Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Farm - AVAILABLE
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Everything is go your
way and I'm on the floor.
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So I have to line something up and
I always have to bother myself.
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I always have to talk to myself.
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And I think when you paint, you would
have to do the things, the same thing.
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So here again, to have a white
canvas, the magic re-agents on the
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magic Vitus on the canvas is back.
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So I thought about the
farm or crumbled on farm.
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No, I have to make up some
stories about that form in
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order to really make that form.
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The, I thought, so no
one lives there anymore.
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Lauder's cement is falling down.
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The roof is collapsed and it
chimney maybe stands up and, and
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maybe all cat is Meow in some way.
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And the chimney make a little bit of a.
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Story of whatever you will
paint, then it becomes a life.
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And then you've . I can.
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And anything up at verby on the
canvas and then it has a meaning.
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Then you're finished.
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You enjoy it, you enjoy it yourself,
but kind of as skivvy give him, Oh,
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maybe we give him a kind of a sunny,
sunny D there's a happy Sunday.
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D I put the little bit of watch
this little bit of red on my
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brush, but there's a little bit
just like a bloat on your brush.
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And I see what these kind of a.
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Pinkish hooray devices
on the canvas already.
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It gives me a kind of a pinkish
tune, maybe a lit a bit more
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with a little bit of luck.
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Oh, fire.
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And you have to really, uh,
that's the only way to fly.
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That's on the right of the, this would
be good harmonizing, but detached of
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green, the, I relieve my brush divided
as an add a little bit of Taylor green.
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Can you see how it pulled it out?
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Just with the little V little bit.
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And I put in here, put it in from the
outside and as you come, the it mixes
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with divine and it makes us out to read
the, it gives you a kind of a color.
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I think I talked already about from
now on, I want to show you more colors
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because colors is what we all live with.
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And if we can use beautiful colors
to our pain, to our paintings,
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then it's worth something.
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No, I leave the brush divided.
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The brush is I put a little bit
of pressure and blue out there.
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And then from the top down from
the top down, very gently bit
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of blue right into that red.
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Can you see what the beautiful,
the other cross there?
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Kind of, uh, you got red is
popping out nice now, and then
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you're just that there's a pier.
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And then you can, you can,
you can have your feelings.
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You're inside.
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This is a painting.
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When you paint, you just paint by numbers.
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Good.
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That's different.
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But if you.
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Let your whole body live to a nice story.
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That's a part of living hours go
by, by just dreaming, creating,
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talking to yourself and see what
the mother earth does to you.
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And as it's, it's a
beautiful vibe of living.
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So it's thought that maybe
we have a good start.
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I did.
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I will have a touch of SAP green.
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I bring it over here and a touch of
Prussian blue and bring it over here.
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The, and I make kind of a fuzzy, fuzzy
color up and I have a thing I would thing.
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Uh, I would dang see far of a far away
yonder, far away on the little bit of
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a Haley country, but that's far by.
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Yeah, keep it in that green, maybe on this
side, you come down to here, come down to
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hell, uh, in between her it'd be the farm.
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Then just give him a little bit
of a background there and then
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you can go forward like that.
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And then you can put
this three in the brush.
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What I do, I clean my brush.
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There could be a water on off.
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It doesn't have to be, but
if I need it, I got it.
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You see?
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So that costs you so little bit of
time to put that kind of, because
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you clean your brush, otherwise
you would lose all that pain.
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But when you, when I create a
story, you write the song, he would
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write the poem, but you do, you.
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Look for new wards, you look for rhyme,
rhythm harmony, and as you are always
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on, I want you to be cure rude as,
Hey, no water would look for nice a
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dare and you got the water already.
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Can you see what I mean?
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The as long are you paying your book?
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Can you see?
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Yes.
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I pointed like a Fox.
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See that that's what it is.
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As more you paint as more, you
already prepare your canvas.
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The canvas is always ready for
you to do whatever you want to do.
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Then I can vibe it all out.
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That can be all grass.
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That can be all field.
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I can make it thrilled over
that, but I had that paint on the
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brush and that's what came out.
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He was just off.
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That's all I know.
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Like I said before, this session,
what I do know will be more education.
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I want you to learn, to learn, to
live in a happy way, in a powerful
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way, not Mickey mouse, and that
it's a wonderful way of living.
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I'm very happy with myself
and everything is gone.
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Everything is gone.
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My wife and I are wonderful.
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As long as it goes your way.
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Okay.
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No, this is a good beginning there and
I will create, I will create, I will
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create kind of a background there.
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just, just use them, could call us
there, but you'd never be a house in
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the middle of the barn or whatever here.
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I just use up that paint.
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What's in the brush I needed
anyway, so maybe I use my knife.
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I use my knife, I use my knife.
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I lost my knife.
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I lost my knife.
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So I will, I will, I will, I will put the
white over here and the Tasha was black.
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Someone could bring you a knife.
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They must be on the table there.
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I'm sorry.
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See, that's what you do.
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An artist.
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Usually it's a dreamer and then
you come to a show and you have
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half of your equipment missing.
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But that's happened to all of
us, sometime in that distance,
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it makes it kind of a gray, gray is a
gray time and there will be a away a barn.
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They show one Gable and see one gave land.
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No, that, but like I said to you,
it will be broken down house.
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Broken down house that that's all
come out to a house when you're
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finished, but I want, wants to
have it in the kind of a shape.
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Uh, maybe a reddish yellowish, a bit
of that dirt here, what you have here
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and create a kind of a marshy roof.
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Masia two more Gallo.
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He, and then you have this kind of a
funny roof there and they fire up that
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roof and you see, Oh, here you just have
the end, the lower end of that house.
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Can you see how nice it is to, to dream
things up and make it very loose and very.
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Very free.
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And here is the there's the other chimney.
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There's a, our chimney standing
here is just all make its higher.
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Uh, our chimneys they're standing, they're
broken down and he had a little bit up.
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See that.
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Then you can use a bit of that red,
but you haven't your, uh, Make it so
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that it has a bit more beautiful to, to
this dream up, whatever he would think,
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become a dreamer.
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That's the nice thing.
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He, no, I will add, he had let it
bad and he hadn't let any bags and
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maybe here let it bad, really bad.
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And then here, maybe a
little bit of whatever, eh,
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And here, here, you can push it in.
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Sometimes you use a little fan
brush, you can push it in like this.
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See just the bracket up even
more, even more so, even more so.
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And then you, you can, you can do
almost anything there to make it look.
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And
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he did the vendor
hoards, the vendor halls.
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Maybe you can use your little knife
and have a little bit of black
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and there's the other door here.
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All the door is there
and, and he is the vendor.
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There.
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He is the other vendor, but leave
it very rough, very, very rough.
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Then it really will be a
nice painting as a painting.
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It would be nice.
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I scraped through it looks very odd.
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It all crumbled up.
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So now here, Mary, have
a little bit of an look.
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You see that little bit
of a door frame there.
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The, and here, here
behind it's a hard barn.
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See, and that's your name too?
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And you're on and you're on
thanking Ali broken up there to
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Docker hit in between the roof.
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And he gave him that bit of dark there.
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Then you have some two by fours,
two by four standing up there.
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see, making sure it's really, it looks
all around, down and broken down and
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maybe here come up like this, they come
up like this, and that would be really
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nice and crumbled up and becomes a nice.
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Nice, uh, police there.
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Eh, and here that's the other roof.
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He would think he would like
to thank you on dreaming.
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Always.
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Now he has, this house was on
like this and there's all the
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roof standing there like this.
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And then you make it darker
underneath again here.
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See?
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Yeah, no on this side,
maybe give them other color.
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I give them other cars right here.
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But then her off there,
let it be an oil painting.
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That's what makes a painting.
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Every said, paintings like that.
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They sell easy
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because you have a story, but you
make a, you make something up.
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See a little bit of
glasses, something left.
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There is something is shiny there.
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So you can have a little bit of
class left somewhere there, whatever,
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whatever, wherever, maybe here.
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Uh, in the house first, they,
this, this, let us catch you this.
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They do the whole job here.
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You can have maybe eight.
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It was a workshop.
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He created himself and, and the
is let's make all around data.
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Are there are haystack there?
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You know, he's, he's
like haystack it's there.
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They, the desk just working on
that, like this come far as, maybe
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that's the other, the, the fence
or the hatch hatches, you know?
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So you bring it all together
and maybe, maybe, maybe.
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Maybe that's the happy little tree there.
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He, there can have a little one there.
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Maybe can, you can see how you
create, how you dream up a whole,
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whole little void for yourself.
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And it's just wonderful to go on dreaming.
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I enjoy it.
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I enjoy it so much.
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Light is coming from here somewhere.
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The hastag.
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I want us to McKay.
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The haymakers.
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Okay, good.
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Yeah, the haymakers.
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They are nice.
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All that was on this hay.
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Isn't mine.
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It's all hastag.
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No.
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Ew, Ew.
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Ew, Ew.
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Create a kind of a happy
little forest stare.
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Ah, let's see here this, you
all can see what I'm doing.
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Sometimes I hide it from you.
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He that's always to take no, I
would say there's a little bit of a.
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see how nice that penny starts grown.
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You can have green, little
bit SAP, green and yellow.
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You can do it like this colors, colors.
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That's all I want you to get to, to, to
see no, because the colors you really.
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Watch when that's true.
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When we are true, it's a painting.
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It's not the
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C C SI SI Senora CCC, Senora.
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And here he was firing like this.
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Does our home stats.
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They're they're they, they, they, they,
they, they didn't have some time voter
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that we would create a kind of a water.
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We highlight that tree a little bit.
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I lead that tree a little
bit, maybe here and there.
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And the, you know, let
the light come in there.
238
00:16:36,450 --> 00:16:42,950
The maybe here, here at the little
bit of a bright light there, he just
239
00:16:42,950 --> 00:16:46,110
called us just beautiful, happy colors.
240
00:16:46,470 --> 00:16:48,450
Beautiful, happy colors.
241
00:16:49,530 --> 00:16:50,250
I wish we could.
242
00:16:50,340 --> 00:16:50,820
Really?
243
00:16:55,460 --> 00:16:56,060
Yeah, you are.
244
00:16:56,870 --> 00:16:59,390
No, here, here, here, here, here, here.
245
00:16:59,660 --> 00:17:02,120
All of a sudden here I went still.
246
00:17:02,550 --> 00:17:04,620
I want us to create kind of a
247
00:17:09,690 --> 00:17:12,870
dark pool, Doug pool.
248
00:17:27,425 --> 00:17:33,785
you just think that's how somewhere,
somehow some he, some buy will
249
00:17:33,785 --> 00:17:39,095
be in there and that makes your
painting a bit more richer.
250
00:17:39,275 --> 00:17:41,495
Maybe we can cut that chimney in there.
251
00:17:43,050 --> 00:17:46,680
Hey, maybe cut that little bit
of, but that truth is so flat.
252
00:17:46,680 --> 00:17:50,100
It will not show on the water, but
maybe show a little bit of a color.
253
00:17:50,100 --> 00:17:52,350
Their name is of a color there
254
00:18:01,940 --> 00:18:07,520
the audio is on that water came
handy for me and what you do, what
255
00:18:07,520 --> 00:18:09,889
you do, but you do what you do.
256
00:18:10,605 --> 00:18:12,345
You maybe that's hastag.
257
00:18:12,375 --> 00:18:13,274
We put in there too.
258
00:18:17,705 --> 00:18:17,794
Okay.
259
00:18:17,855 --> 00:18:24,274
That is a wonderful vibe of spending
a D it, this originator it's very
260
00:18:24,274 --> 00:18:29,014
powerful and it has a good meaning.
261
00:18:36,725 --> 00:18:38,735
See, now you make Vata out or that.
262
00:18:44,285 --> 00:18:49,955
No, you can, you can, you, can you
say light is coming from that side?
263
00:18:50,015 --> 00:18:54,395
You can make it so that
it looks around that pool.
264
00:19:02,345 --> 00:19:05,945
See, nice light color.
265
00:19:07,365 --> 00:19:08,505
Nice light color.
266
00:19:13,595 --> 00:19:19,565
I would not, I would not leave that dog
because otherwise you can ruin a lot.
267
00:19:19,925 --> 00:19:22,985
Leave that dog, leave that dog
in the water because it gives
268
00:19:22,985 --> 00:19:24,515
you a more powerful water.
269
00:19:24,935 --> 00:19:33,485
So I will use a touch of SAP green sea and
the central and I fire in the side here.
270
00:19:38,910 --> 00:19:43,410
If I had time, then we could
fire in ducklings or even
271
00:19:43,890 --> 00:19:46,410
whatever they would land there.
272
00:19:47,250 --> 00:19:52,860
SI no, we very, very, very, very
rarely have we wouldn't have.
273
00:20:03,650 --> 00:20:08,510
so you kind of a Marsh grout that's long
274
00:20:15,080 --> 00:20:21,650
Yeah, like this standing up there,
giving me a little bit of a crown there.
275
00:20:22,335 --> 00:20:23,294
So this year,
276
00:20:28,115 --> 00:20:29,165
you may be heavy.
277
00:20:29,705 --> 00:20:30,335
Put it out.
278
00:20:30,365 --> 00:20:32,824
Can you see a nicely line standing there?
279
00:20:33,814 --> 00:20:35,605
No Veeva, Eva.
280
00:20:35,835 --> 00:20:36,395
Eva.
281
00:20:40,925 --> 00:20:41,675
give him the data.
282
00:20:49,625 --> 00:20:50,585
Dust ditches.
283
00:20:50,885 --> 00:20:55,355
That's what, when we home, we had
to, that was our swimming pool.
284
00:20:56,495 --> 00:20:57,605
God, the blood soccer.
285
00:20:58,505 --> 00:21:03,695
Oh, that must guide the living to the,
we don't know how good we have it.
286
00:21:09,185 --> 00:21:10,685
See, that's beautiful.
287
00:21:18,440 --> 00:21:20,990
make it a bit muddy or grow it on top.
288
00:21:20,990 --> 00:21:23,600
Like something gross there.
289
00:21:23,600 --> 00:21:28,040
You know, bought a
standing still the MNE.
290
00:21:28,040 --> 00:21:29,420
I bought a standing stair.
291
00:21:29,660 --> 00:21:32,300
There's some kind of
mud ground right on top.
292
00:21:33,320 --> 00:21:35,629
And that's what makes a
nice painting beside it.
293
00:21:38,750 --> 00:21:39,430
Yeah.
294
00:21:45,235 --> 00:21:47,265
This voice movements.
295
00:21:52,655 --> 00:21:57,695
Waterlilies the, if you can
spend more time, you can put
296
00:21:57,695 --> 00:21:59,525
all kinds of frogs in there.
297
00:22:05,015 --> 00:22:08,045
See, that's a nice, nice
little movement there.
298
00:22:09,210 --> 00:22:11,640
Yeah, nice there's movement there.
299
00:22:22,100 --> 00:22:22,460
he?
300
00:22:22,610 --> 00:22:30,500
No, you come in from this side again
and this side again, they like this.
301
00:22:39,419 --> 00:22:46,020
And he usually lighter color
again, uh, the movements on
302
00:22:46,020 --> 00:22:48,149
top there against that dark.
303
00:22:53,879 --> 00:22:55,740
Hey, how nice that is.
304
00:22:56,850 --> 00:22:59,100
And maybe here we were.
305
00:23:02,235 --> 00:23:15,095
add a little bit of this, uh, the here,
here, here, pushups, pushups like this.
306
00:23:15,365 --> 00:23:16,145
See what it does.
307
00:23:16,145 --> 00:23:20,315
If you can have a close up
there, you can see this, you
308
00:23:20,315 --> 00:23:22,235
stand up the grass in the back.
309
00:23:22,235 --> 00:23:23,825
See you stand it up.
310
00:23:25,185 --> 00:23:25,875
Makes it nice.
311
00:23:26,655 --> 00:23:31,065
Now here in the front, they would like to
have a nice, happy, happy ending there.
312
00:23:32,355 --> 00:23:34,095
They didn't make it as light as you can.
313
00:23:38,525 --> 00:23:38,945
good.
314
00:23:39,185 --> 00:23:42,095
They give you all the details that good.
315
00:23:42,485 --> 00:23:49,655
They know you have that swamp and, and
it's up to, you know, to dress it up
316
00:23:49,655 --> 00:23:52,625
to a point where you really see things.
317
00:23:52,935 --> 00:23:58,635
Maybe he had a little bit of call
us flying around whatever that
318
00:23:58,635 --> 00:24:01,514
is kind of a tree standing there.
319
00:24:01,814 --> 00:24:07,544
You can, you can make it more
exciting by, by, by putting
320
00:24:07,544 --> 00:24:10,425
the fence posts and maybe here.
321
00:24:11,804 --> 00:24:12,165
Yeah.
322
00:24:12,165 --> 00:24:18,314
There's some odd fence post, eh,
and maybe here's a bigger one.
323
00:24:20,175 --> 00:24:23,024
Perspective and here's the bigger one.
324
00:24:26,915 --> 00:24:27,305
Okay.
325
00:24:29,975 --> 00:24:32,915
Highlight them, highlight them.
326
00:24:34,385 --> 00:24:39,185
There's potential for red
and white, red on the right.
327
00:24:40,595 --> 00:24:46,325
And then like this, then
I'm being like this.
328
00:24:49,815 --> 00:24:53,655
No, you can make via, if you
want, you can run the via through
329
00:24:53,655 --> 00:24:56,925
the whole thing and perspective,
330
00:25:00,014 --> 00:25:01,335
they would do it too.
331
00:25:02,085 --> 00:25:06,135
Or you could make a two
by sixes running up there.
332
00:25:07,004 --> 00:25:14,055
See, put the happy to crown up there,
like a red, a bit of a red crown.
333
00:25:14,910 --> 00:25:16,020
That does a good job.
334
00:25:17,250 --> 00:25:17,940
See?
335
00:25:18,210 --> 00:25:20,490
No, what's the odds you can add.
336
00:25:20,490 --> 00:25:24,590
You can add all kinds of things if
you want to, because it's just of
337
00:25:24,620 --> 00:25:30,740
all good roads grow and farm and
there's sticks sticking out there.
338
00:25:33,830 --> 00:25:35,570
See, make it.
339
00:25:40,080 --> 00:25:41,010
That makes it nice.
340
00:25:41,010 --> 00:25:44,939
You see this doesn't make sense
to flatten to even maybe behind
341
00:25:44,939 --> 00:25:48,570
the roof desk, kind of whatever's
sticking out whatever that is.
342
00:25:48,840 --> 00:25:49,530
I don't know.
343
00:25:49,980 --> 00:25:54,719
He doesn't know if he doesn't
know, they all don't know, but
344
00:25:54,719 --> 00:25:56,399
when we are there, we will find out
345
00:26:04,685 --> 00:26:09,005
SI SI SI SI Senora, maybe here.
346
00:26:09,065 --> 00:26:15,005
We've already put a little bit of
dark, uh, knife strokes in here that
347
00:26:15,005 --> 00:26:18,035
gives you a little bit of extra there,
348
00:26:21,065 --> 00:26:23,345
extra here, maybe here in the front.
349
00:26:23,675 --> 00:26:24,725
We will have some
350
00:26:27,995 --> 00:26:29,195
dark movements.
351
00:26:30,165 --> 00:26:33,765
See that brings it back and
brings it back to whatever.
352
00:26:39,185 --> 00:26:39,365
Yeah.
353
00:26:40,895 --> 00:26:46,775
And if you have time, you, you still, can
you hear that little bit of in the water,
354
00:26:47,225 --> 00:26:49,265
that little bit of shooting in you see.
355
00:26:53,745 --> 00:26:54,955
And that is it.
356
00:26:57,705 --> 00:26:58,755
Thank you for watching me.
357
00:26:59,175 --> 00:26:59,625
Bye bye.
End .srt file.
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