Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Alaskan Range - AVAILABLE

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the magic right.

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Is on with the happy song in my heart with

happy ideas we fired in the new painting.

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Now, you know, sometime I feel we do the

same thing over and over and over again.

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And you know, when you really dive with

bear mountain, if you paint landscapes,

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there's a fields or a mountain or water

and threes, and then trees, mountain

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and water, water, mountain, and three.

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You know my show or what

I have made up my mind.

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I hope I can inspire you to a

point there's you just grab that

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are mighty brush and make it

happen because I needed that too.

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When I started, you know, when

you start paying, you always

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didn't get the suit difficult.

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And it is really not that it's

just let go colors, mirror

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the rhyme, read them harmony.

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That's all you need.

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And a happy heart and as good

that taught towards mankind and

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a good thought to was the void.

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You know, this, I think makes you

do all those things because no,

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I hate to talk about religion,

but, uh, What is it all about?

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It is just to live on a better tomorrow

and all the religions talk, the same

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thing and all countries, they fought

for freedom and it is all mainstream

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is I wants to be happy on this earth.

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I have only so many years.

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And let me outlive this, this little

life I have in the happy, right.

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And art can do that.

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Music can do that.

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And just happen the deal.

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Good Lord.

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Give me really a talent and I

can paint our most anything.

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And I would like to give it for

everyone would like to do it

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because I believe there is so

much happiness and creative power.

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Creative power.

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Oh God, you get up in the morning

and you see the sun comes over the

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head with so much vibration and

that happy powerful D when you can

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live that the fully without pain.

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See, this is the other

thing a lot of people have.

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Sometime very unfair.

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They have a lot of pain and other troubles

just to bring, bring himself to this life.

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I hope that art, you can

take your mind off your pain.

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You take your mind off your on here.

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I see that.

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And that makes me very, very, I

feel very, very bad, but that, but

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I hope all artists are all teachers.

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Can give a by a happy

insight to other people.

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And th that would be wonderful.

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If I can do that in my lifetime, I

will be very, very, very, very happy.

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So, no, I fire.

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And again, the mountain

is the best seller.

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Make your happy buck, happy buck.

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It needs, you have to have

money in order to create.

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It's hard to create when

you can pay your bids.

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So with other boys, I will show you again

in the part of a, the mountain scene,

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but I add something different there.

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And I wanted to show you just the

technique to make it easier for

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you, the Robert on make sure when

you put that blue on, or it depends

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on what color you want to put on.

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And maybe here I show a

little bit of a lighter blue.

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And then leave out whenever you

think it will put a cloud on like

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this, then I leave that out and

then a fire in the cloud there.

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So that's the beginning.

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That's the beginning.

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Take your fan.

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Brush black.

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My fan brush team should be vet

what's happened to my FINRA.

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Dry clean fan brush.

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And then you go into the black

tattoo of blue Tasha for in

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Crimson and the not too much.

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Take a look how I do it.

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Just fuzzy and foggy.

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And he just practically

no, no paint on my brush.

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See, just, I tried to go forward for us.

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Doesn't have a little

bit of paint on the end.

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He know you are.

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Cute that cloud with

just kind of movements.

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Watch this movements.

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They are happy, powerful cloud movements.

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You think you're part

of that on mighty cloud?

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There

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is something like this,

something like this.

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maybe come up here.

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He, but can you see how hard that is?

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I put hardly no paint on that canvas.

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I just force it in.

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Look it just fuzz it.

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And it's like fog fall within

the unevenly, the bumps

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and ups and downs there.

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Clean my brush.

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Get that black Mark here on my paper.

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So it does, I don't see that.

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I like to see all kinds of

happy things, but this creative

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power, I have a fire in Vite.

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Let me take something off.

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Yeah, I didn't mix too good.

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So in this case, if you have it like

that too, it's what I show you here.

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Just ripe it off.

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There's not much pain.

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It's just a.

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Dirt.

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And then you have a clean palette.

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Again, has to be done sometime as good

as he can show you that he is kind

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of a vide with a touch of maybe it

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no.

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If I get the name of my own

painting or something, that's good.

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Alizarin Crimson.

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Right.

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He didn't know.

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He could see me going by.

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I have a Tinder right here

and the ticket right here.

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I need a bit in the cloud.

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I need a tuner, right?

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Littleton.

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The bus is still the tick.

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Right.

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But it's not as sticky as

they need for the mountain.

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This just is a nice color now.

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And then you fire in

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he's just all around the

cloud into the inside.

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Yeah.

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The whole dirty, my brushes

now wash your brush and fire.

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N E again, clean that brush and

I get the thinner paint in here.

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He depends on how you want to show

your cloud, uh, make it very powerful.

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Don't go too far.

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See, as first I go as more

dirt than he here, this clean,

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but here I make mud already.

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When you come to the point where

you make mud, don't go on doing it.

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Just cut it off, clean your

brush, divide it here and load the

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brush again and fire any again.

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He, Oh God,

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he dealt with that.

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That's what's making his knife.

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So you, I hope I can inspire

you with the movements, with

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how you get the best clouds.

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And again, a dry brush, a clean brush.

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It's easy to dry and to clean

and elated as a tenable white.

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And I take care of, I have

a ton of, I turn fire in

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Hey.

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Yeah, nice.

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Nicest dancing in like that.

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And your clothes are done, but here I

would like to, it's just this upper part.

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I would love to have a bit more Vite.

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See, I just leave this paint,

put the little bit more white

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and this seems to be curated.

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The, I just, ah, that's more like it.

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Yo easy.

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You can chain good.

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I really not hypnotized this time.

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I wanted to leave it as

a raw powerful as I can.

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Give me a nice, nice cloud.

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Take my own mighty knife.

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And now I use, see, here is a ticket.

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It's just a touch sticker.

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I put it over here.

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He just detached dinner.

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And I put in black, blue,

I in Crimson mix it.

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Maybe it's more black.

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And then you see roughly the

distance, what he wants to do.

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I think that that's just what they want.

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Now.

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You fire it.

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see, by having a cloudy sky,

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I will show you how you work with light

and shadows you have in a cloudy sky.

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Yeah,

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watch this.

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That's nice, nice movement.

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You can make, maybe I will just give them

a little bit of a peak here in the middle.

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see.

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And here, maybe you are higher or

whatever, whatever you, whatever you

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saw them on whatever type of mountain

you have in your mind, you fire them in.

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Oh, like that, then here

you are up here again.

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And maybe a higher hair

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make a mountain.

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What we'll sell people like they're

a certain type of mountain where you

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really like to stop the car and say,

Hey, let's look at that mountain E.

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uh, doesn't matter which way you farm.

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Um, I'm like this, then

you take your big brush.

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Clean and dry and brush it out again.

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You didn't have to paint on top

of paint as less paint you put

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on the canvas as better you are.

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Hey, just fuzzy and already, you

can see the mist coming up there and

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it's so easy, so easy to get there,

to do that, just leave it like that.

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You know, we will, we will

work with light and shadows.

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In this case, I will show

you some nice tricks.

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How we can tame a mountain ever used

right into here to that, right to that

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mountain paint C and maybe a touch of

blue little touch of blue would be good.

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See something like this color.

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No, I, in this case I wear

highlighted like this.

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You see

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it blue.

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That blue.

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I, I wants to thank this

is in the shed road.

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There he is in the shed there.

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Anyway, I would like this.

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I would like this,

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you know, the, the thick paint, see

how it breaks all the thousand details.

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You got to know time.

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It's just such a wonderful way

of doing no, you can't even

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go through the other side.

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And pull it down a little bit here.

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Little bit there a little bit there.

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He always keeps it in

the nice and the dark.

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See?

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No, you could put two VARs up there.

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You can say in your own mind, there's

this far by, and this is closer.

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Watch what I do.

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I take some more black

into the paint here.

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See.

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Or you can have some more blue illegible,

Crimson and mix it all is totally tuned.

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Darker.

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E no, I rarely watch this.

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I will go on here.

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The light is coming from this side.

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He watched this it's nice.

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see you just make it a little

bit around, whatever, and all of

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a sudden, but you got there that

mountain disappears and yonder there.

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He that's behind he by

that little bit of dark.

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And I was just pronounced it on

the, on the shadow side there,

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but it's under the shadow side.

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Yeah.

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Yeah.

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How easy that is.

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Oh, that's my own.

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It's so nice.

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You know, I live in that country

where you have all those mountains,

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you see him when I'm on my balcony,

we have breakfast in the morning and

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my God depends on how the weather is.

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Most of the time you don't see

that mountain because it's in the

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fog and the mist or whatever the,

but she attended it so close.

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It can be right in your car.

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And he now that's heavy.

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Right?

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And the Tetro for ed in two,

that he like this and the Tetro

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halo, you can put into that.

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Yeah.

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And they makes myself a happy little

sunshine color and watch this.

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No, I will highlight this.

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see all of a sudden,

but highlighting that.

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See, I put that in his son

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with the details.

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Every stroke is a power for

powerful, powerful stroke.

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The olive is on this disappears and yonder

and leaves that far, far behind just

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this kind of a thing you can do so easy.

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But can you use your imagination,

use your creative power.

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That is the main ID.

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It just there, you just

have to keep it gone.

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yeah, it had had a fire

and fire and no mercy.

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that's the beat here.

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I like to hide it from, you

know, I don't like to hide it.

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I just forget it would be nice if you

would holler to me all the time, say, Hey,

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we want, wants to see what you're doing.

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See how easy that is to cut that all in.

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Nobody just doing that.

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You brought it all in the front

here and that went into the back.

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He know, uh, he was blue and white, right.

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And blue.

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Yeah,

255

00:17:36,635 --> 00:17:37,655

something like this.

256

00:17:37,955 --> 00:17:40,775

And you fire in that

blue in the back there.

257

00:17:47,565 --> 00:17:49,385

Hey, dude, catch it a little bit.

258

00:17:49,655 --> 00:17:51,785

Let it file the buy divide.

259

00:17:51,785 --> 00:17:52,235

The knife.

260

00:17:52,235 --> 00:17:52,805

We'll do it.

261

00:17:57,275 --> 00:17:58,295

Hey, there you go.

262

00:17:59,105 --> 00:18:02,075

Nice here.

263

00:18:10,005 --> 00:18:11,955

He had, this could be

in the shadow of this.

264

00:18:12,255 --> 00:18:14,205

So you have a blue from both sides.

265

00:18:20,885 --> 00:18:23,885

He know you use your big brush

266

00:18:35,195 --> 00:18:36,095

and you.

267

00:18:37,050 --> 00:18:37,740

Right.

268

00:18:38,310 --> 00:18:41,880

I use a delivered from the back

seat and a touch of blue, what

269

00:18:41,880 --> 00:18:44,190

they have here and the, of yellow.

270

00:18:44,670 --> 00:18:48,410

I created a greenish bluish color there.

271

00:18:48,410 --> 00:18:49,550

Can you see how it works?

272

00:18:50,270 --> 00:18:53,210

Green little Tasha Gallo more.

273

00:18:53,570 --> 00:18:56,480

And that may be the color I

think would be just perfect.

274

00:18:56,900 --> 00:18:58,130

Then he would come out.

275

00:18:58,274 --> 00:19:01,965

Can you see your ad with the

big brush dusk colors up too.

276

00:19:02,324 --> 00:19:06,225

So you would think there's all

kinds of grout down below and ready.

277

00:19:12,495 --> 00:19:13,365

That's nice.

278

00:19:18,824 --> 00:19:20,115

Just go up so far.

279

00:19:21,375 --> 00:19:23,445

Do you always think about the timber line?

280

00:19:23,595 --> 00:19:27,584

How far is three grown and

whatever, whatever, whatever.

281

00:19:31,140 --> 00:19:31,770

That's good.

282

00:19:32,820 --> 00:19:34,440

You hoe nice to call us, come out with

283

00:19:37,560 --> 00:19:39,000

he ever put the big Bush on.

284

00:19:44,850 --> 00:19:45,930

Good, good, good.

285

00:19:46,140 --> 00:19:48,990

Maybe I used a little

bit of this stuff here.

286

00:19:49,530 --> 00:19:53,880

Just the mountain colors with

the green and I create kind of a.

287

00:20:02,790 --> 00:20:03,420

Nice.

288

00:20:03,480 --> 00:20:06,900

Look how easy you can

create this kind of thing

289

00:20:11,580 --> 00:20:13,380

I want to have here.

290

00:20:13,380 --> 00:20:14,010

Water.

291

00:20:14,010 --> 00:20:19,380

I would, uh, use the

colors I have up there.

292

00:20:22,200 --> 00:20:24,810

And there's whatever colors I can get.

293

00:20:25,140 --> 00:20:33,660

And I ever, I ever, he was out of

brush and God, they always go behind.

294

00:20:34,590 --> 00:20:36,420

It looks like I'm hiding on you.

295

00:20:37,290 --> 00:20:45,030

I, where, uh, he was just kind of

strokes there is he long strokes down.

296

00:20:48,810 --> 00:20:57,530

Looks more like water and a dark

color into the blue and the colors

297

00:20:57,530 --> 00:21:00,530

I have here, maybe a touch of green.

298

00:21:00,530 --> 00:21:05,689

I got red me and then I

will create kind of a,

299

00:21:10,189 --> 00:21:12,800

and the rounded into

the hair, into the hair.

300

00:21:18,435 --> 00:21:19,425

Um, do you like that?

301

00:21:20,955 --> 00:21:26,535

Happy little colors and let it

just go into it to the green

302

00:21:26,535 --> 00:21:28,365

of there today to that gray.

303

00:21:28,695 --> 00:21:32,925

He like it's coming down and coming

down the hair, coming down the

304

00:21:32,925 --> 00:21:40,875

hair, the, no, he was just in the

water, but you have on your brush.

305

00:21:41,715 --> 00:21:43,815

Then you got this all perfect.

306

00:21:45,165 --> 00:21:47,205

And here I see this.

307

00:21:48,855 --> 00:21:55,575

Hey, no, you can use your fan brush and

it didn't have right from the back, but

308

00:21:55,575 --> 00:21:58,875

the yellow and I will create kind of a,

309

00:22:05,285 --> 00:22:05,375

okay.

310

00:22:05,765 --> 00:22:06,935

Like grout.

311

00:22:07,175 --> 00:22:09,095

Something has grown in the back there.

312

00:22:10,500 --> 00:22:12,210

He, I just touch it and move it up.

313

00:22:12,240 --> 00:22:13,980

Touch, move it up, move it up.

314

00:22:15,510 --> 00:22:15,750

yeah,

315

00:22:22,280 --> 00:22:24,620

works fantastic.

316

00:22:27,030 --> 00:22:32,330

Depends on how rough or how you can watch.

317

00:22:32,360 --> 00:22:36,170

You can easy add sometime

you put this all together.

318

00:22:36,170 --> 00:22:38,810

You have a little bit of a, he was happy.

319

00:22:40,965 --> 00:22:41,835

Let it come down.

320

00:22:42,105 --> 00:22:48,705

So like, that's all that creates a little

bit of in there, but that's up to you.

321

00:22:48,825 --> 00:22:50,955

You will learn that's creative power.

322

00:22:50,955 --> 00:22:54,855

You will learn that as you on

painting because you can be like,

323

00:22:54,855 --> 00:22:58,545

I did this, this moved in the back

and just came in the front I was

324

00:22:58,545 --> 00:23:00,764

on and there that's what you do.

325

00:23:02,585 --> 00:23:03,595

That's what I should do.

326

00:23:03,795 --> 00:23:04,115

Yeah.

327

00:23:05,865 --> 00:23:12,524

Makes it a nice, happy painting

and no, the next step is that

328

00:23:12,524 --> 00:23:22,395

big brush into the ma SAP green

tea, black precious blue and NOI.

329

00:23:22,665 --> 00:23:25,095

I really load my brush with paint.

330

00:23:25,725 --> 00:23:33,044

That brush is loaded and I really

create a mighty mighty Bush there.

331

00:23:34,479 --> 00:23:40,580

See, depends on how you want us

to farm it for mature with advi.

332

00:23:40,850 --> 00:23:45,439

And it's all done with a big

brush and mighty big Bri.

333

00:23:47,510 --> 00:23:54,560

Hey, more, more, more, more,

334

00:23:58,459 --> 00:23:58,969

more.

335

00:24:02,970 --> 00:24:05,580

You know, I must have grown up

with that or mighty big brush.

336

00:24:05,909 --> 00:24:07,950

I love to paint with big brushes.

337

00:24:09,750 --> 00:24:10,629

You hear me?

338

00:24:10,629 --> 00:24:18,300

You creates a little bit of a shoreline

there, and then naturally all of that in

339

00:24:18,300 --> 00:24:20,520

the background goes into the water there.

340

00:24:21,540 --> 00:24:21,929

341

00:24:25,155 --> 00:24:30,915

And now we will, we will highlight

that to highlight that are, use

342

00:24:30,915 --> 00:24:34,395

your big brush as always good.

343

00:24:34,815 --> 00:24:36,795

I just highlight all around there.

344

00:24:38,375 --> 00:24:39,125

Hey, look,

345

00:24:46,925 --> 00:24:48,065

that's good to hear.

346

00:24:50,040 --> 00:25:00,570

You hear in the water the same E and

then you make water out of that, like

347

00:25:00,570 --> 00:25:07,860

this, and you use your fan brush,

Aker, your magic knife, and you create

348

00:25:07,860 --> 00:25:11,700

a kind of a shoreline color there.

349

00:25:13,350 --> 00:25:18,840

Eh, maybe a little bit more

yellow and red and white.

350

00:25:20,399 --> 00:25:21,389

It's a bit too blue.

351

00:25:21,870 --> 00:25:23,190

Let it come from there.

352

00:25:24,870 --> 00:25:30,149

And then you just make us

have a nice shoreline there

353

00:25:31,080 --> 00:25:32,639

around it, light in like this

354

00:25:35,670 --> 00:25:36,870

and there you are.

355

00:25:37,190 --> 00:25:37,409

Yeah.

356

00:25:38,330 --> 00:25:45,990

See, and then you, you a light

color against the dark, the

357

00:25:45,990 --> 00:25:48,900

big brush again, and you fine.

358

00:25:49,160 --> 00:25:49,250

Okay.

359

00:25:58,550 --> 00:25:58,940

I see.

360

00:25:59,420 --> 00:26:01,730

Maybe here he needs a

bit of dark in between.

361

00:26:05,930 --> 00:26:06,710

that's good.

362

00:26:07,550 --> 00:26:10,639

No, you use a nice flat brush.

363

00:26:11,090 --> 00:26:16,760

You can add the of crease and

there you start off from here.

364

00:26:19,159 --> 00:26:21,800

E something like that.

365

00:26:29,330 --> 00:26:31,129

and then the other one there.

366

00:26:32,100 --> 00:26:38,070

And have a little bit of shed

on the outside there maybe.

367

00:26:38,070 --> 00:26:39,120

Are there one here

368

00:26:43,560 --> 00:26:50,670

and there and there and

there, and that is it.

369

00:26:51,330 --> 00:26:52,890

Oh, here we make it a bit darker.

370

00:26:56,294 --> 00:26:57,824

So that is it.

371

00:26:59,774 --> 00:27:01,274

You see, did you enjoy it?

372

00:27:02,324 --> 00:27:06,195

Happy painting the short time

and too much action there.

373

00:27:06,855 --> 00:27:07,695

Thank you for watching.

374

00:27:07,995 --> 00:27:08,415

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Alaskan Range - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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