Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Cave Painting - AVAILABLE
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. Hmm.
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Mm, mm.
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Mm.
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So we put that on my team magic
on and today I have a dream.
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We on the coast, you
see a lot of caves and.
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Very often we went into the caves and
meet fortress out of the cave, and
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then we painted them and I painted
long ago, Lauder, uh, cave paintings.
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Now I wants to do that for you today.
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I will tank I'm sitting here right here
in the cave and look out to the ocean.
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And, uh, whatever I will see there,
I will paint first and then we will
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get the cave gone and to make caves.
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I is interesting.
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Let me do it for you because we
painted so many things already and
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I always look for a new subject
and I think that would be nice.
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You can combine it with
some other things later on.
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Okay.
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The magic fighters on.
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So what I do know, I create a happy
sky there, a happiest guy there.
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You don't have to worry
about all that around.
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That could be maybe the cave here
somewhere, but if you go on from me here
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and here, Maybe make it a little bit
of a bluer top, the, the, like the part
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of the cave, make sure you have more
than, than, uh, then you need, because
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when you put the cave around later on,
it's just not right as you make the
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cave and you need to add the, make sure
you rather make it long, like this.
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Okay, maybe I will do it like this,
then you understand it better.
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And you don't have to worry where
the cave where you sometime you
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wants to do a cut in or out.
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That is not straight.
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It's not round.
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It has bumps and a cave, you know,
you know, it is not just round.
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Okay, good.
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The make sure you have it, uh, have
a bit more, more data than you.
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You can handle it.
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Okay.
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Do you know a nice blue and
yet lighter, lighter, lighter.
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And now here you come forward,
you come right into your cave.
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When the water comes up, you
have to get out of that cave.
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No, I just create that like this.
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Maybe like this, you can go
right out and put this guy in.
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No, we we'll see what we, we figured out
there could be just a look into the ocean.
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Or you could have boots stair,
or you could have stones
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are other clips up there?
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No, he would see, he would
create a horizon line.
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I will take the fan brush.
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Now I will create a bit of a sky's either.
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We have to put it to life.
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Let's let's do as much as we can to make
it look powerful and to look powerful.
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It's always nice to create Bay big
cloud up there right out of the cameras.
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He, that gives you.
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You always have to thank you once
to sell that painting and make it
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sellable and make it so that's it
really, everyone should like it.
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And when someone likes it, he
will put some money out for that.
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E something like that.
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More white?
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Yeah.
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At the nice beginning, little
bit more, more power, more power.
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It looks like if you want, you can
use a bit of blue and Alison Crimson,
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the, make it up like this so off,
and you can create a little bit of.
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A darker color, stay in the clouds.
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He sometime you just can't even
have, look it's dark there.
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See?
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Oh, that's good.
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It's more little bit more.
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Hey.
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I know we can fire and
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they can fire and that's, couldn't
be, we can harmonize in the ocean
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or that with light, same light,
we can create the horizon line.
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We create the horizon
line there in your mind.
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Hey, Dan, no, Dan then in order
to make it interesting, they would
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have a little bit of a darker,
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see somebody like death.
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No, you know, you covered a lot of the
things on the side of, I wouldn't worry
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too much, but I would like to make it very
powerful by, by putting stones in there.
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And I would put the
bundle of white over here.
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See right over here.
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Tasha black was right in the too.
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Then you have it.
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Nice and Stoney.
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No, we will create kind
of a, Oh, here, far away.
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See how fast it goes.
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It's not a wonderful
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next step.
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You highlight that.
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Highlight that.
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Let the knife do the job.
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Just let the knife to the whole thing.
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Don't force it.
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You just no light and shadows
because you have the clouds
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already in the light there.
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See, that's the light side automatically.
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Now when the clouds.
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Show you where the light comes from.
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You set it up like that.
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The, no, you use your big brush
and you pull it down a bit.
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And you make water out of that.
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And then you, you, you
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put the bit device on there.
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Shoreline there, whatever
the stones coming out there,
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he, as far as there,
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Dan, you, you would the next step for be.
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He the next step for you all into the
same paint and you would have here a bit
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bigger bond, a lot ever stones line there
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You create yourself a nice
landscape, what you would like.
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And then we were ranged with as our mighty
cave and boy, that should look good.
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So light and shadows.
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We are no light is coming from this side.
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I would put more darker in between here.
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The become far vets as they come closer.
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I have to, I have to see this is lighter.
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This has to be darker.
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No, a nice one.
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You can make all those
details in such a short time.
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no, you highlight that the same way.
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and that's wonderful.
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Let, let the knife do the job.
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I really, I don't force.
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I just count the stones.
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Count the stars.
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It's the same thing, you know,
think about the pile of stones or
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cliffs or whatever you form details.
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Just do it to this.
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You think it is close to what you see.
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That's the best.
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Really?
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It's an oil painting.
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It is a look we just watch.
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Can you see the movements?
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Can we see the beautiful
brush knife movements?
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All those little details.
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Wonderful.
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They come out soon.
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Nice.
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I just tried to encourage
his son shape certain farm.
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Yeah, no, you use the big brush.
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I don't want to
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have too much paint on there.
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The brush is doing the best job really.
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At the brush through the job.
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See, I pull it down nicely.
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Like this
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there's no paint on now and then
never used my knife again and caught
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maybe sometime in it and push it down.
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And then you're you,
you, you, you, you, this,
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this make it in and out
so that it looks nice.
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Yeah.
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Like that.
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It was like this, he, then it comes
around, then this runs in like this,
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and then this runs out like this.
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You see?
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And you're harmonize, you
create power in there.
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Now this side ever do the same thing.
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Yeah.
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They crazy kind of a.
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No, we will see where we are.
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Use your big brush,
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clean, pull it down again.
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He
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didn't make a dime.
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nice at blur seats.
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I've had the blurring.
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Nice.
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Then you can, you can create the kind
of, uh, that is very quiet today.
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It's not much of a
movement if you want to.
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Can they hear, uh, here, I just
have a little bit of a look at this.
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That's a nice move.
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Yeah, just do like it's very
shiny and Novartis given the mix
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a little curve around that stone,
it comes out for like there.
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See, and make sure this is
a nice, nice line there.
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If you want, you can do it
from the other side too.
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You can come around, even from
far away coming on from here.
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Nice.
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Make it shiny.
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That's the whole ID make it shiny.
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And sometime it doesn't one stroke.
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Doesn't do the job.
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Never show you what I usually do.
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Then, then I help along
with the little brush.
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The, in this case here, I haven't.
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He had fun along with
a little brush there.
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That's good.
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The then the next step would
be a little attached like
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this, but don't just throw it.
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See, now we have ID this,
uh, What you wants to see.
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You can have a boat sometime.
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It's nice to have a little boat there.
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If you want to, you can
have a little boat there.
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They show you this just depends on
whatever he wants to dream up there.
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And that distance is just
having his boat floating there.
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is it so far, you don't see
any, any specific details?
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You don't see any details?
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Eh, have, I would say that's why
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he fired and let it be, it's a
bit of a shadow on the neat, eh,
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so then you, you can
thank us the sailboat.
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That will be nice.
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A little sail, the wind, you see
that big cloud, it would be nice
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to have a little sail there.
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Then you create the same.
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He was a boy.
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The height.
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He, I would say from
there, maybe, maybe, yeah.
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that just hang over
something, it slacks down.
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It gets powerful.
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It's like stone.
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And see then you, you, you, you
can use your knife if you want to.
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And.
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yeah, a little mass there and
then, but it's simple, very
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little simple, happy painting you.
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Then you can reflect that.
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And in Nevada too, he gave him that little
bit of a sailor or flexing in the water.
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You can have it from this side a bit more.
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Sean.
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Maybe you can use the texture of
light just coming from that side.
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Then you would have to have a
little bit of a color if you
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00:18:08,985 --> 00:18:10,845
want to on the outside here.
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See, you can add that little bit of a
color E fires that I entered the water.
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00:18:20,764 --> 00:18:24,305
It gives you a little bit
of extra, extra excitement.
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00:18:29,070 --> 00:18:33,270
He know, he rarely have it in action.
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00:18:41,390 --> 00:18:44,450
that means it does move to vent is gone.
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That's why the sale is pushing that.
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Why?
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00:18:49,670 --> 00:18:53,090
Oh, we got that depends on
what you want to do now.
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No, I think we are ready
for our mighty cave.
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So we will create eight look
for the bunch of colors on here.
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That means it will be dark in
the inside and it will be light
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00:19:09,615 --> 00:19:10,965
that comes into the light.
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00:19:11,775 --> 00:19:20,315
Then I will use a dash of red
to that color that you're blue.
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And we will see what we get out of that.
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Now the light is coming from this
side, but otherwise, if the light
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comes from this side, the light
would hit into the cave this way.
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And the shadow side on the
cave would be on this side.
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00:19:49,935 --> 00:19:59,235
And that's how you fire in no mercy, no
mercy and wants to use as much as I can.
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The cave.
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It's not, you have all
those kinds of, uh, uh,
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00:20:07,955 --> 00:20:09,675
It's not the round thing.
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00:20:09,675 --> 00:20:15,135
It's usually, uh, there
we've carved it out.
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Maybe here's a bit of hanging down there.
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00:20:18,585 --> 00:20:19,035
The
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00:20:24,725 --> 00:20:27,035
see, it becomes a different
pain yard of his son.
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No, he was working up in there first doc.
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The in order to make it faster.
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Let me say, show you how here's the,
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the, what I do now in order to.
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Go ahead.
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00:21:00,300 --> 00:21:01,560
You don't have to worry.
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We'll be Grazie to fiddle around
with the little knife there.
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00:21:05,940 --> 00:21:11,850
Close it up a dark because we have to work
it out completely, but with colors anyway,
247
00:21:16,950 --> 00:21:19,500
see, have it all dark crown.
248
00:21:19,500 --> 00:21:24,750
No, I just good.
249
00:21:26,025 --> 00:21:26,475
Good.
250
00:21:26,535 --> 00:21:26,805
Good.
251
00:21:26,925 --> 00:21:27,585
Good, good.
252
00:21:43,470 --> 00:21:47,400
No, that looks like an extra
frame is not like your frame
253
00:21:47,400 --> 00:21:49,710
around your whole painting.
254
00:21:52,710 --> 00:21:54,780
It can be very nice that kind of pain.
255
00:22:05,870 --> 00:22:10,550
So now, now it's your job to
make it George's at Luke's.
256
00:22:10,550 --> 00:22:11,750
I can just go on in.
257
00:22:12,590 --> 00:22:13,040
Hey.
258
00:22:31,665 --> 00:22:41,865
No on this side here and this side
here, I use white, yellow, red,
259
00:22:42,254 --> 00:22:44,865
Indian, yellow, all the sunshine.
260
00:22:44,895 --> 00:22:47,355
Carter's a little Tasha, dark tea.
261
00:22:47,355 --> 00:22:48,554
And then you.
262
00:22:49,455 --> 00:22:53,655
You create kind of a shapes and forms.
263
00:23:09,045 --> 00:23:10,355
See how it works.
264
00:23:23,180 --> 00:23:24,710
let the sun come in there.
265
00:23:52,190 --> 00:23:52,640
that's true.
266
00:23:52,640 --> 00:23:55,010
She had the side of the cave.
267
00:23:55,580 --> 00:23:57,440
Did this only side of the cave.
268
00:24:02,520 --> 00:24:05,400
He then here, here
269
00:24:10,260 --> 00:24:14,790
a you create the sunny side of the cave.
270
00:24:15,570 --> 00:24:17,670
It's light hits in this way.
271
00:24:17,970 --> 00:24:19,410
It's the shadow side.
272
00:24:20,400 --> 00:24:20,850
The.
273
00:24:39,815 --> 00:24:40,025
no.
274
00:24:40,025 --> 00:24:44,585
On the other side, you use blue and white.
275
00:24:45,605 --> 00:24:50,675
These are the same ID, but with
darker colors here, you use.
276
00:24:55,990 --> 00:24:56,610
Nice.
277
00:24:58,860 --> 00:25:01,110
I bet you get hungry to do that too.
278
00:25:01,110 --> 00:25:05,270
Now, there was a time we painted a lot.
279
00:25:05,330 --> 00:25:10,010
When I lived in Los Angeles, we went
to Laguna beach up there and it was
280
00:25:10,010 --> 00:25:13,520
obviously nice to get into those caves.
281
00:25:17,000 --> 00:25:20,390
SI can you see the
different, the shadow side?
282
00:25:21,254 --> 00:25:28,304
The sunny side and the no time
you create the inside of the cave
283
00:25:28,544 --> 00:25:30,375
that just appear into the dark.
284
00:25:31,044 --> 00:25:36,375
Then you come out, you come out here,
maybe you have it a bit lighter.
285
00:25:36,395 --> 00:25:41,925
Some places hanging down
like this, that this up here.
286
00:25:58,965 --> 00:26:04,265
And you get your cave in good shape here.
287
00:26:05,235 --> 00:26:11,835
He was a little bit like this
coming down here on this side.
288
00:26:26,435 --> 00:26:26,675
yeah.
289
00:26:26,675 --> 00:26:30,064
Make it light around there as you can.
290
00:26:30,334 --> 00:26:34,084
And then let's get darker,
darker, darker, darker.
291
00:26:34,445 --> 00:26:38,435
Same on this side here, it just
spins maybe bring a little bit
292
00:26:38,435 --> 00:26:41,014
of extra light out here and here.
293
00:26:42,365 --> 00:26:45,995
And that is our on my TKV painting.
294
00:26:49,515 --> 00:26:54,165
He just let the sun hit little
bit here and there and you
295
00:26:54,165 --> 00:26:57,375
are in absolute good shape.
296
00:26:59,504 --> 00:27:03,764
Sylvia out of the cave or we are
in the cave and he does this whole,
297
00:27:03,764 --> 00:27:08,595
you create, it's a different type
of a painting again, but you can use
298
00:27:08,595 --> 00:27:10,095
it for a lot of the other things.
299
00:27:11,264 --> 00:27:11,955
I enjoyed it.
300
00:27:12,435 --> 00:27:13,514
Thank you for watching me.
301
00:27:13,754 --> 00:27:14,205
Bye bye.
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