Bill Alexander's

The Magic of Oil Painting

Season 8, Episode 5, Gorgeous Gorge - AVAILABLE

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With love in my heart.

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They're instant tomorrow

with love in my heart.

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I never fear sorrow with love in my heart.

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I grow like a tree with love in my heart.

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I am happy and free.

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The, we love each other.

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That's wonderful.

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It's proven to all those

years already today, I will

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paint something with contrast.

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We give, remember the last, this

particular show is yellow, red

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and blue, yellow, red, and blue,

yellow, red, and blue will do and

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black and white, black and white.

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So, but does call us.

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You can, you can conquer the oil because

you have all the colors and that what you

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want sometime you wouldn't believe even.

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So I will paint a very simple painting.

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Again.

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We put the magic white on, we put

that on mighty magic, right on.

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She brought it on my team magic right on.

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and don't put too much on, please don't

ever do that because that's the main

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problem with all, whenever you paint

and you put too much on your Mustang, it

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becomes too slippery and too slidey and

you float and you can't get the paint on.

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So it might be sometimes

you have a problem.

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Let me say it over and over again.

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Don't put too much magic weight

on just cover the canvas.

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Nice and gently.

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Nice.

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And, and see here.

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Yes.

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I rub it in as hard as I can, as hard

as I can, or I saw him and Veronica

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and then you have it all nicely

covered, but as lady magic, right.

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As you can.

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Then you really will paint

and you're feeling a certain,

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there's a certain nice poorer.

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What invites you?

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You're here.

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You hear my canvas saying pain on me,

pain on me, pain on me in a nice, when

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you hear that, then the canvas is already

cannabis reads for you to paint on.

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So that's why this no, I

wash my on mighty brush.

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With paint dinner.

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We don't have to explain

that that's already, everyone

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knows that I want to, I hope

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make sure you don't have any

ma painting on your brush.

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Have a nice dry brush.

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Now I will.

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I paint very simple.

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This time, yellow.

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And red, yellow, and red.

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I make myself orange color.

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You see between yellow and

red is an orange color.

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And I fire in fire in like this.

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And you find a really big smile.

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And you know, when you think about

contest or the nature of things, when

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you think our, our good old void.

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You know, it's amazing when

you, when you paint, you have

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you questioned a lot of things.

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And one, one thing obvious I got stuck

with, there's always two on earth, you

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know, two, that means yes and no and tick

and the den and chart and long and up

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and down is always to try to find three.

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You never find DRI a dank when you

have three, that is the explosion.

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I would think the atom bomb

has some strange stuff.

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And what blows the whole thing up.

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So about the vault is even nice.

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And even, is it just a certain

contrast of wonderful for contrast

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you see here, fire and fire and fire?

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No mercy, no mercy, but there

the question sometime, especially

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when you've paint, when you.

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You trashing those things vibe.

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It's always a vibe right?

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As it happened.

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I created this guy here.

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It's a covered happy clouds.

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First, a background of a sky.

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He ever be a dark mountain contest

mountain Dan and I will use a

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little touch, uh, red, yellow,

and the attach of blue DNA.

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Mix myself a kind of a

nice, a nice colorful.

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So I made the clouds go by.

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Um, act like that.

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Thank you.

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Or the cloud, you are in the cloud

and you steer up a cloud there,

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you have it far away on the cloud.

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You want, you can have other clouds.

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There are a little bit of a cloud and

then yes, but darker when he wants

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it a bit darker and a bit more blue.

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But then you can still use

black and white, but the blue

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and the red is doing good.

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Gives you a nice clean,

clean cloud, clean clothes.

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Ah, good, good, good, good.

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No, you might be fan brush and I

will highlight that yellow and white,

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but it didn't have paint for stick

on the ticket pain we want to do.

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Vite and yellow and I go into the magic.

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Right?

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You don't Dutton up the magic, right?

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Because the nature of things, is it

dinner, paint sticks on the ticket

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paint and that's a dinner paint.

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That means I didn't paint goes

under your brush and will not.

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The Dick paint will never

go in back to the magic.

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Right?

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You have a nice, yeah, yeah, no, no.

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I tried to.

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He hasn't been done for their son glory.

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Dare

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he?

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No, we would have a bit more

than light, more Vite and yellow

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and bring it out a bit more.

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The contest, the contest, how you get the

contest, but by having a darker, if I make

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it darker, then you can see it better.

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So let's do that.

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I use a bit more blue and a touch of

black, and I will create a, even a

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darker with movements cloud there.

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The hammer darker than that becomes light.

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There's a funny thing.

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When you have to talk about in my classes

sometime, you know, you talked about

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bringing more light out and the students

would, how can I get more lighter?

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Then I had to tell him, make it darker.

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And it was hard to understand

for them in that time, this.

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This, the dog mixed in light because

we have only this other thing.

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And we have only 24% of

the light in our paint.

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There is no paint, Mead,

what captures the light.

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You cannot get the light by you

tank sometime you see it there.

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So you have to create illusions.

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He does, right.

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You are an artist.

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You are a mighty creator with illusions.

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I create illusions and I'm firing here.

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Firing here.

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He got details.

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There.

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It didn't the paint sticks

on the ticket paint.

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So I wear, I wear, I wear

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you have it.

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Nice and movie, not in when

blocks and just lot of movement.

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Yeah.

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That's nice.

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Then here you are Mustang.

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The sun has gone down.

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The sun has gone down and you only

have the sun hitting, but every

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good, there is no sun anymore.

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And it hits only the sky.

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Uh, the height of the clouds

there, and there is easy.

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That's what you have.

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That's what you have.

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Good.

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Good.

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Good, good, good, good, good.

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no contest contest con I

would highlight this here too.

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Viva to ID this stuff.

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This would be land here and the sun

is far right down or that you don't

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see the sun that tall and this,

the let sun beams hit the clouds.

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Then you cry a little bit and you

see the happy evening is coming

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up and vine writing and song.

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Mine.

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And some, I only say Biden is, um,

he has a, maybe there's a bit too.

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He had, uh, uh, K uh, se no

contest, blue, the red and yellow.

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And now you fire in a Landair.

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Sam delay death, this contest,

the, this just like you see red,

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you don't see any colors anymore.

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It's so dark the, but you see movements,

but I want to show you how you do it.

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Just put the

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Uh, I said, uh,

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and it can come so fast and so powerful.

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This, you get excited about what

you're doing and that's the main idea.

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The main idea about painting

in a certain age, you have.

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You know, we all retire one day and when

you are retired and you do nothing, you

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know, what's happened then because then

your brain gets empty, your head is

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empty and you was busy all your life.

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And all of a sudden

you're not there anymore.

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And the art is such a wonderful thing.

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I think, uh, I might say if I get sick.

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Yeah, sure.

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I get sick, but I.

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Pucker myself up with paintings.

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You know, I go into my studio in the

morning and my brain is loaded with IDs.

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They start wonderful freely.

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You have all kinds of ideas, sometime

helpful ideas, time, what you experienced

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in your lifetime, you know, an a D

some, they became quite ugly because

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your chicken didn't line up, right.

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Or you lose the.

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Give you problem.

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He does what I have.

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I have a rooster and chicken problem.

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They don't have that.

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And then, uh, then, uh, then,

uh, you relax completely on your

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easel and you fire in some, some,

or whatever you, whatever you

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look at that I just create here.

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Happy land.

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I see it sometime the Gorge, the Gorge in

Oregon would show me something like this.

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I just have that in my mind.

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There's a little Hill there and I

would like to have this, this sky

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color and I will put a little far

my land in, but you're far away

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land and, uh, In the background.

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Yeah.

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Stand it up.

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Have the movements like this.

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I see making it a bit

lighter and this is darker.

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So fill in here with dark and have

a contrast have on mighty contrast.

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That's the main idea.

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He dark and light and light and

dark here and light and light

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and dark and light and light.

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And the, okay.

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You haven't been lighter there,

but darker there, but in general,

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this is just like a sealer here.

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The fan brush is a wonderful brush.

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Really.

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Oh, that's nice.

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Contrast, contrast,

maybe darker here again.

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See you, then you have it.

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You painted.

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So does it becomes, it comes forward

to you and you only can get it far by

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having a darker, darker, darker, darker.

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And this is in the blue you blue,

blue yonder, blue, blue yonder.

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The here I keep the blues on more.

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And then here I put the blacks on more.

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And then you have it come close to you.

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Good, good, good, good, good.

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And it has to be clean and dry.

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Make sure it's clean and dry.

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Now I will brush up my.

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Orange them.

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I S K

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he something like this,

but more red or dead.

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It's just the glue from the ocean is

coming up in the sky, but more red there.

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Murray there.

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See.

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and just roll it in the bed like this.

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That's good.

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And then here the same

flags into the water.

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There is little bit of

water popping up there.

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Little bit of happy water.

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I said, no, make this darker here.

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Like give him a kind of a shoreline there.

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Something like this.

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See, I used blue more blue

there, obviously the ID blue,

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blue yonder, and I stand it up.

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You see all the brush lines,

I pull it down like this.

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You see?

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And it makes it like little

trees are standing up there.

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And that distance that makes it nice.

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I need a big brush, a clean, clean brush.

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Now we hypnotize the whole thing.

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The, we make clouds out of that.

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And you know, when you see what, what

you can do, because it is the paint,

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but does the job, it doesn't smear.

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It just.

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Gives you makes it soft and nice QC.

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There you are

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with me in bed mode contests

with more contrast, bit more

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contest, yellow, yellow, and

white, yellow, and right again.

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uh, bring it out a bit more

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yellow and white, just yellow

and white, something like this.

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And then you just dive in it and.

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Hey, that makes it nice.

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You can run Sunbeams up.

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He can run zone brings up if

you want to, but he lit it.

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Or you come down from the top.

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He can come down right

from the top to two.

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And it still looks like sun beams.

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Is he?

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00:19:17,655 --> 00:19:18,015

Yeah.

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00:19:28,205 --> 00:19:33,605

he let's draw a little shadow because

you must think the light is in the back.

261

00:19:33,845 --> 00:19:38,705

And that little bit of land gives you

a little reflection in the water there.

262

00:19:39,875 --> 00:19:46,175

See something like this,

the reflection in the water.

263

00:19:48,645 --> 00:19:49,425

That's good.

264

00:19:50,465 --> 00:19:59,165

And then you, can you take your knife and

you use white dinner, dinner, paint sticks

265

00:19:59,165 --> 00:20:02,465

on a ticket paint and a bit of blue.

266

00:20:03,485 --> 00:20:06,395

See, now you have the Mustang.

267

00:20:07,685 --> 00:20:15,034

This is in a shadowed there, and the

sun cannot jump around that hell.

268

00:20:15,304 --> 00:20:16,485

So you have.

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00:20:17,760 --> 00:20:24,720

Sure line there, but the line has

to look blue, little blue tach.

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00:20:24,780 --> 00:20:30,659

You see, and as you come forward,

snow, Dan, you can put sunlight

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00:20:30,659 --> 00:20:35,790

and, but close to the land, you must

always think the light than here.

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00:20:36,540 --> 00:20:37,939

You can have a bit lighter.

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00:20:38,389 --> 00:20:42,409

You have a bit lighter, uh,

movement in the water there.

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See.

275

00:20:46,815 --> 00:20:47,085

Yeah.

276

00:20:47,085 --> 00:20:47,405

Yeah.

277

00:20:54,245 --> 00:21:02,284

Now the next step will be the next

step will be, I put the cup of trees

278

00:21:03,185 --> 00:21:09,635

into that hair and usually those

trees there have some, does heads have

279

00:21:09,635 --> 00:21:11,524

some little trees standing in there?

280

00:21:16,980 --> 00:21:23,450

Yeah, this, put it down, like, uh,

make it stand up, make it stand up.

281

00:21:25,250 --> 00:21:26,090

That's nice.

282

00:21:30,890 --> 00:21:31,940

Oh, that's good.

283

00:21:33,950 --> 00:21:34,370

Yeah.

284

00:21:34,640 --> 00:21:35,870

Just make it stand up.

285

00:21:36,050 --> 00:21:36,560

That's all right.

286

00:21:42,030 --> 00:21:45,600

No copied item movements

just in in-between.

287

00:21:46,020 --> 00:21:47,820

So this, you get the figures of the hair.

288

00:21:53,370 --> 00:21:54,180

Coprolites.

289

00:21:54,210 --> 00:21:55,320

The movements

290

00:21:59,490 --> 00:22:05,990

has a wonderful contrast now

with the sun far down and.

291

00:22:18,665 --> 00:22:23,765

just a couple of lighter, lighter

lines I wanted to put in there

292

00:22:25,115 --> 00:22:31,025

and you come to a happy and

293

00:22:38,639 --> 00:22:41,520

Yeah, something like this,

I was making stand up

294

00:22:48,709 --> 00:22:51,139

and it gives you here.

295

00:22:51,139 --> 00:22:52,399

You can do the same thing.

296

00:22:56,810 --> 00:22:59,389

He just upstrokes upstrokes.

297

00:23:03,320 --> 00:23:03,530

Yeah.

298

00:23:03,560 --> 00:23:04,159

Beautiful.

299

00:23:05,760 --> 00:23:11,850

Can you imagine when you make the strokes,

you feel so powerful because it's just one

300

00:23:11,850 --> 00:23:16,530

stroke and that's all mighty stroke and

get all those wonderful results like this.

301

00:23:17,190 --> 00:23:18,240

That makes it real.

302

00:23:19,070 --> 00:23:19,550

303

00:23:27,470 --> 00:23:28,580

hear you again.

304

00:23:40,514 --> 00:23:42,195

And then

305

00:23:59,024 --> 00:24:01,725

no, I would just use it with darker lines.

306

00:24:03,495 --> 00:24:04,605

Put it in here.

307

00:24:05,625 --> 00:24:08,685

And then we come to a happy ending.

308

00:24:21,360 --> 00:24:22,800

And he took pain.

309

00:24:22,800 --> 00:24:27,510

Like that makes you really, really

happy because you see the size

310

00:24:27,510 --> 00:24:29,400

is done in such a short time.

311

00:24:29,700 --> 00:24:33,840

When he drank, I started off a

couple of minutes ago and here I

312

00:24:33,840 --> 00:24:36,120

am already most finished is not.

313

00:24:36,570 --> 00:24:38,460

And that makes it very, very, very nice.

314

00:24:38,880 --> 00:24:45,240

Whereas you have, you see something when

you, when you paint and you don't struggle

315

00:24:45,240 --> 00:24:48,570

too hard, you do it with the big smile.

316

00:24:48,780 --> 00:24:54,600

There's a power of creating

and this alone mix makes art.

317

00:24:55,380 --> 00:24:56,790

That's a wonderful thing.

318

00:24:57,570 --> 00:25:03,660

Art has to make you happy and rich and.

319

00:25:09,830 --> 00:25:10,620

covered trees.

320

00:25:10,860 --> 00:25:11,220

Yeah.

321

00:25:14,235 --> 00:25:14,985

That's good.

322

00:25:15,705 --> 00:25:17,595

No, you see what we could do?

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00:25:17,834 --> 00:25:23,855

Red, yellow, red and blue

contest was the main thing today.

324

00:25:24,095 --> 00:25:28,294

I showed you something

very dark and very light.

325

00:25:28,774 --> 00:25:34,534

So it is a lot of power in that, you know,

you can really create something very, very

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powerful and then hope you enjoyed it.

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00:25:37,445 --> 00:25:39,995

And I thank you for

watching me and I love you.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

S08E05 Gorgeous Gorge - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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