Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Lighthouse - AVAILABLE

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Just wonderful to be with you again.

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I love you.

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Let's fire in.

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And you know, we talked about before a

new subject that's for me the main thing,

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because if I would be this the first

time on TV, so you have lots of subjects.

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I thought, how about we, we paint a

lighthouse, just see how the ocean

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does and lighters on the stone, on

the hair and the mood, the colors.

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I thought this time I will have odd color.

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Take new car tickets off.

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Watch this.

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Yeah, just put it on little bit.

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Is the color coming out.

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I have to be very careful.

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The, you can easy, easy, easy.

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I wish you would think about it.

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When ever you put paint on the canvas.

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It's hard to get it off if you put

too much on it other less, and then

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you can add you've done this any

time, but you is lot of the time

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if you overload it and then, then,

then as well, it's Robert stars.

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The, and they have to make

it very, very light, throw a

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movie that move that beautiful.

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Uh, we will find a kind of, uh,

I can see already the sea there,

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ocean there, and, and, and, uh, you

start off with this kind of a color.

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I wish we could just

use, use powerful colors.

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So let's see in that color and that

mood, that will be the mood I set.

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Maybe now I put more on and I start

from the top and I start from the top.

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See, and then you can really

just go over like this,

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then you can create kind of a

rain mood or a sunshine mood or.

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But in that kind of color, the whole thing

started on the bottom, the same thing.

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And you come up, same colors again,

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area.

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That's a funny color.

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Really?

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It gives you that you're, this is the

mood you get in all of a sudden the

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same mood, but the way the colors are

maybe here, you have it a bit lighter.

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I will add to that attach

of, uh, alizarin Crimson.

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I will add to that attach of

alizarin Crimson, and yes, the

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Alison Crimson was good with that.

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Just to get the different

evening mood in there.

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Maybe here a little bit here, little bit,

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and maybe put it along here.

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See what colors can do for you.

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That's wonderful.

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And the brush is obviously loaded.

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It depends on how you

push it onto the canvas.

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How are you pushing it onto the canvas?

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Maybe finding that little bit of

mood red right here on the bottom.

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I tried to find the harmony right now.

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He tried to find the harmony.

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Let's see, they're very with the

ocean ever be a stone and there

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would be the lighthouse and maybe

the house where the guy lives in.

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And so, no, let's see.

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Stand back if you're happy.

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Good.

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Now I think I want to have a bit

more and move, move the dark color.

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I didn't wash my brush.

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I just go right into that.

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Yeah, that'd be a little bit darker there.

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Let it be a little bit darker there.

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I look for a little bit more power.

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Okay, good.

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No, . We think there is a

far by ocean Sharon and I

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see that's great.

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That kind of a horizon line,

the water line and come far,

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vets works good, but it's good.

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You can have it.

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You can tape it off to the back in

order to, to have a little bit of depth.

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See like the oceans coming from farther

by, Oh, you live very flat there.

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he?

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Ain't no, here they come closer.

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So let's see, that's it.

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The beginning.

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I know we were firing, we were put

to kind of our mighty stone in there.

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Look what I do here.

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I take some risks, passion blue,

uh, alizarin Crimson, and that move.

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So.

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Let's see how that works together.

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It's this.

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I want to create a mighty stone.

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Uh, this is the ocean here

and it was coming up there.

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The lighthouse is used the, on the hair.

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You wouldn't put the license down in the.

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In the Valley because

no one will ever see it.

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See, there you are.

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And maybe that's the highest point.

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I'm be like that.

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Yeah, how easy that this stuff?

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I think there's a stone is a

cliff because down avoids this

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washing all the time against it,

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you can make it dramatic.

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You can make it somewhere.

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Not too much paint, not too much paint on.

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You can make it.

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So this, as, as Sam Pell, you can have

other Lynch stones standing there.

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See, sometime it is good to

make it, you know, you wants

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to set it your work or not.

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That's bad if you make

it even one side higher.

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And the other side uneven, if you

can even let the stone come down like

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this, maybe here's the other little me.

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She know, you will fight

us all into the water.

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Your fire is all into the water.

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Now the best is now gonna have your

big brush and fire right in like this.

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See,

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and hear the same, the,

uh, something like this.

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Harmonized with the, with the background.

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Yeah.

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How easy, how easy it goes along.

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That's it.

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Now, if it turns out too long, let me show

you a little mistake sometime, and that

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will be happening to you when you pain.

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This turned out a bit too

long, then push it up.

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They tried to push it up.

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How I get rid of it.

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That was good.

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And push it up.

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And he had some ever do the

same thing, but always make

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sure you have a clean brush.

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If the brush is not clean, you

messed up the whole canvas here.

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This, this is not the word, but

you can always get to the end

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of it because the canvas is wet.

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So that's this funder for?

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No, you highlight to hold things.

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I really find Vite and a little bit

of Dessie and you make it and a bit

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more, move more of this move color.

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He, then I can get the sky and

I can get the colors in here.

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Oh, that's nice.

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They are easy.

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You had to call us in and

fires right into the water too.

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the in case happened like

this here, you make a mistake.

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Don't worry too much about it

because you're add here a little bit.

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See.

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Right.

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If I, you needed that there.

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So that is what I visually would

learn because when I started

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painting, I was panicking.

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I thought, Oh my God,

there's something wrong.

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And how they get target out of

that note and add other little

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bit, and that does the whole job.

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So, you know, we really, we really maybe

give him a bit more light, more light.

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Yeah.

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Make it nice, like stone

fires right into the water to

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see same here.

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He has the same in between

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now here.

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let the knife do the work

gluco, how nice it breaks.

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Look at that ID.

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That's what makes it so nice because when

the paint is solid and hard and dry and

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nothing is slipping, nothing is sliding.

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That is wonderful.

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Then you really can create,

you can really do something.

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I would like to have a

bit more move in there.

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Go ahead.

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Go ahead.

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no time, no time.

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You had put, put clips in

there, whatever that is.

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I'd come down there and then

fires right into the water.

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See that makes it nice.

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Yeah, yeah.

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E Z C siniora that's hair, but

there maybe here they're the best.

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No time, they'll get all those

details because of the pain.

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If I had a Sufi sloppy

paint, I never could do that.

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That's most impossible then.

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Wonderful.

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Everything is coming.

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My rain, everything is coming.

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My rice, no I've been

make water out of that

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in this case.

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How about you make some upstrokes there.

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Mix them here.

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I can make some down downstairs.

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no ever use my fan brush my big

fan brush again, and I will create,

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I will create my vaulter and

let's start off here in between.

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see here in vitrine and maybe

here's the, that little line.

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I feel I've done that before, but I

showed you how you shouldn't do it.

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The teacher can do it.

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There's nothing wrong with that.

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No, watch you cut this in half here.

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Give good that's half the, like, there.

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The olive is on that.

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Stone is beautiful, the right, and the

water it's dancing right in the water.

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You can use your knife for that, but

you can use a fan brush in this case.

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I wanted to show you a

lot with the fan brush.

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Now,

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the, and then you can do the same thing

you remember in the other painting.

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I, I show you this little bit.

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Upstrokes there.

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The upstrokes there that misses his vet.

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Can you see it beautiful that the water

is running off and you can do the same

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thing here in the whole coastline?

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Yeah, let's go on like this, like this.

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Okay.

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And then maybe no, you can, you

can give other push forwards, go

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right into to here then brings

it far West, but you push it up.

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The, you push it up here.

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I push it up here by pushing it up.

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You get a certain feeling of Vata moving

down because that's is obvious that

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the water's dancing there all the time.

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That's nice.

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He does.

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Upstrokes

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and you, yeah, I hear you again.

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Make the upstrokes their upstrokes and,

and, and then, then you just come forward.

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You just come forward as here,

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different type of mood again.

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And he has, I'm going

to shoot at Luke's bet.

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Wonderful.

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Now we will, before we start

going crazy, we will be well 10 in

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Crimson and the same colors I had

for that whole mountain bit more.

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Alison Crimson color.

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And I create right there.

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Is that on my lighthouse standing there.

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All right.

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On the tip there.

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the other side.

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If you want the straight line, then

just use the other side of the knife

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and you create a kind of a happy

make sure the street, the step back.

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I usually like to step back then

because then I can see it as three.

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Uh, that's good.

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Then here in between, maybe here,

you can have a little bit of a, uh,

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little house, their house on the hair

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and Ew, Ew, Ew, Ew.

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Push it down like this.

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ye no, you put the happy little happy

than the roof on something like this.

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Eh, I don't think like that.

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Maybe a bit more.

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Now, the guy that lives there, you

always have to make a story up.

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The guy that lives there.

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He has two kids.

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He might have some goats up

there on the hair because it's

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always nice to have some milk.

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Sometimes.

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Good milk is good.

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It's wonderful.

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Hey.

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So you give him an extra little

bit of a other little house in

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the back there, whatever that is.

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I don't know if you don't know

it, but there's a tool shed.

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It's a little tool shed standing there.

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Yeah.

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And you, you, you, uh

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and you, you, you give

him a kind of a flat roof.

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He has a flat roof up there.

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and you, you can have green

and the texture, right?

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I like to make some vendors up there.

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There's some glass up there

having the lighthouse he has

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as, as the glass vendors there.

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See this shine.

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The light has hits the glass and there's

a kind of a shine going through having

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a bit more darker underneath there.

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See, that's good.

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Okay.

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Give him the little chimney,

give him a little chimney

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because he has to cook his meals.

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Stare.

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I don't know if he's married.

256

00:20:25,264 --> 00:20:30,395

He might not have a wife there

because no woman wants to live there.

257

00:20:31,335 --> 00:20:32,625

He said hell with you.

258

00:20:33,345 --> 00:20:34,695

I like to have my freedom.

259

00:20:34,695 --> 00:20:37,065

I want, and you know, a

needed a shopping center.

260

00:20:37,065 --> 00:20:37,935

That's the problem.

261

00:20:38,835 --> 00:20:40,095

They must have spend the money.

262

00:20:41,685 --> 00:20:42,525

What you do know.

263

00:20:43,199 --> 00:20:45,959

They put Deborah, they

don't make much money.

264

00:20:47,760 --> 00:20:51,740

So we will give him the other

little bit of a happy light.

265

00:20:51,740 --> 00:20:56,669

There is the other big render, you know

what I always think that's, uh, it's,

266

00:20:56,689 --> 00:21:02,510

uh, the, see it around people like to

watch, like to see and you live there.

267

00:21:02,510 --> 00:21:04,909

You always like to put lots of

glass, pass it around because

268

00:21:04,969 --> 00:21:07,449

the view is a wonderful thing.

269

00:21:07,459 --> 00:21:08,840

That that's the whole thing.

270

00:21:08,870 --> 00:21:10,219

That's a hard thing.

271

00:21:10,920 --> 00:21:17,129

Then we will give him a happy little

door there because the tool shed.

272

00:21:17,399 --> 00:21:24,920

So he has to repair his boards

and whatever he has there, he, and

273

00:21:24,920 --> 00:21:29,180

then the lighthouse, we have to put

the little bit of a top on there.

274

00:21:29,210 --> 00:21:31,190

We can't keep it all alone like that.

275

00:21:31,760 --> 00:21:36,920

Maybe we even do it like this.

276

00:21:50,705 --> 00:21:55,145

no, here in this case, you'll

see the top became a bit wider.

277

00:21:56,014 --> 00:21:58,475

So then don't cry and make

this a little bit wider.

278

00:21:58,475 --> 00:21:59,945

And then you have the harmony there.

279

00:22:00,975 --> 00:22:01,725

It's been a harmony.

280

00:22:01,784 --> 00:22:05,145

If you could have to put the

highlights on there anyway.

281

00:22:05,584 --> 00:22:05,774

Yeah.

282

00:22:05,774 --> 00:22:07,324

There's a little bit of a highlight.

283

00:22:08,375 --> 00:22:16,145

And then you put the highlight on

that makes that house better, better.

284

00:22:17,135 --> 00:22:22,895

Then you put the kind of white

and red, white, and the red,

285

00:22:23,705 --> 00:22:25,685

but kind of a glow in there.

286

00:22:29,310 --> 00:22:31,440

Z that can be a

287

00:22:34,920 --> 00:22:35,940

bit more red.

288

00:22:35,940 --> 00:22:36,900

If it's red,

289

00:22:41,010 --> 00:22:42,090

don't be too fussy.

290

00:22:42,750 --> 00:22:46,200

It's not good to make it too perfect

then that is not to pay me anymore.

291

00:22:48,990 --> 00:22:51,629

She ain't know if we give him

that little bit of her roof there.

292

00:22:56,430 --> 00:22:59,100

Lots of rain, lots of rain,

293

00:23:03,090 --> 00:23:08,850

maybe touch on Fred, maybe little touch

of red here on this side that the red

294

00:23:08,850 --> 00:23:13,590

on this side is all that looks more.

295

00:23:13,830 --> 00:23:18,930

What, what, what, what, and here

you put it in the beds over there.

296

00:23:24,000 --> 00:23:25,320

That up there.

297

00:23:27,389 --> 00:23:34,740

And you, you, you hear the, now

is depends on what you line up.

298

00:23:35,070 --> 00:23:36,120

There are trees.

299

00:23:36,150 --> 00:23:41,100

There are, you know, what type of trees,

grout they're these there's a, the

300

00:23:41,100 --> 00:23:43,350

ocean attack, certain type of trees.

301

00:23:44,430 --> 00:23:52,020

And I would say, I would say, I would

say you could, you could use a fan brush.

302

00:23:52,050 --> 00:23:57,510

I would use a fan brush and have a little

bit of a shrubbery around, you know, this,

303

00:23:57,510 --> 00:24:02,730

uh, ocean wind, ocean trees, ocean wind.

304

00:24:12,915 --> 00:24:16,785

You would, you would

have fun the trees there.

305

00:24:16,845 --> 00:24:18,495

Oh God, they go there.

306

00:24:18,525 --> 00:24:18,855

Yes.

307

00:24:23,315 --> 00:24:25,835

the vendor has, has marked them.

308

00:24:27,395 --> 00:24:27,725

Yeah.

309

00:24:28,865 --> 00:24:32,635

So Crockett sometime he gave

him that beautiful little,

310

00:24:34,895 --> 00:24:36,425

like the vent has Malden.

311

00:24:49,175 --> 00:24:52,685

And then a little bit darker on the

bottom, the dark on the bottom, give

312

00:24:52,685 --> 00:24:57,554

them a little bit of a shadow and

then you really, really get it on.

313

00:24:57,604 --> 00:24:57,995

Nice.

314

00:24:58,485 --> 00:25:01,545

So you can pack the trees

around the way you want.

315

00:25:01,545 --> 00:25:05,175

No, but not to hide there because

you know, he is a Watchman.

316

00:25:05,175 --> 00:25:06,555

He has to see a lot there.

317

00:25:07,295 --> 00:25:09,545

See, you can have it on the bottom here.

318

00:25:09,545 --> 00:25:15,845

You can have more room you could have

here kind of, of a bigger crooked tree.

319

00:25:16,625 --> 00:25:20,555

The end of the fan brush is just

fantastic for those kind of trees.

320

00:25:21,155 --> 00:25:21,755

No ass.

321

00:25:26,525 --> 00:25:29,435

uh, crooked and then give

him a little bit of the best.

322

00:25:29,435 --> 00:25:32,825

It's that little one inch

brush will do a fantastic job.

323

00:25:33,275 --> 00:25:41,405

Just give him a lit the best of

whatever blocks there he does.

324

00:25:41,525 --> 00:25:42,365

Ocean trees.

325

00:25:42,365 --> 00:25:44,735

They have, they look funny there.

326

00:25:45,515 --> 00:25:46,925

The Vint has marked them.

327

00:25:50,775 --> 00:25:55,515

See a little bit here, a little bit there,

and then you get your painting together.

328

00:25:56,025 --> 00:25:57,885

Divine, huge tank.

329

00:25:59,435 --> 00:26:01,085

And he had a little bit of green.

330

00:26:01,505 --> 00:26:05,555

Usually their plant, obviously a bit of

green always comes here a little bit.

331

00:26:06,095 --> 00:26:11,645

He fires into the water there and fire

that little tree into the water there.

332

00:26:12,275 --> 00:26:16,745

See here and fire this little

tree into the water there.

333

00:26:18,929 --> 00:26:23,760

And fire that little bit of a red

thing, just a little lighthouse there,

334

00:26:24,090 --> 00:26:28,800

adjust just roughly give him that

little tune there and give him that

335

00:26:28,800 --> 00:26:35,159

little bit of lighthouse is hanging

in the water there to see, and, and

336

00:26:35,189 --> 00:26:42,659

this here, and then you just use your

big brush and make water out of that.

337

00:26:43,500 --> 00:26:45,960

See, and maybe.

338

00:26:46,889 --> 00:26:49,889

Maybe copy lines like this.

339

00:26:52,409 --> 00:26:56,280

Debbie, are you enjoyed it?

340

00:26:57,090 --> 00:26:58,439

Thank you for watching me.

341

00:26:58,919 --> 00:26:59,399

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Monday, December 14, 2020

UNKNOWN Season, Episode, Lighthouse - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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