Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Evening Glory - AVAILABLE

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Can you imagine the sunsets and the ear

is going to buy my eyes and my whatever.

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Over three days over the lakes, over

water, over mountains, there's a kind

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of a dream was used, but the sons said

really sunset is sometimes very, can

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be very sad, can be very, very happy.

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So if we make a happy sunset,

I do it on a black canvas.

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So you see again, a black canvas

and I fired in, I have to show you

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Indian, yellow, and a little touch

of blue, just a little touch of blue.

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And I tried to get this

kind of a color in first.

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That is kind of a, who would you

see some openings in the sky there?

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The maybe here on the bottom,

we really put the little bit of

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water and put it in there too.

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So I see it roughly, just a dog, dog Cielo

at, and the reds on set, popping up there.

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You know, here we were.

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We ready?

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We ready?

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We ready?

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Is it transparent color?

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Always on a black canvas,

use a transparent color.

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Because we want to use that black.

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If I use the pink color,

then I lose the black canvas.

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They know this it's nice.

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It's a nice Indian, yellow.

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So I use different colors

there because I know I paint.

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Are the other cars, but everything I

put on top of it be transparents and

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I was used attached alizarin Crimson.

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I take it off for me.

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At least the brush device

is with all that dirt.

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You see?

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No, I have other color because

I mix it with this again, is he,

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kind of a alizarin.

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Crimson is related to raid.

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Hey, maybe here again, but more around

so that, because I have that color

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underneath, that means I mixing it

right now, but I want you to show

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that color in between some openings.

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It gives you a credit,

a nice sunset Sunday.

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I am so, so, so, so maybe a

bit more alizarin Crimson here.

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From the side.

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I want you to have the sun brilliant

in the middle and maybe hear a

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little bit dark alizarin Crimson.

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And it's still the brushes dirty.

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But with Indian Gallo, no, I will.

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I will wash my brush

and have a clean brush.

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And I use red kind of orange,

red, firing the red dare and up

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and up and up, uh, uh, uh, okay.

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See, because now you mix again

because you get together with the

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elders in Crimson and the Indian

Gallo and the little touch of blue.

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Leave some openings, leave

out the fire you get in there.

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Maybe I cleaned my brush again,

and then you fire in again.

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Let's do it like that.

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Kind of orange color and you're

firing the gun right where the sun

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is and you up as either a darkness

in the brush, that means look at her

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beautiful God, a fast, you can do it.

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Then you're really gets our mighty

mighty spark into your sky black canvas.

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If you ever get used to

this ID, It is too much.

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Power is far more power

than the white canvas.

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So again, here through the sun and off

the sun and whatever, whatever your thing

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is, there should be the it's related.

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I live in Crimson is easy.

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You mixed with alizarin, Crimson

it get darker, darker, darker,

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and you have it devalue one.

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Now there are so many ways

of thinking about sunset.

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You can watch, you can

leave it just like this.

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Sometime that looks the best.

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We always think something and we have to

do it bright and nicer than, but you can,

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you would like this if you want

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it doesn't matter.

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And I just show you copies of IDs.

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I like to see it sometime now

I will use a big fan brush and

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never use a touch of yellow.

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And actually when I put it on vet and

vet right into the sun, that means

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with other bars, I mix again, you see?

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And that gives me the brightest

color stare again, yellow and fire

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than what the sun is the best.

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Nope, it's not wonderful at this time.

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I will just do it to buy.

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I did it before I will forget

the sun beams to sunburst, but

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I discharged you that because.

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You can do it too many vice there's.

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So many vice of, uh, getting

the sunset done again, Gallo.

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And in the meantime I'm mixed, but I

go out from the sun and more, and as

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they go up, I mix with other colors.

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He has darker, darker, darker after sun.

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That should get darker.

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Then I have, but I, in this case, I would

like to see movements a lot of movements.

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You can use the big brush you don't

have to do with the smallest brush.

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He started off here and then you were up

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at that.

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That's beautiful.

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Very powerful.

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Very powerful sunset.

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No.

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I will, I will, I will go

for the little details.

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Yes.

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The little details I use my fan brush.

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I will use a touch of white this time

and that is the brightest I ever can get.

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And that will be here.

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Here is he?

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So this is on the bottom.

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Is she, is this on this just left of ours?

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It's just gone down and

new up, uh, uh, uh, uh, uh,

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So no the next step would

be, I would create this son.

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I will have a sealer at landscape there.

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Maybe I use a two inch brush and they use

blue alizarin, Crimson blue, and alizarin.

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Crimson is the darkest color I can think

to me, it is darker than black sea.

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Then I create a kind of a.

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Whatever it's there.

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It was wonderful.

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Just gives you an impression there,

blue Prussian blue and Allergan

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Crimson, and you can even create

kind of a tree, whatever which

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stands there and into the dark.

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Maybe here

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here.

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I wouldn't worry that too much.

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Hey, underside, just come down, come down.

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Or that deep evening, see behind me

as soon dark, that becomes so light.

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All of a sudden the that's

the uptick illusion we create.

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Otherwise if I had it light on light,

eh, you know, you get nowhere, this is

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such a power for power for painting.

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You know, I create just to kind

of, uh, uh, Sealer at you look

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into the sun human piggy eyes.

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You cannot see too good.

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There we are.

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Oh, I very, I very used the other

brush and I will use the same

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colors here, orange and yellow.

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And I would say fire in there.

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Yeah, let it be powerful in the middle

and let it disappear on the end.

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And then you use alizarin Crimson

all the way through to the end.

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He, he is the same on this side.

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Alizarin Crimson.

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And don't clean your brush.

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He, you let the brush get dirty with

whatever Sunday on the canvas now.

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And it isn't because I'm saying

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it is, or in Crimson.

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the act like you're flex that

into the two devoted there.

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Just reflected in, just push it in.

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So it just you'd have a feeling of this

is reflecting into the water there.

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And, uh, and then there's comes the

happy and the, just all of us into what's

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the mid more darker, more darker, more

darker, and then lighter, more darker.

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No, no.

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He was flashing blue and Elizabeth

Clemson and a fire in their tooth.

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So this is a habit.

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This is the backward, reflecting the water

and you see our mighty dog that light.

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Power is up.

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So zoom much.

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It's such a wonderful feeling.

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Okay.

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Oh, I got this already.

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Quite quiet.

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If I wanted

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yellow.

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Yeah.

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Hello?

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No, if I think you bring this bit

of yellow down to dare right there,

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right there, right there and pull

it off, pull it off, put it off.

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And then slowly, slowly you harmonize

with what you see with what you see there.

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No Fred, no orange called us there.

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Just harmonize a little bit

like this, like this and let

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that disappear into yonder.

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Look at that.

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A few of you that are mighty evening

feeling, it comes to a happy ending.

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So he on this side the same.

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Yeah.

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He that'd be darker, darker, darker.

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He here you, you could access it.

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No, you have to really make sure you're

harmonized what you see on top and need

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a bit more yellow, a bit more yellow.

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I was so stingy.

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I thought they have enough.

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And again, yellow,

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start off there again.

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Cause you mix right away.

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When you attach, you know, you're

mixing in that gives you the punch

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I will use a fan brush, a little

fan brush and white and yellow.

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Right.

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And yellow.

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You see how I take it off?

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I know this

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E that's the brightest point.

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And I do the say, yeah, that's good.

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He know, I have lots of power.

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Can you imagine, no.

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You use your big brush or is it

big brush, clean wash your brush

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and I will make some upstrokes there.

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But don't go into the red.

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No, just enough that you get that

bit of a feeling it's standing up.

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Yeah.

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T Hey, go, go.

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That,

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don't put it into there

to the sunset too much.

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Just a little, little bit,

but you have to practice that.

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And then here in this case,

I, I pulled this down.

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Yes, Dawn.

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he put this on, so that's good.

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And no, make sure you have a

dry brush and a clean brush.

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And you do it like this with a very

light stroke, very light stroke

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by having a thick, solid paint.

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You can do that.

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You could not do it.

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If you have a soup, he didn't paint.

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No, I have my water lines in her head.

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D you see.

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Then you use your knife, your happy knife.

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And I will create a bit of

yellow here and the Tetro.

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Right.

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And if it is, that's what we did.

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I take this, I feel already

kind of a yellow and you, you

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can just, I would say here.

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Don't keep it to yellow,

then it turns green.

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Yeah.

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I have lots of fights in there.

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Maybe attached hereto would be easier.

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The red, I was curious to green,

something like this would be

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better even he hit this, this Dawn

and Dawn and water line there.

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Putting the center.

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Don't worry about the thing

going down there on the side.

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Just, just, just maybe like

that, but nothing loud.

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Nothing loud.

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Yes.

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Yeah, that's it.

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That's a here.

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He had to have to take the heads off and

I make sure I have my lines back again.

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My lines back again.

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Hey, no, we ready.

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Put the cup and movements

in their copper movements.

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See, it didn't advise it would be

better if you use magic, right.

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Or I have a dinner right here.

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He didn't.

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Can you see that this is like a real

invite and that's the ticket, right?

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No, it didn't.

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No.

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Right.

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You remember the philosophy at dinner?

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Paint sticks on the ticket paint.

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He not here.

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I would like to

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that's nice.

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And hear it again.

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See, but I was keep it just the power,

pull that power into the center.

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Okay.

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It didn't have paint.

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You see how I take it off and

mix it with the yellow and the

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kind of orange color there.

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So let's have a little tin right?

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Pull it off.

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Nice.

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And now I do it again.

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He like

248

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he bought his does it's

right into the water.

249

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Dan's right into the water.

250

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But to keep it in the center

here or keep it in the sun.

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He no good dad.

252

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Can have it bigger enough as

you come far West and you really

253

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can make a bigger line there.

254

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Yeah, that's good.

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I always make sure you have a clean

knife and I pulled off some work, but

256

00:19:58,490 --> 00:20:00,830

it didn't the pain I was in it down.

257

00:20:01,190 --> 00:20:02,120

You have to do it.

258

00:20:02,715 --> 00:20:08,145

Didn't it don't like this either

259

00:20:18,065 --> 00:20:18,735

or mighty.

260

00:20:20,175 --> 00:20:23,355

Tach, you know, no, we

come here in between.

261

00:20:23,655 --> 00:20:26,115

There is some movements,

but it's not so light.

262

00:20:26,265 --> 00:20:26,925

What I do here.

263

00:20:26,925 --> 00:20:33,105

I take this, she just Indian Gallo

and blue is kind of a greenish.

264

00:20:34,815 --> 00:20:37,155

They wants to create

like in a shadow there.

265

00:20:37,205 --> 00:20:37,385

Yeah.

266

00:20:44,165 --> 00:20:45,635

No, this is a shadow color.

267

00:20:45,875 --> 00:20:49,625

That is not as bright as you see it here.

268

00:20:50,105 --> 00:20:53,765

So I could not put this

light colors in here.

269

00:20:54,395 --> 00:20:56,075

Cause then I would fool myself.

270

00:20:58,265 --> 00:20:58,835

See?

271

00:21:03,395 --> 00:21:07,385

Good, good, good, good, good.

272

00:21:08,430 --> 00:21:16,350

No, we will go on crazy kind

of a dark, just very dark, a

273

00:21:19,410 --> 00:21:23,450

shoreline there, but dark, dark.

274

00:21:23,480 --> 00:21:27,980

See, this is the color I use here

is so much darker than disk and

275

00:21:27,980 --> 00:21:32,000

you see the different, it looks

bright because can set dark.

276

00:21:48,810 --> 00:21:49,530

No, it's good.

277

00:21:51,639 --> 00:21:58,790

What they have to do now as a next step,

I use a fan brush and use the stock lines.

278

00:22:01,395 --> 00:22:04,575

The dark, but blue and

again, makes it back to us.

279

00:22:04,575 --> 00:22:08,235

They got to call us back in

again, Indian Gallo attach

280

00:22:08,355 --> 00:22:11,925

Fred and I got the right color.

281

00:22:14,975 --> 00:22:17,045

Why they wants to create

here as a, kind of a,

282

00:22:20,645 --> 00:22:25,265

just up Stokes, just upstrokes.

283

00:22:26,835 --> 00:22:33,254

See, it looks like there some trees

standing there, some trees standing there,

284

00:22:36,995 --> 00:22:39,725

but there's also dark in the evening.

285

00:22:39,754 --> 00:22:43,595

The sun is already behind and

you don't see dictates anymore.

286

00:22:43,595 --> 00:22:44,475

You see me?

287

00:22:44,475 --> 00:22:53,085

Maybe what I show you here led upstrokes

eh, No good that it's going to be perfect.

288

00:22:53,955 --> 00:22:54,255

289

00:22:54,255 --> 00:22:58,245

This is something to

control your light and dark.

290

00:22:59,025 --> 00:23:03,855

When you have the sun water is the

best leader because in the water or

291

00:23:03,855 --> 00:23:08,325

gold or silver or brass, you know,

when you apply with us kind of thing,

292

00:23:08,625 --> 00:23:12,375

then, uh, the light has its it's fall.

293

00:23:12,705 --> 00:23:17,070

But when you have grass, Yeah,

it's still a light going over the

294

00:23:17,070 --> 00:23:21,960

grasp, but it's, it is not bright

because grass don't reflect much.

295

00:23:23,600 --> 00:23:25,250

Doesn't reflect much.

296

00:23:25,760 --> 00:23:26,750

Uh that's good.

297

00:23:28,760 --> 00:23:33,500

And they let it disappear

completely into the night here.

298

00:23:33,560 --> 00:23:36,170

Or at least we wouldn't

worry about that at all.

299

00:23:37,910 --> 00:23:41,900

The next step, what it would do, I would.

300

00:23:43,395 --> 00:23:49,335

He was a bit of red and I would

have a little bit of, of, uh, the

301

00:23:49,365 --> 00:23:51,285

shooters comes to the sideline.

302

00:23:51,795 --> 00:23:56,025

This the, the sun hits a little bit of.

303

00:23:59,555 --> 00:24:00,365

So he likes that

304

00:24:07,685 --> 00:24:08,585

you be here too.

305

00:24:11,400 --> 00:24:14,310

He didn't let sun beams

hit little bit of obvious.

306

00:24:14,460 --> 00:24:16,650

Make sure you have it from the sunny side.

307

00:24:17,130 --> 00:24:18,510

See how it looks now.

308

00:24:19,110 --> 00:24:20,730

Barry, very easy.

309

00:24:20,760 --> 00:24:21,540

Very easy.

310

00:24:21,750 --> 00:24:25,710

Same on this side here

311

00:24:28,770 --> 00:24:30,660

he live with death.

312

00:24:31,574 --> 00:24:35,504

The here you can't do it because

there's nothing you can do about it.

313

00:24:35,804 --> 00:24:39,764

But then what, the side, when the

tits decide, then you could see

314

00:24:39,975 --> 00:24:42,135

the sun hits the side of whatever.

315

00:24:42,135 --> 00:24:46,064

Is there, here, maybe

buried it up like this?

316

00:24:53,324 --> 00:24:53,975

Yeah.

317

00:24:56,940 --> 00:24:59,700

I couldn't do it on this side

because the sun would not

318

00:24:59,700 --> 00:25:01,500

jump around and hit this side.

319

00:25:04,320 --> 00:25:05,190

You hear?

320

00:25:06,000 --> 00:25:08,220

Or no, that's the wrong thing to do.

321

00:25:16,490 --> 00:25:20,419

He no coming to a happy ending.

322

00:25:22,035 --> 00:25:28,155

Uh, B and he had such copied strokes.

323

00:25:28,155 --> 00:25:33,555

I mean, such a powerful

painting, too loud.

324

00:25:33,945 --> 00:25:34,875

He did dust jokes.

325

00:25:34,875 --> 00:25:36,375

I heard it too, too much.

326

00:25:36,855 --> 00:25:39,435

And when you have them too much,

then you take the big brush

327

00:25:39,765 --> 00:25:41,175

and you wipe them out again.

328

00:25:41,775 --> 00:25:42,615

He was on vari.

329

00:25:42,615 --> 00:25:44,145

You just never worry.

330

00:25:45,435 --> 00:25:46,575

You just vibe him.

331

00:25:47,295 --> 00:25:48,015

Oh, it's again.

332

00:25:48,689 --> 00:25:52,490

And that it just come into the

sun and there, that's why you, you

333

00:25:52,790 --> 00:25:54,389

show that there's a bit of light,

334

00:25:59,540 --> 00:26:02,480

see strokes are

335

00:26:07,610 --> 00:26:12,500

you take your big brush and you have

a clean brush, and now you go over the

336

00:26:12,500 --> 00:26:17,270

whole thing, you know, like watch, watch

the lions, how I put it him, you see.

337

00:26:17,655 --> 00:26:18,525

See what they do.

338

00:26:18,795 --> 00:26:23,025

I put it the lines along

actually by attaching very loose.

339

00:26:23,295 --> 00:26:28,605

Can I do it this way to just touch it

and pull you, pull the lines along.

340

00:26:29,385 --> 00:26:33,525

See, and that makes a nice clean painting.

341

00:26:37,395 --> 00:26:41,225

Yeah, he is in his hair.

342

00:26:41,225 --> 00:26:45,815

We have to take that hair off and

then they make the left strokes here.

343

00:26:46,740 --> 00:26:46,980

Yes.

344

00:26:46,980 --> 00:26:50,040

If I can be too loud.

345

00:26:56,520 --> 00:26:56,820

Yeah.

346

00:26:58,430 --> 00:26:59,330

How'd you like it?

347

00:26:59,990 --> 00:27:01,520

Very powerful colors.

348

00:27:02,300 --> 00:27:04,730

And you do it with ease.

349

00:27:05,780 --> 00:27:07,070

Wonderful sunset.

350

00:27:07,730 --> 00:27:08,600

Thank you for watching.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Evening Glory - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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