Bill Alexander's
The Magic of Oil Painting
Season 8, Episode 3, Down By The Riverside - AVAILABLE
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That I might be magic, right?
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It's already on no, I grabbed my on
my easel and bogged down by the river
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side, down by the river side down by the
river side, I have a beautiful ID now.
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Fresh air.
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You hear the water's running down and
every pain, something that you might
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enjoy, just, just a distance, a bit
of a sky and three staying there.
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But what I wished you
could learn the distance.
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The next release.
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The next is coming forward just
in the Bush, in the wilderness.
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I think that would be a good lesson.
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We paint all this, this and far distance.
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Why not just, you have to ID, how
are we at the Bush on top of other
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Bush and on top of other Bush?
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And as you can see it, not
that she got mixed up with
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them, that might be a good ID.
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Why not?
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Let's go by down by the Riverside.
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I rarely put the little, little bit of a
happy sky in, Oh, it takes Taylor blue.
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That's a nice blue.
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That's a nice think about fresh
water down by the Riverside is fresh.
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Water are the air is clear.
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The areas are clean.
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They come from all parts
that come from Los Angeles.
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They come from all parts of, of divorce
down by the Riverside to breathe fresh
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air, to reach, you know, that could come a
time where people would be happy to find a
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place where they could breathe fresh air.
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Maybe one day my paints I've worked a lot.
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Because there's only
thing is in the painting.
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There is no rivers left anymore.
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They're all covered up.
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That could be all happened because,
because, because what, because.
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Don't by the Riverside.
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See, I make it as the perspective,
artists, every sky you paint make
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a deep, no matter what, even here,
it's just a little sky, but it's nice
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to have that sky go on for miles.
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Yonder is always by either
dark and let us get light.
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It would give you the same impression.
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It's the illusion we create.
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And that on my delusion is
what we make your painting.
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No, I would have a Riverside.
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There should be some voted down there.
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Anyway.
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Same colors.
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Yes.
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Around it.
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Up from the dark.
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And the magic rights is on.
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You see the magic right.
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Gobs off the colors.
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And can you see already?
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It is more watch.
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Bye.
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Let's bring it out more than we have.
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Right.
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There is a good lesson too.
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We have, uh, it goes further out.
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Uh, uh, yonder.
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Can you see that water?
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I lied it flat.
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It just illusion.
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And I mean, my Skype in, and now we
will see what's going on between.
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Okay.
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Okay,
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good.
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I will, I will use my one inch brush
and ever mix mixed trees there.
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I will have mixed three.
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It's not only one type.
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Maybe we will find the,
uh, the ideas here.
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I will show you, uh, which why we can.
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I would say remake your horizon line.
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See just far by, far away, please.
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And.
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Yeah, that's very fine.
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Very fine.
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Hang on one type of trees there
and was like dad like that.
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It's fun.
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My far away.
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So I got a good beginning.
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Now let's sprinkle in between some,
some four trees, sometime a fan brush
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could do a good job, nice little fan
brush and a bit of blue and zap green.
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And, and you put it in
wherever you think it will be.
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Nice.
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I say they are four, three standing there.
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Do you do it with the side
movements with your brush?
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He, how I take it off
bit of blue into that?
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Good.
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Maybe here I go.
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Give him a bit higher tip, maybe
a little bit more side movements.
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Uh, that's good.
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But something like that, make it nice.
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And villainous Verdun is it's good.
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Good.
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See, you have nuts to
even use the venue pain.
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We always tied to make Christmas
trees, but in there, there
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isn't there no Christmas trees.
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Here's one a bit lower.
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My dad takes over here.
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So we
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put in one there and we, we put
in one here, maybe next together
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that this his son,
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he nice for three days in
between all the leaf trees,
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maybe he has one or his high up.
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He got out.
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Good
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bit, a bit of blue.
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And in the South green,
it gives you a nice.
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Nice call us in between all those.
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There was a light trees.
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How many you want that doesn't matter.
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You're put in.
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I just, I want to teach here.
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I show you this making mixed forest.
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What looks sometimes very, very good.
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They know we can easy add a bit of color.
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If you want to add a bit of a.
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Uh, orangy color in order to make
it a bit more romantic there.
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One of the streets in
between the, how we get that.
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Nice.
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Make it colorful.
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Maybe here, this one tree has
a bit of art colors there.
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Yeah.
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The distance like that.
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Maybe here this one right below.
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see, no, we were, we were fired.
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Uh, he was the other one inch brush and I
will show you how we do it the best way.
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No, we will get in darker here.
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DACA.
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And there I was at the light into
the dark, a light into the dark.
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And if you want, you
could go on right there.
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Ours.
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We need lots of dogs there.
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Maybe do it like that.
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That's the only way to fly.
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Oh, the dog.
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Bit of blue and SAP green.
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No, I, I tried to find the horizon
line, the water line of that river bank.
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There we say, that's just every bank.
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I know we have all the
dark dark, the on top.
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I'm here for first, but here I
need dark in order to have light.
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If I have no dark, I have no light.
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I will create a kind of, a bit
of a, of a funny color stare
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on the, on the river side,
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more SAP, green alizarin,
Crimson, zap green.
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I live in Crimson down by the Riverside.
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We will have.
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This kind of a color and reflects
it right into the water to dare
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the, I see it all finished.
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So, so, so, so, so here that dark,
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tell you what we do.
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Use this brush as big as the brush,
as, as that are mighty artist.
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See, I fiddle around, I fiddle
too much with little brushes
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here and that's the right to fly.
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See,
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that's the right to
know what all is there.
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What ever is there?
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I'd make it viral, light, dark, light,
dark, not, not one color I want on broken
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up colors, darker bombs, lighter bombs.
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He, I tired at three,
already tied in there.
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E, and then you fire the same
thing into the water there fires
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right into your water, down by
the rivers, down by the Riverside.
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You know, it's true.
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It's true.
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I still said just sometimes you
feel so nice when you think you come
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home and you want too pleased for.
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Fresh air on the lakes or on the waters.
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And it's just wonderful to be alive.
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Well, I really just need a little
bit of blue shown up there.
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See, now we got to cook
and they got at Cochran.
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I will start highlighting it.
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I will use now you see,
now I can watch this.
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That's what I, to show you today, having
a dog and now in that dog is so easy.
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And then down your pain fit magic.
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Right?
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Sometime the paint is too thick.
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We need always to take a pain,
but it didn't have pains were
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stick on the ticket paint.
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No, I have to make it a bit in that.
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Yeah.
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Unless I get into dark, dark, dark.
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Oh, look how it makes that pain.
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Just with magic Vite and
make it a tune dinner.
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He had to stick to block
everyone's nice and loose.
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00:12:12,375 --> 00:12:13,485
Uh, it's coming now.
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Eh, then you can highlight some
trees up here are your, what are you?
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Eh?
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00:12:24,375 --> 00:12:26,945
And that is going to dark August.
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Land's going to dark.
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Did I, this three here, give him
highlights and let it get into dog dog.
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00:12:36,335 --> 00:12:39,465
That three is going
right into dark as good.
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00:12:39,645 --> 00:12:41,115
You know, you have to
call it us coming in.
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00:12:41,985 --> 00:12:43,335
No, I got to my car.
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That's come in.
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In order to have light create dark, you
know, in front of this tree, I create the
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00:12:53,585 --> 00:12:57,245
other four, the other leaf tree there.
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See, but let's go into dark.
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00:13:01,115 --> 00:13:08,075
Can you see light into dark, light into
dark, then you can line them up in front
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00:13:08,075 --> 00:13:12,905
again in front again, and you can act
like there's some fog in between or.
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00:13:14,880 --> 00:13:15,720
Whatever you want.
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The here I will create the other three
right against that four, three there, but
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00:13:24,660 --> 00:13:29,370
look and let it disappear in the dark.
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00:13:30,450 --> 00:13:32,850
The then they can put
the other trees in front.
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00:13:33,480 --> 00:13:36,090
If I don't have that, I cannot do that.
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00:13:36,990 --> 00:13:39,150
So I would use lot of magic right.
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00:13:39,210 --> 00:13:42,030
This time in order to have lots of light.
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00:13:42,950 --> 00:13:47,790
Lots of light colors in
front of the dark colors.
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00:13:48,600 --> 00:13:53,670
The, no, we can say here this,
the other one standing there
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00:13:56,930 --> 00:14:01,280
and doc, doc, doc, doc, VISPO
that's going to the dog.
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00:14:01,970 --> 00:14:03,830
See, that's nice.
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00:14:04,940 --> 00:14:05,810
That's nice.
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00:14:06,680 --> 00:14:08,090
All the three here.
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00:14:13,240 --> 00:14:14,459
Doc doc doctor.
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00:14:19,079 --> 00:14:22,050
Then if you want, you can use your knife.
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00:14:22,050 --> 00:14:22,650
You can.
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00:14:41,565 --> 00:14:44,415
Have two trunks, shout
three trunks here and there.
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00:14:45,765 --> 00:14:49,275
Just crash it in diseases, just
standing in the background there.
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00:14:56,715 --> 00:14:58,545
Good, good.
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00:14:58,995 --> 00:15:03,105
The next step it would
be, but of orangy color.
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00:15:04,155 --> 00:15:07,125
But then it down with magic
vibes, we needed a dinner paint
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00:15:07,125 --> 00:15:08,655
to stick on that thick paint.
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00:15:09,975 --> 00:15:16,005
You know, we'll have other three in front
of this again, you know, it's coming out
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00:15:16,005 --> 00:15:20,355
at the more clear, but dark, dark, dark.
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00:15:20,685 --> 00:15:26,835
Can you see it standing on top habit,
light, light, light, and into the dark.
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00:15:27,675 --> 00:15:31,395
Dan, you can see now, every show
you how far I can plaster my
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00:15:31,395 --> 00:15:33,435
other trees in front, in front.
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00:15:33,645 --> 00:15:38,235
And as you come to the front, make
it bigger and bigger and bigger.
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00:15:38,295 --> 00:15:40,785
And boy, you got the beautiful painting.
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00:15:41,115 --> 00:15:42,855
I think this would be a good lesson.
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00:15:43,125 --> 00:15:43,395
See
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the darker dog just disappear.
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00:15:55,365 --> 00:15:56,895
Sometime in my classes.
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00:15:56,895 --> 00:15:59,655
I see it is a struggle.
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00:15:59,954 --> 00:16:02,204
It's not so easy to understand that
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00:16:06,405 --> 00:16:10,665
I'd maybe have it like, done like
that, and you really can get in there.
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00:16:11,325 --> 00:16:12,705
And then do all kinds of things.
235
00:16:12,915 --> 00:16:14,205
Now you can use colors.
236
00:16:14,205 --> 00:16:18,315
You can use autumn seen by
sometime very, very nice.
237
00:16:18,645 --> 00:16:20,925
Maybe converted to Othame scene.
238
00:16:21,255 --> 00:16:23,325
I just could show you a
lot of beautiful color.
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00:16:24,125 --> 00:16:25,415
He hears one.
240
00:16:27,485 --> 00:16:29,375
And can you see how, how.
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00:16:31,815 --> 00:16:35,805
But dog, dog, dog, that dog,
that dog, that disappear,
242
00:16:36,225 --> 00:16:38,115
let it disappear in the dark,
243
00:16:42,135 --> 00:16:45,645
but it didn't have paint sticks on
the ticket paint and forget that.
244
00:16:46,545 --> 00:16:51,255
But otherwise we will not
have that power maybe here.
245
00:16:51,255 --> 00:16:52,065
One again.
246
00:16:57,939 --> 00:17:04,530
appear in your mind then that the tree
trunk is there three drummers there,
247
00:17:04,770 --> 00:17:06,540
or if you want, you can make a scratch.
248
00:17:08,200 --> 00:17:10,770
It has more, it gives you more power.
249
00:17:17,460 --> 00:17:19,139
You can easily have some.
250
00:17:20,880 --> 00:17:30,930
Movements in between be somebody standing
up desk, somebody is standing up there.
251
00:17:36,720 --> 00:17:40,290
See Dan, we were aware
252
00:17:44,060 --> 00:17:46,110
have a very big one right there.
253
00:17:47,054 --> 00:17:51,585
Now we come to the front, we come
to the river bank, we the side,
254
00:17:51,675 --> 00:17:53,054
and this one is on the Riverside.
255
00:17:53,355 --> 00:17:56,175
And this one already
fires into the water there
256
00:18:02,585 --> 00:18:04,685
down by the Riverside
257
00:18:07,895 --> 00:18:09,965
fire, that one into the water too.
258
00:18:15,945 --> 00:18:16,095
Okay.
259
00:18:19,145 --> 00:18:23,705
Oh, we would have kind of a
range, one standing right there.
260
00:18:24,065 --> 00:18:28,645
Big one, very loose, very loose there.
261
00:18:28,645 --> 00:18:31,295
Look how beautiful those
branches come out there.
262
00:18:31,625 --> 00:18:33,665
Fires right into the water.
263
00:18:42,365 --> 00:18:43,835
I think that's a good lesson.
264
00:18:44,820 --> 00:18:46,320
That's a good lesson.
265
00:19:00,630 --> 00:19:07,880
Always make sure you have a nice
clean brush, then you can really, they
266
00:19:07,880 --> 00:19:09,830
will highlight at all a little bit.
267
00:19:10,070 --> 00:19:11,360
I will use magic, right?
268
00:19:11,360 --> 00:19:11,810
Again.
269
00:19:13,305 --> 00:19:17,295
And light up this yellow
there with yellow Lauren.
270
00:19:17,745 --> 00:19:21,195
And no, I will just try
to highlight those trees.
271
00:19:21,225 --> 00:19:23,264
Even see, like this tree here.
272
00:19:27,525 --> 00:19:29,625
See the nice
273
00:19:32,985 --> 00:19:36,975
and the water you give them
the same highlights there.
274
00:19:41,804 --> 00:19:45,195
Maybe here we would have
a, in the middle Pines.
275
00:19:45,195 --> 00:19:46,274
We have one here,
276
00:19:51,455 --> 00:19:55,205
but let's get dark, dark, dark,
dark fires, right into the water.
277
00:19:55,205 --> 00:19:55,565
Again.
278
00:20:01,925 --> 00:20:03,395
That's an interesting painting.
279
00:20:09,330 --> 00:20:11,460
Hey, maybe here we would have
280
00:20:14,460 --> 00:20:20,389
that very Lucas as branches in a nice how
he can fire in those wonderful branches.
281
00:20:20,420 --> 00:20:26,000
But with that little brush, if you mix
that paint, right, there's no problem.
282
00:20:27,285 --> 00:20:27,585
Works.
283
00:20:27,585 --> 00:20:28,245
Wonderful.
284
00:20:28,455 --> 00:20:30,915
See, now, now it comes to the other side.
285
00:20:31,185 --> 00:20:38,445
We dank you got to have a darker dare and
what we will do, we'll use black and blue.
286
00:20:38,865 --> 00:20:41,535
He is black and blue.
287
00:20:41,565 --> 00:20:47,475
Someone hit him black and blue, and I
will make a darker they're darker there.
288
00:20:58,950 --> 00:21:12,180
He nice down by the river side and
by the river, uh, Riverside rivers.
289
00:21:18,435 --> 00:21:19,274
Even darker.
290
00:21:19,335 --> 00:21:26,504
Can you see how I get that shadow
in that dark underneath all the
291
00:21:26,504 --> 00:21:30,465
streets as darker you make it
there, maybe he didn't have a dog.
292
00:21:30,495 --> 00:21:37,185
He had a little bit dark, dark, dark, eh,
293
00:21:42,945 --> 00:21:45,765
So, no, we use that on mighty big brush,
294
00:21:49,275 --> 00:21:53,715
make sure there's always a
clean, dry brush and you fire
295
00:21:53,715 --> 00:21:55,575
and let's have the first row
296
00:21:58,965 --> 00:22:02,205
not fantastic, but it's
certain pressure now.
297
00:22:02,415 --> 00:22:04,635
See, I tried it out first.
298
00:22:05,595 --> 00:22:10,395
If I had to dim down that paint too much
in order to paint on top of paint again.
299
00:22:10,995 --> 00:22:11,504
So.
300
00:22:11,879 --> 00:22:15,149
It's hard to handle that thin
paint, but it works good.
301
00:22:15,240 --> 00:22:16,889
Look not too hard.
302
00:22:16,889 --> 00:22:17,580
Not too hard.
303
00:22:17,580 --> 00:22:20,460
Pressure, not don't press too hard.
304
00:22:20,790 --> 00:22:25,590
If I would press, I could show you
wrong, but I don't want to ruin it now.
305
00:22:26,669 --> 00:22:28,120
See it.
306
00:22:28,139 --> 00:22:28,500
Yes.
307
00:22:28,500 --> 00:22:30,120
The nice pressure.
308
00:22:30,389 --> 00:22:33,750
And if you want, you can turn the
brush around and give them two strokes.
309
00:22:34,020 --> 00:22:35,460
Then our clean, the brush.
310
00:22:35,639 --> 00:22:40,350
I usually clean it right
here on my canvas and see.
311
00:22:41,225 --> 00:22:44,205
That's it, the, in the hair the same.
312
00:22:48,485 --> 00:22:52,715
SI you lose all the light
actually by doing that.
313
00:22:54,365 --> 00:22:57,995
But then here on the bottom, I show
you something else what's good to
314
00:22:57,995 --> 00:23:03,155
do because I would like to show a
little bit of blue already there.
315
00:23:04,004 --> 00:23:10,235
So what I do, Dan, in this
case, I would make upstrokes
316
00:23:10,235 --> 00:23:12,334
watch this, but no powerful.
317
00:23:12,635 --> 00:23:19,715
Upstrokes see ups jokes up,
318
00:23:22,925 --> 00:23:24,875
but that I make very powerful,
319
00:23:27,875 --> 00:23:29,735
very hard on the canvas.
320
00:23:30,425 --> 00:23:31,054
Really hard.
321
00:23:35,565 --> 00:23:40,695
Now if you want, you can just
batch the version out two point.
322
00:23:43,825 --> 00:23:44,305
Yeah.
323
00:23:45,885 --> 00:23:47,715
He now comes to this.
324
00:23:48,375 --> 00:23:49,995
If you're happy, leave it.
325
00:23:49,995 --> 00:23:56,655
If you're not happy, add sometime I
lose so much like this light tree here.
326
00:23:57,375 --> 00:23:58,815
I lost too much.
327
00:23:59,265 --> 00:24:04,395
No, I tried to make it, try
to add a bit if I could.
328
00:24:07,095 --> 00:24:08,504
Yeah, but I make it more dry.
329
00:24:08,655 --> 00:24:11,955
The paint I use here is
a bit on the dry side.
330
00:24:12,735 --> 00:24:13,814
It's dryer.
331
00:24:13,935 --> 00:24:17,175
I can handle it better and
ticker every, just not.
332
00:24:17,175 --> 00:24:19,514
So then I cannot be here.
333
00:24:19,514 --> 00:24:24,554
I maybe give him a little bit too
and would like to have a little
334
00:24:24,554 --> 00:24:26,294
bit more power in the water there.
335
00:24:29,564 --> 00:24:33,585
The here, maybe that one, I like
to bring out a bit more too.
336
00:24:36,660 --> 00:24:39,570
Sometimes you have to do it in
order to get what you want to get.
337
00:24:46,440 --> 00:24:52,980
So now again, use your big
brush and light stroke.
338
00:24:53,010 --> 00:24:54,390
Not, not, not heavy.
339
00:24:54,390 --> 00:24:55,650
Don't be heavy on that.
340
00:24:56,250 --> 00:25:01,830
Don't get too heavy,
very light, very light.
341
00:25:02,490 --> 00:25:04,680
See, at least it is a bit better.
342
00:25:06,390 --> 00:25:10,500
And when I have it done like that,
and I show you what we do know,
343
00:25:10,980 --> 00:25:14,420
then you use your side stroke.
344
00:25:14,660 --> 00:25:17,000
See, and that makes it blurring.
345
00:25:17,210 --> 00:25:18,470
That makes it water.
346
00:25:19,190 --> 00:25:23,240
Can you see beautiful water down there?
347
00:25:23,270 --> 00:25:23,360
Yeah.
348
00:25:23,540 --> 00:25:30,710
Now you are really by the Riverside and
now you use your little fan brush and.
349
00:25:31,379 --> 00:25:32,580
Create kind of a
350
00:25:38,370 --> 00:25:44,330
C we have a little bit of a grass side
there, but you can do it with a fan brush.
351
00:25:44,540 --> 00:25:47,840
You don't have to have a
sharp, you don't have to have
352
00:25:47,840 --> 00:25:50,360
a sharp line there if you want.
353
00:25:50,360 --> 00:25:55,550
You can, if you don't want, you don't have
to see sometimes you see it yesterday.
354
00:25:56,060 --> 00:25:56,899
Grassy.
355
00:25:58,515 --> 00:25:59,895
But it would look good.
356
00:25:59,895 --> 00:26:02,565
You know, sometimes it's is underpinning.
357
00:26:02,805 --> 00:26:04,515
It's good to, to watch.
358
00:26:04,555 --> 00:26:05,625
Let me show you that too.
359
00:26:05,625 --> 00:26:08,625
We have time enough to get that in too.
360
00:26:10,865 --> 00:26:12,665
See, that will be just good.
361
00:26:12,905 --> 00:26:17,375
One litter, one little stutter
there with the knife down there.
362
00:26:17,465 --> 00:26:22,955
That's like a little sandbar
and, and that is what it is.
363
00:26:22,955 --> 00:26:23,525
You see?
364
00:26:24,270 --> 00:26:27,449
That little bit of AXA would
do sober to that painting.
365
00:26:28,080 --> 00:26:29,490
So what you say now?
366
00:26:32,100 --> 00:26:33,360
Did you learn something?
367
00:26:33,840 --> 00:26:34,919
Are you happy?
368
00:26:36,179 --> 00:26:36,929
Are you happy?
369
00:26:36,929 --> 00:26:43,800
I just make a copy of the lines of
strokes applied this C and what is there
370
00:26:44,310 --> 00:26:50,669
down by the river side, down by side.
371
00:26:51,690 --> 00:26:52,379
Enjoyed it.
372
00:26:53,070 --> 00:26:53,550
Bye bye.
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