Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Holiday Mountain - AVAILABLE
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The bill on Xander show is brought
to you by Alexander art, create
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beautiful oil paintings faster and
easier than you ever thought possible.
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Even if you've never picked
up a paint brush in your life.
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Alexander art, you can paint.
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We promise Alexander art.com.
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Oh, the happy days are here.
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Again, make always a happy event when
you start painting, grab that big
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brush and make yourself happy, even if
you're not happy, but there's a vial.
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I always make my side if
conditioned by the side of too.
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Now I paint on, I wants to have our mighty
painting cut to be a friendly painting.
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It's got to smile at me
and then I have to smile.
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Naturally.
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If you get me, if I smile at the
canvas, the canvas, smile back.
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See, and that just makes it so nice.
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So I see already that allows again,
they'll get that somebody there.
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And then I was looking at me and again,
a happy mountain in the autumn time.
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Autumn, autumn, I got
the magic red on, please.
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Don't put too much magic red on from
now on neighbor says on every TV
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show, don't put too much magic with
art because that will ruin your day.
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Just enough, just enough
is a certain point.
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I feel a certain pull already.
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I will have a Karen over
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the very, very make it far
right in the back there.
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This guy, he may be kind
of a nice, happy morning.
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Kind of a happy morning.
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He comes up like that.
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Um, they bet though, Indian, yellow,
Indian guy low on that canvas.
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I just rub it then.
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Yeah.
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Now we come down with the blue
from the top and take a look
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how I take it off of his chest.
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Just a nice brush, just like
fog, like mist in the brush.
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Don't put the block on,
then, then you get nowhere.
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And then you fire.
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And from the top down
into the two doors colors,
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see, and I make it perspective sky.
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This way you got this kid, you're create
that illusion of a deep, deep sky.
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And I made it so beautiful.
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The sky.
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See it doesn't turn green on
you that blue, because if I had.
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Uh, too much Gallo, it would be greenish,
but this way it just is just on the board.
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That has a nice, nice color there.
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Good.
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autumn.
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Autumn.
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Think about the autumn time.
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Colorful, colorful.
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I just hypnotize it a little bit.
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nice.
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So that's coming out or whatever.
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Good.
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Good, good.
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Good.
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Now I will create copy, happy
clouds in their copper happy clouds.
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And they're coming over.
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Over the head
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coming over to here, I would have
a mountain in front, so we make it.
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So just as just behind the mountain,
there's a cloud coming up far
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as hardware for the summertime.
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It's nice to have that, that, uh,
Light because the dark mountain against
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that light that will really show good.
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He something you look for
just the opposite color there.
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Yeah.
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And then you can create
this sky, like this
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that's our right.
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Oh, no, we fire off.
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You can't just leave it like that.
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Very light clouds moving
by very light clouds.
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You don't have to put you in
shadows and just leave it like that.
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And they would brush it out.
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Jeff, like this.
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They didn't make it a bit
windy, but fluffy or just soft.
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Soften it up a little bit.
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Now we got the knife is cloud in the
back there at D I know I use my own
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mighty knife and that protective paint
up here, but more just put the knife
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on to, for your, to your mountain
black lives in Crimson, passion blue.
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And then you mix it like Marber
mixes, like Marver bit more blue.
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I think that's it.
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I can see it already.
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Even your paints, so many paintings.
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You sense already the colors,
what you think the darkness or
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I'd like to have it a little bit.
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Autumn colors, a bit of blue dead again.
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yeah,
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he had kind of a color.
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that's nice.
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Nice.
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no, then you can brush that out.
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Can leave it on the side.
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However, not put anymore in.
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And you just, they put
the Vite I'm already here.
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I was to have it lighter there,
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make it like I would miss
the mountains come coming.
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Right.
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That miss there.
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beautiful.
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And, uh,
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When they're four and a four.
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No, you highlight that.
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Let the sun come up.
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Doesn't matter what
side you want us to use.
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It's always a better pain.
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When you have a side movement of
the sun of the light I ever use
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this time, the sun coming from this
side and I put it off, like, yes.
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Isn't that a beautiful move.
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He has a stroke.
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It is just a stroke.
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You can set it.
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Yeah, no.
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And the other side here
and this side here.
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This side here,
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beautified and the pain just break.
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And that's the main thing.
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Give me all the details,
all the things that everyone
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thinks that everyone had
a bit more here on there.
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Outside.
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I pushed the knife down a little
bit more on the outside there.
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that's nice.
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Now you use the same heavy, thick
fright and the touch of blue into that.
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See what I do here?
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Just white and blue alone.
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And then you have to learn how
blue is blue, just as certain as
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more you paint as more, you learn
a certain blue does a better job.
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He ever used the other side, he was
this side of the knife now, and then
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just fired off like this, look at
that and it makes it really nice.
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He had to,
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Oh yeah.
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That's the beauty of
living that is good living.
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Uh, PDs are here.
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Regan happy days are here again,
you know, and the funny thing,
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when you're paying like this.
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You get happier as you are on
painting because the colors and
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everything is just coming your way.
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Good.
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Good, good, good.
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Now I will put some
light with the big brush.
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It didn't invite, you have two types of
idea to take a ride and it didn't right.
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And I use a dinner right now and I will
like to bring it in from on the bottom.
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See how I do it.
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Look at that.
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The loose, very loose.
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Can you see very loose movements there?
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He had the same.
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You can have it from here, going up there
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and over that one, the one, the foot
light against dark Dolphy and light.
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Now we talk about autumn colors.
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I really put some.
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Autumn trees.
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And I use orange this time, or, and
I live in Crimson to get her and
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that case here and I fired him, uh,
power, farther orange street there.
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Bendigo have orange or that the on the
brush then put all the orange trees in,
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but we think there would be around there.
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We had to put the other one in there.
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Then you have all the orange, these
together, and you don't have to wash
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the brush again and again and again.
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And if you even have one orange
tree too much, it doesn't matter.
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You always can paint over, you
know, there's no problem to get
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to just him, but autumn colors.
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I wants to really, really
bring out all of them.
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Call us here in this particular place.
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Hey, look at that.
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And it's not wonderfully divided.
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The branches are flying.
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Can you see the bandages
are flying around.
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This is just so and free and it makes it
nice, no ever go and leave that orange or
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that di and go into the yellow and write
and write and try to get the other color.
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There we are.
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The color there,
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yellow, yellow invite gellan
invite banks without knives.
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I just aim for colors now.
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Nice, nice autumn colors.
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Nice autumn colors.
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Oh boy, that's really coming with no
watch I go into the SAP green and I will.
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Take degree, they get, they got it
or trees and put shadows in the back.
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He, then it becomes a green tree,
but with the light, the light
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is from this side as December.
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I show you here, but this one here.
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Yeah.
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You mix all of a sudden
green and, and yellow.
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Yeah.
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That makes a nice tree.
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No, I wants to have more green
trees, more green trees maybe here.
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This one right in between looks good.
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Or that green tree,
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uh, here maybe.
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Blood
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Connors causers dock on the bottom.
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That shut ups to either
somebody I could own.
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And on the bottom here.
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Ew.
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Ew, Ew.
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Ew.
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Ew.
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Ew.
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Three
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you call, the branches are
flying out and then wonderful.
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How we can do it.
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The big brush that the branch
has just fly out there.
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Oh, that would be a
nice, nice painting here.
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Yes.
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Yeah, no ever start doing
the little bit like this.
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He didn't happiness.
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Scratch us.
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No, that's good.
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And then again, you play with
colors with almighty colors, right?
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That's your yellow, white, and yellow.
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And I ever just bring out
that three, a little bit more,
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something like this here I fired in
a little bit light against the dark.
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He got this call is aimed for colors.
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Like make a little Valley here,
make a little Valley there.
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Uh, good and happy Valley there and
like this and you, you, you, you, you
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orange.
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E how nice that works.
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This ply with colors have fun, have fun.
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Play with colors.
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all the time, whatever you,
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no, I'll be ready to bring it together.
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Something by you.
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Bring it together.
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Summarize
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it's green.
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SAP green.
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Yes.
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Carla's like
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you'd that night tied to harmonize top
bottom, top, bottom, like top here.
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Higher, maybe.
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Fine.
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And the bottom two here.
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So that makes it nice.
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Just harmonized harmonize.
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And you can paint on top of colors.
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There's no problem.
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If you don't like something, you
can just easy with a Sanford here
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and then you'll a bit washed out.
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Then I just put a bit of a shadow
side and then bring it out a bit more.
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Or the red there.
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See, I use our lizard
curmudgeon for this one here.
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See that, that base that three
hours again, he was calling
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us it's our third time.
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And you're just bringing it out to you on
the voice that he had to then, and all of
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a sudden he had it all the way you want.
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I listened.
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Crimson is a nice color
in the shadow there.
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See maybe here.
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Nice that dark in the corner there.
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Dark and the water there.
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Good.
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Good, good.
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No VI fired in the lights.
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Yellow was here.
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Vite attaches right into the Gallo.
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It has more power.
253
00:19:59,070 --> 00:20:00,060
Hey, that's good.
254
00:20:00,300 --> 00:20:00,660
Oh no.
255
00:20:00,880 --> 00:20:02,580
He's out into the water.
256
00:20:02,580 --> 00:20:06,240
There always.
257
00:20:06,240 --> 00:20:07,380
Is this what you see on top?
258
00:20:07,420 --> 00:20:08,790
Putting the bottom there?
259
00:20:08,790 --> 00:20:15,840
This on top here, I bring it out a bit
more fires right into the voice there.
260
00:20:17,250 --> 00:20:17,910
That's good.
261
00:20:18,390 --> 00:20:21,930
That's a good bit of green here.
262
00:20:22,680 --> 00:20:23,550
That tree.
263
00:20:26,085 --> 00:20:28,575
And we filed right into
the water there too.
264
00:20:29,145 --> 00:20:31,515
Obviously you have whatever's
on top, put in the buy them.
265
00:20:34,755 --> 00:20:39,015
if you miss some sometime you wouldn't
even see it just be ready, loose and free.
266
00:20:39,015 --> 00:20:46,155
And I don't know, we use the big
brush, clean wash, the big brush.
267
00:20:51,855 --> 00:20:59,625
Having a nice clean, dry,
clean, and dry, clean, and dry.
268
00:20:59,865 --> 00:21:04,935
I know you pulled it off like
this, push it just on like this
269
00:21:06,345 --> 00:21:10,095
and Washington between make
sure you have it nice and clean.
270
00:21:11,745 --> 00:21:13,965
Sometimes it's just one or two strokes.
271
00:21:21,544 --> 00:21:23,014
the other San Bernardo you saw?
272
00:21:23,044 --> 00:21:26,764
I have some red came in here
because I didn't clean my brush.
273
00:21:27,004 --> 00:21:30,574
I showed you how you shouldn't
do it, but if it just happened
274
00:21:30,574 --> 00:21:33,245
like that, then what you do Z.
275
00:21:33,245 --> 00:21:40,925
What I do then in this case,
I just put some on top E.
276
00:21:41,760 --> 00:21:43,260
And put that in here now.
277
00:21:43,400 --> 00:21:45,030
And then it's harmonized again.
278
00:21:45,710 --> 00:21:46,440
That's good.
279
00:21:46,590 --> 00:21:47,550
So we wouldn't worry.
280
00:21:48,450 --> 00:21:49,620
Just something like that.
281
00:21:52,490 --> 00:21:54,830
Clean brush, a dry brush.
282
00:22:03,560 --> 00:22:04,280
She didn't know.
283
00:22:04,460 --> 00:22:09,830
We called over just
very light, very light.
284
00:22:13,320 --> 00:22:15,360
And then we make fourth out of that.
285
00:22:17,190 --> 00:22:18,030
Do you like this?
286
00:22:22,220 --> 00:22:23,690
Oh boy, look at that.
287
00:22:23,720 --> 00:22:26,330
How would that show fires out now?
288
00:22:26,330 --> 00:22:27,950
You can make upstrokes here.
289
00:22:28,700 --> 00:22:33,440
Upstrokes they're just on the other
side of the Volta little upstroke
290
00:22:38,030 --> 00:22:38,390
E.
291
00:22:39,915 --> 00:22:45,135
And all you can create can create
little Creek came in here, just
292
00:22:45,135 --> 00:22:49,064
happened as a dude Creek comes in
from here, from far away there.
293
00:22:53,355 --> 00:22:58,304
E creative power again, creative power.
294
00:22:59,415 --> 00:23:00,314
Why the joy
295
00:23:05,985 --> 00:23:06,375
with that?
296
00:23:07,920 --> 00:23:11,640
It starts off once point and
all of them that little Creek
297
00:23:11,640 --> 00:23:13,530
becomes bigger and bigger.
298
00:23:13,580 --> 00:23:16,820
There I'm bigger.
299
00:23:18,410 --> 00:23:22,220
He had, I kept all cup there.
300
00:23:23,390 --> 00:23:24,830
I had the offer there.
301
00:23:26,750 --> 00:23:28,790
Then he can use the color stare.
302
00:23:29,000 --> 00:23:33,350
You think autumn leaves floating
off the others on your, just
303
00:23:33,500 --> 00:23:35,510
that leaves float there.
304
00:23:36,495 --> 00:23:43,905
Autumn leaves a floating optimally,
floating the knife, how he can really
305
00:23:44,265 --> 00:23:47,305
create things and they can be anywhere.
306
00:23:47,325 --> 00:23:48,435
Just let them float
307
00:23:52,565 --> 00:23:53,525
D here,
308
00:23:56,525 --> 00:23:59,795
yellow bit brighter here.
309
00:24:01,770 --> 00:24:05,760
And then you just come to a happy,
he'll make the shorter lane.
310
00:24:06,960 --> 00:24:08,040
On the other side,
311
00:24:12,960 --> 00:24:16,260
he hear the same
312
00:24:19,770 --> 00:24:27,660
origin colors and you get the nice, nice
autumn scene done when take your too long.
313
00:24:29,070 --> 00:24:29,820
Oh, wash your teeth.
314
00:24:29,850 --> 00:24:30,270
Wipe.
315
00:24:31,110 --> 00:24:36,330
I think right here, just working
a little bit on the stream.
316
00:24:36,510 --> 00:24:41,040
You Mustang from the water comes
in at this always moving, make it
317
00:24:41,040 --> 00:24:44,280
move a bit more and let it come in.
318
00:24:44,280 --> 00:24:45,630
And then it disappears.
319
00:24:46,000 --> 00:24:49,380
It relaxes more and more and more and more
320
00:24:55,340 --> 00:24:57,020
whole mother nature is.
321
00:24:58,020 --> 00:25:00,450
You're just copying mother nature.
322
00:25:05,240 --> 00:25:05,600
Nice.
323
00:25:05,840 --> 00:25:06,470
That's nice.
324
00:25:07,160 --> 00:25:09,140
Now, if you want, you can just easy
325
00:25:24,410 --> 00:25:25,220
and.
326
00:25:28,740 --> 00:25:29,270
Um,
327
00:25:34,550 --> 00:25:36,770
see dude, us just catches are good.
328
00:25:37,670 --> 00:25:44,810
And then just break it up a little
bit in between bagged it up.
329
00:25:44,810 --> 00:25:49,070
And, but in vitrines it doesn't
show like your long STEM.
330
00:25:54,680 --> 00:25:54,990
Yeah.
331
00:25:54,990 --> 00:25:55,460
Yeah.
332
00:25:57,135 --> 00:25:58,305
No, it doesn't matter.
333
00:25:58,755 --> 00:26:04,335
You can just, just stepped back
and you say I wanted it here.
334
00:26:04,335 --> 00:26:05,355
I wanted it there.
335
00:26:05,805 --> 00:26:11,385
Maybe here would be nice to have a
little bit of a light spot there.
336
00:26:12,975 --> 00:26:13,965
Oh, whatever.
337
00:26:15,315 --> 00:26:24,375
There use the big brush clean and
make the side moves like this.
338
00:26:25,350 --> 00:26:25,880
He has pushed.
339
00:26:25,890 --> 00:26:31,980
It says you got the long, you
got the long lines and he ain't
340
00:26:31,980 --> 00:26:34,170
long, long lines coming in.
341
00:26:35,570 --> 00:26:42,650
I give him the rest just in highest
highlights, the highest highlights.
342
00:26:42,860 --> 00:26:43,250
Yeah.
343
00:26:43,910 --> 00:26:46,490
Very bright, very bright there.
344
00:26:50,170 --> 00:26:51,200
Then you can see.
345
00:26:51,705 --> 00:26:57,825
That's what, the power that
water's coming down and that is it.
346
00:27:02,025 --> 00:27:03,705
Okay, good.
347
00:27:04,005 --> 00:27:05,445
How about if we call it finished?
348
00:27:09,165 --> 00:27:09,675
Good.
349
00:27:11,045 --> 00:27:16,185
The mountain art and colors and
avoid the surrounding you enjoyed it.
350
00:27:16,545 --> 00:27:17,655
Thank you for watching me.
351
00:27:17,745 --> 00:27:18,255
Bye bye.
352
00:27:19,055 --> 00:27:20,855
One more beautiful oil paintings.
353
00:27:21,605 --> 00:27:27,665
Bill's paint and all your art supply needs
are only a click away@alexanderart.com.
354
00:27:28,475 --> 00:27:30,215
Just click on the online store link.
355
00:27:31,265 --> 00:27:31,895
You can paint.
356
00:27:32,285 --> 00:27:35,225
We promise Alexander art.com.
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