Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Moonlight Serenity - AVAILABLE

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when the moon shines over the

mountain, the magic, right?

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That's on my dad's on mighty magic, right?

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Just already on that canvas.

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And we can fire in no mercy today.

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I have lined up a kind of a Moonlight.

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No Moonlight, you know, some are like

the moon is so clear and so beautiful

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in some odd times, a hazy moon.

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There's a, uh, depends on what, how

about you make a very quite day?

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Dean is standing still the,

if it is ready in your mind,

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no problem to put on a canvas.

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So what we will do, I have my canvas up,

you know, like horizontal, not horizontal.

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Vertical D Y and we can put our

mighty moon and wherever we want

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and fires right into the water.

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See, and once we put it in

between, maybe make a crisp Vinter

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Vinter would be nice icy winters.

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You standing staring at

a forest, this biting.

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So what I have my mind?

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No, you can use a happy blue, the

happy blue, but look, this is quite the

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I don't know what to say.

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What would you say?

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Why would you say help

me, help me, help me.

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I think it's a bit too blue.

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It's not full of into the whatever

use attached Rose Rose matter in

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that it doesn't matter rules matter.

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You see that gives you that

little bit of a rosy tune.

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It makes it the better.

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The, how I take it off just at the blue.

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I have it in my brush.

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I will have it like this and

I aim the moon somewhere.

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I have all my cameras.

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It's just talking to me.

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It's just talking to me,

see, make yourself a bit of

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a lighter spot in the middle.

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There don't have to be in the middle of

wherever you think the moon should be.

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The, and then we baby cousin

half here, some or dare.

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No dare.

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We make it more darker used Luke.

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What I do here, take off some

blue and Rose matter, we put

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it to gutter, but matter.

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And we form a dark dark in between.

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There is a kind of a

blue withdraws matter.

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And you feel it in an aim,

not too much pain, make sure

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you don't have too much pain.

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Dan, you will get into travel.

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The in the moon would light up whatever.

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No, you can go as dark as you

want as light as you want.

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We talked to in the beginning, some mood,

some evenings or some nights they're just

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very light and bright and some nights

they are just this very, very dark.

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I create the same ID here.

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We start from the outside.

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They started from the outside

in again, Rose matter,

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give me a nice, nice evening

color, the all around.

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And as you go into the middle, the.

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The magic Vite.

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What is, it's a bet.

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Canvas gets it right into my brush and it

gets lighter, lighter, lighter, lighter.

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See, yeah.

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Already you can see now

there are two reflections.

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Just line it up.

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So this looks the same.

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I had to move that over

a little bit because.

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Then you could act it.

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Isn't a nice when you can move

the moon and that's wonderful.

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so we have a good, good start then.

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And th th the Knight is bouncing here.

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That's just a bonusing

night and here's a moon.

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No heard.

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I make it a bit hazy around the moon.

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There's so much paint in the brush.

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You can still pull it together.

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The value one,

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you make it a bit hazy.

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Not, not, don't leave a

blank white canvas there.

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See, otherwise you can get a

Moondance, so, okay, go ahead.

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Thanks.

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I have a, but start can

leave with deliberate Humpy.

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No, I will use how big the moon, how big

I would say I use this little fan brush.

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I feel sometime the moon, especially

when the moon gets up on the horizon.

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It is quite big, but here

I think I can make it like

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a, eh,

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Yeah,

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no, you can put the man on the

moon and there, if you want to,

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Hey, maybe leave it like that.

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Yeah, same line down here is the

moon you're right in the border.

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The sometime is nice.

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You can let the moon or run into the

water and let them dance into the water

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there because it's how quite this waters

and this kids are standing all still.

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It's just moon, dead on the moon.

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Dare.

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So that's the way we want it today.

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Eh, again, I make my moon here.

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Same side.

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Yeah.

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Yeah, no, he got the man in the moon too.

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There's some figures in the

mood, leave it like that.

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Isn't that easy.

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So now you can do a lot, a lot of

things you can put clouds in between

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and let the moon hit the clouds, you

know, like, uh, uh, From the moon, just

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like the sun, actually, it's the light.

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This is a source of light.

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And you put the clouds maybe underneath

sometime and let the clouds lighten up.

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I don't want to do it to D I just be

stubborn, but I feel I have really, in

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my mind lined up quite I see winter.

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And I wants to see that getting

on that on mighty canvas.

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No, I will use my mighty knife.

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And, uh, catch-all right

into the same blue here.

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And I created a kind of a

winter, winter, winter feeling.

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We'll see how it looks.

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Oh, I haven't seen fire away, fire

away and here's far away and there's

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far away and there's far away.

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Hey

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beautiful.

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When you can guess there the details,

but this is such a critical evening.

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The maybe creates here, maybe here is

all the other mountain parts coming in.

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And that's wonderful.

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There's so many details.

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It's not dad's his, he don't

get that many details in there.

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no, you can outline it a little

bit, but the moon is the best.

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I would say here, I will

not overdo it either.

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It's too bright.

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And then you lose your evening.

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Maybe he ever just, I got too hard on it.

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Take it off again, Jess, or just think

the moon is a kind of a highlight on a

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mountain from the moon and it's fine.

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There's a fierce here.

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Hey.

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No become closer.

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I use blue and the same colors,

Rose Rose matter, Rose matter.

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It doesn't matter.

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It's the Rose matter diva.

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Yeah.

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Maybe

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they tried to.

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Crazy kind of a Valley stare

into the dark, into the dog.

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Eh, that's nice.

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No, it'd be better.

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We were, we will have foreground.

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That's just the beginning of the back.

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No ever used lots of

blue, more of Rose matter.

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And I will create a kind of

a nightie mountain thing in

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front, like stones, rabbit.

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And they wants to winterize it.

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I must have really

looking like winter there.

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That's the video, very powerful painting.

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When I'm finished with that.

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Look at that.

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And you see our daddy, the frost

frosty feeling in the whole thing.

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He, no, we just cut it in

through that icy water.

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And that's wonderful.

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No, that's very, very simple pain.

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I hope I can really.

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Make you excited.

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And it was sometimes hard to find the

subject, you know, when you, because

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you're paying so many, many, many things

in your lifetime, and I hate to see

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myself doing the same job over and over.

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No, when you pain stories,

that's a different story.

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But on TV you have only so much time.

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My whole ideas here, too.

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Excite you and give you more ideas.

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And from then on you are alone.

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He said, no, we very rarely used Vite.

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Obviously the little touch

of blue or other in it.

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See blue, the, how I mix it here.

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Till he would look bit

of bluish rather more.

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He, it gives you, it's

kind of a frosty feeling.

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The moon.

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Now you over the moon, the moon,

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he thanked the lights coming this way.

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Eh,

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That's wonderful.

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That's the loose knife.

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Let the knife dance in and that

the knife do the job and move it.

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Divide your tank.

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It can be done by you see

sometime, I guess the.

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look at that.

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Just a powerful, powerful little.

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Now that light is coming from here.

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I have to watch that.

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Let it be

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he, maybe here you are this way.

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good.

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No, the next step is you fire

that all into the voted to now.

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Isn't that wonderful.

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Oh, your knife can do that job.

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I liked that too.

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The know you wash your brush.

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You'll wash your arm, mighty brush.

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Oh.

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And you pull that down.

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She got and got right in there and.

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Yeah, no.

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Make sure you have a nice clean, clean

paper and clean brush all the time.

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Then you have all those

lines that makes it nice.

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There it just, sometime you have to

go over it again because the right

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where it is appear too much sometime.

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Yeah.

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No, you you, in this case sometime,

sometime I wouldn't like to even move

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sidewards because it's standing still,

I will rather watch pronounced at right.

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I will.

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I ever put a bit more here on this side.

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Yeah on this side and I do it

because I would like to pull

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that in the dang us IC I see.

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As a vendor Moonlight and

just that the Island is, yeah.

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See you have that right there,

which show you what it does for me.

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No, I can go in with my big brush to that.

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Right.

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Can you see, watch this and pull it down.

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See, go into that Vite and pull it down.

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The Vite using you lose all the time.

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I don't know why, because I put

sometimes so much right on it.

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It still, I lose it in this case.

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You see, I put on more and then I have not

enough to go right over the whole thing.

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SI, if you want, you just could

leave it, just leave it like that.

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You know, usually what we are doing.

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We, we.

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But can you imagine that the D is so quiet

is standing still, so it would be maybe

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just very excited to keep it like that.

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So we keep it like that.

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We will not argue no,

no comes to nice parsed.

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It's just the little

movements, little movements.

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He wants to keep it as , as I can see

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here, put to kind of a shore shoreline in.

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Something like this and let it disappear.

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Isn't that like when we get

vignette, it's beautiful like that?

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No, we were, we were just give

him a bright, a light Vite on

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top this before of us blue.

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And now I just give him the latch that

lets the, this was blue and white.

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Now I crown it with just, and you see

the difference between this and this

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and the blue is stayed in between

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he here, but be nice.

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Oh boy, that really is how

many hours just wonderful.

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no, it's all knife.

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it's so quiet.

235

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Can you imagine you

come get your boat nice.

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And that evening you float close to that

border there and everything is so quiet.

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Nothing is going on.

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Nothing is moving.

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It just fantastic to be there.

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I lived there actually, and on the

ocean, they always had the boat on

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the ocean and sometime it's nice.

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Just drifting along in the evening.

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Okay.

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See?

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No, I said, dude, that's right through.

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I lose a lot down there too.

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the, yeah.

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Yeah, no, you can work

it out with a sample.

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You would say that it's

a, Oh, I use a bit more.

250

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That is a . Islands like that.

251

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Yeah.

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It's a log, you know,

like a log stuck there,

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rush to the loss, the

loss hanging up there.

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See you're fired in.

255

00:20:54,425 --> 00:20:56,885

Hey, now you highlight that too.

256

00:20:57,605 --> 00:20:57,695

Okay.

257

00:21:06,785 --> 00:21:09,065

the fires right into the water.

258

00:21:18,990 --> 00:21:22,920

Then neither UNEC make it blend

blended in with the brush.

259

00:21:24,540 --> 00:21:27,840

He maybe here you have one sticking out

260

00:21:31,980 --> 00:21:32,910

like that.

261

00:21:33,990 --> 00:21:38,160

This appears in here and

you work it out like this

262

00:21:41,430 --> 00:21:41,760

263

00:21:46,365 --> 00:21:53,175

And you highlight that again,

side of the moon, and you can

264

00:21:53,175 --> 00:21:54,705

do all that with the knife.

265

00:21:57,105 --> 00:21:58,395

That's a nice spot.

266

00:21:59,685 --> 00:22:05,175

See, and maybe somewhere

here down the line.

267

00:22:10,170 --> 00:22:11,940

He along the line.

268

00:22:12,000 --> 00:22:19,140

Uh, I would set it up like it's coming

out from here line across there.

269

00:22:21,840 --> 00:22:22,170

See

270

00:22:28,950 --> 00:22:30,270

something like that.

271

00:22:32,880 --> 00:22:36,810

So you play, you play around,

like, I show you here.

272

00:22:38,489 --> 00:22:44,729

That's the nice part of painting, creating

you're on your own creative power.

273

00:22:46,110 --> 00:22:47,129

You are alone.

274

00:22:55,760 --> 00:22:56,659

Then here.

275

00:23:06,949 --> 00:23:08,659

One is floating in the water.

276

00:23:15,470 --> 00:23:16,010

Hey,

277

00:23:24,649 --> 00:23:25,100

Dan.

278

00:23:26,639 --> 00:23:28,800

Then you have to draw a shadow.

279

00:23:29,280 --> 00:23:30,149

This one.

280

00:23:35,149 --> 00:23:35,449

Yeah.

281

00:23:35,449 --> 00:23:39,229

I have to draw a reflection

in the water of that one.

282

00:23:44,629 --> 00:23:44,719

Okay.

283

00:23:45,320 --> 00:23:46,520

Something like that.

284

00:23:47,810 --> 00:23:53,659

And highlight again, the top, the top

of that, that log show here on top.

285

00:24:00,254 --> 00:24:01,334

So that's fine.

286

00:24:01,425 --> 00:24:04,604

If then you use your big brush.

287

00:24:04,905 --> 00:24:06,794

No comes to test.

288

00:24:07,695 --> 00:24:08,564

Very careful.

289

00:24:08,804 --> 00:24:09,794

Very careful.

290

00:24:10,695 --> 00:24:16,725

See, first they have

to clean my, my brush.

291

00:24:18,780 --> 00:24:24,930

Yeah, it is easy when you have all the

lines go on street, but here I show you

292

00:24:25,110 --> 00:24:31,050

how difficult it is sometimes when you

have, uh, the, you hardly don't touch it.

293

00:24:31,530 --> 00:24:36,389

You just give him little silence

and you don't destroy the

294

00:24:36,419 --> 00:24:38,550

street movements on the bottom.

295

00:24:39,419 --> 00:24:44,550

See here in this case to these

bit of corner, what I do, I

296

00:24:44,550 --> 00:24:46,050

use a corner of the brush.

297

00:24:56,000 --> 00:24:56,390

No.

298

00:24:56,400 --> 00:25:04,590

If you put the copy highlights in this, it

looks that it looks like this in the Vata.

299

00:25:04,620 --> 00:25:11,760

You see here, the area and

the other one here, maybe.

300

00:25:15,450 --> 00:25:16,590

Very quiet.

301

00:25:17,040 --> 00:25:20,820

Sometimes just a little fish.

302

00:25:21,360 --> 00:25:24,510

Well, whatever, start something off.

303

00:25:30,480 --> 00:25:31,030

There

304

00:25:37,670 --> 00:25:37,940

you

305

00:25:41,490 --> 00:25:41,790

go.

306

00:25:45,705 --> 00:25:46,665

More here.

307

00:25:52,275 --> 00:25:53,445

Isn't quiet.

308

00:25:54,465 --> 00:25:55,995

Very quiet.

309

00:26:06,855 --> 00:26:07,515

Quiet.

310

00:26:17,135 --> 00:26:21,075

And if you want, you can go

right through the moon, have

311

00:26:21,085 --> 00:26:23,145

on the ride to the moon there.

312

00:26:24,945 --> 00:26:29,295

See that means you can see, it

gives you that board a feeling.

313

00:26:30,705 --> 00:26:31,845

Maybe he had one.

314

00:26:32,745 --> 00:26:37,695

And that is odd because this was

a very, very simple painting,

315

00:26:37,905 --> 00:26:39,435

but it has a good meaning.

316

00:26:39,855 --> 00:26:41,605

You know, you see it.

317

00:26:41,605 --> 00:26:46,845

It's very simple, this little

painting, but, uh, it is so powerful.

318

00:26:46,875 --> 00:26:50,565

If you can handle it right now, you

can do it in all kinds of colors.

319

00:26:50,745 --> 00:26:53,895

You can make a bit more red

and it's the other evening.

320

00:26:54,990 --> 00:26:55,890

Did you enjoy it?

321

00:26:56,280 --> 00:26:57,240

It was quiet.

322

00:26:58,080 --> 00:26:59,940

Everything was standing stirred.

323

00:27:00,810 --> 00:27:02,040

Thank you for watching me.

324

00:27:02,160 --> 00:27:02,610

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Moonlight Serenity - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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