Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Mountain with Knife - AVAILABLE

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the whole height tune is very important.

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You know, I do about the almighty mountain

again, which snow on and is on hit

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the mountain and the big Valley below.

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And then frontally right there, hidden

front with maybe some art or threes and

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ever do all that with the knife again.

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That's fine.

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It's already in your mind.

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That's no problem.

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So first we always take a to call.

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I put that blue on, I would have a

little bit of alizarin Crimson that blue.

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Kind of a corner like this.

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You see, when you bend your, do it

here, it's hard to see the right color.

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But then I tasted here.

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That's perfect.

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Actually, between, you know,

I live in Crimson and blue.

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It's a Vonda for, can be a beautiful

winter color, but can be a in

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night color and Moonlight color

and add a touch of black into that.

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Then you got some, Oh gosh,

some beautiful Moonlight colors.

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See, this is called, I think

ever dress and dance and dance

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at the end about your thing.

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In this case, I would like to show a

little bit of advice and so you make it

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move and make it make, sometimes I use

a corner, the corner of the brush, but

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gives you all the, all the excitements.

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See.

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As the magic, right.

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Is the magic like is on, I told

you the magic rights, all of us

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on, they us put the magic right on.

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I don't want to put it on.

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I don't want to waste any time.

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They give me 20 minutes here.

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Shame on them.

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It was on that.

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Therefore I always put it on

before, but dang Orvis, I need that.

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Right.

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In order to mix the technique, my

technique can be, have to have that.

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So, you know, I have a

kind of a bumpy little sky.

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Good, good.

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Cause we wouldn't want it too much,

you know, clean my brush, clean

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my brush and always keep your.

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Tuned for high up.

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If you had to fight with your

vice before fag gas, it just make

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up at her and then you are happy

again and you can play it in like

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even the hypnotize, the obvious start

off from the light, into the dark.

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There you are kind of a nice,

nice moving sky, kind of a.

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Uh, this guy won.

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That's good.

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It's not so blocked.

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It's not so hard to even know.

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I use my mighty knife and I ever

create, again, Vita, I take that

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Vita from here, put it up there.

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It's quite a hard, solid, thick, right?

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Otherwise it will not do it.

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Push a little bit black into that blue

into that and alizarin Crimson into that.

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This kind of a, those three colors.

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They give you a Steven.

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I had been feeling stoned feeling.

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If you wanted more than the

gray, he put more black and

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he wanted more than the blue.

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You put more blue and more than the

red, more red than, or more or less

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than Crimson, but you get the colors.

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Look at that.

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See, I take it all off again, push it

over and leave it like Marburg justice.

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What mixer that mountain there.

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Depends on the distance.

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I think this is the distance

I'd like to find here.

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So it started off with this

maybe here in this case.

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I really haven't.

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Low long slope there we'll have a steep

drop down and have it happy that Valley

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down there and never will have that.

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The land come you're powerful.

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So start off from here.

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The divide, your speed.

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He said no, as he ended

up against that dog.

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I'm sorry.

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I need a bit more black, bit

more blue, a bit more alizarin.

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Crimson.

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Okay.

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Needed to bit them with doc, then

it's very B show up a bit better.

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I just tried.

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If you try it and you don't like

it, don't go on because when you

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go on Dennis lead and you have

wrong, it's wrong, it stays wrong.

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See, in this case, I still

couldn't take it off.

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See, and I fired.

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And again, uh, that's a

different, different feeling.

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can have a peak bone and

kind of have two peaks there.

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Can I have here a little bit, can

have all their coming up there.

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Depends on what you have in your mind.

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the pug, the knife, as flat as possible.

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Hold that knife as flat as possible.

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It would have the light

coming from this side.

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In this case, let's come

from this side there.

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Then they put the dark on this side more.

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see.

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That's a happy little slow.

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Thank you.

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And skis by how that

really works out for you.

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There with all the details because

of the heavy paint, that big paint

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you use to get all those details.

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If you use it then

paint, you never gets it.

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See, no, I clean my knife and I

will highlight that by using right

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again, here, start the new bunch

WhatsApp, uh, Indian, yellow.

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That's your Taylor.

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I live in Crimson and create kind of a

nice, nice, powerful, uh, Carla there.

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Oh, that's that should look good.

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No, we were fighting in here.

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I divide half in my mind,

half of the painting.

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He, that mountain gets there.

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it's wonderful.

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Your device.

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You can roll it off the hair.

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You see, watch this stroke there Z

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another beautiful stroke.

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You have all the details in between here.

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I would divide it again in my mind.

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fighting off like this.

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let's see.

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Yeah, your honor.

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No, you go on the other side.

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This side here have the same.

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and obviously have that

stroke make that stroke show.

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This cost down the vaults.

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I said only down for thousands and

thousands of years or whatever, then it

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ain't comes at all the scores don't even

here, you see down, don't they let's

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give you that gives you that treating of.

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Okay.

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The creeks bought us.

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They're all running down

and become big rivers.

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And on the bottom they have bigger rivers.

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And see, you know, you can

add here a little bit more.

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No, I use white sticky.

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Look on this white and a touch of blue.

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And make us ever happy,

little blue, happy led blue.

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That's just two blue.

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Then take half of it and push it

in the corner here and start from

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scratch because you, as long as

you, I need on the show later.

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And if I have to make that,

leave that in, I have a pile

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of blue, then I never use it.

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You saved more pain by doing what they

showed, you know, and have this side.

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Hey, that's a good, good idea.

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I didn't have down the little touch.

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But didn't the pinch sticks on a Dick,

a pain, but they just identity down

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elderly, Mimi Leder bed on the, yeah,

that gives me a better, see, watch this.

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And they do it with magic, right?

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he had blue hits.

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Good hits.

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Hard.

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yeah.

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Beauty for same here.

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You have created yourself

a bit of Valley they're

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blue in the value there.

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Then, if you want to, you

can use the big brush.

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Right?

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See what I do here and blue,

white, and the touch of blue.

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See something like this color.

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And then you can, you can

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kind of a mist.

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I would like create there.

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And only goes so far.

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Thank you about the Timberline.

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They just have that missed

here and then all of them.

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I didn't do this guy.

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I haven't had anybody miss me,

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but after it be covered up,

I shouldn't worry about that.

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This started there.

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Good.

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He didn't know where he was the big brush

and make sure you have a clean, dry brush.

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I use the same mountain paint

you see here, I take the same

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mountain paint because this is so

much, it costs so much lighter.

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And I think on the header there.

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he, is he three standing up there?

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Can you see the trees

make this kind of strokes?

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This kind of strokes again?

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The how I take it off?

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Lots of paint in the brush.

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Lots of paint in the brush.

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No, I covered that up.

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That that would be all covered up again.

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I want you to have a Valley here

coming down into the Valley.

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Maybe, maybe what we'll do here.

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I ever create, I will create,

see, I make a bit of upstrokes.

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This, something is standing up there now

rather than such a deep, far distance.

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This, uh, Do your imagination

take over and you think there are

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three standing there far away.

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See?

185

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No I've ever.

186

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I ever used SAP green.

187

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Okay.

188

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SAP green and black SAP,

green and black or blue.

189

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You can use blue in that too.

190

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These African black and blue.

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No, I create the copy.

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Uh, Uh, I create a Valley there.

193

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So maybe there

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it's just a beautiful tree standing

up there a little bit that he

195

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did by the way you do it, because

that is the way you get the tree.

196

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So wonderful with the

branches flying around.

197

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You see, he hit me back over a little bit.

198

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Tippy up there.

199

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That's beautiful.

200

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See maybe here a little attached look.

201

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No with the looseness.

202

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Look at that.

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I mean, you can, it's almost

impossible to do that with the find

204

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the brush you're working ahead off.

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It's not good.

206

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No.

207

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I want you to have a

dark on the bottom here.

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If I do destruction, Nicole,

you take the paint off.

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The, it has a kind of a curve.

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The brush has created a kind of a curve.

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Can you see, I always

call it the dog, Paul Z.

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Okay.

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Well, if I, I just use this

to show you the, I recovered

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at all other colorful colors.

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00:13:59,165 --> 00:14:01,745

See if I make a tree here,

watch how the tree comes.

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00:14:03,425 --> 00:14:03,905

Look at that.

217

00:14:04,775 --> 00:14:08,375

Now you, whoever argues with

me now, I think they are.

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Crazy.

219

00:14:10,875 --> 00:14:14,055

There is no find a three 43.

220

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You cannot, I cannot see.

221

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I just can.

222

00:14:17,325 --> 00:14:18,975

I tried all kinds of things.

223

00:14:19,605 --> 00:14:21,945

You never, never make

a tree nice like that.

224

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With define brush.

225

00:14:24,660 --> 00:14:28,140

Whoever wants to argue, come up and

tell me that if you have something

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nice to tell me, I will go with you,

but I have painted 40 years solid.

227

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And the outcome is I still, I can

make the same threes as summer.

228

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This is a teaching thing.

229

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What I do here with this Z watch.

230

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No, I make an open brush.

231

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She.

232

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Look at that this brush

has already the tree.

233

00:14:47,355 --> 00:14:49,635

Can you make a close up shot on this?

234

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This brush has the three

branches ended the daddy.

235

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So, you know, in this case I would like

to make, uh, uh, uh, at least three.

236

00:15:01,905 --> 00:15:02,975

SI, no.

237

00:15:02,985 --> 00:15:06,965

With all the leaves, can you see the

loose Lucas new at this shot alone?

238

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Just push alone.

239

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A lot of branches hanging

down in the middle.

240

00:15:11,285 --> 00:15:15,275

You can fill in a bit more, but in a

beautiful, you're going to have needed

241

00:15:15,305 --> 00:15:20,105

threes and bend your highlights that from

one side and you put the tree trunk, this

242

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is what I do here is just a teaching ID.

243

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Cause sometimes you can't help my.

244

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Thing on here is to teach.

245

00:15:27,840 --> 00:15:30,960

Get too excited, get your

rich, get too powerful.

246

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And this is very important to know.

247

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So we were gone with the trees here.

248

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I get too excited sometime

I can't help doing that.

249

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And I get so upset when some people come

back and they say, I can make the trees.

250

00:15:46,800 --> 00:15:49,830

They still have a little

brush and dabbing for hours.

251

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And instead allows you

three industries here.

252

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Oh God, look at this three here.

253

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And something that this is far I

effect when we talk about God and

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00:16:02,625 --> 00:16:09,135

religion, when I felt God is with

me, because I felt so powerful.

255

00:16:09,915 --> 00:16:12,855

And I thought, God, you are wonderful.

256

00:16:12,855 --> 00:16:16,694

You give me all that powers

to do those wonderful things.

257

00:16:17,910 --> 00:16:19,040

See look at it.

258

00:16:19,050 --> 00:16:19,319

Okay.

259

00:16:19,439 --> 00:16:20,310

Now look at that.

260

00:16:21,060 --> 00:16:24,329

Once you say thank you Lord

for letting me have all this.

261

00:16:24,990 --> 00:16:25,560

Thanks.

262

00:16:26,760 --> 00:16:27,300

Okay.

263

00:16:27,360 --> 00:16:29,250

Now maybe I talked to NACO about that.

264

00:16:30,060 --> 00:16:33,000

Now he had ever put the other

hidden to here on the bottom.

265

00:16:33,000 --> 00:16:35,100

Maybe every shower, a little bit of first.

266

00:16:35,100 --> 00:16:42,900

I will put it in a tree, a tree

trunks in there for three tongues

267

00:16:42,900 --> 00:16:46,530

and there big tree trunks in there.

268

00:16:47,870 --> 00:16:48,210

The

269

00:16:51,660 --> 00:16:53,130

other three times I've been there.

270

00:16:53,370 --> 00:16:56,430

And if he wants to have T's in

the back seat, he had to some

271

00:16:56,610 --> 00:17:00,330

make him a bit lighter, should

just disappear in the distance.

272

00:17:01,050 --> 00:17:01,440

He,

273

00:17:05,790 --> 00:17:07,170

yeah, you are not.

274

00:17:07,240 --> 00:17:08,670

You highlight that.

275

00:17:09,060 --> 00:17:10,650

Never use the other brush.

276

00:17:11,355 --> 00:17:14,204

We use the other brush

can use a smaller brush.

277

00:17:14,204 --> 00:17:18,764

You can highlight that with bit

of yellow, put the bit of sunshine

278

00:17:18,764 --> 00:17:21,885

in the lead, but I do here.

279

00:17:21,925 --> 00:17:23,115

Get a little, maybe a touch.

280

00:17:24,094 --> 00:17:25,935

Uh, I use this light blue.

281

00:17:25,935 --> 00:17:30,975

What I have here to finish it

up then maybe here, just attach

282

00:17:31,274 --> 00:17:32,655

the light is coming from here.

283

00:17:39,155 --> 00:17:39,215

Yeah.

284

00:17:39,705 --> 00:17:41,745

His that I thank you.

285

00:17:41,745 --> 00:17:45,795

I just started trying, you make the D

286

00:17:54,545 --> 00:17:54,725

yeah.

287

00:17:54,725 --> 00:17:56,075

One's eyes is a shadow.

288

00:17:56,135 --> 00:17:59,825

Other sides is the sunshine and

do it for the other three too.

289

00:18:10,785 --> 00:18:14,645

Again again here, fireman, fireman.

290

00:18:15,705 --> 00:18:17,625

He just sits here.

291

00:18:29,905 --> 00:18:30,855

You here on the bottom.

292

00:18:30,855 --> 00:18:33,855

I really just create the

kind of a green Valley.

293

00:18:33,855 --> 00:18:35,805

That's the bottom of the Valley here.

294

00:18:44,995 --> 00:18:45,354

295

00:18:50,044 --> 00:18:53,574

happy Valley dare that trees there.

296

00:18:53,615 --> 00:18:54,485

Go out there.

297

00:18:54,935 --> 00:18:57,965

More Vite touch with right here.

298

00:18:58,784 --> 00:19:00,834

You have it as light as possible.

299

00:19:03,284 --> 00:19:09,104

If you want, you can, you can, you

can, you can, whatever you want.

300

00:19:09,165 --> 00:19:10,985

There's so much you can do as you.

301

00:19:10,995 --> 00:19:14,354

How I take my paint off all

this heavy, strong pain.

302

00:19:14,745 --> 00:19:18,814

It's nice to watch this

and it bang, bang, bang.

303

00:19:21,215 --> 00:19:21,965

It doesn't come.

304

00:19:22,145 --> 00:19:24,034

No, it didn't come see what I do now.

305

00:19:24,054 --> 00:19:25,475

I go into the magic, right?

306

00:19:25,564 --> 00:19:27,784

That's a good lesson again, because.

307

00:19:28,215 --> 00:19:31,185

It is thicker than the

paint underneath now.

308

00:19:31,215 --> 00:19:33,705

And it will not give me the

figures, but I do know I haven't

309

00:19:33,735 --> 00:19:34,875

entered the magic rights.

310

00:19:35,055 --> 00:19:36,645

And then that don't distant.

311

00:19:36,645 --> 00:19:39,525

Let there be no rush what's happened.

312

00:19:39,525 --> 00:19:40,695

No, no.

313

00:19:40,695 --> 00:19:42,855

I show you how easy it is again.

314

00:19:43,365 --> 00:19:46,935

And it's amazing when you get

the philosophy of just technique.

315

00:19:47,585 --> 00:19:50,015

Oh, you got to look at that.

316

00:19:51,095 --> 00:19:52,115

And I ended up with

317

00:19:55,205 --> 00:19:56,675

maybe here had a bit of.

318

00:19:57,375 --> 00:19:58,364

Highlights there.

319

00:19:58,395 --> 00:20:02,504

I want to just like you see

a little, you would think in

320

00:20:02,504 --> 00:20:03,824

your mind as a voter on that.

321

00:20:04,024 --> 00:20:04,354

Yeah.

322

00:20:05,685 --> 00:20:07,205

You know, here, here, here, here.

323

00:20:07,205 --> 00:20:08,195

This is what I thought.

324

00:20:09,185 --> 00:20:12,155

Coming down the hair,

coming down the hair.

325

00:20:22,399 --> 00:20:25,430

I just used my colors in the brush.

326

00:20:25,700 --> 00:20:28,330

I just used up to Mark it's on that's all.

327

00:20:33,440 --> 00:20:35,270

See, no, this would be nice.

328

00:20:35,570 --> 00:20:38,840

This is the light side, the

lights coming from here.

329

00:20:39,110 --> 00:20:44,750

So, but otherwise what I do now,

I wear, I wear, I wear, he was

330

00:20:44,750 --> 00:20:48,050

right Z with a Tetra for red.

331

00:20:48,710 --> 00:20:53,990

Maybe I could use this paint up

here and you fire in maybe here.

332

00:20:54,350 --> 00:20:54,620

Yeah.

333

00:21:01,830 --> 00:21:03,630

Oh, wonderful.

334

00:21:05,240 --> 00:21:07,830

Does pain breaks on you?

335

00:21:07,870 --> 00:21:11,000

It gives you all this, this details.

336

00:21:11,030 --> 00:21:15,740

You need to hear what I have, kind of

a whatever, whatever, standing there.

337

00:21:16,370 --> 00:21:16,640

Dang.

338

00:21:16,640 --> 00:21:19,670

That's the hitter with all

kinds of grout up there.

339

00:21:22,845 --> 00:21:28,385

SI after he was out there,

I lived in Crimson and this

340

00:21:28,385 --> 00:21:30,125

color in here, look at that.

341

00:21:30,605 --> 00:21:33,185

Just whatever they have their uses all up.

342

00:21:34,065 --> 00:21:35,315

I know I

343

00:21:48,215 --> 00:21:48,785

SI.

344

00:21:49,725 --> 00:21:53,265

Yeah, how I get my mood in there.

345

00:21:55,155 --> 00:22:04,095

Maybe here I created a kind of a little,

and then, then swing come down to

346

00:22:04,095 --> 00:22:07,975

here, there, come down to her there.

347

00:22:09,855 --> 00:22:10,845

See how it breaks.

348

00:22:10,845 --> 00:22:12,254

Can you see the heavy paint?

349

00:22:12,705 --> 00:22:13,035

Excuse me?

350

00:22:13,035 --> 00:22:13,515

Is that your.

351

00:22:14,280 --> 00:22:15,000

Beautiful.

352

00:22:15,990 --> 00:22:20,820

The beautiful feeding of creating

the, I use the same car less

353

00:22:20,820 --> 00:22:21,870

than it had in the mountain.

354

00:22:21,870 --> 00:22:22,260

There.

355

00:22:23,460 --> 00:22:29,580

This for the shadow sides, as long as

your pain, as easy as it becomes for

356

00:22:29,580 --> 00:22:35,380

you to mix colors, you would see a lot

of artists there that really started

357

00:22:35,400 --> 00:22:38,520

to that before they started that

mixed the Carlos out at the end day.

358

00:22:38,865 --> 00:22:41,625

Uh, on, on, on the

pilot, I never mixed him.

359

00:22:41,625 --> 00:22:42,615

I grab him.

360

00:22:42,855 --> 00:22:45,315

They're all around here, the close I want.

361

00:22:45,315 --> 00:22:46,005

I see.

362

00:22:46,005 --> 00:22:49,755

I put him on and that

takes a little bit of time.

363

00:22:50,115 --> 00:22:51,355

It, it didn't come.

364

00:22:51,960 --> 00:22:58,830

The first deed, it just comes to

you and the knowledge of, of colors.

365

00:22:58,860 --> 00:23:02,520

You know, I, it's hard to

explain that all of a sudden this

366

00:23:02,520 --> 00:23:04,950

there, I, I can't even fight it.

367

00:23:04,980 --> 00:23:05,760

It's just dead.

368

00:23:05,760 --> 00:23:07,230

It's a wonderful to work with.

369

00:23:07,260 --> 00:23:09,060

Just kind of colors.

370

00:23:10,350 --> 00:23:12,030

He had come down to her.

371

00:23:13,500 --> 00:23:16,050

You must always think this

is still the light side here.

372

00:23:16,620 --> 00:23:18,240

Sun is coming from this side.

373

00:23:26,955 --> 00:23:30,435

See that's the light side.

374

00:23:42,375 --> 00:23:42,585

Yeah.

375

00:23:42,585 --> 00:23:44,355

I just, just at the colors.

376

00:23:45,900 --> 00:23:48,600

I run, let them run this about you.

377

00:23:48,900 --> 00:23:51,840

You think sometimes it's just

wonderful to have it like that.

378

00:23:52,139 --> 00:23:55,540

The here would be happy to have

kind of, uh, that kind of, uh,

379

00:23:56,040 --> 00:24:02,070

kind of a really sunshine and that

by the nature take care of it.

380

00:24:02,100 --> 00:24:04,710

I break it, I break it down to her.

381

00:24:05,050 --> 00:24:09,500

See, I just, otherwise

I break down the hair.

382

00:24:13,815 --> 00:24:19,665

Just let him see here would be nice to

have a little bit of that sunshine there.

383

00:24:30,695 --> 00:24:35,405

E maybe he added a little

bit of a red colors.

384

00:24:35,975 --> 00:24:39,155

You need some time, a little

bit of powerful movements.

385

00:24:41,640 --> 00:24:43,740

Then you add those kinds of colors.

386

00:24:49,970 --> 00:24:50,060

Okay.

387

00:24:50,120 --> 00:24:50,660

Maybe here.

388

00:24:50,670 --> 00:24:53,930

I would have just, just, just

389

00:24:58,100 --> 00:24:58,760

look at that.

390

00:25:03,395 --> 00:25:06,485

no, get that just powerful

lives in creme sense.

391

00:25:06,485 --> 00:25:09,985

And let it come down to

here, here, here, here.

392

00:25:10,985 --> 00:25:17,405

And this is wall cause down here, then

you can use gallows becomes a kind of a

393

00:25:17,735 --> 00:25:23,885

divided gala and I live in Clemson and

you highlight just that the highlights.

394

00:25:25,140 --> 00:25:27,450

Mark it thank dishonest.

395

00:25:27,630 --> 00:25:28,020

Always.

396

00:25:28,050 --> 00:25:29,370

You are the leader of light.

397

00:25:29,550 --> 00:25:34,260

See, and that's the why you

get the colors into that?

398

00:25:35,130 --> 00:25:36,540

Who deal here?

399

00:25:36,690 --> 00:25:37,020

Yeah.

400

00:25:47,510 --> 00:25:54,469

again, Gallo and alizarin Crimson gets

a nice, it gives you a nice orangy color

401

00:25:54,830 --> 00:25:58,189

and I just have to bring it up like this.

402

00:25:58,580 --> 00:26:02,870

So I, once, once to have it, see.

403

00:26:03,990 --> 00:26:04,560

This color.

404

00:26:04,560 --> 00:26:06,450

It's a lot of the colors

run down the Hill.

405

00:26:07,160 --> 00:26:09,870

Lot of colors, maybe he

had let them come down.

406

00:26:13,640 --> 00:26:18,680

Hey dad, look at the color

for happy headed here.

407

00:26:23,090 --> 00:26:31,640

David live happy ever after

ever live happy ever there.

408

00:26:32,385 --> 00:26:36,655

See, I applied enough at my

colors and now I feel it.

409

00:26:36,655 --> 00:26:39,975

It's a beautiful, powerful here in front.

410

00:26:39,975 --> 00:26:44,375

Maybe here a little bit

more red and that is happy.

411

00:26:45,065 --> 00:26:47,675

And you enjoyed it.

412

00:26:49,925 --> 00:26:50,795

You learn something.

413

00:26:50,825 --> 00:26:52,595

I put some extra threes in there.

414

00:26:52,955 --> 00:26:54,155

You never see them anymore.

415

00:26:54,545 --> 00:26:55,505

Thank you for watching.

416

00:26:56,215 --> 00:26:56,385

Bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Mountain with Knife - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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