Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Daisy Trio - AVAILABLE

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Teaching teaching his domain ID.

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Now I painted all of his finished

paintings, but I really made up my mind.

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How long did I teach it?

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Couldn't be too long anymore.

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So as long as I can leave it use

such our mighty power such almighty.

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Ooh go, Dan.

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I think I have not failed.

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I was a good teacher, so I know, I always

think don't show all the, the, the, the,

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all the extras that showed the mean thing.

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So I aim for just a couple

of flowers with the knife.

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Let's see how we do it again.

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I have to create a background.

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I use the white canvas this time,

and I see I put here a bundle

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of paints together, and I start

off with the brush at assembler.

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I use white, yellow, zap green,

and I merge it all together.

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It becomes something and maybe a little

touch of black, and then I learn.

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Whatever the, the, I wants to have a,

kind of a sparkling background, kind

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of a sparkling background, sparkling

background, but put on lots of pain

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because then you can move it around.

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It's a knife work.

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It gives you a beautiful background.

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The, just, just anything

you grab, whatever.

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I want it lighter into the dark than here.

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The, but let the colors

go into each other.

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I don't want to have

it separated that out.

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It was on this side, working on you.

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And then touch with and fire in and

put yourself in that on mighty mood.

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You know, when I start painting,

I got to butter myself up.

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I talked to myself and I believe I

was this painting, this painting.

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When I got that finished, that's the

biggest, that's the best I ever painted.

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It's only when I'm finished.

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Not happy with myself, anything that

is kind of whatever we have to live

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with, that she looked at that thousand

details and how fast you get on.

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If I would do it with the knife, it

would take me too long as a background.

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The use you're on, there's

so many other colors.

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I just.

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You only can show one type of color,

but use the colors you ever fit through

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your carpet, but fit to your house.

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The cores do maybe a touch

of blue on the bottom here.

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The,

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yeah, that gives a nice, nice background.

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Nice background

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and time you cannot spend too much

time, but it's nice to have a nice

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background, but I don't want to

spend too much time to, I just

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make it shorter as it pleases me.

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Happy with that.

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And that's all on me here.

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No, I leave the reds out completely.

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Maybe with white here.

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Oh, that's not that doesn't look bad.

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I like it.

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So fine.

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Use your big knife and fire in the

know and make those knife strokes.

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And it looks like

everything is done by knife.

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And if I wouldn't have done that,

this would take me too long to, to

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obviously grab the paint, put on,

grab pen, put on, grab paper on

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the, make it short and powerful.

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Uh, go ahead.

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and, and keep it thick and hard.

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Oh, I should talk about that.

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Don't make it then it's down.

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Oh God, please don't turn it down then.

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See you must, you have to paint

on top of that paint and the thick

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paint underneath is always fantastic.

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See, and if you want you that they

can prepare like their leaves.

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Cause he acts like leaves.

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They are there.

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They are not there.

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They are there.

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They are not there.

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The can you see loose, like

leaves you pack up there all of a

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sudden by using the knife that by

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me, Something like you leave, pop them up.

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There

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is even how I hold my knife.

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Very flat on the floor.

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Even this, this light against a dog.

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This is sometime have a, just standing

up there like a little leaf, pop them

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up there because they're pink flowers.

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See if I paint something all of a

sudden you aim for something else.

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That's a nice, nice.

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Happy background.

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Good.

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Good, good, good, good.

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No, the next step, the next step, I

used a smaller little knife, a smaller

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knife with the round core you see

kind of around tip and the flat tip.

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And I wants to make some flowers.

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I have a tick, always have a strong,

strong pain, have a very thick paint

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for that kind of work for pallet

knife, work, the soupy, paint it.

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You cannot do the things you want to do.

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Let me, I use gala and Tasha for red.

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I prepared here and I would say

that would be inside of that flower.

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That will be the inside of that flower.

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I like the paint on top there

that's the inside of one flower.

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Maybe, maybe, yeah.

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You can have the red and yellow again.

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And we will say all the flower is here.

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Just the inside of that other flower.

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Yeah.

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Uh, and maybe, maybe here.

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Yes inside of other flour.

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Oh, good.

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Good.

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All knife work.

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I use heavy take magic, heavy take white.

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And I would say I start the paddle from

this side and pull it in nicely to there.

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Eh, And we go again, always have

a clean brush and I would say, Oh

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yeah, here we can have other and then

like that, but see you pull it off.

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There's a disappears on the bottom.

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It gets stuck.

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Walker E no, we were, we were

maybe have other one here.

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E tied to aim for that, as you can,

more pressure, less pressure when

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you start and then more pressure.

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So it pulls it off.

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Nice there.

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Then it gives you a nice pallet

knife and you can pound it on more.

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See, look this time, use lots of paint.

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If you want to.

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Uh,

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and if you're not happy, you have to

go over, always go over with, to clean.

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If I feel like you shouldn't borrow

it, that's a nature is like that.

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But I just would like to

show you use a clean, clean.

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Always it never used it.

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There's just dirt, you know, clean

your brush on the paper there and

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you got nice Daisy panels there.

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Maybe we were starting

to run one coming up.

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This one,

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we think, let's think this paddle

has bent over and comes in.

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You see that's the, I would do it then

that panel is just coming out of nowhere.

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There are no where there, and if

you have to destroy it, if sometimes

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something was wrong, you can always

blend it in with the background.

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Again, there was easy to paint like that.

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So maybe here I have two patterns.

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The thing is going over on the other side

and disappearing use your imagination.

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And it's all the pattern here, uh,

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uh, uh,

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see in there, all that pattern here.

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sometimes it's a bit awkward because

you always have to twist your hands

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and don't worry too much in the inside.

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You always can clean it out.

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You see, look, use a knife and you

clean it all nicely out and you

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have it all the way you want it.

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Yeah.

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That is one no use Gallo

and dabble it a little bit.

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and you got the nice DZ there.

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And if you run, you can use the,

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the lines that the scratcher.

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Yeah, it gives you a nice little flower.

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Now we put the other one on here.

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Start off, maybe with one

that's just gone over there.

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And the other one is

going from this side in

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Like to think, let that

go around and like that.

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And here we have one mighty one, one in

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If you're not happy with that one

stroke, I make a second stroke.

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The.

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Can you see, it gives you a nice guy.

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I have a little tip

there, or let her around.

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You have two curves on your knife.

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You can use any curve you want,

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and he called you once.

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And this is very simple,

very simple paintings.

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Well, December paintings,

maybe he had this one.

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. Around a little bit from the top, make

it, so it looks coming over there.

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He asked me to make

the other one up there.

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Uh, started off here.

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It's all the same though.

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It is all the same.

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no, what are the paint I lose here,

but you got to clean your knife,

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every stroke with the new paint,

every stroke with the new paint.

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And you can practice that.

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You see, this is a perfect stroke.

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See this, there are some strokes.

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You're not happy with it.

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And some strokes here.

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This can be practiced.

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See, I never practiced too much.

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This type of work.

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I used to paint a lot a knife work,

but then when you practice that,

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then you develop such a mighty

power and you're you're painting.

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That's just fantastic.

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See here would like to have

the other one I lean on there.

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It became a better pattern

there, but always clean.

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Make sure you clean your

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C no, in this case, I might just

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run in it.

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Just the line on top.

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See, that looks like

that's hang, coming to you.

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The, the patterns and the rest

you look into that, maybe make it

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a bit more that I asked exists.

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You can understand it better.

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I've never done turnover

as you always can.

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Take it off.

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Look, see how I took it off.

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And you have the lines you want.

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Now you prepare the gun with yellow there,

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and there's lots of paint filled up there.

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If you like to paint with

lots of paint, do it here too.

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Then you can do the same thing again.

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And here in this case, you, you put

a bit of SAP green on, in the back.

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He, that shows you the beginning of,

uh, of the stamp and you can let that.

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Go around, around like this

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and show you, we highlighted

after then you can use your

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big knife and you create the,

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uh, trunk there.

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The STEM.

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And this knife has a nicer curve.

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I ever used that for highlighting.

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See, use this for

highlighting for the round.

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Yeah.

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and if he wants to get rid of

paint obvious, remove it that way.

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There's no problem.

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Now here again, I will have

other STEM coming down there.

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I have other STEM coming down here.

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Finish that up.

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It makes it nice.

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I miss them there.

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You know, you can fire in with leaves.

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And the leaves as December,

I will show you one here,

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the, with the, with the ribs, put it

over that by and all the leave is here.

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Other leave leavers here that way.

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And the other leaf has the boat's

side, but you pull it up like this,

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it gives your other leave there,

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and then you can go on and on and

make as many leads as your one.

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And it turns out like a nice picture.

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Oh, you can have leaves

hanging down like this.

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He's the other side, always

thing with the grain.

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no, here you can lay him down like this.

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Maybe a bit more,

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the Chelsea yard, the ribs

and all the little details.

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And if you want.

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Just show it to other sites.

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You can think of this just curved

around, but if he wants to show the

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other side and you just lean on, on

this middle rib and pull it up that

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way, you can see just put it up that way

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and it gives you a pallet knife leave.

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They can be nice, loose,

loose leaves there.

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and if you practice that,

God, you can do it so fast.

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It's just a joy to on and on and on and

on, but obviously make sure you have

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that movement of a leave the office.

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I think that's the middle rib and

put it to us that you can, the best

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is if you pull it from the rib up.

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From the middle.

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That's why you see it gives

you a nice little leave there.

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You can hang on the other one down

here sometimes just very flat.

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And then the other one,

very, very, very bright.

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See a bit lighter, one side,

but darker the other side.

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And you forming a nice little curve there.

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it doesn't work best every stroke, but

you can easy, easy, go over as much as

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you want to, to make it to your, on this.

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You feel good about it.

253

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It kind of leaves you fire.

254

00:20:34,730 --> 00:20:38,840

Now you can fill up all your

time with JS making leaves.

255

00:20:51,650 --> 00:20:58,940

but obviously, but the grain,

that grain that makes it nice.

256

00:20:59,960 --> 00:21:01,910

Maybe here, one hand down

257

00:21:09,195 --> 00:21:09,945

You can

258

00:21:23,445 --> 00:21:26,145

have like crass and you draw it on.

259

00:21:26,985 --> 00:21:27,825

See how I do it?

260

00:21:27,855 --> 00:21:29,355

Just draw it on it.

261

00:21:29,355 --> 00:21:30,855

Vernon not cut the canvas.

262

00:21:31,935 --> 00:21:33,255

I never did up to now.

263

00:21:33,285 --> 00:21:34,305

I hope I will not.

264

00:21:38,475 --> 00:21:39,915

And it's loose, really like grass.

265

00:21:39,915 --> 00:21:45,525

If you can see it close, because you can

see it's just like grass, like a blade

266

00:21:45,525 --> 00:21:50,255

of grass on, on, uh, on, on the canvas.

267

00:21:50,975 --> 00:21:51,095

Okay.

268

00:21:56,615 --> 00:21:58,535

He then hit me with that lever.

269

00:21:58,535 --> 00:22:01,715

I put on top, I put on top.

270

00:22:04,920 --> 00:22:06,090

Some are used behind

271

00:22:13,250 --> 00:22:14,090

more yellow.

272

00:22:35,045 --> 00:22:35,985

the other side.

273

00:22:43,020 --> 00:22:45,420

And I think we are

usually obvious to fussy.

274

00:22:45,810 --> 00:22:47,280

We always would like to,

275

00:23:00,470 --> 00:23:03,110

uh, less like to make it so perfect.

276

00:23:03,170 --> 00:23:06,860

And sometime when you make it too

perfect, it doesn't look right.

277

00:23:22,460 --> 00:23:25,850

yeah, just add the lines wherever you.

278

00:23:32,960 --> 00:23:33,200

Yeah.

279

00:23:33,200 --> 00:23:35,540

If it comes to the

foreground, you can make it.

280

00:23:36,615 --> 00:23:37,875

More powerful there.

281

00:23:47,585 --> 00:23:50,015

Sometimes it's nice to

have that little bit.

282

00:23:52,745 --> 00:23:58,685

He, you see how nice by having that

little bit of a side move looks like

283

00:23:58,685 --> 00:24:00,935

a big blade of grass in the front.

284

00:24:20,024 --> 00:24:21,764

so we get a true life.

285

00:24:31,265 --> 00:24:32,525

And the other side,

286

00:24:36,905 --> 00:24:38,945

nicely bleeds nicely.

287

00:24:39,485 --> 00:24:45,065

Um, maybe that's why we have a bit

more to harmonize with the rest.

288

00:25:03,260 --> 00:25:06,620

and this side, again,

our vest that up move.

289

00:25:25,530 --> 00:25:35,159

So you see how easy you

get a nice picture together

290

00:25:38,399 --> 00:25:40,920

sometime less, sometime more on one side.

291

00:25:41,100 --> 00:25:42,389

Now you farm it.

292

00:25:42,389 --> 00:25:44,159

You're on good advice.

293

00:25:51,540 --> 00:25:54,420

See, I couldn't go on

and on and on and on.

294

00:25:54,420 --> 00:25:56,100

And there's no end to that.

295

00:25:56,580 --> 00:25:59,220

But the main thing for me was to show you.

296

00:25:59,940 --> 00:26:04,139

How easy you can get kind of flowers

with the knife, how easy you can cut

297

00:26:04,139 --> 00:26:06,420

the background and, and her easy.

298

00:26:06,899 --> 00:26:12,120

See if I had it more darker than that

would be more lighter as darker you

299

00:26:12,129 --> 00:26:16,290

aim for underneath there on purpose I

made already, but darker there where

300

00:26:16,290 --> 00:26:21,060

I have the device flowers there,

see in the little picture like that,

301

00:26:21,090 --> 00:26:25,920

it stands out so nice and you can

create, and that's only the beginning.

302

00:26:26,445 --> 00:26:31,064

Really that's only the beginning

of whatever you do, because from

303

00:26:31,064 --> 00:26:34,935

now on, you get more hungry and

more hungry and he wants to have a

304

00:26:34,935 --> 00:26:36,614

better opinion on the better penny.

305

00:26:36,824 --> 00:26:39,375

And then all of a sudden

your masterpiece will come.

306

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This is just ID how you can

put something on the canvas.

307

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The.

308

00:26:47,070 --> 00:26:51,389

I hope, I hope I made you happy

and I hope you enjoyed it.

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And I hope you learn something.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Daisy Trio - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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