that, but that's

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just a reminder know I hypnotize it.

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I hypnotize it.

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Even with the mistake.

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Look what the beautiful sky you got.

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They didn't know, I would

put the happy than lazy.

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Think about the lazy

afternoon or lazy afternoon.

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I use a touch of let

reader, the lazy cloud.

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Maybe, maybe, maybe made my payment.

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I need a bit more Vite.

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More fights.

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I take a bit Vite off here that

see that I often attach over read

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that's the best, too much red again.

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Then you use a bit more, right?

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The red lazy warm afternoon.

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Oh, you find that there, they

get lazy clouds walk around there

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and maybe here's all the lazy

cloud hanging there on this guy.

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They're doing nothing.

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They're just drifting around

against that green turquoise.

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The sky is beautiful.

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The, and then, okay.

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Okay, good.

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That's our, that's our door.

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See you paint the mood.

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You it's not this.

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You make a painting.

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You make that, you put the mood

and you put the feeling in, you

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put the atmosphere and you put that

is what's all about the painting.

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Then you hypnotize it.

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There's nothing going on today.

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Everyone is standing

stair coast on the field.

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They're sitting down

or lying down already.

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And who in their grass?

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No grandma or mighty knife.

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You know, when you see my palette is good.

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It's good.

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See, I never clean up my palette

because, uh, Why should I draw the buy?

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I can use it for the next painting

and here's already a paint.

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What I used before to, to paint

a mountain, I will use the same.

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I bring that whole thing over again.

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And then I see the

meat, the colors I want.

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I want maybe attach more red.

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I formed that color to touch more red.

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I think it would be nice.

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The already that's that's the color.

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The don't draw it away.

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Just use it again for

the next time around.

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I like to do it.

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I really do at home.

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Now, then you might understand it better.

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It's always you clean up your

pad and you lose so much pain.

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Okay.

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Cheeky bit paint off.

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And he was there.

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That cloud is hanging, hanging on,

right on top of that on mighty mountain.

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There, there, uh, maybe like this.

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I this like this, like this, maybe he

a bit, yeah, down, down, down, down.

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Maybe he had a happy little Valley there.

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Happy little Valley there.

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Maybe he has other little bit up.

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And then before fired, you see how fast

you do it, but can you hear me scrape?

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And I don't use much pain.

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I don't use much paint and

I hope you understand it.

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Can I take it off firing

that next mountain here?

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Uh, there again, Dawn, maybe up and down.

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See if, make it uneven.

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Divided mountains really are.

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And depends on if I have to paint

a particular mountain, then,

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then I, I go by their forms.

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But when I paint here, I just create my

own mountains and every mountain has this

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on, uh, uh, you know, it has certain,

you see certain marks and you have to go

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over there that you have to overt that.

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I think I talk about it

very often on my TV shows.

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And I painted most, all the

mountain in United States.

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I will not go lower.

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I will not go the war, but

what I do know, you must always

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think I paint on top of paint.

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If I have lots of pain to

paint on top of all that.

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It's impossible.

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The look I hit hard.

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Can you see, I hit hard.

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I just mix again.

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I spread the paint out rather than then

you see, and the, that fall out of that.

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Miss, can you see already?

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Just the little patches?

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Oh, no, nothing in that, on my dish guy.

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And then I need something.

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You can, you can put all this

bit more down if you want.

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See, but not add more pain.

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Don't add more pain as less pain you have.

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It's cheaper and you

make a better painting.

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Hey, there you are.

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Okay.

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Good.

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Good.

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Good, good, good.

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Now what we will

highlight that I ever use.

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I really use paint here lighter and again,

attach a touch of that paint into that.

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And here I have just happened bit of.

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A red paint hanging around.

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I need a bit more reddish tune into that.

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Not enough.

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I go in here and pick up some

two days that gave me a nice,

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nice kind of awkward fish color.

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And then the light is

coming from this side.

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I reported that up there.

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No, it's comes again.

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And I tell you if you experienced

that this feeling is it's

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just once in your lifetime.

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I should pay you for letting me do that.

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I mean, it's so exciting when you

see this, this, uh, movement and,

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you know, If you can feel the knife

is more or less, I can hold it.

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It's tuck the, you asked me all of us.

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I cannot use that knife.

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It is a kind of thing.

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Loose movement, very loose and flat.

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Let it roll along.

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Let that roll along.

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They hear maybe you put

that peek in there too.

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Maybe he had a little bit then.

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Dina you create your own and

look at the thousand details.

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That's what it's all about.

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You don't have it.

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Like other paint would smear.

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You have to have a good,

solid type of a pain, but, but

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breaks and get you going there.

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No, you can roll it.

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I would say the shadows on this side,

they were rural and they're busy look

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and always go with the

swing of your mountain.

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Go over, just swing your

fume on mighty mountain.

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Ah, fuck the dry.

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What?

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The giant then here.

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See.

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I can't get over it.

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I wish you would experience that feeling.

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What I got here, you really

would enjoy your life.

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And the nice part is on

top of that, you get paid.

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What more you want, what more anyone

wants in his lifetime, having fun and

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get paid, having fun you get paid.

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Yeah, it just makes it a bit more.

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I should have mixed a bit more pain.

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Now I got an app and then you can

create maybe here a little bit of a.

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Uh, whatever, maybe something like that.

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See, I already got so much,

so many details there.

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People who are done pain and see that

they were tanked, that guy works a whole

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year on that, on that particular painting.

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See, no, I need blue and

white blue and right.

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Little bit of blue steps

behind blue steps behind.

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Eh, there's kind of a blue, blue is

kind of a beautiful shadow color.

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Lazy afternoon.

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There's a lazy tune in the air.

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You know, sometime you have

the lazy tune in the air in,

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in Europe, you have the larks.

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I don't know.

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I never lived here where you did this.

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what a beautiful feeling we kids

was lying on the field line on

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the back and, and saw that Lark.

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Disappearing forever.

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And they go so high.

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And what a tune they're

seeing, they're harder.

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And I always said than they're singing

for me, there was singing for me.

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I wish I could get the

large on our land somewhere.

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I dunno what, where they already got it.

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I re maybe one day I might get one.

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I might catch one somewhere.

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Feed look at that.

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Beautiful.

256

00:13:58,065 --> 00:14:01,515

That little bit of a bluish

tune gives you that extra.

257

00:14:01,665 --> 00:14:03,705

Now I show you some little things here.

258

00:14:03,945 --> 00:14:08,175

If you want some time, you can

connect this with, with the fan brush.

259

00:14:08,235 --> 00:14:12,885

Can you see the, you go and

give him that little bit of a C.

260

00:14:14,205 --> 00:14:15,195

Ah, that's nice.

261

00:14:15,375 --> 00:14:18,585

That means as a Saturday,

I don't have any snow.

262

00:14:18,585 --> 00:14:22,005

There's this Midsummer and

everything is standing, stirred.

263

00:14:22,495 --> 00:14:24,555

Everything is standing there.

264

00:14:25,245 --> 00:14:27,015

Beautiful, beautiful, beautiful.

265

00:14:27,755 --> 00:14:30,405

Maybe I create a kind

of an extra thing here.

266

00:14:31,079 --> 00:14:35,040

Just to show you maybe here,

but darker it just a bit darker.

267

00:14:35,220 --> 00:14:36,209

Gee, who is that pain?

268

00:14:36,220 --> 00:14:40,079

And put a bit more of an Dyke Brown

and maybe extra pression, blue

269

00:14:40,410 --> 00:14:42,120

Diaz, a bit darker tune there.

270

00:14:42,390 --> 00:14:42,810

Good.

271

00:14:43,140 --> 00:14:46,290

See, and then you put an

extra mountain in there.

272

00:14:56,839 --> 00:15:00,020

Let's go into the light, but

darker as it comes forward.

273

00:15:00,970 --> 00:15:03,390

As far as a bit darker, they're darker.

274

00:15:04,350 --> 00:15:06,530

See, use that big brush again.

275

00:15:06,620 --> 00:15:07,550

What is my big brush?

276

00:15:07,579 --> 00:15:08,660

I lost my brush.

277

00:15:08,750 --> 00:15:10,040

I lost my brush.

278

00:15:13,250 --> 00:15:14,910

Hey, this diamond.

279

00:15:14,910 --> 00:15:17,420

It didn't make it like

first underneath, too.

280

00:15:21,260 --> 00:15:21,620

Good.

281

00:15:23,569 --> 00:15:26,000

Then you can run in here.

282

00:15:26,000 --> 00:15:28,220

You show other beginning.

283

00:15:28,640 --> 00:15:29,569

He like this.

284

00:15:30,195 --> 00:15:33,255

So at the beginning, so you

can have other, just the

285

00:15:33,255 --> 00:15:35,475

other mountain standing there.

286

00:15:36,105 --> 00:15:38,865

I just do it in order to show

you what a lot of the things

287

00:15:38,865 --> 00:15:40,065

you can do if you want to.

288

00:15:41,025 --> 00:15:41,805

That makes it nice.

289

00:15:42,165 --> 00:15:47,105

Again, a little touch blue behind

she is just this, nothing much.

290

00:15:47,105 --> 00:15:48,965

Just a list.

291

00:15:51,785 --> 00:15:52,325

That's good.

292

00:15:54,725 --> 00:15:55,175

There you go.

293

00:15:56,805 --> 00:15:57,315

Okay.

294

00:15:57,495 --> 00:15:59,145

So we saw enough of mountain.

295

00:15:59,565 --> 00:16:05,505

Now I will fire in I ever fire

and kind of a foreground there,

296

00:16:06,615 --> 00:16:08,625

fire and a kind of a full ground.

297

00:16:08,655 --> 00:16:13,425

Let me think a little bit, every

use all kinds of colors there.

298

00:16:13,665 --> 00:16:16,095

Thanks summer afternoon.

299

00:16:16,485 --> 00:16:17,325

It's lazy.

300

00:16:17,955 --> 00:16:22,775

Is it kind of a color

for three standing there?

301

00:16:22,805 --> 00:16:23,555

This colors?

302

00:16:26,175 --> 00:16:29,855

Doc, let me start the

right light and light.

303

00:16:29,915 --> 00:16:31,295

You see nothing.

304

00:16:31,445 --> 00:16:32,705

Nothing is nothing.

305

00:16:33,065 --> 00:16:35,015

I should have used my knucklehead.

306

00:16:35,315 --> 00:16:37,085

I should have done what I should do.

307

00:16:37,295 --> 00:16:38,315

Use dark colors.

308

00:16:38,315 --> 00:16:44,555

First, the, I take off SAP green,

all the colors you can grab here and

309

00:16:44,885 --> 00:16:48,395

the, I should have done it before.

310

00:16:48,395 --> 00:16:50,135

Then, then the light rare.

311

00:16:50,655 --> 00:16:52,785

The, uh, there,

312

00:16:56,585 --> 00:17:02,225

I got sometimes excited and then I run

too fast, around too fast, but it's good.

313

00:17:02,255 --> 00:17:03,635

You see my mistakes.

314

00:17:03,635 --> 00:17:04,595

You never ever do it.

315

00:17:04,865 --> 00:17:08,255

Let me do the mistakes for

you and you never do it.

316

00:17:08,525 --> 00:17:10,115

And that makes me feel good too.

317

00:17:10,954 --> 00:17:12,545

So I can handle mistakes.

318

00:17:13,415 --> 00:17:20,339

Eh, Look at that beautiful French

damn dark, dark, dark, dark.

319

00:17:24,990 --> 00:17:29,910

The, no, you can create

a whole front there.

320

00:17:39,210 --> 00:17:41,480

it gives you a beautiful,

colorful painting.

321

00:17:42,110 --> 00:17:43,639

Beautiful, colorful painting.

322

00:17:50,270 --> 00:17:50,360

Okay.

323

00:17:50,629 --> 00:17:54,500

So your number dark first, and then

you can do all kinds of things.

324

00:17:55,250 --> 00:17:56,419

See, I goofed that one up.

325

00:17:56,450 --> 00:17:59,240

I show you how you shouldn't do that.

326

00:18:00,649 --> 00:18:01,669

Listen to pop up.

327

00:18:05,025 --> 00:18:05,385

Yeah.

328

00:18:05,445 --> 00:18:09,165

No, sometimes you really can't

have you do those things.

329

00:18:10,165 --> 00:18:12,285

Now I will show you

some other things here.

330

00:18:12,435 --> 00:18:17,235

Some other things, sometime you feel

you wants to paint something upstanding.

331

00:18:17,595 --> 00:18:20,805

I will use a watch this, what I do here.

332

00:18:21,585 --> 00:18:22,155

Uh,

333

00:18:28,415 --> 00:18:29,525

like bull rushes.

334

00:18:29,585 --> 00:18:33,065

You know, you see, uh, the up movements.

335

00:18:38,449 --> 00:18:42,500

and you can use even dark, light and

dark, but as long as you have loose

336

00:18:42,500 --> 00:18:45,679

lines, loose lines, see loose lines.

337

00:18:46,010 --> 00:18:47,000

It should not be blocked.

338

00:18:47,179 --> 00:18:52,070

You can only do it with Dixie solid,

strong paint to get us loose lines.

339

00:18:52,129 --> 00:18:54,590

You see, look at in

that beautiful already.

340

00:18:55,260 --> 00:18:59,669

Do you think you have all kinds

of, uh, standing up movements?

341

00:18:59,669 --> 00:19:01,290

You're standing up grout there.

342

00:19:01,830 --> 00:19:06,169

That's what I want to show you sometime

you have Paul, but with all that, a

343

00:19:06,320 --> 00:19:12,020

boiler rushes around and here just

happened is there is something like that.

344

00:19:12,409 --> 00:19:18,800

Standing there, you can even use a

fan brush and you can work it up more

345

00:19:19,370 --> 00:19:21,409

with the summer colors you see, watch.

346

00:19:23,270 --> 00:19:23,540

See.

347

00:19:26,409 --> 00:19:27,330

Bit more.

348

00:19:33,709 --> 00:19:35,240

I hope you learn something from that.

349

00:19:35,629 --> 00:19:39,709

It is not as you have to do it with

fine brushes, because then you are

350

00:19:39,979 --> 00:19:42,740

just the Fiddler, Fiddler on the roof.

351

00:19:42,949 --> 00:19:47,120

I would put some kind of grout on top

there, you know, like there's always

352

00:19:47,120 --> 00:19:50,840

something on top there and it on the roof.

353

00:19:52,125 --> 00:19:54,945

You know, I told you already, I wants

to tell you something, what I have

354

00:19:54,945 --> 00:19:57,345

dreamed up and I can't get it out.

355

00:19:57,405 --> 00:19:58,725

I just can't get it out.

356

00:19:58,725 --> 00:19:59,115

I don't know.

357

00:19:59,115 --> 00:20:00,615

How did I get out the right.

358

00:20:02,085 --> 00:20:05,235

I want to, I really wants to know.

359

00:20:05,264 --> 00:20:08,205

I don't have to talk about this

because I know you see, I just

360

00:20:08,205 --> 00:20:12,735

put the Tufts on there and put it

perspective, disappeared into the land.

361

00:20:14,595 --> 00:20:15,675

I once too.

362

00:20:16,920 --> 00:20:18,780

Work a month free for you.

363

00:20:19,260 --> 00:20:22,620

They wants to work your whole month

free for you because I have so much

364

00:20:22,620 --> 00:20:28,280

time now and I got enough money and I

figure you have done so much for me.

365

00:20:29,180 --> 00:20:34,880

So in return, I would like to

run a seminar in the police.

366

00:20:35,150 --> 00:20:40,310

I live in Canada in Powell

river, and you don't have to

367

00:20:40,310 --> 00:20:42,380

pay me a penny, just come down.

368

00:20:42,680 --> 00:20:44,390

You would have to pay the steam.

369

00:20:44,850 --> 00:20:51,960

You would have to pay the food, but that's

all and the room and board, whatever,

370

00:20:51,960 --> 00:20:59,140

and the trip and the rest I will do for

you and me, we can get something going.

371

00:20:59,480 --> 00:21:04,220

If you wouldn't mind, you could

write me and you could give me ideas.

372

00:21:04,250 --> 00:21:05,600

Maybe I learned from you.

373

00:21:06,320 --> 00:21:09,710

See, I have so much time on

my hands and I should teach.

374

00:21:10,515 --> 00:21:13,425

People are following me from all

parts of the United States, come

375

00:21:13,425 --> 00:21:15,195

and teach here, come and teach here.

376

00:21:15,765 --> 00:21:19,695

And I know I wish I could, but you

cannot dismiss the most impossible,

377

00:21:19,935 --> 00:21:22,035

but I can easily do at home.

378

00:21:22,755 --> 00:21:24,075

If you want us to come.

379

00:21:24,405 --> 00:21:25,935

You're welcome.

380

00:21:26,775 --> 00:21:28,065

You're welcome home.

381

00:21:28,815 --> 00:21:29,805

Welcome home.

382

00:21:30,855 --> 00:21:32,655

And I think you would enjoy it.

383

00:21:32,865 --> 00:21:36,285

I have a feeling we can do

something, but give me ideas too.

384

00:21:36,285 --> 00:21:36,975

How about you?

385

00:21:37,005 --> 00:21:41,045

Give me if you and I, Margaret

Arbus writes you back.

386

00:21:41,669 --> 00:21:46,350

Always, you know, he had always a

handwritten letter back from our vendor.

387

00:21:46,350 --> 00:21:49,709

I, to me, always, we have that is the law.

388

00:21:50,250 --> 00:21:54,780

If you write to us, to me in person, you

always get the handwritten letter back.

389

00:21:55,290 --> 00:21:56,669

Not more than three days.

390

00:21:56,820 --> 00:21:58,230

My wife is really good in that.

391

00:21:58,230 --> 00:22:01,770

He always make sure we

have much respect for you.

392

00:22:01,770 --> 00:22:04,760

And we wants to see you happy B two fee.

393

00:22:04,969 --> 00:22:06,590

That is what they want to tell you.

394

00:22:06,860 --> 00:22:09,709

I don't know how I got it

out, but I got it out now.

395

00:22:10,815 --> 00:22:12,885

Maybe, maybe we will have fun.

396

00:22:13,575 --> 00:22:18,435

Maybe we will see now I

highlight that the, again, it,

397

00:22:18,435 --> 00:22:20,525

bit of a paint sticks better.

398

00:22:20,585 --> 00:22:24,905

You see dad look at you highlight, but

you can highlight that with colors.

399

00:22:24,905 --> 00:22:28,145

If you want to, you

see, you can use colors.

400

00:22:28,595 --> 00:22:31,205

I will use a tattoo for red sea.

401

00:22:31,235 --> 00:22:32,585

Can you see what I do here?

402

00:22:32,915 --> 00:22:34,055

You touch with red.

403

00:22:34,335 --> 00:22:36,425

Then you can put colors in this.

404

00:22:36,485 --> 00:22:38,075

Maybe here would be a nice color.

405

00:22:38,460 --> 00:22:40,230

And it's Midsummer.

406

00:22:40,230 --> 00:22:41,190

There's lots of red.

407

00:22:41,460 --> 00:22:43,620

Don't have to be autumn to show red.

408

00:22:43,890 --> 00:22:45,930

Red is so much in this void.

409

00:22:47,100 --> 00:22:49,730

It might break up your whole

deal, whatever you want.

410

00:22:52,130 --> 00:22:53,000

No, I will.

411

00:22:53,060 --> 00:22:53,720

I will.

412

00:22:54,080 --> 00:22:54,890

I will.

413

00:22:55,160 --> 00:23:00,560

I got it off my chest, but they want to

tell you and I feel happy some way, and

414

00:23:00,560 --> 00:23:02,390

I don't know what the outcome will be.

415

00:23:03,140 --> 00:23:04,370

I hope it would be nice.

416

00:23:05,895 --> 00:23:07,395

At least you you're right.

417

00:23:07,395 --> 00:23:11,265

Me and we will talk about it and

we might be able to get that going.

418

00:23:11,265 --> 00:23:11,865

Right.

419

00:23:12,645 --> 00:23:16,935

We had a taste of it, the test of

it, and it was absolutely gorgeous,

420

00:23:17,415 --> 00:23:24,365

but I would like to make sure you,

you all are what we want to do.

421

00:23:24,395 --> 00:23:24,905

Okay.

422

00:23:25,085 --> 00:23:29,075

See what can you see behind

just upstanding bulrushes

423

00:23:29,675 --> 00:23:31,175

and they go out on top.

424

00:23:31,740 --> 00:23:33,480

See that makes it nice.

425

00:23:33,750 --> 00:23:40,170

Now I pulled a kind of a little,

little there's a stone standing there.

426

00:23:41,280 --> 00:23:44,190

See, and that stone is coming down here.

427

00:23:47,340 --> 00:23:53,190

Like feel a part of that mountain

land and you create that you are

428

00:23:53,190 --> 00:23:56,460

next to God, you are my creator.

429

00:23:56,910 --> 00:23:58,590

Nothing can draw you off.

430

00:23:58,770 --> 00:24:03,060

And this is just a gorgeous

feeling to live like that.

431

00:24:03,389 --> 00:24:08,580

They look at that you can create

the kind of extras stone there.

432

00:24:12,590 --> 00:24:13,940

I love to live like that.

433

00:24:14,640 --> 00:24:15,510

It is loose.

434

00:24:15,540 --> 00:24:21,060

It is free at this relax and

it is, it gives you money.

435

00:24:21,450 --> 00:24:22,590

This is the main thing.

436

00:24:22,680 --> 00:24:27,840

That's really the main thing, because you

cannot create, if you are hungry, there is

437

00:24:27,840 --> 00:24:32,940

no man on earth can create, has creative

power if it has not a full stomach.

438

00:24:33,420 --> 00:24:35,460

And that is what I wish you would have.

439

00:24:35,790 --> 00:24:37,500

Like a lot of people that cannot do it.

440

00:24:37,500 --> 00:24:41,670

And I hope we can get something on,

even for people, but cannot do it.

441

00:24:41,910 --> 00:24:43,290

I wish I could be helpful.

442

00:24:43,830 --> 00:24:44,310

Man.

443

00:24:44,460 --> 00:24:44,730

Aye.

444

00:24:44,790 --> 00:24:45,450

Aye, aye.

445

00:24:47,150 --> 00:24:49,370

I have to learn something more about that.

446

00:24:50,150 --> 00:24:54,890

So the, no, I created kind

of a light look at that.

447

00:24:55,280 --> 00:24:57,560

You put it right in there.

448

00:24:58,130 --> 00:25:01,550

Uh, I pull it down, look at that.

449

00:25:01,880 --> 00:25:05,780

Uh, it's just a joy and a certain pain.

450

00:25:05,810 --> 00:25:06,530

What does it?

451

00:25:06,800 --> 00:25:08,930

And the sudden pain

just wouldn't cooperate.

452

00:25:09,650 --> 00:25:10,100

See.

453

00:25:10,920 --> 00:25:11,610

There you are.

454

00:25:12,570 --> 00:25:14,250

That makes it really nice.

455

00:25:15,020 --> 00:25:18,770

So you create, uh, here, maybe that

other stone yet a little bit of light,

456

00:25:19,010 --> 00:25:24,050

but the details on the stone, let that

come out to mathematically, right?

457

00:25:24,390 --> 00:25:26,360

Let that come automatically because yeah.

458

00:25:27,120 --> 00:25:29,130

When you look at the stone,

there are thousands of little

459

00:25:29,130 --> 00:25:30,630

details and crabs and rubs.

460

00:25:30,630 --> 00:25:33,840

And, and if you have a stone and

shifts, you just point the knife test.

461

00:25:33,840 --> 00:25:34,080

Right.

462

00:25:34,380 --> 00:25:37,260

But this time that stone

is just come like this.

463

00:25:38,090 --> 00:25:39,620

Okay, good.

464

00:25:39,830 --> 00:25:46,550

So I will create, I will create kind

of a, kind of a grout against that.

465

00:25:46,550 --> 00:25:47,090

Again.

466

00:25:47,180 --> 00:25:49,400

You see, then you get more colors in.

467

00:25:50,060 --> 00:25:52,370

I like to have a bit

more color on top here.

468

00:25:53,175 --> 00:25:54,284

I have the dark.

469

00:25:54,315 --> 00:25:55,305

Yeah, that would be nice.

470

00:25:56,794 --> 00:25:57,034

Hmm.

471

00:25:57,555 --> 00:25:58,514

That does good.

472

00:25:58,845 --> 00:26:02,475

And then you fire in little highlights

again, see, you need the extra

473

00:26:02,475 --> 00:26:04,395

light, but brings it out there.

474

00:26:05,175 --> 00:26:10,215

And actually when, if you, if you

can get going, I put magic right on.

475

00:26:10,215 --> 00:26:10,665

You see?

476

00:26:11,115 --> 00:26:15,165

And, and then you can highlight

like this, look at that.

477

00:26:16,595 --> 00:26:17,615

Isn't that wonderful.

478

00:26:19,805 --> 00:26:20,165

Yeah.

479

00:26:20,895 --> 00:26:21,615

Right.

480

00:26:22,455 --> 00:26:23,294

Beautiful.

481

00:26:23,774 --> 00:26:28,574

And like I said, always talk to

yourself, tell yourself how good

482

00:26:28,574 --> 00:26:31,455

you are because Dan, you enjoy it.

483

00:26:31,574 --> 00:26:32,205

I enjoy it.

484

00:26:32,655 --> 00:26:34,004

I talked to myself, not him.

485

00:26:34,115 --> 00:26:36,245

Well, you are the son of

one of a nice sun woman.

486

00:26:36,814 --> 00:26:37,834

Look what you got painting.

487

00:26:37,834 --> 00:26:38,344

You get there.

488

00:26:38,534 --> 00:26:39,455

Oh boy.

489

00:26:39,995 --> 00:26:41,615

And that makes me feel good.

490

00:26:41,764 --> 00:26:42,125

And.

491

00:26:44,010 --> 00:26:48,480

And I giggle and I giggle and, but

giggling, you create almighty painting.

492

00:26:48,750 --> 00:26:51,209

Isn't that nice when you do that too?

493

00:26:51,659 --> 00:26:52,889

Once you do that too.

494

00:26:53,370 --> 00:26:55,980

So how about you enjoy this painting?

495

00:26:56,429 --> 00:26:58,409

Did you enjoy this painting?

496

00:26:59,149 --> 00:27:02,449

Hey Dan, you are there you are.

497

00:27:02,990 --> 00:27:03,830

What you think?

498

00:27:03,860 --> 00:27:05,929

Maybe copper fixed appliances.

499

00:27:05,959 --> 00:27:09,949

They're to have lunch there, maybe

here a little bit here, a little bit.

500

00:27:11,790 --> 00:27:12,900

Clean your brush,

501

00:27:16,110 --> 00:27:17,129

clean your brush.

502

00:27:18,800 --> 00:27:22,910

He maybe guessed the lines around

air where you think the paint is

503

00:27:22,910 --> 00:27:28,340

standing up for too much, and we are

finished and a beautiful painting.

504

00:27:28,400 --> 00:27:30,050

Thank you for watching me.

505

00:27:30,139 --> 00:27:30,770

Bye bye.

506

00:27:33,480 --> 00:27:36,840

To receive an instructional book

containing full color reproductions of

507

00:27:36,840 --> 00:27:40,320

all the paintings created for this series

and instructions on how to paint them.

508

00:27:40,560 --> 00:27:45,630

Please send $11 to magic five post

office box 27 36 Huntington beach,

509

00:27:45,630 --> 00:27:48,000

California nine two six four seven.

510

00:28:52,635 --> 00:28:53,985

funding for magic of oil.

511

00:28:53,985 --> 00:28:58,064

Painting five is provided by a

grant from Alltech art incorporated

512

00:28:58,185 --> 00:29:01,935

of Salem, Oregon manufacturers

and distributors of art supplies.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Mountain Afternoon - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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