Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Bill's Bridge - AVAILABLE
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I'm happy and I'm excited
to be with you again.
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I'm still in Oregon.
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I'm still in silver Fox.
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And I tell you those little
breads and stressing creeks does
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trees and we have good weather.
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It's too much.
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It's too much.
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So I would paint something.
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What I see here on this almighty
canvas, I put the magic, right?
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I don't know daddy, cause I don't
want to waste too much time.
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So it's the magic risers on.
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Don't forget the magic by design.
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So good.
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Now I will have this time, a little
kind of a scene, but no mountain, but a
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little happy bridge where we walk over.
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There's so many bridges here
and it's exciting to paint that.
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So be firing with fire and
a happy blue sky blue sky.
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It's really true.
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People live here and they don't know
their own country, that they're on land.
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And I see people from Oregon, they come
down here and they say it is impossible.
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I never knew.
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And I live here all my
life and I don't know this.
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We have such a wonderful.
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for country here.
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So I will add a little bit of white
that turned out a bit too blue.
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There, just a touch of white there to see
sometimes the little movements I would
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like to see this little happy movements,
happy little movements and the sky.
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Make sure.
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Make sure you have a dry brush.
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The, it gets lighter as they come down
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as they come down.
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Okay.
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That's enough for the sky.
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So we, where we, where we will use a
bit of a bluish distance colors, kind
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of a blue shirt, uh, alizarin, Crimson,
uh, attach of SAB green into that.
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And we will use it as a
distance distance collar there.
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Average used a two inch brush.
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It would work better.
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The two inch brush bluish alizarin,
Crimson, and green, and see
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as vice better.
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See, you could have the treats, right?
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Set
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mic long lines, long strokes
down long strokes down.
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I just created the background
there up, you know, this on
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this, you look into that and.
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And as far as by three standing there,
you can have a little bit of a missed
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kind of a blueish bluish white mist.
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See kind of a bluish white mist there.
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I see what happened, kind of
a little bit of a mess there.
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Bluish white bluish white.
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See?
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Good, good, good, good.
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See then you can have long
lines, long lines running up.
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See and those long lines, if
you take a good look, they give
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you a feeling of tree trunks.
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Can you see that?
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Now?
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It's like tree trunks standing there
have that solid, strong heart paint.
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And that gives you the, it
gives you that pull good.
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Now, if you want, you can add
a little bit of, uh, Uh, like
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branch branch feelings up there.
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See this, something like this.
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good.
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So that's just, that's the
background that we have here.
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Then we create, we create
a closer, closer threes.
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I will use pressing blue SAP green.
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Allergan Crimson.
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You see this and make it
kind of a stronger call.
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Even a touch of black
would be good in that.
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And now you, you, you think I
will put a bridge in here, but I
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have some trees behind the bridge.
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There are trees behind the bridge,
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like shrubs.
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Yeah.
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The again, load your brush.
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The brush has to be loaded, but
black SAP, green and pressing blue.
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And you create again, uh, can be a higher,
loose, very loose trees, very loose grout.
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this dark, just dark.
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That doesn't matter.
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Just dark,
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the same colors, black and blue SAP green.
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And you fire in.
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Maybe he, every fire in a bigger
tree, the kind of a bigger tree.
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He had darker as you go down,
make it darker, darker, darker.
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He must dank there thousand umbrellas like
the tree, the tree branches more and more
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and get darker, darker, darker underneath.
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So that's, that's the whole thing.
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Deer.
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Deer.
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Yeah.
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Maybe here are the big tree.
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yeah, darker, darker, darker, darker.
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Again, the same colors,
black passion, blue attached.
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You have SAP green and you
create maybe here we create
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a bit of a bigger tree there.
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Jazz.
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So does your field, Lord Lord,
the canvas divide your tank.
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It should be the value plan that.
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Okay.
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Now the next step would be you take
your knife and have cut in here.
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And the other side of the bridge that
is on the other side of the bridge,
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there's some trees ground there.
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Cut.
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And some lines here.
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See, something like this.
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Good.
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Now highlight that
highlight that we use white.
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Den down your white with
magic white and, uh, Gallo.
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He know we create a kind
of a highlight here.
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We can tank the
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different type of highlights.
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And let it disappear.
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Nothing.
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Let it disappear.
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And nothing.
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The here on the corner will be nice.
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One, one bright one.
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This one here would be nice
if we highlight them here.
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How nice that looks nice at comes.
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Maybe here, here, here, here.
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See now here, we will have a touch
of, uh, uh, blue and yellow, kind
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of a greenish green and white, the
something like this bit of more blue.
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Oh, I think this is good.
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And we add a little bit here.
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This break up that dark there.
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Same here.
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Yeah.
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And a little bit dark here.
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In the dark, that dark green.
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And there maybe here we
line it up a little bit.
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Here we line up a little bit.
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See, now we will, we will, we will
create a suit and I didn't the water
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We will see some water
coming out from underneath.
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I will say there is the underneath
the bridge that's underneath the
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bridge and we will make it lighter.
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And in the far, Y and bluer on
the side, the negative bluer and
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bluer and bluer and bluer there.
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see again, light there, darker,
darker, darker, darker, darker,
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and use blue blue for that.
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We come from the other side and make
it the same like you do when you
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paint dark on the side and March in.
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So from the dark, into the light, every
burn underneath the bridge, and it
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would be nice giving you enough water
that you can extend your Creek there.
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No, the next step will be use your knife
and I, where I, where I will create
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railing there.
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D is depends on how he wants to see it.
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Now you can have, uh,
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dark underneath,
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see dark and the need.
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we are so low PC to railings on
top, but we're behind the trailing
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sea behind this other railing
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behind this other railing.
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See like that.
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then we, we will, we will have a
dark before I forget dark underneath
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dark and the need and the need.
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Now you can buried us.
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Does a covered bridges.
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Covered bridges is a
nice vibe of painting.
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Like a little house.
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But it always runs in with
big vendors on his side.
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He, no, you, you, you create, uh,
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the posts there.
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the make it showed.
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This is becomes, uh, you
see from this side behind,
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and this was true, then you
have another one here again.
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there other one here again.
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And the little one there.
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You see the other one here again?
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and there again.
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that's it.
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And maybe other one here again,
and here I saw you guys can see
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already was it should be now.
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I use a blue, black
attachable alizarin Crimson.
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And create the side of the bread,
uh, mighty side of the bridge.
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you can make it a cement bridge.
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You can make it around bridge.
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No, whatever you wants to paint there.
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That is good with me.
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I create a bridge like this first,
you have the upper side, but maybe
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we do address like theirs and
we turned the throne like that.
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Yeah.
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You think they're stones.
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We would make stones out lead on that.
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Before we go on before we were on
river, we were, we were like water.
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I was that because I might ruin it.
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If I have the bridge finish something like
this, no, by seeing the bridge, we look in
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this way, I would have to have a kind of
end look here and it will look like this.
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on this side because we look
sideways into the bridge.
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We have to learn to see you,
see it here to something, but
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it's really good to learn.
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You become an architect, you
build a bridge and you see
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in from the inside there.
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You see that you see the vet of the bridge
on this side, this is all the way around.
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You don't see nothing there.
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And this side, you just go down first,
go down and, and, and there's nothing
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that makes you look side where snow
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see now let's do it this way.
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See how the board does dancing,
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painting it this way.
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So you have here, you have
here, the cement, you see the
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side, the inside of that bridge.
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You see the inside of that bridge.
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Uh, that's good.
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and now you, you, you, you,
you, you, you create kind of a
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stolen is feeling stolen, stolen feeling
you see kind of a stone feeling there.
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and here on this side, now you have
to run the water along the is on
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the water was under the bridge.
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On this side, you see on this
side is only, it goes against.
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You can have devoted dancing
on the, on the cement, but
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make it shorter as it looks.
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It's coming down a little bit of a
down move is dancing along the cement.
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Can you see it?
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Let it dance along the cement there.
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okay, good.
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Now we went, we were finished that up
here to the point that we don't have to
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worry about that anymore, but visor like
this by the like this, and now we, we,
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we, we will cut in the side of the bridge.
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SI
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yellow would be nice.
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Uh, kind of whatever there.
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See what's happened.
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And now we will do it on this side too.
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And this side, first black.
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Black finished up.
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So this you thank you lane.
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The land, it has to be,
you are an architect now.
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You're, you're a bidder.
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An artist does almost anything.
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See, and that creates a happy
little bridge, happy little
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bread stones, stones, stones.
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But, you know, you see it
and you don't see it there.
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It's wonderful how he can create that.
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Just stuff you can use, the little
brush and you can create a white
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and yellow then down the white
with magic, white and yellow.
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See something like this.
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And you, you, you know, you can fire in.
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00:21:51,410 --> 00:21:53,139
and you can fire him.
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00:21:53,180 --> 00:21:58,330
You can fire him, uh, again,
yellow and white, 10 down divide
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with that magic white and fire.
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And maybe there's a big
tree standing there.
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See.
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And this side, you can pack the whole
bridge bitch where you want now.
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See, and the same on this side,
the same on this side here, you,
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you, you can have it up there.
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Look at that.
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Dark, no, here on this side,
you can run the yellow and the
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00:22:44,824 --> 00:22:50,314
green into the voter because the,
this why it runs off that way.
248
00:22:50,495 --> 00:22:52,324
And here you can have it this way.
249
00:22:52,534 --> 00:22:53,435
There are still some.
250
00:22:57,680 --> 00:23:01,250
can you see how your
dream so much comes in?
251
00:23:01,520 --> 00:23:05,840
As long as you learn to,
to, to paint come scent.
252
00:23:06,020 --> 00:23:09,410
If you don't understand that
don't do it as a sample.
253
00:23:10,485 --> 00:23:11,475
Sailboat.
254
00:23:11,715 --> 00:23:15,705
If you never say that you should not
paint a sailboat because I learned my
255
00:23:15,705 --> 00:23:19,905
lessons when I started the sailboat and
I didn't know it, I put the mask on the
256
00:23:19,905 --> 00:23:22,215
wrong place and everything was wrong.
257
00:23:22,455 --> 00:23:25,094
And the captain came along and
said, don't you ever do that?
258
00:23:25,094 --> 00:23:28,905
Because people would think touch
the sailboat and that's not.
259
00:23:29,475 --> 00:23:31,875
So I learned not to
paint sailboats anymore.
260
00:23:32,655 --> 00:23:34,784
And that's what we all should learn.
261
00:23:35,125 --> 00:23:36,975
We do what we know the best.
262
00:23:38,024 --> 00:23:42,105
They hear maybe a couple of
very bright trees on this side.
263
00:23:43,675 --> 00:23:44,294
Then we will.
264
00:23:44,355 --> 00:23:45,495
Thank you will.
265
00:23:45,554 --> 00:23:52,425
Thank now you will tank the road is
gone by if you want, if you want,
266
00:23:52,635 --> 00:23:57,125
you can show the road a little
bit there in between here a little
267
00:23:57,125 --> 00:24:01,355
bit, and there a little bit C.
268
00:24:06,920 --> 00:24:07,940
see how it works.
269
00:24:09,110 --> 00:24:12,710
How nice you got the
happy, happy little bridge.
270
00:24:17,960 --> 00:24:19,340
Don't be so fussy.
271
00:24:20,060 --> 00:24:22,310
Don't be too fussy here.
272
00:24:22,310 --> 00:24:23,630
Maybe a little touch of white.
273
00:24:23,990 --> 00:24:25,640
Just show up just the road.
274
00:24:25,790 --> 00:24:28,550
Part of the road pops up there or here.
275
00:24:30,165 --> 00:24:30,975
And that's it
276
00:24:45,275 --> 00:24:48,635
just a little bit more of the
road, just a little bit more
277
00:24:48,635 --> 00:24:52,235
of the road, because we look.
278
00:24:52,665 --> 00:24:53,895
From the bottom up.
279
00:24:54,255 --> 00:24:55,485
That's why we don't see the road.
280
00:24:55,605 --> 00:25:00,435
If I would be on the Hill, I would look
on top of the bridge, but then this side
281
00:25:00,675 --> 00:25:02,535
would be, the other side would be higher.
282
00:25:02,805 --> 00:25:04,995
This can you see, come scent?
283
00:25:05,205 --> 00:25:06,345
I painted perfect.
284
00:25:06,345 --> 00:25:06,795
You're right.
285
00:25:07,545 --> 00:25:12,225
So I have to Pat myself, that's the,
I have issue with C when you start
286
00:25:12,255 --> 00:25:13,635
painting this kind of painting.
287
00:25:17,675 --> 00:25:18,335
It is right.
288
00:25:29,060 --> 00:25:29,659
our best friend.
289
00:25:29,659 --> 00:25:32,300
She wants to highlight
huge, the magic, right.
290
00:25:32,510 --> 00:25:33,770
Touch of magic, right?
291
00:25:34,010 --> 00:25:35,990
Because you get four nicer colors.
292
00:25:36,320 --> 00:25:41,330
See, I wants to have a little bit
here, maybe extra light, but it's
293
00:25:41,330 --> 00:25:45,350
magic by a lighter that gives
you a kind of a lighter tune.
294
00:25:48,075 --> 00:25:54,255
Maybe here, this one, I will
light up a little bit, maybe here
295
00:25:54,345 --> 00:25:57,075
to us, the light hits in there.
296
00:25:57,675 --> 00:25:58,845
It gives you more power.
297
00:25:58,845 --> 00:26:02,925
If he wants to do that, have the
darker ones and the lighter ones.
298
00:26:03,885 --> 00:26:08,295
The maybe here we will
fire in a little bit extra.
299
00:26:21,169 --> 00:26:25,879
Maybe here a little bit dark,
dark green would look good.
300
00:26:33,800 --> 00:26:35,899
So what more we want.
301
00:26:37,125 --> 00:26:37,665
You see?
302
00:26:37,665 --> 00:26:39,885
No, that is the happy little bridge.
303
00:26:40,125 --> 00:26:44,715
And then you can go over with the bike
and you can draw it on mighty car.
304
00:26:46,544 --> 00:26:48,435
I really enjoy painting
this kind of stuff.
305
00:26:49,064 --> 00:26:50,115
Did you enjoy it too?
End .srt file.
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