Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Around the Bend - AVAILABLE

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Gee, I wake up in the morning and the

sun was peaking to my vendor and I

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ordered a band out of that bad and new

day stars, you know, as nice sometime.

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And it's just the right time.

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And the sun is hitting your bag.

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And it wasn't ever nice.

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I thought, gee, what a good

D with love in your heart?

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There is it tomorrow, you

know that beautiful tomorrow.

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You know, you get too excited about

the sunshine, the beautiful smell in

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the spring or in the art and time.

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And mother nature is such a, I'm

excited today to tell you, I don't

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know what the devil I'm doing.

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Okay.

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So.

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I would put the magic rate on, and

then we talk about what we will do.

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Okay.

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Let's fire in fire and that's happy

sunshine in the morning has done it to me.

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That happy sunshine.

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Yeah.

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Some people, I got mail.

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I got so much mail from people, locked

in some time in hospitals and then.

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And old age and, you know, then you

wonder is that's a wonderful thing

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when mother nature can perk you up and

give you that are mighty beginning.

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Let me talk about obviously

a better tomorrow.

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There's a better tomorrow.

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There's a bathroom, or even to just

gloomy today, but there is a better

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tomorrow, so I will put the magic right.

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Arms are just, you see,

I do it very often.

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They don't put it on.

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I just put it on before the show.

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And then there was a little bit arguments.

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Sometimes they say, why didn't

you put the magic red on, I put

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it on all the time without magic.

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Right?

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I don't know how the devil would work.

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Maybe I should explain it again.

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Paint.

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And we never explained why we do what

we are doing the in the beginning.

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Then I start painting.

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I always thought you have to

mix the colors on your palette.

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That's what it is, what you learn

in school or whatever common sense

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you put the Vite on here first.

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And then you put the colors you

want that gray or that particular

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Brown or, and you mix it on a pallet

and then you put on your canvas.

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But by all the time, mixing my paint, I

learned God, you put obviously white on.

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Because you cannot make the dark darker

or blue, more bluer or red, more red, or

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you see, even when you see the colors are

yellow, more gallery, you cannot, every

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color needs white in order to mix it.

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And then had the breaks on one day.

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I said, why not put that vibe right on

the canvas and mix on that on my D canvas.

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I have seen that sometime on TV, but

it's good to repeat it sometime this,

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you know, the philosophy of this

wonderful technique, this technique

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I tell you, that's like sunshine.

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It is, it makes it too easy to live.

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It makes it so easy to create because

you, you, you need dividing us obvious

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there, the, and, and, uh, This technique

naturally is so different than, than

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you ever have learned in every school.

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Any, I never have seen the school.

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What tells you put the Vite on?

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And then, uh, but Gucci, it was

obviously mixed on the pallet.

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So it, that's why this technique is

absolutely different than anyone before

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me, there was people coming up and they

said, Oh, you're storing my technique.

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Okay.

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Then I say, if I didn't you go to

the shopping centers and blabbered it

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out, maybe I didn't even invent it.

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I just found it.

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And I thought it was nice.

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I went to the shopping centers in

Los Angeles and I blabbered it out.

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And people was excited.

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I had always a big crowd and everyone

was very, very happy about this.

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So it must be good.

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Okay, so let's make a interesting sky.

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Maybe nobody is simple.

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It is not what I painted as I would love

to see you learn the technique and get

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very familiar with, with your paint.

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You see my paint, I buy a paint,

but it's very, very tickled strong.

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You see when, when, uh, I can

turn it around and the philosophy

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is again, It didn't have paint

rustic on the ticket pain.

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That means, but otherwise they

have to have a thicker paint.

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Otherwise I can do what I want.

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Beginning artists.

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What wants to in vet and vet,

vet and vet is a very dangerous

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because you, in the beginning, you

don't know what the paint means.

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You buy the paint, but you can just

get on the shelf, red brew green.

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And if it is a thin paint on the

thin paint, you are a mud maker.

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Most artists, when they start painting,

. Making mud and they wonder why the devil

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I make mud and you see me beans are clean

because of the consistency of that paint.

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What I always buy.

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You see the paint I paint

on top of the paint.

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I don't paint into the pain D there

is a big, big, big, big, different,

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I should talk about the whole hour

sometime in order to convince you.

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This, there is a difference between this

technique and all the other techniques.

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See the other techniques.

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You let a dry go over, let the dry go

over and you can repeat it 10 times.

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And you're not the head.

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You are not better than what I do.

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That's the funny part you think, because

you've worked too much on that canvas,

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you know, your team because they've

worked too much, it got to be better.

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It is not, you know, lightning

it, cause one, I said, and it has

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done the work and that's the same

creative power you cannot create in

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weeks and weeks and doodle around.

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And do you have something in your mind

and you want to unload it yesterday?

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I wants to unload it anytime and any

means anyway, how I can unload it.

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It's wonderful for me.

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You see, and I found a way to

enlarge it, you know, to, to

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make it happen in a short time.

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It's not what I show you here.

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When I started my paintings, they

are not this kind of a painting.

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Really.

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They are different.

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I have a bit more time.

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They gave me 28 minutes here.

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I only wants to show you a technique.

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How, how to do it, but when you really

get into that, you spend a bit more

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time and sometimes I let it dry.

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Some, some thing works better when it's

dry and you go over it again, certain

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tire lights, you get maybe a bit better.

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You see?

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And if you get it out together, this

one you will grow and grow and you

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become the artist you want to be.

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A powerful artist.

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Okay.

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Now we have the magic rights

on that canvas and I will make

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it interesting skies today.

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Interesting sky.

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I would say I reply

with, with happy colors.

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I will dry brush.

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I would say, uh, I use a bit of

yellow, but, uh, Indian yellow, orange.

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That's your vibe, but VITAS on the

canvas and we will, we will fire

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off there and see that sky finish.

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I make just kind of Pines here.

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They're here, here.

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Yeah.

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And maybe fired in the water there to me

a bit more that color with that color.

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No, I will use a legend

Crimson and the Tetro hero.

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Maybe.

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That's good.

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That's good.

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Going between in between here.

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See?

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Good.

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No, I use attach your

passion blue into that D.

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And they got complete different color.

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See how easy it is to play

with that happy colors.

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And you got this guy who wants to

have the in order to make a deep sky.

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I always tried to have it either

dark in the back or on the

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horizon line and light on top or.

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Light and dark on top, because

the difference between dark and

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light gives you that feeling

there is, it's a depth there.

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It's an optical illusion.

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You see, when I put the

dark on here, right.

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If I could see that it's a

certain, uh, a certain, the watch.

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Okay.

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More, more of that title, learn that.

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And I always have to say

as more, you would paint.

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As more you, the knowledge will

come to you, how to, how to create

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this via the I have, I don't put any

effort and that's the crazy thing.

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It's a wonderful thing to, to

dream long and, and go along now, I

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will create a, kind of a, a punch.

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I will have a punch da take

Gallo and white and a little

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bit of whatever's in there.

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And I will punch this up a bit more.

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Maybe more bit more Vite.

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You see what you're doing?

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You see what you're doing?

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Uh, yeah.

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That's, that's the have that

little bit of, of light there.

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The water too.

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Can you see how you build a sky already

with happy colors and have the light?

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Maybe I put punch the delight in there.

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Maybe a bit of there, here on the side.

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It depends on by what your eyes tell you.

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Maybe here I will have a little

bit of orange more up there, there.

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Nice.

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How you can just control your colors.

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You're happy with all dry.

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Good.

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Maybe I will.

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I will.

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I will.

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I will.

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Blue a little in Crimson is obviously a

powerful, uh, darker color for clouds.

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I have this a little bit more darker there

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sometime you are scared

to do it, but yeah.

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Have the guts have the guts

sometime just do it like that.

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He has like really bad hair a

little bit and we are in it.

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Yeah.

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Just clean it up a bit.

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Good.

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Good, good, good.

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No, I will use my knife.

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And I will cut in.

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He was Vite up here and black, a

little in Crimson and press and blue.

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And I put a file in a kind of a

part of a mountain sticking out.

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Eh,

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Or just, just on mighty dreaming power

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and that can be learned.

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You don't have that.

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It's dead.

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I think if we are a human being, we are

born with, with certain, with certain

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abilities to do those kinds of things.

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So, you know, all that

light was moving in here.

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I have, uh, you can do a chore.

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This, this is in the shadow, this

mountain, and there's no sunshine on it.

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Then you highlighted this way.

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I show you a little bit of fight and

use the same colors here, what you

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have for your mountain G the same,

and just, just give them that lady.

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But watch.

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wonderful.

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He is kind of nice and

nice and cool and nice.

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And, and if you wants to show a little

bit snow, then you would use Vite.

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I put it up there and attach your blue.

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And a bit of blue, and now you

got the blue, you got the blue

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and you mix it, show shoe.

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It takes a while to learn the

certain type of a blue, but

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gives you this are mighty power.

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Was he able to have here maybe a little

fair enough of no, there in the shadow.

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There's a bit on the dark side.

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so I use it for the shadow side now.

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So in order to have a snore bit

on the lighter side, there's

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obviously light on the darker side.

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So I will use a bit of

light and feed it like this

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he had some snow patches pop them

up there in the distance there.

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Maybe we give them that highest point with

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snow day.

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And we'll see, can you see that paint?

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I don't know if you, if you could,

if the cameras could make a closeup

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of this particular one, here is it,

can you see the thousand details?

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I got out with one almighty stroke

and I wish you would learn that.

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That one stroke.

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That first stroke is

the most important one.

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If you have the right paint, if that

paint is smeary and sloppy, forget any

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stroke, there is no stroke, but if you

have a right paint, the right consistency

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to wash the paint on the canvas already

see that paint, the thickness on the

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canvas is what gives you, what gives you.

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Well, how 10 it has to be.

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It has to be a little attached dinner,

then that paint on that canvas there.

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The, and if you get it right, I tell

you, you, you will be the happiest.

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You will be the happiest

person on this earth.

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He, okay.

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Now just give him a little bit

tighter, but more there, Madame.

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Look at that, uh, um, God, it is so nice.

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It is so nice.

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It hurts.

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It hurts, you know, and see by

painting this way, it builds you up.

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I think he gave a course on drugs.

246

00:16:00,485 --> 00:16:02,074

He must treat it the same thing.

247

00:16:02,435 --> 00:16:03,475

They build himself up for.

248

00:16:03,495 --> 00:16:08,074

However, I never in my life have seen

drugs or because I don't need him.

249

00:16:08,285 --> 00:16:11,255

I drug myself up with my, with my look.

250

00:16:11,675 --> 00:16:13,714

This is so exciting that you can help.

251

00:16:14,145 --> 00:16:15,074

Being drugged up.

252

00:16:16,545 --> 00:16:20,094

No, you see, I am so happy because

they have learned that's on my

253

00:16:20,265 --> 00:16:23,084

technique the way it has to be.

254

00:16:23,324 --> 00:16:26,985

And I wish I could give it to you

with all my heart, because for me,

255

00:16:26,985 --> 00:16:29,444

that is not the tomorrow anymore.

256

00:16:30,615 --> 00:16:34,005

When you're 75, you're on the

end of the rope, but I really

257

00:16:34,005 --> 00:16:35,925

wish I could give to you all.

258

00:16:35,925 --> 00:16:38,055

That's what they have

learned in my lifetime.

259

00:16:38,925 --> 00:16:40,665

Take it serious too.

260

00:16:41,205 --> 00:16:44,475

There's a lot of guys there,

you know, that bothers me.

261

00:16:44,475 --> 00:16:44,955

This is there.

262

00:16:44,955 --> 00:16:46,605

All that guy he's knocking off the pain.

263

00:16:46,605 --> 00:16:47,505

Just nothing.

264

00:16:48,045 --> 00:16:52,035

It took me 40 years to find out

how you knock that penny off.

265

00:16:52,995 --> 00:16:55,605

And that's what I have

the right consistency.

266

00:16:55,785 --> 00:16:57,285

And one with the other works.

267

00:16:57,285 --> 00:16:58,275

Fantastic.

268

00:16:58,605 --> 00:16:59,385

I can do that.

269

00:16:59,415 --> 00:17:04,305

But the other artists were

doing the D in 10 minutes and

270

00:17:04,305 --> 00:17:06,315

that is nothing but the truth.

271

00:17:07,575 --> 00:17:12,014

And it bothers me when someone

comes up and, and, uh, said, Joe,

272

00:17:12,024 --> 00:17:15,855

you should do it so fast because

it took a lifetime to get it there.

273

00:17:15,944 --> 00:17:18,135

And now I bag you to get it.

274

00:17:18,135 --> 00:17:19,125

You have a change.

275

00:17:19,425 --> 00:17:22,004

The change of your life

is right now there.

276

00:17:22,605 --> 00:17:25,244

Can I have it and do it

and make a happy buck?

277

00:17:26,234 --> 00:17:27,375

Get the rich.

278

00:17:28,125 --> 00:17:30,435

Have a nice gallery there.

279

00:17:30,435 --> 00:17:34,754

I know if you came to my house, I'm

on the league, beautiful stairs down.

280

00:17:35,175 --> 00:17:41,445

Nice lights boat down on my

peer and steward your all glass.

281

00:17:41,445 --> 00:17:45,554

You know, I look out there up to the

mountains over that beautiful Lake.

282

00:17:45,885 --> 00:17:48,945

See this alone is 4,000 thousands.

283

00:17:49,165 --> 00:17:51,074

Millions of dollars just to feed it.

284

00:17:51,195 --> 00:17:54,605

You have no, I talk too much.

285

00:17:54,635 --> 00:17:55,564

I'm sorry.

286

00:17:57,554 --> 00:17:58,455

Okay, good.

287

00:17:59,385 --> 00:18:00,645

I hope you understand.

288

00:18:00,675 --> 00:18:04,274

I just, sometimes you have to wear

a ball because this alone excited

289

00:18:04,274 --> 00:18:07,725

me to a point that I couldn't

have talking to you like that.

290

00:18:08,625 --> 00:18:09,044

Good.

291

00:18:09,345 --> 00:18:10,155

No, we will.

292

00:18:10,185 --> 00:18:12,345

We will grab it on mighty brush.

293

00:18:12,405 --> 00:18:14,024

See here, the big brush.

294

00:18:14,385 --> 00:18:19,995

I go right into the black

and Prussian blue and green.

295

00:18:21,435 --> 00:18:25,064

I fire in our migratory standing there.

296

00:18:27,675 --> 00:18:29,595

With love in my heart.

297

00:18:30,075 --> 00:18:31,485

There is tomorrow.

298

00:18:46,695 --> 00:18:47,225

See that.

299

00:18:48,485 --> 00:18:50,885

Can you see what a mighty brush can do?

300

00:18:51,935 --> 00:18:53,555

All those beautiful details.

301

00:18:54,000 --> 00:18:55,889

You never get it with the smaller brush.

302

00:18:58,199 --> 00:19:00,990

Now that's up, it's up for

whatever he wants to think.

303

00:19:01,379 --> 00:19:07,800

I would say I put two threes and

two of our four threes we live with

304

00:19:11,820 --> 00:19:12,360

and look at that.

305

00:19:17,915 --> 00:19:18,875

aren't you happy?

306

00:19:19,325 --> 00:19:22,415

I know, I know you are singing home too.

307

00:19:22,774 --> 00:19:24,215

You're happy to see that.

308

00:19:24,665 --> 00:19:29,645

And I'm happy to make you happy

that the ice sheet on my mail, we

309

00:19:29,645 --> 00:19:34,165

have millions of people writing

me and I'm so proud of this.

310

00:19:34,165 --> 00:19:34,774

The artists.

311

00:19:34,865 --> 00:19:36,965

Telling me, it is a virus of living.

312

00:19:37,265 --> 00:19:42,275

They never experienced before if I have

painting and it makes me feel good too.

313

00:19:42,635 --> 00:19:45,275

So I think we all do the right thing.

314

00:19:46,415 --> 00:19:49,925

We pull for each other together.

315

00:19:49,955 --> 00:19:51,215

We make a better world.

316

00:19:59,240 --> 00:19:59,720

Kim.

317

00:19:59,900 --> 00:20:03,290

When I think about what I'm doing

now, I talk like a preacher and

318

00:20:03,290 --> 00:20:05,630

I don't, I don't like that ID.

319

00:20:07,340 --> 00:20:12,170

I wants to just be, tell you about this.

320

00:20:12,170 --> 00:20:13,460

On my technique.

321

00:20:14,030 --> 00:20:17,420

There is something for everyone,

especially when you're retired.

322

00:20:17,990 --> 00:20:18,740

You have.

323

00:20:20,040 --> 00:20:21,510

Have so much fun to

324

00:20:24,540 --> 00:20:25,080

look at that.

325

00:20:27,060 --> 00:20:29,040

I leave that little bit of opening there.

326

00:20:40,950 --> 00:20:42,180

Isn't that wonderful little good day.

327

00:20:43,270 --> 00:20:44,730

Just to dry it to be alive.

328

00:20:48,585 --> 00:20:48,905

Good.

329

00:20:49,495 --> 00:20:49,735

Good.

330

00:20:50,055 --> 00:20:56,535

No, we rarely go into the yellow,

yellow and the green, yellow,

331

00:20:56,625 --> 00:20:58,785

and it's finished to Dick.

332

00:20:58,935 --> 00:21:00,165

I went to the magic, right.

333

00:21:00,195 --> 00:21:04,065

And make a dinner, paint it in the

paint will stick on the ticket paint

334

00:21:04,305 --> 00:21:07,635

and I'm in absolute good shape her.

335

00:21:09,405 --> 00:21:10,485

He ain't no good.

336

00:21:10,605 --> 00:21:12,345

Uh, now we ready.

337

00:21:13,620 --> 00:21:16,200

Firing him a little

bit of highlights there

338

00:21:19,410 --> 00:21:20,430

and it's so nice.

339

00:21:20,460 --> 00:21:23,460

I tell you, can you make a

close up on that, please?

340

00:21:23,460 --> 00:21:27,630

If the cameras could show the details

there, how nice I fired in there?

341

00:21:28,410 --> 00:21:34,200

He, Oh God, the dear Lord is really good.

342

00:21:34,590 --> 00:21:35,460

It's really good.

343

00:21:37,095 --> 00:21:38,025

He helps you.

344

00:21:38,325 --> 00:21:44,325

He helps you if you wanted help

yourself and they large with always

345

00:21:44,325 --> 00:21:48,615

have you always had a pews, right?

346

00:21:48,665 --> 00:21:52,265

There you go.

347

00:21:56,975 --> 00:21:57,335

Yeah.

348

00:21:58,435 --> 00:22:01,385

Yeah, you are right.

349

00:22:02,685 --> 00:22:06,915

And taps now I had, before they

go on, but that they have to, to,

350

00:22:07,245 --> 00:22:09,405

to make this like water there,

351

00:22:14,195 --> 00:22:15,695

make it like water there

352

00:22:20,975 --> 00:22:23,044

and push it sideways a little bit.

353

00:22:27,605 --> 00:22:29,764

And, and, and N N.

354

00:22:30,524 --> 00:22:32,475

Give him a little bit

of a shoreline there.

355

00:22:33,825 --> 00:22:39,225

I mean, he's kind of a greenish

happy, happy short lane there.

356

00:22:40,064 --> 00:22:41,835

A happy short lane there.

357

00:22:43,405 --> 00:22:44,534

He look at that.

358

00:22:51,495 --> 00:22:54,345

Oh, it's not nice to

walk around that pond.

359

00:22:55,680 --> 00:22:56,560

To walk around that.

360

00:22:57,980 --> 00:22:59,580

, that's the nice core.

361

00:22:59,610 --> 00:23:07,330

Give them a nice core of there and

a yard real quick that then maybe

362

00:23:07,330 --> 00:23:10,250

you give him a bit of the paint.

363

00:23:10,820 --> 00:23:12,770

It didn't paint for a

stick on a ticket paint.

364

00:23:12,770 --> 00:23:14,450

They always have to

dinner it down with magic.

365

00:23:14,480 --> 00:23:14,960

Right?

366

00:23:15,380 --> 00:23:18,710

You see, you know, you put the

copy of waterlines in there.

367

00:23:22,280 --> 00:23:22,880

SI.

368

00:23:24,675 --> 00:23:26,264

Copy water lines in there.

369

00:23:26,685 --> 00:23:31,425

And then here, you just

have all the little

370

00:23:34,574 --> 00:23:39,165

line there and, and make it

kind of a shoreline there.

371

00:23:39,195 --> 00:23:43,574

Bit of a green up there

with those green up there.

372

00:23:45,135 --> 00:23:45,814

You look at that.

373

00:23:50,895 --> 00:23:53,565

Meantime here, make water other deaths.

374

00:23:55,065 --> 00:23:55,905

Hey, there

375

00:23:59,915 --> 00:24:04,445

and then you, you, you, you,

you fire in with all your heart.

376

00:24:04,475 --> 00:24:07,355

It didn't have didn't the paint

sticks on the ticker paint.

377

00:24:07,655 --> 00:24:13,265

I use it magic white and yellow and OVI.

378

00:24:17,640 --> 00:24:17,880

Okay.

379

00:24:26,400 --> 00:24:26,890

Wonderful.

380

00:24:26,890 --> 00:24:28,830

It that wonderful.

381

00:24:29,580 --> 00:24:34,350

Can you visit with me

viscerally happy too soon.

382

00:24:35,010 --> 00:24:38,280

And we were on and on and

great a wonderful year.

383

00:24:38,865 --> 00:24:43,245

Uh, whatever, but I hope you

learn something that thinner

384

00:24:43,245 --> 00:24:44,655

paint sticks on the thicker paint.

385

00:24:45,015 --> 00:24:46,785

Can you make a close up on this?

386

00:24:46,815 --> 00:24:49,185

Can you see, can you see the beauty?

387

00:24:50,255 --> 00:24:53,705

Oh, it is so nice.

388

00:24:54,005 --> 00:24:56,465

I tell you it is too nice to be true.

389

00:25:01,175 --> 00:25:03,485

Look at that too.

390

00:25:03,485 --> 00:25:04,565

Nice to be true.

391

00:25:07,169 --> 00:25:12,929

And the dark, the, you need the, you

need a dark in order to show light,

392

00:25:16,739 --> 00:25:20,129

then you really cut in some

bloody tree trunks there,

393

00:25:23,129 --> 00:25:28,780

little tree trunks here, one here.

394

00:25:33,180 --> 00:25:36,240

If it doesn't work good enough,

you would just do it sidewards

395

00:25:36,300 --> 00:25:38,340

sidestroke and it will work.

396

00:25:38,340 --> 00:25:43,350

Can you see in a fantastic is

not the power of being an earth.

397

00:25:44,010 --> 00:25:49,620

God gave you all that power, take it,

take it and make the best out of that.

398

00:25:50,400 --> 00:25:50,730

See?

399

00:25:50,880 --> 00:25:52,230

And that is what it is.

400

00:25:56,255 --> 00:26:00,395

he, then there's a little sidestroke

and it gives you a nice tree trunk,

401

00:26:01,085 --> 00:26:05,975

the nice happy tree trunk, and that

pain is already talking to you and the

402

00:26:05,975 --> 00:26:09,635

singing and everything is just high tune

403

00:26:15,455 --> 00:26:18,395

Now we will just highlight

the trees a little bit.

404

00:26:19,200 --> 00:26:22,170

And then what the pain is done.

405

00:26:22,560 --> 00:26:23,090

Just here.

406

00:26:23,110 --> 00:26:25,020

Give them a little bit of highlight there.

407

00:26:26,610 --> 00:26:29,570

Little bit of highlight there.

408

00:26:31,220 --> 00:26:31,400

Yeah.

409

00:26:31,400 --> 00:26:32,270

Not wonderful.

410

00:26:37,440 --> 00:26:42,810

No, you wonder why I Vishal and I'm

happy and I'm singing because mother

411

00:26:42,810 --> 00:26:48,620

nature is on my side and I have the right

equipment and to have the right paint and

412

00:26:48,640 --> 00:26:50,700

have the right attitude and everything.

413

00:26:50,700 --> 00:26:50,790

Yeah.

414

00:26:55,250 --> 00:26:56,360

Thank you for watching me.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Around the Bend - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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