Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Moonlit Surf - AVAILABLE

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the magic of oil painting was made

possible by grants from Aaron brothers,

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art marts and Koenig's art emporiums.

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love you and look at the black canvas,

but we are not in the black mood.

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We are in a happy mood.

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Eh, a black canvas.

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Again, I will put on here this

time, a transparent, uh, Halo green

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at Taylor green, potato green.

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You know, the names are funny as

not, I can't live with them anymore.

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I call it turquoise.

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How about an English?

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He said turquoise.

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That is the name.

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So I put that on, on the black canvas now.

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And watch what happened

or watch what happened.

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It is a transparent color

and I will show you again.

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It kind of a new trick here.

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And that would be one of the

simplest paintings I ever painted.

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It's maybe good for people, but

start to paint is good for a beginner

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to see how easy you can form,

whatever you wants to form there.

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Just watch this here.

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It is.

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It's hard to get that.

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you have to work a bit harder.

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Don't turn it down because then you, you

make a soup, you know, and then you can

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make figures when it's nice and hard.

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You can make all kinds of figures there.

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So watch, yeah, that is quite the job.

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So we don't put any on the white

canvas, we put the magic white on

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in this case, it reprises the magic.

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Right.

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All right.

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Great.

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The hard work, but it's a good exercise.

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It's the warm up.

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It warms you up.

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No, I have to brainwash myself, but

I want to put on, on that canvas

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and I thought to make it very easy.

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How about, we think about the ocean, the

Pacific, that landing and the Pacific.

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There's a difference.

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We have the rolling sea on Atlantic.

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You have the xAPI, see the

there's the two differences.

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So we are lucky people in America.

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We live on two oceans and both

origins are very exciting, but the

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real exciting ocean is our Pacific

because you see all the surfers.

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And it is a different, different weave

movement, especially for an artist.

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When you paint, you see how hard I have

to turn to make sure that it's easy.

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You see dad.

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So we think about the happy Pacific.

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No watch what I do here on this

particular pain, but you can see,

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I have some holes in here, there,

there, there to work it out.

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Right.

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and again, you see the beautiful lines.

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You go down this way and you

have it all nice and easy.

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Nice.

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And even.

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Let me repeat a little bit here.

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This, you understand this whole ID.

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I have criss-cross lines.

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You see how it looks?

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Can you see it now?

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They're crisscross.

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If I make it.

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you see, it looks like that at the

stare in my eyes, but if I make it

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this way, can you see now, Charles?

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You definitely, this is the clearest by

have seen your canvas do it like that.

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Then

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vertical up and down.

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You know, I got a knife.

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No, I've got my on mighty fan brush.

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My, our mighty fan brush.

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Maybe this one here looks good.

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A nice big fan brush.

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And I respect my canvas.

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I will think I will put the

couple of clouds up there.

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I will work with light and

I wear a Rose up the sea.

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No, you can have more sky.

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If you want.

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You can have more.

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Water if you want.

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So I, where you are, I would say make

it half roughly in this height, space

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it in your mind and draw on your mind.

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I was to have a Vive.

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Let's start with the sky.

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If you want to do it here,

I use a touch of white.

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I use a touch of almighty white

touch over mighty white sea.

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And not too much.

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No.

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Watch this here.

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The, how I take it off.

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Quite hard, hard advice.

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And in my mind, I would love to have

that light, maybe a cloud, a cloud.

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Hey,

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look how I dance in your mind.

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Just draw on your mind on mighty cloud.

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Moving up there.

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And then, and maybe then, uh, maybe he

a little bit and disappearing there and

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he had a little bit behind bit that,

and no time you got to get it like that.

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Now let it be darker here.

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Bottom.

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He wants to form a kind of a water

movement and against the dark,

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the light will hammer and nice.

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However, three, we do it like this.

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I will, I will, I will think

maybe here, like your V from the

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Pacific is firing into this guy.

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Oh.

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Like this and the wind, a little

bit of a happy breeze on up there.

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And, and then the all collapses there.

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Eh, And then Dan said there, I

know I wants to look into that.

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We've Hobart's we do it like this.

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Yes.

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movements like this movements like this.

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See.

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And if you want, I can easily add one more

color, a little touch of yellow into that.

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Watch this little, but the

little touch of yellow and white

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little touch of yellow and white.

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That's all I would do here gives me

that extra little bit of light there.

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Oh, ah, you see what I hear?

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They can remain the spoon and

all know that I like if he had

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really risk standing up there and

the little of movement on top.

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Yeah.

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Yeah.

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And then you can move

around the other way.

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You can, you can think like

the waters Tony over there, you

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know, it's turning over there.

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It's turning over there.

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You see.

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Yeah.

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See, and then your fire in here.

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Docker dog.

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Okay.

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Here we come up again.

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And they thing that

was dancing and moving.

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And look at that nice with, with two

colors, more or less, I added the little

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touch of yellow into the middle there, but

that was all, but the rest is only white.

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No.

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What did we do?

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We have a black canvas.

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It's a dry black canvas.

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And you paint with, uh, Taylor

green, accord of Taylor green.

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And then you only use white and

you got the penny coming up.

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See, no, you can go to the other side.

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You can have the other side

that already moving, moving,

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like water movements, more.

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What?

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The movements there on this side,

it's already turned over here and

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then let that line a lot that dance

at, in here that has it in there.

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And then you can relax into

the water down there and see.

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I think that's all vet that reflects

into that VAT water down there.

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D that is what you, what

I call a creative power.

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You just see it and fired.

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And dengue is coming forward

with coming forwards here.

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Maybe I put more Vite

and I will wash my brush.

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See that is very important.

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This, this in this, in there.

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There's a mighty in a

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C in here, dancing movements, and

then you're fired as a right in there

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as a reflection, maybe here a little

bit that reflection on this side.

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See whatever you see here.

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Reflects that down there too.

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Hey.

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Um, maybe here we, we, we

highlighted on top C on top.

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There is what you highlight

and that'd be dark there.

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The on top here, a little bit of

highlighting all around there.

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The fan brush is just fantastic for that.

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And another be dark here.

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I would clean my brush.

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Have no paint on the brush.

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I just pushed around that paint here.

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That's all you need.

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I saw a dog there.

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It's amazing.

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And why the chart time?

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You can, you can create a kind of a

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on top.

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Always let the light fly, let the

light fry something like this in here.

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Just a little bit of,

of reflection movements.

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Whatever that would dare that's here.

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And that's there.

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No, you can fire under a

little bit more light there.

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The,

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so do you know what you did?

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You got a delighted stare there and look

what the nice pain is coming out of that.

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And that is what I think is a wonderful

thing to create in your own mind.

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You see.

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No, I, I need the light hits on top there.

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Let the rest be in the dark.

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And then the rest does appear

wherever it wants to disappear.

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Is he here?

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No, just brush it out.

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No, you can use your own mighty

big brush that mighty big brush,

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clean underwrite and clean.

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I know he can hypnotize the whole thing.

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If you know, I been started off

in the dark because they wanted

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it darker here, the theater look

how it, how it changes, how it

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changes, the whole thing changes now.

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See, ah, If he, even the cameraman

pick up now, that's nice.

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That's what I like to see

the whole thing going.

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He has so much creative power

that on mighty light there.

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Hey, make it like water.

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Yeah, darker again.

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Just let the, the rim be light up

there and then the darker hand.

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Okay.

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Yeah.

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You have a tick strong pain and

with a thick, strong pain, you can,

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you can really create something.

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The, no you can, if you want, you

can use your mighty fan brush again

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and create that vault in the front.

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That's fine.

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There one wall too much.

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No, you can, again, very powerful.

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You can create the.

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And to the doctor, the doctor

let the pain to the doc.

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See that is a wonderful beginning

for people, but start to paint

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is very easy, very simple, and it

is a mighty powerful look at that

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power you have into your canvas.

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A, and I think he even whisper whisper

there again by the power is Roy dare.

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They powers, right?

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Uh, pause right there.

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Can you see it's lined flat already

and let it just go into yeah.

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Uh,

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they again, use your mighty

brush and brush that out.

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Yeah, little side movements

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like we do on all the other paintings

when we painted the water, then you this.

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But I said, I would like that.

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And there you are.

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There you are.

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See that is it?

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No, that was a very, very easy

painting, but therefore, now

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I have a bit time on my hands.

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What's good.

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I aim for that because I would

love to show you something else

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because I never showed that.

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But on this particular serious,

I wants to and Lord, whatever.

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I think I should do the, that's

a very easy one power for.

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And ah, it has all your,

you, you can think.

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Okay.

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How about I relax a little bit

and using along with Mitch,

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now, watch what we do here.

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How about you all right from

that painting completely here.

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I put the painting up for you and

I didn't like it because my wife.

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Bought at Brown and the golden

carpet and, and growing grapes.

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And he came up to me and she said,

Belle, that painting is too blue.

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You don't harmonize any more to our decor.

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I said, Marriott, Shalia,

what we do watch it.

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Now I will show you what I will do.

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I will use it.

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It was, uh, a transparent, uh,

um, Indian, yellow, Indian,

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yellow, no, watch this here.

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Uh, transparent Indian, yellow, and

I will put it right on my palette.

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The, and look at looks like

Shukri like from cream.

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Okay.

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But once what happened now, and I

wants to transfer that penny to wash

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that carpet, what my wife bought.

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So we got to do something with it.

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Watch what I do here.

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I go into that paint.

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See how I take it off.

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Um,

259

00:17:08,060 --> 00:17:09,740

no, look what I do know.

260

00:17:10,430 --> 00:17:12,379

We call that pleasing.

261

00:17:13,129 --> 00:17:18,260

I always want to show you that in all

my showers, but I could not afford it

262

00:17:18,260 --> 00:17:21,589

because they only gave me 28 minutes.

263

00:17:21,889 --> 00:17:24,770

And in 28 minutes I had no chance.

264

00:17:25,185 --> 00:17:28,185

To show you that now

isn't that a new void.

265

00:17:28,185 --> 00:17:32,805

All of a sudden, you see when you're

home, if your wife comes up with

266

00:17:32,805 --> 00:17:38,385

something now, you know, it's a funny

part that when I painted this whole

267

00:17:38,385 --> 00:17:43,335

deal like this, she just ran into me

and she said, Ben, I didn't like that.

268

00:17:43,515 --> 00:17:47,415

That, that, that garden carpet,

I bought the red one as they're

269

00:17:47,415 --> 00:17:49,635

all mine as you drive me nuts.

270

00:17:51,075 --> 00:17:52,475

But I do know where that thing happened.

271

00:17:52,475 --> 00:17:53,355

The Indian garlic.

272

00:17:54,360 --> 00:17:55,740

Well, watch what I do know.

273

00:17:57,480 --> 00:18:00,300

Sometimes you're stuck

in your own dilemma.

274

00:18:00,660 --> 00:18:02,340

I use alizarin Crimson.

275

00:18:04,670 --> 00:18:07,190

See, and watch what happened here.

276

00:18:07,190 --> 00:18:07,640

No,

277

00:18:18,380 --> 00:18:20,420

I think I got the answer for that.

278

00:18:20,420 --> 00:18:22,910

The red carpet to now to see.

279

00:18:23,970 --> 00:18:28,800

I painted that whole painting

with alizarin Crimson.

280

00:18:29,580 --> 00:18:33,960

It isn't any transparent span,

but otherwise what I want to tell

281

00:18:33,960 --> 00:18:41,610

you, we have most, every pain is

transparent by a transparent paint.

282

00:18:41,880 --> 00:18:48,240

You can transfer that into blue, to a

red, to a guard, to any color you want.

283

00:18:48,570 --> 00:18:51,720

You see now here in this case.

284

00:18:52,379 --> 00:18:56,070

I have it mixed with yellow and red sea.

285

00:18:56,790 --> 00:18:57,420

I mix it.

286

00:18:57,420 --> 00:18:58,889

No, but yellow and red.

287

00:18:59,760 --> 00:19:00,750

See what I do here.

288

00:19:02,010 --> 00:19:04,230

Mix it with yellow and red.

289

00:19:05,379 --> 00:19:13,260

And I got a kind of a brownish tune out

of that again, but make it very thin.

290

00:19:13,830 --> 00:19:17,850

Now we can see the difference

here, there, and there.

291

00:19:19,365 --> 00:19:23,385

I don't have a blue attachments

blue on my pallet right now.

292

00:19:23,685 --> 00:19:29,985

But if he wants to have that in the blue

more, now then you just use a transparent

293

00:19:30,015 --> 00:19:36,225

blue and, and you can do it like that.

294

00:19:38,555 --> 00:19:43,025

You learn something, but, you know,

I got to the top and again, my

295

00:19:43,025 --> 00:19:48,330

wife just came in and she said, You

know, I go back to my blue carpet.

296

00:19:49,680 --> 00:19:52,170

I say, you're driving me crazy.

297

00:19:53,250 --> 00:19:54,660

What can I do?

298

00:19:55,170 --> 00:19:56,250

You know what I do with that?

299

00:19:56,250 --> 00:19:57,900

Now I wash it off.

300

00:19:58,320 --> 00:19:59,970

The, it could be happened to you.

301

00:20:00,150 --> 00:20:01,980

This you don't like it all of a sudden.

302

00:20:02,580 --> 00:20:05,940

Now what you do know, I will

show you how we get rid of that.

303

00:20:07,230 --> 00:20:10,290

Give me a little bit of time,

but I think it is good for

304

00:20:10,290 --> 00:20:11,940

you to know all those things.

305

00:20:12,600 --> 00:20:16,560

Because then you become the

greatest artist on earth.

306

00:20:16,860 --> 00:20:25,950

You have no problem to, to create new

ideas and, and it will work for you.

307

00:20:26,070 --> 00:20:29,370

I take this over here on

this side because I feel more

308

00:20:29,370 --> 00:20:31,050

comfortable on this easel here.

309

00:20:31,100 --> 00:20:31,280

Yeah.

310

00:20:32,810 --> 00:20:36,590

See, now we have this whole deal.

311

00:20:36,590 --> 00:20:38,090

We called glazing.

312

00:20:38,750 --> 00:20:40,310

We call that glazing.

313

00:20:41,264 --> 00:20:44,445

Yeah, he could see it better

in a beautiful gold colors.

314

00:20:44,655 --> 00:20:45,915

Now watch now again.

315

00:20:46,365 --> 00:20:50,385

Now, after all this carpets, he went

into the house and out of the house and

316

00:20:50,385 --> 00:20:52,185

over the house and behind the house.

317

00:20:52,754 --> 00:21:02,405

So what I do now, I take painting, see,

use it on my dependent, go over like this.

318

00:21:04,775 --> 00:21:09,785

Not often he go over like that.

319

00:21:11,205 --> 00:21:12,675

And after the run?

320

00:21:12,705 --> 00:21:13,035

No.

321

00:21:13,155 --> 00:21:16,285

At how the tears, it's just

the running down to her.

322

00:21:16,315 --> 00:21:22,035

No, but what I wants to say before,

we will further that painting behind.

323

00:21:22,095 --> 00:21:23,295

Gotta be dry.

324

00:21:23,745 --> 00:21:25,935

Make sure you got the dry painting there.

325

00:21:26,895 --> 00:21:30,465

The otherwise, if it does not dry, you

wash the whole, all the colors out.

326

00:21:36,035 --> 00:21:36,365

Yeah.

327

00:21:36,665 --> 00:21:38,105

That takes quite divide.

328

00:21:39,225 --> 00:21:40,695

That takes quite the vine.

329

00:21:42,335 --> 00:21:43,125

Okay.

330

00:21:47,045 --> 00:21:49,415

He was paper, very gently.

331

00:21:49,655 --> 00:21:50,435

Dip it off.

332

00:21:50,465 --> 00:21:53,405

And you see how the alt

colors come back again?

333

00:21:54,245 --> 00:21:56,105

No problem.

334

00:21:56,975 --> 00:21:58,145

No problem.

335

00:22:00,875 --> 00:22:01,255

Yeah.

336

00:22:01,255 --> 00:22:01,775

Yeah.

337

00:22:07,755 --> 00:22:11,445

I really hope you learn something

from this particular show, but

338

00:22:11,565 --> 00:22:13,275

you know, this is not too easy.

339

00:22:13,305 --> 00:22:14,355

Look at the mess you made.

340

00:22:16,835 --> 00:22:20,075

There is not too easy because you you're

341

00:22:23,675 --> 00:22:25,235

you have to go over and over again.

342

00:22:25,355 --> 00:22:26,435

And very careful.

343

00:22:26,675 --> 00:22:27,005

See.

344

00:22:31,005 --> 00:22:31,395

Okay.

345

00:22:32,745 --> 00:22:40,935

Now I'm a professional pain painting

cleaner that Charles you with other walls,

346

00:22:41,655 --> 00:22:44,265

all those paintings, they are quite solid.

347

00:22:44,295 --> 00:22:48,795

You don't have to worry too

much if, uh, and that painting

348

00:22:48,795 --> 00:22:50,595

is quite a harmless thing.

349

00:22:50,955 --> 00:22:56,325

It is, uh, it doesn't do any harm to

your, to your, uh, to your painting.

350

00:22:56,820 --> 00:22:59,129

See debit off nice.

351

00:22:59,159 --> 00:23:01,980

And all of a sudden it takes quite a ride.

352

00:23:02,010 --> 00:23:03,149

That's the problem.

353

00:23:03,780 --> 00:23:06,330

So see,

354

00:23:14,550 --> 00:23:15,439

yeah, you're on.

355

00:23:15,750 --> 00:23:20,220

And look at the mess you made

God pick up lots of debt.

356

00:23:21,795 --> 00:23:25,545

But you see stair, you see

stair yellow, it takes a vide.

357

00:23:25,725 --> 00:23:30,915

You got to go over and over and

over again in order to do the job.

358

00:23:30,945 --> 00:23:31,605

Right.

359

00:23:32,795 --> 00:23:36,125

Um, again, on more,

360

00:23:39,725 --> 00:23:45,185

all over the whole thing

over the whole thing.

361

00:23:45,935 --> 00:23:47,855

What I use there is paint in it.

362

00:23:50,610 --> 00:23:52,200

And he would dip it again.

363

00:23:52,950 --> 00:23:53,970

Now it's coming up.

364

00:23:53,970 --> 00:23:54,540

Nice.

365

00:23:57,090 --> 00:24:00,240

Did that really get some

green coming off of my ears?

366

00:24:00,320 --> 00:24:01,340

That's my problem.

367

00:24:01,580 --> 00:24:04,880

You see, I showed you

how you shouldn't do it.

368

00:24:05,420 --> 00:24:11,330

I had on the trim that

paint from, from before now.

369

00:24:11,390 --> 00:24:13,430

It's always good to shout the things.

370

00:24:14,030 --> 00:24:15,770

At least you don't go to death.

371

00:24:16,830 --> 00:24:22,350

When you put that painting on, make

sure you have cleaned your, your ESER.

372

00:24:23,160 --> 00:24:25,260

And I showed you that on purpose.

373

00:24:25,890 --> 00:24:27,630

I am the almighty teacher.

374

00:24:27,900 --> 00:24:28,710

I can do that.

375

00:24:29,400 --> 00:24:30,660

But, you know, you do that.

376

00:24:30,690 --> 00:24:36,180

You make so many mistakes sometime, and

it is very, very important for all of us.

377

00:24:36,510 --> 00:24:37,800

The next step do it.

378

00:24:37,800 --> 00:24:38,280

Right.

379

00:24:38,310 --> 00:24:42,450

Always have, make sure you

got that are, might easily and

380

00:24:42,450 --> 00:24:43,920

make sure you have a canvas.

381

00:24:43,920 --> 00:24:50,040

What you can, what you, you know, you

push it in very rigid in the right.

382

00:24:50,370 --> 00:24:54,420

There's you, you know, you can

get it out and make sure you

383

00:24:54,420 --> 00:24:56,670

clean before you start painting.

384

00:24:57,074 --> 00:24:59,895

It clean all the rims clean even here.

385

00:25:00,524 --> 00:25:02,044

No, I'm sorry.

386

00:25:02,074 --> 00:25:05,235

We talk about that, but it got

to be done once at the time

387

00:25:05,655 --> 00:25:08,985

and here I made my mistakes and

I'm glad I could show you that,

388

00:25:16,965 --> 00:25:21,645

you know, for years I was one of,

I would say I was a good teacher.

389

00:25:22,094 --> 00:25:25,334

Here in Los Angeles because

they always had a full house.

390

00:25:25,865 --> 00:25:27,485

It was always happy things.

391

00:25:27,665 --> 00:25:33,485

What I show you right now, it was always

happened is there's a, there's a whole

392

00:25:33,485 --> 00:25:38,975

class came up and everyone put his ease

up and someone has the dirt on, and

393

00:25:38,975 --> 00:25:43,774

then we started off and then all of a

sudden it took, Oh, it's still get rid

394

00:25:43,774 --> 00:25:48,485

of that paint because you have messaged

up to canvas before you start leave.

395

00:25:48,485 --> 00:25:50,854

In other words, it is very wise.

396

00:25:51,225 --> 00:25:56,774

To have it all clean and neat,

and then it's no problem ever.

397

00:25:56,955 --> 00:25:58,784

He, there's still some yellow there.

398

00:25:59,055 --> 00:26:09,195

What I do now, I will just use a dry, dry

canvas, maybe a bit of painting and bit of

399

00:26:09,195 --> 00:26:19,935

paint dinner into, into my, into my, into

my painting or right into my, uh, to my,

400

00:26:19,935 --> 00:26:25,875

uh, Paper and then go over like that now.

401

00:26:26,445 --> 00:26:35,985

And that should take off all the, all the

things you, you have left on the canvas.

402

00:26:37,035 --> 00:26:40,515

Now, today I showed you

something that they want to

403

00:26:40,515 --> 00:26:42,675

show you a long, long, long ago.

404

00:26:43,020 --> 00:26:44,670

And they never had the guts to do it.

405

00:26:44,850 --> 00:26:48,930

I always felt that that was nothing, but

it had nothing to do with the painting.

406

00:26:49,170 --> 00:26:51,660

It has something to do with

that almighty painting.

407

00:26:51,990 --> 00:26:55,770

And I'm glad and lauded that

I feel more free now because

408

00:26:55,770 --> 00:26:58,860

I know that is my last show.

409

00:26:58,860 --> 00:26:59,430

I know.

410

00:26:59,460 --> 00:27:03,690

No, and, and I wish I had

seen that already long, long

411

00:27:03,690 --> 00:27:06,270

before, and now I, I do it.

412

00:27:07,335 --> 00:27:11,175

And I hope you understand, even

I get sometimes upset when I have

413

00:27:11,175 --> 00:27:15,755

to do things like that, because I

feel I am not doing more for you

414

00:27:15,915 --> 00:27:18,425

than I should, but that is it.

415

00:27:19,085 --> 00:27:20,705

Clean and fresh.

416

00:27:21,365 --> 00:27:22,595

Thank you for watching me.

417

00:27:22,625 --> 00:27:23,225

Bye bye.

418

00:27:30,485 --> 00:27:34,475

to receive an instructional book

containing full color reproductions of

419

00:27:34,475 --> 00:27:38,945

all the paintings created for this series

and instructions on how to paint them.

420

00:27:39,365 --> 00:27:46,415

Please send $10 to magic for post office

box two seven two seven Huntington beach,

421

00:27:46,445 --> 00:27:49,325

California nine two six four seven.

422

00:28:41,445 --> 00:28:45,645

The magic of oil painting was made

possible by grants from Aaron brothers,

423

00:28:45,645 --> 00:28:48,885

art marts and Koenig's art emporiums.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Moonlit Surf - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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