Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Mount Hood - AVAILABLE

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Oh, boy, it's just wonderful

to be with you again.

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And I tell you, I'm still in silver

fights here in Oregon, Oregon.

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I want to say, get that.

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I tell you what I plan all of a

sudden by being here and being

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so happy and being so excited.

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Maybe one day you come here

and we all meet and have our

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mighty hooray painting together.

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Wouldn't that be wonderful.

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I think we do it.

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Let's see.

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Think about it.

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I would think about it.

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And one day olives and we make our mighty

decision maybe next time when we meet

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here and and again, and firing like mad.

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Okay.

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But today, every pain, a mountain scene,

there are a lot of mountains around here.

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We drove around and we saw Mount hood and

Mount Rainier and the mountain handling.

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And.

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Oh, sun town.

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There's lot Vonda for mountain.

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So I watched her play in the mountains,

you know, in this particular canvas.

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So I put the magic right on.

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Make sure, make sure you have it.

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That I brush, I put the

magic right on the ready.

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Okay.

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Brush it out.

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If there's ever a hair on push it off

like that, don't let them bother you.

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And then you fire.

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And maybe we make a happy blue

sky with a happy little clouds

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floating by cloud floating away,

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start from the top because then you can

get some depth into the, to the canvas.

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That's what we need.

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And as you come down, it gets lighter

and gets lighter and lighter and lighter

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and clean the brush on the bottom.

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We might paint some water down there and

they're flex the mountain into that water.

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And then you come up like this is he,

and we create a horizon line there.

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Wash your brush, wash your mighty brush.

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We have a little bit of a wind going here.

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I hypnotize it from the light.

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Obviously start off hypnotizing

from the light, into the dark,

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from the light into the

dog, the Bashi of brush.

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I wanted to have a bit

more light up there.

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Wash your brush again.

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Make sure.

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Make sure you have a dry

brush and fire in like that.

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See, good.

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Not too much paint on.

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I will use my almighty fan brush and

fire in the happy little cloud, white

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Mamula touch of red, white, and a

touch of red, white, and attach of red.

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Watch this.

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Too much is he, I show you

how you shouldn't do it.

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I show you how to much later

already you can ground yourself.

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So easy.

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Just have a little touch of

bite and little touch of light.

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That's good.

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Every little touch of red, little

touch of red fire in the cloud.

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wherever you want.

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I have a good thing in cloud should be C.

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Again, can you see the brush had 30?

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So what I do, I clean my brush again.

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and Lord the brush with the

same color white and a touch of

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red, white and attach of red.

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Okay.

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Okay.

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That's good enough.

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Good enough.

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Good enough.

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Good enough.

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There is too much white on the canvas,

too much pain, not too much pain.

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Take your knife and take it off.

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You see what I do here?

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Because sometime it is necessary.

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You can ground yourself when you

want to hypnotize, you make a

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mess or that this why is nice.

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And.

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And you can go over very easily.

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Make sure you have a dye brush

and you hypnotize the whole

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thing thing, having that solid

paint, you can easy make a cloud.

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Can you see how cloudy it gets?

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Because the very soft you

can make it very soft.

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What makes it feeding of a cloud?

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All of a sudden, yeah.

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If you want you, you, you, you can have

a touch of red alizarin, Crimson, and

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blue, and a little bit of white, something

like there's something like this and

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you put a little bit of a shit I do,

and the needs and the needs that cloud

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is you see that of a shadow underneath

the cloud and the need to cloud.

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The we say the sun is

coming from that side.

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The, and then you, you just find a little

bit of a shadow and the needs and this

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zone just, you have a test right there.

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You are there.

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Yeah.

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Yeah.

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See, can you see some happy clouds there?

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I'm happy clouds.

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This sky is laughing and that's a nice

feeling when everything is bubbling.

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Just go on the right, your

hardest, go on the right.

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Everything is going.

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Just your ride is gone.

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Your VI is not wonderful here.

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I want to put on mighty mountain and

maybe Mount hood, Mount hood attached

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of blue attached a of Alison Crimson.

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And a touch of black this time,

touch of black and mix it like

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Marlboro, something like this.

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Oh, that's just right.

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The leave it like Marburn and either

in the middle, on the side, wherever

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I would like to have more undecided.

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Dan Dan Mount hood, uh, it has kind

of a upstanding mountain there.

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Just a memory.

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How often do you fly over Mount hood?

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How often did I fly over Mount hood?

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It's nice to see it from

the air, from the air.

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Light is coming from the light

is coming from this side.

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Then we fire in highlights

like the snow's line on top.

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And look at that beautiful break.

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The pain breaks or wonderful.

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No good.

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No good.

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You can't have been

happy and being excited.

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Look at that.

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Prior that up, wherever you

think the snow is here is here.

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Uh, the, and the shadow side and the

shadow side, I will use a touch of blue

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and white, just blue and white, white, and

blue, blue, and white, white, and blue,

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blue, and white is something like this.

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And you go from the other side

with the touch of blue there.

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good.

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Good.

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Good.

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Now you use your big brush and even

if you want, you can wait until

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the magic vitamin attach touch with

magic vide and put the mist in there.

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Kind of a Mister standing up there and

below the mountain and this cost so far

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up and then leave it, leave it there.

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Uh, and then here you can just, uh, kind

of that you can use the same, the paint,

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the mountain paint, what they have here.

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Just use that and, and have kind of

desk cascades there, kind of a little

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hair it's four by four by four.

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And, uh, um, start

humming, start saying, and.

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Not the voice.

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Be happy around you.

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Yeah, then you, you, you can use

your MIT knife and either then the

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bad mountain feelings there, their

little heads below the mountains.

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all of us dudes from the sunny side.

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That green shouldn't be in

there, but it isn't there.

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I have to live with that.

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out.

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I don't know.

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Maybe he had it in bed.

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Hey, uh, one of my plays is whatever,

dream up something, every good thing.

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So lots of.

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Lots of things will be covered up there.

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Now, every use a touch of yellow,

the yellow and the mountain

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color is yellow and the mountain

colors, but they have mixed.

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That is the color on the mountain.

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And I create a kind of a foreground there.

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yeah.

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Pull it out.

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Whatever you want.

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It is not all yellow.

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Like I said, use yellow.

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Like I show you here.

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And the mountain colors that gives

you that nice grass feeling the

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yellow alone would be too strong would

be, wouldn't be nice when be nice.

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start humming, start singing in your

heart, get some melodies, something

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that is making you make you paint.

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You cannot paint.

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If you cannot.

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Turn on that wheel, you know, you have

to, I always have to talk to myself

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and make myself very, very happy and

excited and think about all the nicest

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things and in your life, whatever you

experienced, they, and that alone,

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all that makes you do what you want.

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Bit of Taylor green, Taylor blue.

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When dark Brown and the mountain colors

here and I fire in kind of a voter

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upstroke sometime they are nice, but

have obvious long lines coming down.

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So no, no, we will.

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Black Taylor green Taylor green

and black is a nice tree color.

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Tan or green and black.

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And now I will, I will fire in

our mighty tree standing there.

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Uh, I tell you, look at that.

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It's so loose.

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You see the sky, you see the wind going

through, you see all the, can you see,

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can you make a close up on that one?

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That'd be nice.

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You see the big brush you make

far better trees than you would

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dabble with the little brush there.

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Use those colors.

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Black.

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We have some new colors now and use

the, uh, black and Taylor green.

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I more, more or less must say

I discovered that the last, the

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last one or two years, and I liked

those colors very, very, very much.

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You're always, you get so used to one

type of a color and you forget this.

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There are other colors that

would do very good to see.

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Now you can cover up whatever you

don't like whenever you're done.

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Like, and something like this.

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And, and, and, and, and I will, I will, I

will this let, let's make your decision.

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You know, I have to make a decision.

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This doesn't do that.

196

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It looks maybe here would be nice.

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A tree standing there, a small oven.

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And uh, Oh no, we got it.

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Gotcha.

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He fires right into the water.

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Now go into the paint on the other

side and fires right into the water.

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Use your knife.

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Use your knife and put the tree trunks,

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look at that

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where the tree, trunk and the

fires right into the water to

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here in this case, into the water.

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So, well then, then, then use a one

inch brush and highlight that attended

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paint sticks on the ticket paint.

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What I do, I go into the magic Vite.

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You saw me doing that

and enter the yellow sea.

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And that yellow alone is

a bit too, too yellow.

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I will say, attach your Taylor

green with whatever's in there.

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And that gives you a kind of.

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Powerful green ever use that

kind of agreeing and we're from

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the sun is I know that that,

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see, my brush looks dirty.

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I just don't clean it.

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I need a bit of a dirt there,

but use a bit of white again.

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Dang it didn't the paint

sticks on the ticket paint.

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I knew I need it in a pain and you fire

in against that Sunnyside there again.

221

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Then here against the dock,

leave the dock on top.

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See if I wouldn't have that dark on

top, it would blend into the background

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and we wouldn't have the power Z.

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Now we do it like this and then

fires right into the water too.

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Again,

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then you bring a bit more paint and I

need a bit more of that reflection there.

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See.

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Good.

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Good.

230

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Good, good, good, good.

231

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No fever fever.

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Use the big brush again, and I fired him.

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I fired in black or van Dyke Brown.

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It doesn't matter.

235

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And you firing all the three here.

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can you see those?

237

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I wish you could.

238

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Could you make a close up

shot on this particular one?

239

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I want to, I want you to know.

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You can never do that with a little brush.

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You need a big brush from all my classes.

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I know people are scared

to use it on mighty brush.

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That's why I call that

that are mighty brush.

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Have a confidence, have confidence

toothbrush, because you can, if you use,

245

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when you have a ticket pit underneath,

you saw me going into the magic vide

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and then it download attached and you

get anything and everything you want.

247

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But first have that take paint.

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You see this, this becomes just

a beautiful, beautiful tree.

249

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Look at that.

250

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Look at that

251

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fires right into the water.

252

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no, I make a dark there, but

the nice part is you can shout

253

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this Skype between the branches.

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00:18:47,010 --> 00:18:50,040

That's what makes the

beautiful, beautiful painting.

255

00:19:03,080 --> 00:19:04,970

I need dark in order to show light.

256

00:19:05,480 --> 00:19:08,150

So here's your, here's your.

257

00:19:08,655 --> 00:19:12,794

Knife again and put three

trunks in the happy list.

258

00:19:13,004 --> 00:19:18,735

But I do really, I plowed to the paint and

get that canvas show that canvas there.

259

00:19:18,975 --> 00:19:20,355

Then you can make long lines.

260

00:19:20,355 --> 00:19:21,284

You see, look at that.

261

00:19:21,855 --> 00:19:25,145

Isn't that wonderful when

you paint wilderness, however

262

00:19:25,155 --> 00:19:27,014

little branch come out there.

263

00:19:27,044 --> 00:19:28,064

You see, look at that.

264

00:19:28,514 --> 00:19:31,574

This is what makes it

so nice, loose and free.

265

00:19:40,820 --> 00:19:42,379

loose and free.

266

00:19:42,379 --> 00:19:44,480

And now you highlight that again.

267

00:19:44,960 --> 00:19:46,430

Highlight that again.

268

00:19:48,290 --> 00:19:50,450

Then the paint will stick

on the thicker paint.

269

00:19:50,660 --> 00:19:58,879

I didn't on my paint, but yellow, you see

that here and you, you, you, you, you.

270

00:20:12,830 --> 00:20:16,580

There's a kind of event

coming up here and I don't.

271

00:20:16,580 --> 00:20:17,960

That is not very nice.

272

00:20:18,320 --> 00:20:18,920

Okay.

273

00:20:19,340 --> 00:20:22,730

How about we can shut off

that when they're changed.

274

00:20:23,629 --> 00:20:24,410

So do that.

275

00:20:27,350 --> 00:20:31,220

No, but the English, they make a dance,

you know, they dance on one foot.

276

00:20:31,860 --> 00:20:33,270

And the has got down.

277

00:20:34,080 --> 00:20:34,620

278

00:20:40,740 --> 00:20:48,600

see, I create little branches, stairs,

little, whatever, and maybe, maybe,

279

00:20:48,600 --> 00:20:55,350

maybe, maybe enter the magic light too.

280

00:20:56,129 --> 00:21:00,300

And yellow maybe had

a bit of Indian Jarlo.

281

00:21:00,915 --> 00:21:06,315

Indian yellow and, and right.

282

00:21:06,945 --> 00:21:11,565

And against all that dark,

let's finish this side up first.

283

00:21:17,085 --> 00:21:17,535

See.

284

00:21:21,600 --> 00:21:23,760

No, we will use the big brush.

285

00:21:25,320 --> 00:21:28,980

Use the big brush, pull it down.

286

00:21:28,980 --> 00:21:29,550

Nice.

287

00:21:30,270 --> 00:21:30,840

Pull it down.

288

00:21:30,840 --> 00:21:34,440

Nice and make water out of that.

289

00:21:35,190 --> 00:21:36,840

See how beautiful that looks.

290

00:21:42,690 --> 00:21:43,900

No, we will.

291

00:21:43,900 --> 00:21:46,080

We will create the kind of.

292

00:21:48,885 --> 00:21:51,524

Shoreline shoreline here.

293

00:21:52,395 --> 00:21:54,284

Happy little shoreline there.

294

00:21:58,125 --> 00:22:00,495

A happy little shoreline there.

295

00:22:04,274 --> 00:22:10,125

See, and, and become a

little bit far as here.

296

00:22:10,725 --> 00:22:11,865

Like this.

297

00:22:17,010 --> 00:22:20,310

And I wants to create almighty Cove there

298

00:22:28,470 --> 00:22:30,450

and mighty Cove there.

299

00:22:33,660 --> 00:22:37,710

And you come around like this.

300

00:22:38,340 --> 00:22:40,020

See there you are.

301

00:22:40,530 --> 00:22:46,490

Now he used some other colors

there that have a darker like

302

00:22:46,550 --> 00:22:50,419

Umbra E and have delighted there.

303

00:22:54,229 --> 00:22:56,510

Yeah, we have nice, happy Cove there.

304

00:22:56,959 --> 00:23:01,669

And then you can use your big brush

here again and fill in the colors

305

00:23:02,330 --> 00:23:06,199

dark first and maybe kind of a.

306

00:23:06,629 --> 00:23:08,490

Whatever's coming out with your brush now.

307

00:23:08,940 --> 00:23:14,340

See, whatever's coming out as your

brush just does a trick, maybe

308

00:23:14,340 --> 00:23:16,800

here a little bit farm up there.

309

00:23:17,190 --> 00:23:24,810

Maybe he had a little bit, see now you,

you, you, you, you take the big brush,

310

00:23:25,379 --> 00:23:27,930

the big brush into the magic, right?

311

00:23:28,230 --> 00:23:30,540

And do it like this.

312

00:23:30,690 --> 00:23:35,130

You see lots of, uh,

Lots of yellow and dirt.

313

00:23:35,310 --> 00:23:36,720

I never washed the brush.

314

00:23:37,080 --> 00:23:40,590

See that said now, like this

315

00:23:48,380 --> 00:23:50,840

he want to get all of a sudden.

316

00:23:51,710 --> 00:23:59,060

Now you use your two inch brush

and make a nice, nice, uh, I

317

00:23:59,060 --> 00:24:01,760

would say a touch of yellow.

318

00:24:02,580 --> 00:24:09,720

And Taylor blue, maybe something

like this, this kind of a

319

00:24:09,780 --> 00:24:11,550

color, no more than light.

320

00:24:11,909 --> 00:24:15,240

I want still more to light

into that more white.

321

00:24:15,689 --> 00:24:20,090

And now you can fire it right

there and look at that beautiful

322

00:24:20,270 --> 00:24:23,840

against a dark leaves, a dark room,

and you see the branches flying.

323

00:24:24,180 --> 00:24:27,360

Can you see that's what value

is the value of your paint?

324

00:24:27,780 --> 00:24:32,010

Do your painting, have the

branches loose flying into that?

325

00:24:32,520 --> 00:24:38,760

Maybe here you create the

other one, the, almost like a

326

00:24:38,760 --> 00:24:40,800

Bush, like beautiful branches.

327

00:24:40,950 --> 00:24:41,460

You see

328

00:24:50,120 --> 00:24:54,200

then if you want to, you

can vomit up a little bit.

329

00:24:54,590 --> 00:25:01,970

You can vomit up a little bit with, uh,

with, uh, white and blue, just white

330

00:25:01,970 --> 00:25:05,150

and blue alone, white and blue alone.

331

00:25:06,020 --> 00:25:08,180

Touch of magic right into that.

332

00:25:08,895 --> 00:25:13,065

See and have a little bit of a

blue eyes sticking out there.

333

00:25:13,155 --> 00:25:18,045

Look at that in a beautiful, maybe

hear a little bit of a blue, whatever.

334

00:25:18,465 --> 00:25:20,895

It's just a tree with kind of a blue tune.

335

00:25:21,325 --> 00:25:24,105

You add color stair to your painting.

336

00:25:24,375 --> 00:25:27,915

And I will add here kind of

a blue isn't that beautiful.

337

00:25:28,215 --> 00:25:31,395

Maybe here, little bit of a blue sea.

338

00:25:31,815 --> 00:25:35,445

And that is what gets your painting gone.

339

00:25:36,235 --> 00:25:39,735

You come to a pint for

your tank, you did it.

340

00:25:41,175 --> 00:25:41,655

Okay.

341

00:25:41,715 --> 00:25:46,995

A little bit of more yellow

and white alone here, the here

342

00:25:53,855 --> 00:26:04,865

E see, maybe here a little bit

marching in, on that set for that is.

343

00:26:07,035 --> 00:26:13,505

Penny is finish this, the lesson that

detaches sometime a little bit of up

344

00:26:13,655 --> 00:26:15,635

local, a little bit of upstroke there.

345

00:26:16,265 --> 00:26:16,775

The Z.

346

00:26:17,015 --> 00:26:21,335

No, cause that these are a little bit

of obstacle and it gives you kind of

347

00:26:21,335 --> 00:26:23,615

a branch feeling or grass feeling.

348

00:26:24,245 --> 00:26:24,815

And.

349

00:26:25,470 --> 00:26:27,000

You can say, I don't know.

350

00:26:27,330 --> 00:26:28,410

What more could you do?

351

00:26:28,650 --> 00:26:29,670

What more could you do?

352

00:26:30,480 --> 00:26:31,440

You're just fiddling around.

353

00:26:31,710 --> 00:26:35,370

But I do know I started feeling

it around and you shouldn't.

354

00:26:36,000 --> 00:26:40,590

So with otherwise, I think it's

quite a nice spin in Mount hood with

355

00:26:40,710 --> 00:26:45,060

dark trees around and against the

dark, the tree, the other bushes.

356

00:26:45,300 --> 00:26:46,980

And you've got the beauty work painting.

357

00:26:47,340 --> 00:26:47,940

I enjoyed it.

358

00:26:48,570 --> 00:26:49,440

I had a lot of fun.

359

00:26:49,890 --> 00:26:51,510

Maybe one day we paint together.

360

00:26:52,350 --> 00:26:52,620

Bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Mount Hood - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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