Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Mount Hood Sunset - AVAILABLE

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You drive me crazy.

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What can I do?

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Because I have problems every time I

come on here, I have to find the subject.

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And that is my problem.

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I want us to be so nice.

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I didn't want it to be so

powerful, but what can I do?

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I painted, I think over 200

paintings already on TV.

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And then sometime I feel it repeats.

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There's nothing he left.

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Why don't you fall in and

tell him, give him an hour.

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Dan, I can show you something new

and something more powerful, but

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there's always the same trees margins,

but no, watch what they do today.

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I thought that might be nice.

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Just the mood.

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I think you have the same trouble at

home when you started the painting.

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Watch what they pay.

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No, it's not.

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Or you're set sometimes I'm

so when I paint home certain

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subjects, they are bothering me.

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I like to get them off, but you

know, on TV, I know I have to

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have something new all the time.

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That's why I think it is not too easy.

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Okay.

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This time I put the magic lights

on, on top, she was like this.

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That's half of magic.

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Right.

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And I will grab the other brush,

go into that black, medium and

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finding some black and a button.

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I just show you some mood and

you know, it comes to a point.

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It comes to a point where we,

we, we all, I know, I know.

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That's what I said.

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You driving me crazy because not you.

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No, no, no, but it's, it's something,

you know, let's go together.

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All of us.

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Because we all have to find our vibe into

the arts board with so much power and so

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much energy, but so much new renewing.

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Bob has to be dead to

the, it should not drag.

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The Dean should be fun and excitement.

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And maybe that's why

we do that's like this.

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I have, right, like on top.

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And it comes with the

black up from the bottom.

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CNN tapers off tapers off tapers off

into divide, but that's all right.

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I wouldn't worry about maybe,

I guess not too much pain.

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It's always hard when

you have too much pain.

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So that's your habit beginning.

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And I very, I very, that mood will be this

time and the pink and the Rose Rose Rose.

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That might be what matter Rose matter.

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Mother.

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Yeah, I think that's always a

problem to find the right subject.

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I thought hero's matters.

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He will take it off here and

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you let it disappear.

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Right.

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And that dog.

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No, you can hum songs.

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You can harm happy things.

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Oh, that, that throws in outer

that black into the sky a Z.

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Oh my gosh.

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Do you have, I started a matter here.

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Is it kind of a mood I would like to.

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Showing you certain moods of a painting.

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Then it will not be the same all the time

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matter.

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Maybe I get a little bit

of black and do that there.

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They needed the little back.

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Grab it from there.

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I needed a bit more black.

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Get over there.

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Nice, happy sky.

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Maybe we have a little bit of a

light there's more dark up there.

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He gives you a kind of a cloudy,

drove a movement in the sky.

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Good, good does.

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Not too bad.

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I ever used on my defense

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and I will see what I do here.

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Right.

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And I ever fire him.

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Good movement, stair clean your

brush, clean your brush, and right.

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Do you have to take it off, maybe touch

with gross matter and critical condition.

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Your surface shutting sky there.

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Oh, that's the Debra B horizon

two, some bears, some there.

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Unreal shine.

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It's nice when you can

do it for too much fun.

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It should be fun life.

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Now, as more as you think about when

you're young, you don't know that, but

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when you get older, you feel, I wish

I had far more fun and I wish I never

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would have been in the army for us.

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The army drives me crazy.

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They make you jump.

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I don't want to jump.

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I want you to have my unhappy little,

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but then what can you do obviously, brain.

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So maybe, maybe, maybe we can see

that's the horizons line here.

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A little better.

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Uh,

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No, I have a

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nice beginning.

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Nice, happy beginning.

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There's a huge on mighty

magic knife and I bear.

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Prepare myself for a nice pink mountain.

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Here's the same color pink and right.

102

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See here.

103

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Look how I do it, but I

will use a little bit.

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Move

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Fenty.

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I forget now, violet, violet into that.

107

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Oh yeah.

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Different car snow.

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See, nice car.

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The steer.

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Maybe this is a little bit done.

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Is good is not good.

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Maybe a bit more violet.

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That's kind of a bluish reddish paint.

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It's very harmonized.

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It's beautiful would be a beautiful

harmony, but what I got there and I

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will create kind of a happy, happy.

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It's not dark enough.

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I would add the little bit

of blue passion blue to that.

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See, this has a good harmony.

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You can keep, it always

stayed in that violet color.

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And in that evening color,

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see how it works.

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Start again.

125

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No, you're from the

mountains you want there.

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See, maybe make a bit of

a Peaky mountain there.

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Like Mount hood hood, then

you live on the East coast.

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You don't see all the beautiful things.

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Maybe haven't been like this.

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Hey.

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No,

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put it into yonder.

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Uh, no, he was white,

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white.

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And pink, but the little bit more in

the right and you have to highlight no G

136

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on the pink side and little bit on the

pinky side, cause we don't lose the

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harmony rhyme rhythm harmony, harmony.

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Uh, it doesn't matter.

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You can create your uninvolved.

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Every said the sun is coming.

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That's just the back.

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The sun is far by, on this side deer.

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Maybe he had him the back.

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No, maybe we do it like this.

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Can you see that wonderful breaking?

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That's why they like this idea here.

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And you paint.

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You can paint like that.

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Just so much fun with one

stroke, you get so many details.

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See, they'll get all those

beautiful details you got together.

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You got the mountain.

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It's a life.

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It is not dead.

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Well is on here.

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Light up this one too.

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can you see this movements?

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Oh God, it's just fantastic.

158

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Can you have a closeup?

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Is it possible?

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This we can get the close

up on this one here.

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Then you can see the, I talked so much

about that heavy, thick pane view.

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You cannot.

163

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To make all those details.

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It will take you two days with the little

brush and it would look not look lousy.

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Somebody see, even if you decided stroke

here in this case, watch this stroke.

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See you.

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Yeah, I'd have to go over so much,

but there's this fall of details.

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This is not dead.

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And this is why they like to

show you the, then you can bring

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it up here maybe a little bit.

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You can say he yesterday over the,

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in there, did he know of

your use better for bluish?

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Bluish.

174

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I use that right here, but they

have here already bluish pinkish,

175

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and we see what the outcome would be.

176

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Maybe I'm too dark, but

more than the lighter.

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Bluish pinkish,

178

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maybe like this.

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No, let's see, he know, be gone

this side and pull it down this way.

180

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Oh yeah.

181

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That's nice.

182

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See that little bit of a bluish tune gives

you that lid and just has a nice harmony.

183

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That's still in nice harmony.

184

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You're in good shape.

185

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You're in wonderful shape.

186

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Nice and colorfulness this painting.

187

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I bet you were like, if you, when we

are finished with this one, It's not the

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same, you know, I had, like I said, in

the beginning, it's hard to find all this,

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that subject, but you think because when I

think back at painted all of these things,

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so that, and 28 minutes, what can you do?

191

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But this, this is nice.

192

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It gives you a good feeling of color

harmony and the different colors.

193

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And.

194

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I didn't have a guy that he, you have to

show different type of painting stare.

195

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He wants to make a happy buck.

196

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And then you can do it when

you, then you have a variety.

197

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You sometime it there's

just a carpet or the drapes.

198

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And then just happened to

have that carpet and that Dave

199

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and that started these shows.

200

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Then, then you know, you, you

can make a living with it that,

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and that's what we all aim for.

202

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That's why we have those classes here.

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We aim for everyone to.

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To make your living with the paintings.

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It's always bad when you send

your kids to school and to art

206

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schools and they come home.

207

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And, and can you borrow me some money?

208

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No, I always hit them.

209

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The kids ask you, can

you borrow me some money?

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Then I tell him I was telling

me I should give you some money.

211

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That's what be more like it don't

ask me to borrow your money.

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Well, they know you can never pay it back.

213

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What do you think about beautiful colors?

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Nice harmony.

215

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No, you can vote.

216

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And you know, that's

why we have that black.

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I go into the night there.

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Look, can this just, just dive in.

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That's beautiful.

220

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Then we can really, really, really know

every big brush and, and Rose matter.

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And because there's black on the canvas

already, you can get colors there.

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Like the tree standing there below.

223

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Oh, I'm glad it's good ID.

224

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Did he know he was maybe a fan brush?

225

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Yeah.

226

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Smaller fan brush might be better.

227

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And they really run in

with violet violet color.

228

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See how I take it off in the fan brush?

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I haven't had her on in kind of a.

230

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and through the night

231

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and then like this, and then

naturally you can just do whatever

232

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you want you to do there, but then

you can do it with your fan brush.

233

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You can.

234

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Can do it with your line of brush

235

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do you think that just by having

the cloudy sky, this thing

236

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could have a really paint.

237

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This evening is dead and the

light's coming from here somewhere.

238

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I know we will struggle somewhere to.

239

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To get into, right?

240

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Oh, sometimes it's nice to

have a branch hanging down.

241

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They wouldn't have blown it off.

242

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good.

243

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Good, good, good.

244

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Yeah, no, he will take the knife

and be very used again right

245

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here.

246

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And the touch with pink

247

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Rose matter.

248

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Like this, and we were the

same highlighting like this

249

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he put it around, make the three

around, something like this.

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See.

251

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Yeah.

252

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Yeah.

253

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I should show you how I mix Tamara

stuck between the land and my palette.

254

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Maybe we highlight, give

him son better pushes here

255

00:19:29,399 --> 00:19:31,409

or here or here or there.

256

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the maybe here.

257

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Yeah, everywhere.

258

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Fighting zebra underneath there.

259

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Lights coming from the side.

260

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See, that is nice.

261

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So much, uh, uh, energy, you

know, when you see this, uh, You

262

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know, a penny should excite you.

263

00:20:26,565 --> 00:20:31,175

You know, when you see it coming,

then watch how I load that pain.

264

00:20:31,175 --> 00:20:33,135

How I got that, my ride.

265

00:20:33,135 --> 00:20:41,115

There's certain things you will do before

I call it finished to make me excited.

266

00:20:41,825 --> 00:20:49,055

I watched this S do the fan brush

lip line, the brush, anywhere along

267

00:20:49,055 --> 00:20:51,785

here and all that to have a little

bit of highlights there, there.

268

00:20:53,040 --> 00:20:53,729

Yeah.

269

00:21:01,330 --> 00:21:01,600

Yeah.

270

00:21:02,330 --> 00:21:04,159

The little bit of highlights there

271

00:21:08,570 --> 00:21:12,439

into the branches, but

would be not very nice.

272

00:21:13,129 --> 00:21:14,419

Very nice.

273

00:21:22,140 --> 00:21:23,100

He had to,

274

00:21:33,900 --> 00:21:35,000

but nobody should know.

275

00:21:35,030 --> 00:21:35,660

I have to.

276

00:21:35,960 --> 00:21:38,750

You are the artist you are next to God.

277

00:21:38,750 --> 00:21:39,980

You are the creator.

278

00:21:40,875 --> 00:21:45,425

You create a part of God's

wonderful void and make it shorter.

279

00:21:46,065 --> 00:21:47,505

It is exciting.

280

00:21:47,925 --> 00:21:49,275

Watch whatever do here.

281

00:21:49,275 --> 00:21:52,155

Know there's certain things

you can bring to life.

282

00:21:52,425 --> 00:21:59,475

And as a sampler, I would, I

would see I would you have the

283

00:21:59,475 --> 00:22:01,245

trees, see whatever do here.

284

00:22:05,910 --> 00:22:07,080

Given that little bit there for them.

285

00:22:07,080 --> 00:22:08,280

Can you see what it means?

286

00:22:08,280 --> 00:22:14,220

All of a sudden by using the light,

you are the almighty leader of light.

287

00:22:14,250 --> 00:22:17,340

Make that light Xen.

288

00:22:17,850 --> 00:22:19,020

See what I do know.

289

00:22:19,350 --> 00:22:22,980

I want you to get more power and

more color and more excitement, and

290

00:22:23,340 --> 00:22:32,220

so find it, find it there's certain

things you can do to make you happier.

291

00:22:32,925 --> 00:22:35,415

See that little bit of

excitement I put in there.

292

00:22:35,865 --> 00:22:36,735

It means a lot.

293

00:22:38,915 --> 00:22:40,325

He can go on here,

294

00:22:44,005 --> 00:22:44,825

put it down.

295

00:22:45,065 --> 00:22:48,575

Think about the movements

don't down movements.

296

00:22:49,565 --> 00:22:56,165

You can have some highlights here coming

up sometime you see it starts off there.

297

00:22:56,165 --> 00:23:01,145

And as you make it pop up here again.

298

00:23:03,720 --> 00:23:07,980

Because he must think this is

around and vide and, and all

299

00:23:07,980 --> 00:23:09,750

those things would make it nicer.

300

00:23:09,840 --> 00:23:10,920

Nice painting.

301

00:23:21,110 --> 00:23:21,620

Dang.

302

00:23:26,870 --> 00:23:30,350

See then over here, you

can use the red pen.

303

00:23:31,380 --> 00:23:32,250

What's the matter.

304

00:23:32,580 --> 00:23:36,660

And you can start here, but you

can say it, read it sometime.

305

00:23:37,110 --> 00:23:41,790

Uh, it gives you a little bit

of sunshine or light hitting.

306

00:23:42,090 --> 00:23:42,930

Can you see that?

307

00:23:42,930 --> 00:23:47,040

They're very careful, not

too loud, not too hard.

308

00:23:48,720 --> 00:23:51,570

I want to show you again, not too hard

309

00:23:55,620 --> 00:23:56,400

and that little bit.

310

00:23:57,120 --> 00:24:01,080

That little bed, all of a sudden

makes you a painting, more celebrated

311

00:24:02,129 --> 00:24:04,530

the sellability of your painting.

312

00:24:07,110 --> 00:24:11,340

And you know, the nicest part is when

you paint a painting and it it's an

313

00:24:11,340 --> 00:24:14,570

origin, there it is creative by you.

314

00:24:14,719 --> 00:24:16,639

It is not the copy of anything.

315

00:24:16,639 --> 00:24:17,659

It came out at you.

316

00:24:17,810 --> 00:24:19,459

Like when I started, you remember.

317

00:24:19,830 --> 00:24:22,710

I, it was all, Oh, what can I do?

318

00:24:22,710 --> 00:24:26,540

What's going to do, but then all of a

sudden vendor, you get finished with that

319

00:24:26,540 --> 00:24:31,399

painting my God, you feel quite nice and

comfort dollar because it's an origin,

320

00:24:31,399 --> 00:24:34,910

then there's something not done before.

321

00:24:34,910 --> 00:24:38,600

And I know I could never paint a

second painting like that before.

322

00:24:38,899 --> 00:24:42,020

That means when you sell a painting,

people really like to buy your

323

00:24:42,020 --> 00:24:46,040

work because they know that's

the only one of that on earth.

324

00:24:47,145 --> 00:24:50,535

I painted thousands of paintings

in my life, but not one, this, the

325

00:24:50,535 --> 00:24:55,725

same something they look close,

but they're still not the same

326

00:24:55,725 --> 00:24:57,905

because I use my creative power.

327

00:24:57,915 --> 00:25:01,935

You see, you know, here, that's why we,

I think that's what makes it so nice.

328

00:25:02,175 --> 00:25:04,305

So you're not just pop up here and there.

329

00:25:04,335 --> 00:25:08,595

And then, and there he is like this.

330

00:25:13,040 --> 00:25:15,710

No that day I made the

kind of extra line there.

331

00:25:15,830 --> 00:25:17,930

You can pop up the other

line there if you want.

332

00:25:17,930 --> 00:25:20,660

But theater has a, has a bumper there.

333

00:25:20,780 --> 00:25:25,400

She shows you a little bit of a blue,

the evening shadows fighting there.

334

00:25:31,220 --> 00:25:34,880

and then if you were down,

always make some down strokes.

335

00:25:35,420 --> 00:25:37,670

It looks like something

is standing up there.

336

00:25:38,730 --> 00:25:43,170

Even when you really would have a closest

look, you would see there are some tree

337

00:25:43,170 --> 00:25:51,680

trunks, three standing there, and then you

can run again more by creating, creating

338

00:25:51,800 --> 00:25:55,340

a certain things in the docs there.

339

00:25:55,820 --> 00:25:58,190

He had it all in there around that three.

340

00:25:58,190 --> 00:26:03,230

Usually you try to find the value of

having a little bit of color there.

341

00:26:04,280 --> 00:26:04,670

342

00:26:07,190 --> 00:26:13,430

Color there and a little bit of color

here, but keep it dark, keep it low,

343

00:26:13,970 --> 00:26:19,600

low, low, because you think it's

the evening's bones your own there.

344

00:26:20,240 --> 00:26:24,050

So as long as you feel it, when you're

finished, it has a nice harmony.

345

00:26:24,050 --> 00:26:27,920

It has a Byron's the rain

resonant harmony, maybe here.

346

00:26:27,920 --> 00:26:28,930

I just make a letter.

347

00:26:30,200 --> 00:26:33,710

Well, I need some time here.

348

00:26:35,085 --> 00:26:37,095

. Thanks doing there.

349

00:26:39,585 --> 00:26:45,855

And then all of a sudden you've

painted is done and you are happy

350

00:26:46,455 --> 00:26:50,385

and you look back and you say, I

never painted that painting before.

351

00:26:51,075 --> 00:26:52,095

Did you enjoy it?

352

00:26:53,415 --> 00:26:57,215

Sometimes it's tough, but boy,

the outcome is always wonderful.

353

00:26:58,294 --> 00:26:59,315

Thank you for watching me.

354

00:26:59,495 --> 00:26:59,885

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Mount Hood Sunset - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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