Bill Alexander's
The Magic of Oil Painting
Season 9, Episode 13, Winter Sky - AVAILABLE
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Let the wind blow , you know, I feel like.
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I put myself in almighty mood.
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I wants to have a Oh, sky.
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What, when comes from any direction
and should know him mountain in the
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background and some dark trees in
front firing right into the water.
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See, that's what I always have to do
before I start either you sing something.
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I hear someone singing when
there's no bird heard the
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mountain or hit the mountain.
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You know, sometimes Grazie, but all
that together, you get some powerful,
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whatever you wants to put on a canvas out.
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Okay, dude, let's do it.
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Now you see some art, the
stairs, something because you got
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something violated and that's nice.
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You know, when you can
just let go, let go.
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Whatever it is because
that's the part of good art.
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See now I put the magic right on,
put the magic Baton on everyone.
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Even here in the studio is in a good mood.
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Everyone is singing in harmony and
bombing and see art that makes a good
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day makes a good day, next egg, good day.
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And then you are already in the
mood and then it's nothing to worry.
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Your hand is doing automatically
what your brain tells you.
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And you can do nothing
around too much magic, right?
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You shouldn't be put in jail, not enough.
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Maybe you should put in
the other door in the jail.
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Good.
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The, this mix sodas you have,
there's a certain amount.
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I show you what I always do.
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Clean your brush.
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Make sure, make sure you have
a dye brush and then you are
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over the whole thing again.
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And you take off whatever
it would be too much.
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Yeah.
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Like that.
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Can you see on the brush,
all that pain they took off.
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Good.
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Wash your brush again.
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And now I will paint that sky.
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What is in my mind, kind of a wind
changing, moving Clouseau and whatever
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little bit of passion this time.
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Anyway.
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Oh, God, it is already, you
know, you start, your whole
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mood is already into that.
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Whatever you wants to paint,
leave darker spots, lighter spots.
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The, I leave out what
I think I should have.
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He has red.
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You would move there.
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Yeah,
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they're there.
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They're there.
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They're there.
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That's beautiful or that you would
start, I've been making vide deep sky.
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Leave that me, that dark spot is good.
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There maybe here should
be a bit darker spot.
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good.
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The, no, I have already the holes I
will use on mighty fan brush and it
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used white and maybe I push it hard.
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Can you see that?
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White is very hard and Dick, they pulled
off something and I would say on here.
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Good.
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He, you put it off that
blue, but you push hard.
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You push on mighty push hard then
again, other one other one, let them in
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room.
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Good.
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You see those crowds right?
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You know what I have learned in my
whole, whole big, long life already
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in the beginning, you are too fussy.
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My God, we want to be so perfect.
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Every little cloud.
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If you have a little bump on the side.
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Oh my God.
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About the bad cloud.
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And that's the wrong thing to do as you
on pain, asked you on pain and you learn
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I was on there's a certain charm or sudden
stretch a certain, no, I say when the wind
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blows, there's no rules and regulations.
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Sometimes you just go in that
direction or in double directions,
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you know, when you fly, sometimes
you see the higher, you know, clouds,
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higher clouds, lower, and all clouds.
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They move sometime at different,
in different directions sometime.
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Because the event is shifting sometime
and you see on my lab has happened this
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code, the sturdy balloon, moving that way.
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And the other one I was on there,
start going to other by the, in
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that's what they wants to bring out
here on this particular painting.
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I just would like to see you understanding
the freedom of, of your on mighty
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brush, the obvious you you put off.
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Can you see, see, that's decide.
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I didn't use, you can use both side now.
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You can use the other
side and maybe from here.
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You know, I have both sides.
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The wash, your brush is always one stroke.
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Don't make it a second time.
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I think that is what,
this is all our fault.
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Sometime we always drank.
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We can get the vibe with
what we got on the brush.
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That's what you ruin, because then you
wipe out what you have done already.
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Good.
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Good.
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And you have that hard thick
paint as what makes it.
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Ain't no, here, here.
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I would like to leave that job.
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It was just more it out there.
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Um, uh, whatever happened there.
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The, no, you can use the
other side if you want.
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I really love here.
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Maybe
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he can.
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You see, I shouldn't have
done it the second time.
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That was not the right thing to do.
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I showed you how you should not do it.
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I am such a good guy and such a good guy.
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Yeah.
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Well, with all of us, this is
a happy song, a song and fire
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and whatever is bothering you.
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If your vibe makes you mad and a
picture of her, but the long nose.
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And she got mad at her.
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No, no, no, no, no.
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In the front do that.
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Okay.
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We believe that's guy that
kind of a lose, lose guy.
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What you do when the, when the husband
makes mad his wife, then he has to behave.
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You have to be opposite.
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A good guy.
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It's not fair either
either neither, neither.
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No.
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I really put the bundle of that
Vite here and a bit of black and
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a bit of progression blue and a
bit of alizarin Crimson, and a mix
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myself on mighty mountain color.
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And that will be just a, kind
of a mountain in that, in that,
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whether it will be a snowy
mountain, but I will use lot dark.
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First D take a look here.
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Just kind of a frosty maybe.
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Yeah, that's good.
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That kind of a color.
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And I will pull up here right into
the cloud to the mountain, to the
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movements of veteran movements.
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and then all it was on.
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You cannot help that.
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It's a certain tune it's
bothering me sometime.
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A certain tune comes up and you're
Hammad Aldi, and you can't get rid of it.
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What the devil is going on.
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Um, maybe just kind of a
mountain kind of power of what
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the comparing with the weather.
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That's it.
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That's it.
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Okay.
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No bill used white, right.
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And every pound the snow on
this time, he was just white.
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Despite alone.
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And it was a light is
coming from this side.
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I say,
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God, can we see, can you make a
close up of this paint movements?
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The, when the pain breaks on
you, I wish you would really
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learn that you cannot pay in.
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This technique is not, is impossible
to pain with 10 should be pain.
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Then you have to let it dry and you
have to let it and you go over it
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again and then get like a dry again
and then you over again, and then you
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have to make those lines, but you're
on unhand in this case is all dead.
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Look at this.
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Oh God.
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Sometime, but more pressure here.
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I fill in you pull it, pull it along.
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Look at that, uh, form you on mountain.
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There.
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Let mother nature take care of that.
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that's wonderful.
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Very, very powerful, good
vile cloud movements.
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And th th the mountain
comparing look stretches.
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You can do, Oh God, it's just, it is so
wonderful that you sometimes can cry.
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Oh God, can I have it?
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Sometime when the paint is a bit too
dense and the knee, then you have , then
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you have to din down this paint again.
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But when you are happy with the
movements, leave it, you sometime I
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have to thin it down just a little bit.
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Otherwise it will not go on,
but it just does the right job.
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Right.
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Um, maybe hear the fire on.
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You sometime it slips, but that means
a little touch of, uh, of dinner
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would give you, but I can handle it.
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I can handle it.
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I rather like to have it like that.
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Cause he wants to make
it really powerful there.
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At, and don't be too
fussy with do something.
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Like in this case, you see he is in
between and you would think something.
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Nah, I can't get the vibe with that.
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Leave.
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It don't be so fuzzy
when you start painting.
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Yeah.
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Then we
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Oh boy, I like it.
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Okay.
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see now you put the little blue
N to divide, mix yourself a
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nice bluish white blues vide.
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Take a look.
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How you do it, kind of a blue.
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You have to judge.
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You have to do, you know,
roughly when you tank.
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I think that's a good blue.
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I would like to fire it in
the back here somewhere.
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In between sometime you had blue gives
you a in between here sometime they here.
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Oh God, it is so wonderful.
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It is so wonderful.
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The, and that is what
I always like to say.
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It is the pain, what you
will use on your palette.
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And you learn it.
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It takes some time a year or two,
even to get to know that pain, this
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will do that, and this will do that.
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And when you get that, then it's no
problem to make beautiful paintings.
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the here I push, I push it always to
watch the shape, the, this, this side.
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I tried to give him kind of a,
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maybe I would like to have some
powerful, powerful light up there
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right here, because I, I want you to
put trees around and I would like to
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00:13:56,464 --> 00:13:58,865
fire in that light into the water.
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00:13:59,224 --> 00:14:06,185
And in order to have, see you prepare
already, whatever, whatever you do next.
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00:14:09,070 --> 00:14:10,290
Maybe that would be better.
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00:14:10,950 --> 00:14:14,160
The, I need that light in
order to fire on here, lead on.
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00:14:14,460 --> 00:14:20,880
No, we will use the two inch brush
and I will make it very dark use
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of the paint on your palette.
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00:14:24,240 --> 00:14:26,520
Use it, our mighty paint on your palette.
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00:14:28,560 --> 00:14:30,750
And then I will maybe create here some.
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00:14:44,315 --> 00:14:47,135
Hey, make a doc nice and dark.
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00:15:07,415 --> 00:15:08,615
then it's up to you.
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00:15:08,645 --> 00:15:11,735
What kind of a land
you wants to see there?
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Maybe here would be nice to hire three.
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00:15:14,135 --> 00:15:15,455
They're a bit bigger there.
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00:15:23,865 --> 00:15:29,525
And then lore, best look paintings
are where you have threes high
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up and low and up and low.
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00:15:31,834 --> 00:15:34,625
When you make it all,
even it's hard to sell it.
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00:15:34,985 --> 00:15:37,865
It doesn't give you that rotation.
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00:15:38,135 --> 00:15:42,454
The looks better when you hang up
with painting this kind, you know, you
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00:15:42,454 --> 00:15:44,845
have it higher here and lower there.
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00:15:44,845 --> 00:15:45,005
And.
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00:15:45,795 --> 00:15:51,015
And very low and D no, I always
paint the streets we live in here.
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I'm sorry.
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Sometimes I feel the next pain for sure.
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00:15:55,095 --> 00:15:55,755
It's with pain.
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Leave trees.
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Yeah.
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That's where it'd be the next, okay.
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00:16:00,545 --> 00:16:01,715
Leave trees.
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00:16:02,165 --> 00:16:03,425
Maybe here we go.
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00:16:03,425 --> 00:16:04,385
Highlight this.
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The, it depends on how you attach it.
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When you see this little tree standing
there, there's a bit more far West and
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00:16:12,870 --> 00:16:14,910
you push it all into the water there
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again, and again.
245
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very powerful, very powerful.
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00:17:08,329 --> 00:17:13,940
what's a good contest you have here
because by having a dock and the power
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00:17:13,940 --> 00:17:19,760
is by having just the right contest
with the dogs and delights and whatever.
248
00:17:39,530 --> 00:17:42,139
Hey, I put it right into the water there.
249
00:17:45,450 --> 00:17:48,890
No as much paint in the water, make
sure you don't have too much paint
250
00:17:48,890 --> 00:17:50,870
in the water sometime in divorce.
251
00:17:50,870 --> 00:17:52,790
It would be better if
you have it even darker.
252
00:17:52,820 --> 00:17:56,330
Watch this, you see, it has more power.
253
00:17:56,660 --> 00:18:01,280
If you have a darker in the water, I
don't know why it is like that because
254
00:18:01,280 --> 00:18:06,110
you, you watch some time the colors
in the water look darker than the
255
00:18:06,200 --> 00:18:08,090
then, but you answered, reflect in.
256
00:18:08,805 --> 00:18:12,345
He that gives you G can you see the
difference between there and there?
257
00:18:13,155 --> 00:18:18,915
So have it darker there,
it makes it more vet.
258
00:18:19,185 --> 00:18:20,175
Maybe that's the word.
259
00:18:20,925 --> 00:18:21,945
It makes it bad.
260
00:18:30,155 --> 00:18:31,774
Oh God beautiful.
261
00:18:33,004 --> 00:18:34,445
Yeah, no, we will.
262
00:18:34,955 --> 00:18:35,345
We will.
263
00:18:35,939 --> 00:18:38,429
We were three trunks and
264
00:18:42,899 --> 00:18:44,550
put the right into the water.
265
00:19:03,720 --> 00:19:05,820
He it right into the water.
266
00:19:13,925 --> 00:19:18,185
doesn't matter where as long as
you put some upstanding lines in
267
00:19:24,514 --> 00:19:26,555
I didn't cut the canvas up to now.
268
00:19:26,565 --> 00:19:27,305
Can you imagine?
269
00:19:27,305 --> 00:19:27,905
That's good.
270
00:19:29,014 --> 00:19:31,595
So the knives are just
the right thickness.
271
00:19:41,425 --> 00:19:46,115
if you want, you can have the side like
this and you can make little scratches.
272
00:19:46,145 --> 00:19:46,504
No,
273
00:19:58,905 --> 00:20:02,085
The a Houston knife sidewards,
then you really scratch it.
274
00:20:02,275 --> 00:20:07,305
Catch the paint off and you can put in as
many threes as you want, and a little bit
275
00:20:07,305 --> 00:20:12,555
more pressure and he'll let the pressure
go see, and then you really go over that.
276
00:20:24,725 --> 00:20:24,955
Yeah.
277
00:20:24,955 --> 00:20:25,385
Yeah.
278
00:20:25,535 --> 00:20:26,495
As many as you want.
279
00:20:26,525 --> 00:20:26,885
No.
280
00:20:38,405 --> 00:20:38,824
good.
281
00:20:38,885 --> 00:20:45,365
I would use my big brush clean,
have a nice clean, big brush
282
00:20:49,955 --> 00:20:51,185
as dry as possible.
283
00:20:51,635 --> 00:20:54,335
And now make water out of that.
284
00:20:55,695 --> 00:20:56,145
Here.
285
00:20:56,415 --> 00:20:57,105
It's hard.
286
00:20:57,135 --> 00:21:02,925
Those lines in the water sometime you
would have to after was hard to keep them
287
00:21:13,595 --> 00:21:16,565
D in this case, sometime I do it this way.
288
00:21:16,565 --> 00:21:20,915
I show you, I put my big brush
right in here to the Dick Hart
289
00:21:20,945 --> 00:21:23,485
paint, and I make some time, little.
290
00:21:28,370 --> 00:21:30,800
See, and then you do the same thing.
291
00:21:35,060 --> 00:21:39,770
See, so it's, it's so
many ways of doing things.
292
00:21:49,490 --> 00:21:52,010
No, I've got the nice new, okay.
293
00:21:52,980 --> 00:21:53,760
Carla here.
294
00:21:54,780 --> 00:21:56,040
Now you do it.
295
00:21:56,340 --> 00:22:01,750
Nobody's meant I have to have, before
I go on with that, I wear, I wear, I
296
00:22:01,750 --> 00:22:08,850
wear, I wear reflects a little bit of
what I see dare and he that's right.
297
00:22:08,850 --> 00:22:10,199
I wants to have in here
298
00:22:15,740 --> 00:22:18,320
he attaches to the gray.
299
00:22:46,110 --> 00:22:47,639
Ever use my knife.
300
00:22:48,149 --> 00:22:51,659
And I would like to
fire in this light here,
301
00:22:57,830 --> 00:22:59,990
he, that gives you so much power.
302
00:22:59,990 --> 00:23:01,639
Can you see by doing that?
303
00:23:02,570 --> 00:23:09,110
So no, the big brush and I will
make water out of the whole thing.
304
00:23:15,425 --> 00:23:15,815
first.
305
00:23:15,815 --> 00:23:17,825
I make a little bit of upstroke there
306
00:23:21,485 --> 00:23:28,685
and then you very light, very light
stroke side West, and the ride, the bike.
307
00:23:28,705 --> 00:23:32,795
Can you see the transformation
to water out of the sun?
308
00:23:33,005 --> 00:23:34,025
You want water?
309
00:23:34,025 --> 00:23:36,905
And it was water there.
310
00:23:38,805 --> 00:23:39,795
Oh, that's nice.
311
00:23:43,155 --> 00:23:47,795
And then you, you, yeah, you can
put stones on, on the shoreline.
312
00:23:47,795 --> 00:23:50,135
You can put just a watch.
313
00:23:50,135 --> 00:23:51,005
I would just put
314
00:23:54,845 --> 00:23:56,585
whatever, whatever that is.
315
00:24:02,165 --> 00:24:04,505
It could be stones
could be sudden cut out.
316
00:24:05,820 --> 00:24:08,370
The virus, the whole thing is viral.
317
00:24:08,370 --> 00:24:12,629
That whole painting is very powerful
with all them viral movement.
318
00:24:12,990 --> 00:24:14,340
Powerful movements.
319
00:24:22,429 --> 00:24:23,120
No good day.
320
00:24:28,909 --> 00:24:30,050
That's nice.
321
00:24:30,139 --> 00:24:31,280
That is nice.
322
00:24:41,550 --> 00:24:44,700
See more?
323
00:24:50,900 --> 00:24:57,380
No, I didn't on my paint with a bit
of magic white and the right in here.
324
00:24:57,380 --> 00:24:59,360
And then this paint down with magic.
325
00:24:59,360 --> 00:24:59,780
Right.
326
00:25:00,750 --> 00:25:05,429
Or if you have a dinner, I have a dinner
pain to here, but I got no time for that.
327
00:25:06,000 --> 00:25:07,560
And then you make here some,
328
00:25:12,320 --> 00:25:15,590
see investing waterlines.
329
00:25:26,210 --> 00:25:30,770
And a nice, just cut it
in with too much power.
330
00:25:42,890 --> 00:25:44,540
Sometimes you just have
to use the admitted.
331
00:25:45,419 --> 00:25:46,320
And do that there.
332
00:25:47,010 --> 00:25:52,229
I would just try to go a little bit
longer shoreline here and there.
333
00:25:52,260 --> 00:26:00,300
Like, Hey, just on this tour,
did it out little out stare.
334
00:26:01,320 --> 00:26:02,669
Makes it more interesting.
335
00:26:07,310 --> 00:26:10,879
E maybe here, maybe here a little bit.
336
00:26:15,995 --> 00:26:23,435
and, and we come to a happy ending C.
337
00:26:23,879 --> 00:26:23,970
Okay
338
00:26:27,680 --> 00:26:28,040
time.
339
00:26:28,040 --> 00:26:32,389
We was little bit on the wild
side, but I had that almighty
340
00:26:32,389 --> 00:26:34,250
wild feeling when I started.
341
00:26:34,580 --> 00:26:39,889
And I just put my mighty wild feelings
right on it on mighty cannabis
342
00:26:40,160 --> 00:26:44,629
because the whole atmosphere, even
here in the studio was viral today.
343
00:26:45,020 --> 00:26:46,850
Everyone came in with a big song.
344
00:26:46,879 --> 00:26:50,389
Everyone was so happy and, you
know, happiness brings happiness
345
00:26:50,540 --> 00:26:52,490
and they think that is good.
346
00:26:52,850 --> 00:26:58,850
Living, you see, I express myself with the
happy song and they got what they want.
347
00:26:59,060 --> 00:27:00,379
Thank you for watching me.
348
00:27:00,500 --> 00:27:01,190
And I love you.
End .srt file.
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