Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Knife Mountain - AVAILABLE

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Black and white, black and white,

yellow, red, and blue, yellow,

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red, and blue will do good.

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Let's fire in.

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Oh, that is really exciting.

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When you have such a little canvas

and you can just fire in like this

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first, we put the magic right on.

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And when you put the magic right on

this, don't put it on too thick, as

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less as you do would be better because

you can ground yourself in magic.

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Right.

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And that wouldn't be good.

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I would like to ground myself in vine.

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I don't mind, I don't mind

inviting, but I would mind in magic.

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Bye.

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No.

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Good.

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So we'll make it us then as you can.

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No, I wash my brush and I make

sure I don't have any paint

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dinner in that almighty brush into

my, my, and I go over it again.

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Sure.

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I don't have too much magic Fife.

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It that's the whole reason.

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Then you can fire off and you can paint.

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Wonderful.

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So now yellow and red and blue.

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In that very exciting.

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So we make a happy blue sky.

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We have Taylor blue.

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We start off from the top.

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Yeah.

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How easy it is.

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So easy.

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It is just stored it around.

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That's good.

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The, by having the darker

on top and lighter on the

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bottom, you have a deep sky.

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It doesn't look like a

curtain hanging down.

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So I will brush it out as an outfit a

little bit like this start from the light

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into the dark and you see it's like a

beautiful, beautiful, happy blue sky.

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I will not put any clouds in.

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Just have a nice, happy blue sky.

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And if I was to put water in, I can put a

little bit blue on the bottom like this,

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and then you go up like this too.

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And I lie my vote, a flat can

you see, I create a illusion.

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That water looks flat line down.

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The canvas is still straight, but,

uh, the, the water is flat because

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it's illusion what we have here.

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We, uh, you can't do the other way around.

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You can have a dark on top

and light on the bottom.

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It makes, it gives you that

same feeling you like right.

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Flat, all of a sudden see, and

that's the whole ID maybe up

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there and a little bit more dark.

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And that's a good, happy beginning

and relieve it like that.

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Make it very easy here, but don't

forget yellow, red and blue.

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That's all we have.

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I know I used my own mighty magic

knife and put here some right

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and a bit of blue and a bit of

red and maybe a little touch off.

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Black and I mix myself

and nice mountain paint.

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No that's.

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And when you mix it, when

you mix it, don't mix it.

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So that becomes one color.

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Can you see like details, like, like

ice cream with chocolate and all that

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together so that you have a little details

in that that makes a nice mountain then.

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So I will just create a,

uh, happy mountain there.

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and we would have a lead in

mountain sticking out here.

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It makes it a bit more exciting.

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And we just run it down like that.

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And can you see when this

paint I use it breaks on me.

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If you couldn't make a close up shot on

this already, it is not the, this is.

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When you see this and this, this

is the, it should be nice and open.

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Like mountains would be, you

can see the stones, you can see

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everything you see on the mountain.

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So that is what will make a nice painting.

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If you can do it, that

vibe, then you are the man.

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Yeah.

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Yeah.

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Good.

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Good, good.

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The ready.

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Now we let the sun come from

this side, so I will use Vite.

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See what I do here.

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Right?

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A touch of red and attach Tasha yellow.

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Make it a bit interesting, like

a morning glow in the mountain.

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So we let's see how that looks.

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Uh, maybe a bit more right.

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Maybe with tour that's just right now, he,

it has a kind of a glue nice cloth there.

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No, we fire in starts here

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and being like this and

clean your knife here.

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A nice new paint.

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Take some new paint off

and we cut this in half.

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isn't that exciting?

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exciting.

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And can you see how that pain breaks?

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What is so nice?

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The thousand details?

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There is not one block of paint.

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It should have all kinds of,

uh, as dad that I strove.

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Yeah, the right strokes.

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Maybe a bit more light on top

that look a little bit more snowy.

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Uh,

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that's beautiful.

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Beautiful.

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See, that's the way it should be.

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Now we vary.

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We have this a bit more, bring

that a bit more out and put a

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little bit of white in there too.

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I hide here for you.

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the lead dank.

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The sun hits both sides

this side and that side.

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Now we will put maybe

other the I have here.

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I would say that would be 40 miles.

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I put a bit more blue

and, and a bit more black.

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And I come down to 30 miles and have

all the little mountain block zebra,

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how it looks here is so much dark or no.

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And that did a bit of a darker gives me,

I just put the other mountain in here.

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So that might make it a bit more

exciting to hear around like this.

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I shoved it out like this.

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And that's it.

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That's it.

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He knows he was on this side

with the same Sony colors.

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What we have already mixed here,

he here and now I just lay on my

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knife and look what a beautiful

other mountain comes up there.

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and that is so easy and it gets too

exciting when you really think you can get

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the painting done in doctor chart time and

too powerful because of the paint and the

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equipment we have that makes it so nice.

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Yeah.

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Put the visual right

on top again, so that.

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Sets it off.

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Nice.

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Um, maybe here we connect the whole thing.

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That's it.

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See?

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No, I was using a bit of blue Vite.

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You see how I take my Vita here

and a little touch of blue and

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I go on the shadow side and put

some happy little blue in there.

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Just happy little blue in there.

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Yeah, and that breaks.

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Nice.

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See what I do on this side?

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I pulled it this way and this

side, I pull it this way.

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So that makes it just phew.

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You put that mountain together.

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That's why.

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No prob no prob.

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No.

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Yeah,

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he already, our mountain is done.

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A mountain is done.

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Now I take my, you can

have that big brush.

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Big brush is obviously a good

brush and I go into the black.

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and go right back in here

to my mountain paint.

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I don't want to ruin it.

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I don't want to, I use it up and

blue, black, and blue, the like

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this, and I fired on mighty.

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Treat it.

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That's wonderful.

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Look how nice it looks.

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And you have all the branches

and the, uh, the details there.

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There's branches.

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They fly around, they hang

over whatever you want.

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That's perfect.

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Have other three here and go right down

to the bottom or right down to the bottom.

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That's it.

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And again, a bit more paint, the same

paint, black blue, and what we have here.

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It gives you a nice dog.

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Uh, there three there.

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Out the three there,

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ah, just make a dollar adopt.

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I clean my brush, clean my arm.

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Mighty brush,

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clean my on my direct.

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No, I want to have just a

couple of trees standing there.

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There.

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Good quite loose if you can.

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So, and can you see the baby rush does

a lot of good things to you there.

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If you use it to write, you have

to talk to your brush and then the

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brush will do the job you want.

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I'm sorry.

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I just have a lady in my truck.

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I have a lump in my towel

and the lump in my throat.

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In my town,

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uh, by the, what I do here,

I have to show you that too.

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I sharpened my brush.

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Can you see that here?

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The, a sharp mirror and it

becomes a nice sharp edge.

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And then I start off with the.

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T peak, you know, like that.

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Can you see?

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And then bang, bang,

bang, pass a bit harder.

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And in no time that opens

up a beautiful tree.

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Dang, look at that black blue and

the rest of that mountain paint gives

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you this, and then you can charm

your brush and then you fire it.

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Again, again, the same process again, and

I ever fired in one, three, but hire here.

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And it's nice when you're paying, not

obviously the same, like up and down,

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that makes it more exciting painting.

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He, it makes him more exciting painting.

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And that's what it's all about.

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What's life is all about

both excitement and fun.

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We can live with excitement and fun.

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Other heart is functioned better, or blood

is running nicer and we are more healthy.

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And if art can not make you healthy

and happy, don't ply that are.

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Play golf, but art can do that.

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This is wonderful.

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Oh, okay.

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See, we have a good beginning already.

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Know what we do.

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The next thing I will make three tongues.

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I just take my magic knife and

run in some tree trunks there,

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sometime it twice, even better.

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If you go up like this,

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he starts from the bottom up like this,

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whatever.

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It's a nice tune to mix.

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Nice music.

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Yeah.

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See how nice it went.

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No, you, you, you, you, you go down

here and you make water that here,

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like this, this, this, I move it down.

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That's just the beginning.

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That's just the beginning.

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now I will use a bit of a

Vite, the big brush and blue,

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and we.

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Yeah, I see who got the

bit of land in there

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and then you can pull it down like this.

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See, look at that.

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Now it comes nice water there.

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If you have to, you can

have it with more here.

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So no, I do it like this.

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You have massage stroke and I use

my arm, my teen knife, and I put a

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little bit of a shoreline in there.

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There's a bit of a shoreline in there

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comes out a knife that

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no.

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Put the kid kind of a water

movement in there, like this.

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Yeah.

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That makes it nice to use your big

brush and clean brush and straighten

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it out a little bit like this.

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It makes the lines straight.

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Nice.

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And whatever do here in this case, I

will run those big trees down a bit

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more here, this one particular and make

them a bit darker and have him coming

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down like this, the right end too.

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Then I can have other little

bit of land down there.

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And this one too, but darker here.

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So that means with other

worlds, it comes a bit closer.

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You can, I would highlight that a little

bit as you can see the different there.

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I will highlight this a little

bit more, make it to this.

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It looks lighter there.

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You see?

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So that there's a piece behind that too.

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Yeah, no, he there and leave it like that.

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Good.

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Good.

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Yeah.

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A little bit of light

makes it going behind.

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No, we put that tree in

here, but at three in here

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and again, put three lines up.

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And I, mm,

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puts a bit of sunlight.

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You must think the sun comes in this way.

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So I will put the little bit

of a sunshine shore in here.

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Oh, that's good.

263

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Nice.

264

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Look at that.

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00:19:58,685 --> 00:20:04,775

private light, you know, you had on

mighty leader of light and if you play

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the right game with that light, you

can make really wonderful paintings.

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I will use my big brush here

in this case who are right in

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there and pull it up like this.

269

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Can you see some like kraut

something's moving there.

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00:20:27,905 --> 00:20:30,365

I will highlight those

trees a little bit here.

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There's a little bit of a

highlight so that I like to

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let that long STEM disappear

between leaves again, little bit.

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You see there.

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and that makes it very, very nice

275

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then sometime it's better.

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You use a couple of dark, dark Stokes.

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He, when you take those lines are

too long, then you cover them up a

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little bit of dark here and here.

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00:21:09,975 --> 00:21:11,475

Hey, no, no.

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That the, the branches on front of that

tree and that makes it far, far nicer.

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Ah, there we are.

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Isn't that exciting and to paint like

that and being the lifelike that, uh,

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you know, life can be so much fun and

can be so much misery, if you want to.

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And I hope we have no misery.

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We have fun.

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We enjoy every day we have.

287

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And if you can enjoy every day, you

have done very, very good on this earth.

288

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When you come up to Peter, he will ask you

how you liked it down, and you can tell

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him it was fan tick, and it will say it

was more fun or metastic you tell him fun.

290

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We had lots of fun and that is a nice, and

you can do it with that on mighty brush.

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The brush has really, to me, I have a

beautiful home and have a nice vibe of

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living every day is excitement because

they have all kinds of friends coming

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in and you always create something.

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And when you create something, I

was very satisfied with that because

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you, you, you didn't fit you on

hands and you put your name on that.

296

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Can you imagine how nice life is then?

297

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Because you know, when you got too

bad, I have done something wonderful.

298

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And when I'm dead, that

pain will be still there.

299

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And when Jesus comes back, that

painting will be still there.

300

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Isn't that wonderful

just to live like that.

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So that's what I think art, I

wish I could convince you to

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good if you apply it, right.

303

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I mean, you can make a

mess out of that too.

304

00:22:54,090 --> 00:22:56,220

I have a friend living

in my house right now.

305

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And he is a highly trained artist, but it

takes him a half a year to do a painting.

306

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And that's a lousy painting and he

admits no, he said, well, I didn't know.

307

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You can do it that way too.

308

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And now he's trying to switch over

to, to making it easy, making it fun.

309

00:23:13,034 --> 00:23:14,205

Life should be fun.

310

00:23:14,354 --> 00:23:18,554

If you can laugh every day, you

know, then you have a nicer face

311

00:23:18,554 --> 00:23:23,235

because they're miserable, like dish

and a happy face is always nice.

312

00:23:23,235 --> 00:23:27,165

You know, it's always up the ice,

a little piggy eyes, you know,

313

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and it's fun to be life that way.

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So Z now I hope I could convince

you to be a friend of mine and pain.

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He, no, I just highlight here a little

bit there and there and there and

316

00:23:47,165 --> 00:23:53,405

there, and it comes a point and all of

a sudden where you start, where you say,

317

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you know, in your heart, you can't

do any more on that painting.

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And then you just see what I do know.

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I just.

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00:24:07,080 --> 00:24:16,390

Horse up little things here and maybe

little shoreline there and, and then

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shoreline little water line here.

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And the business bought the line here.

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And if it's nice and dry, you

have no problem to do that.

324

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But soon you have a vet have a to vet.

325

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You cannot do that.

326

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So I like to really do a bit here more.

327

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No comes just the, the nice touch

up here and there and there.

328

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And you can run, you can see already

the painting has a nice meaning already.

329

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It is good.

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So my friend, did you enjoyed the

idea about Gallo red and blue was

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that exciting and you can make some

wonderful, wonderful paintings and

332

00:24:58,110 --> 00:24:59,720

they thank you for watching me.

333

00:25:00,140 --> 00:25:00,650

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Knife Mountain - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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