Bill Alexander's
The Magic of Oil Painting
Season 8, Episode 11, Quetico Wilderness - AVAILABLE
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Every thing I can do, you can do better.
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They're better or better
everything I can do.
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You can do too.
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I think I was thinking it is nice.
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Maybe I should sing then pain.
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Okay.
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No, I got that on my team.
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Magic right on the canvas.
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Again, let me warn you not too
much magic right on that canvas.
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Otherwise you ground yourself and
you'll never get together after at
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the beginning, even make it nice.
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You get that.
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When you as a kind of a techie
feeling, it is pulling on you,
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then you are absolutely right.
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But when it slips and slides,
then everything gets slicky and
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slidy and you you're already lost.
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Right.
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When you start this technique
is a very tricky technique.
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It looks so easy if you do it right.
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Let me on you again.
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As dry, every pain as more
successful, we will be keep
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it as dry as you can remember.
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Times when we had a little clip on thing
with oil and with all that Alamos baloney
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that is for the Sunday painter, when you
pain and you let it dry and then you wait
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the whole week and then you are on again.
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And then as usually you copied
things, the creative power comes out.
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It overcomes you.
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And I know.
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I watched the pain fog, miss the
sun in the mist know, just try to
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break through and very, very simple.
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I want you to do the creative
power side to grab me now.
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And as more as I talk about it as more,
I, my hand will do acts actually what I.
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Well, but I know exactly how thick and
strong my paint is, and it will always
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stick adrenal slick and windows slide.
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And I can blends are easy.
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When you say here, let's be the S the, the
sun, maybe here somewhere in the admitted.
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You know, it's a funny thing.
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When you went to art schools or mostly
don't put anything in the middle of
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Denver, uh, put the roses on or even
number, please do whatever you like.
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If you feel you wants to have
the sun in the middle, put it
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absolutely smashing the meter.
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It's your painting, it's you?
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And if you weren't to have it on the side,
because sometimes I put it on the side
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because they have some big trees on this
side, then they want us to hit the tree.
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But with my sunshine in this case,
I smack it right in the middle.
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Okay.
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Right.
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They're not on mighty medal,
but I must have a fog.
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Every use, a touch of
Indian, yellow there.
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That's all.
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That's all.
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And move fire right into the water there.
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That's on.
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That's all.
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Ready?
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Ready?
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Ready?
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Simply get a bite here.
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Just a hair there.
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You push it away.
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And here.
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Nice.
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You got the sun already there.
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Now we start from the outside
in, I will use black put over
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here, but have a pressure and
blue and a bit of move or violet.
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Okay.
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Kind of a color.
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Like we will see.
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I tested now.
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I T yeah.
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That's exactly what I taught everyone.
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So it started off here,
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divided this on the canvas and the
canvas is vet and whatever you do,
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no, as more you brush your own,
it gets lighter, lighter, lighter.
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So it starts off from this corner.
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Started out from this corner.
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Now you can go through here this corner.
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Why do they want to show, you know, how
the power of how your speed now, you
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know, there's a lot of arguments about
speeding because when you know how then
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you do it very fast, but it's very good
for you because when you create you, it's
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like you eat, you eat the beautiful meal.
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You cannot just let us stand there for
half an hour and then eat again and
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then leave it there and then eat again.
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You got to eat until
you feel just perfect.
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I feel good.
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And that's unloading my ID here.
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See, I wanted to have it
light there and light here.
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And I started from the outside
because they can resist vet.
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And you see what happened to watch.
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See, I aim for, and then, then
use your, uh, the pressure.
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I would say here can be dark in
the middle to be around things
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that sun is in the midst there.
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The, how you do it first, start
from the outside when you have
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more paint on it, but now it's
still enough paint in the brush.
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I never went on like this.
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I knew around like this, and if I
need more that I press harder and
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they got more paint out and then
don't put too much pressure on
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again and you got to lie lighter.
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And then when you come
here, you start Vispring.
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Yeah, y'all were just
festival a little bit.
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no become a Eddie.
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Can you see how you buried the beautiful.
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Uh, Misty D other than the doctor doc
here, maybe he is a bit darker as all.
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Just feel your invite, feel
your on vine, all of a sudden.
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And now time you got the
guest in the right shape.
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That is lighter there.
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Now look at that over there and to the.
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More like, if you need a darker
there, you just hit harder.
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There's always some paint in the brush.
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I need a darker there and it's harder.
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You don't want too much paint on the
canvas as more paint you put on the
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canvas now, and it's even slicky and
slide here with the didn't paint.
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Forget it because I want to
paint on top of that paint.
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Now, every paint wet and wet.
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And you cannot make it happen.
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If it slicky and slidy, that's just fine.
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I wish you wouldn't go around to the
art stores and find it tick, tick,
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paint it, tick the tickets when
you can never get up, get a habit.
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You know what I usually do.
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I open up the tube and if the oil comes
out, you feed it on the outside of that
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di then I put it back in the sheriff.
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I just don't want any soft stuff.
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There, uh,
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you know, we already created.
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We already created the sunlight there.
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No, that has to be fog.
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You hear the fog horn.
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If you're on the water and you
know, you're, I do a lot of fishing.
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I do a lot of authors for me.
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The main ID.
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Then you hit a fog horn here
and there and you have to worry.
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I wish I had the radar sometime,
but, uh, I have a compass, at least
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I know where I am and I watch like
a Hawk, but I do, but there's a fog.
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The sun is just blurred just a little bit.
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Yeah.
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Come, you all done this
particular deed there.
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He and I stayed pain.
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Very, very dry, very, very, and
you know, he bumped it out there.
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Stock enough, I want you to darker or
right then the right, the same colors.
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And I start off again from here as darker
I go earn, then that becomes lighter.
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Again, this uptick illusion.
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He has darker.
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You have it all around as lighter appears.
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Even here we can have like the, that
sunshine is bumping on the water.
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It just bummed me.
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This, this you're here
even, uh, look at that.
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yeah, this, this is the ID.
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This is the ID.
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Then you pain.
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That I might do creative
power run at gaps.
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You ain't tell you then you will come and
sleeve of yourself because this is just
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barely up to a wonderful, and you grow
as you grow bigger and bigger into that.
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And they think that's fair.
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I think out of this
technique, the future of.
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Of artists will come out of that
because we have, I must say I have
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all America painting and I had no,
and that's nice and it's always this
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technique and that makes it nice.
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It's a powerful technique, good living.
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And still you make a happy buck.
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What's good too.
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If you have a lot of
artists, it's hard to create.
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I wish you would have paid all your beds.
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No that's and just creative power.
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This living with your mighty brush.
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I have some friends or some
girls even they're paying DNI.
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No, I said some they're lunatics.
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They're paying like gravy.
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I have one girl in Florida.
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You wouldn't believe it.
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She paints every day.
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If he wants to work, comes home and
pains every, sorry for a husband,
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a little kid, but he's phonology.
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He enjoys it so much and he's
doing the fun, fantastic job.
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Fantastic job.
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That's nice.
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So it was, even though we have a
painting or that D no, it's up to you.
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You can have the fan brush, a big
fan brush, clean macabre, shorter.
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You have a nice clean fan brush.
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And I will use Vite in this case
because that Indian yellows in there,
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I really just build it up in the bed.
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Like, you know, you can even
push and movements there.
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Go with that.
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The foggy movements that the
painting becomes more life.
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If you move it to better, but always
start off in the light where the sun
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is the best and, and move off out.
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But don't come back.
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Don't come back because
then you lose your rune.
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It have some movements there.
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You feel like when the
whatever that's good.
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there you go.
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Same.
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You do in the bottom here with the water
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and the water you can use
sometime movements like this, the.
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guess like just kinda, kind of a down
movements, bringing it out again,
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but more but more but more of it
more there is more there and here.
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just don't move, man.
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Stay that, that, that make it
shorter, but more but more maybe
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here your desk fire in the water.
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More right there in the sun.
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I only use Vite because it changes
the colors I divide when you,
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when you touch the cabinets.
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Cause it's obvious that paint on there.
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No problem, no problem, but
more here and a bit here and
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here and here and here and here.
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And that's good.
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Oh, you're in good shape.
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No, I use my big brush, clean,
clean that a mighty big brush
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and they have no paint on the canvas.
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It's too easy to paint on top of that.
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Nice dry brush and the voter who do it
like this, just sidelines like this.
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And he had a little bit of Chris cross
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don't ruin the whole thing.
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Don't get rid of everything.
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Just see.
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Now when you can.
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But the clean brush go over
that whole canvas, like I do
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here, see, or the whole thing.
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And you don't smear you
aren't every winner you do it.
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Absolutely.
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Right.
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But if you cannot do that, then you do
something wrong because you're paying this
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too thin or you have too much painting.
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And the brush is, it
is not powerful enough.
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Keep it as taken stronger than you
can do all those things you can blend.
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You can.
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Oh.
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Good.
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Good.
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No Vesper.
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And I ever start some yeah.
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Fog and the fog there,
Indian, yellow, a little bit.
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And I use a bit of right this time.
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I have to see the colors, just,
I know roughly what it will be.
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See a bit more Indian, yellow.
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They call it Indian girl here.
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The question came up today.
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Why did I call it?
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And here, I just try to have some threes.
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Yeah.
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Far right in the fog
for Harbor in the fog.
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Fall the fall, the trees.
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And that's wonderful.
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Look at that.
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Disappear as disappear.
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00:15:16,574 --> 00:15:17,715
You just fist spur.
246
00:15:18,435 --> 00:15:22,755
He just whisper made
it and a bit big there.
247
00:15:26,745 --> 00:15:32,444
And then it did appear in the fall and
the fall and the fall and the fall there.
248
00:15:33,194 --> 00:15:34,635
He is a far away.
249
00:15:40,084 --> 00:15:41,765
He let his appear in the fog.
250
00:15:42,214 --> 00:15:42,995
It's Facebook.
251
00:15:45,665 --> 00:15:46,704
Ah, that's nice.
252
00:15:47,704 --> 00:15:48,535
That's nice.
253
00:15:49,685 --> 00:15:49,775
Okay.
254
00:15:50,045 --> 00:15:51,245
Ah, nice.
255
00:15:52,145 --> 00:15:52,655
Every night.
256
00:15:52,714 --> 00:15:53,165
Look at that.
257
00:15:56,645 --> 00:15:57,094
Good.
258
00:15:58,949 --> 00:16:01,349
See, that's what you do now.
259
00:16:01,550 --> 00:16:06,349
Dan, you can use your fan brush
again and you, you, you can
260
00:16:06,620 --> 00:16:08,000
do all kinds of crazy stuff.
261
00:16:08,209 --> 00:16:15,140
You can say it as a kind of a fog
moving by their retro movement, win,
262
00:16:15,630 --> 00:16:21,020
win loss by and, and, uh, missed this.
263
00:16:21,229 --> 00:16:23,359
Moving, missed this.
264
00:16:23,359 --> 00:16:24,530
Moving there.
265
00:16:26,954 --> 00:16:27,165
Okay.
266
00:16:27,165 --> 00:16:33,395
Age of power all, when that grabs
you, that creates a follower grab you.
267
00:16:33,395 --> 00:16:38,055
You have fun, you have fun as fun.
268
00:16:39,375 --> 00:16:42,814
He, and then you can just go like this.
269
00:16:43,535 --> 00:16:46,715
Uh, just little upstrokes
that means it's standing up.
270
00:16:46,745 --> 00:16:49,225
All of a sudden, everything is
standing up in the background.
271
00:16:49,225 --> 00:16:49,625
There.
272
00:16:50,415 --> 00:16:52,365
They just an upstanding feeling.
273
00:16:52,395 --> 00:16:53,385
That's nice.
274
00:16:53,655 --> 00:16:59,355
And if it is too dark or that the,
than this go over with the side of
275
00:16:59,355 --> 00:17:06,135
the brush and dim it down a bit more
here, maybe I have a bit more but more
276
00:17:11,105 --> 00:17:12,335
no, this just happened.
277
00:17:12,845 --> 00:17:14,075
This just happened.
278
00:17:15,215 --> 00:17:19,085
We come away and it's.
279
00:17:22,724 --> 00:17:23,954
And the little tree here,
280
00:17:37,685 --> 00:17:43,025
look at that for you to come forward,
to know a little bit darker paint,
281
00:17:44,195 --> 00:17:46,175
and then it gives you that in-between.
282
00:17:47,190 --> 00:17:54,030
It's a bit too, too bright or too light
puts a bit of lighten it up a little bit.
283
00:17:54,780 --> 00:17:55,910
The, you have the control.
284
00:17:55,920 --> 00:17:56,790
You are the bus.
285
00:17:56,820 --> 00:17:59,760
You stay, see what is not right.
286
00:18:00,120 --> 00:18:01,320
Then do it right.
287
00:18:01,320 --> 00:18:02,310
It has to be done.
288
00:18:02,640 --> 00:18:03,870
You don't let it go by.
289
00:18:03,890 --> 00:18:05,720
Hi there.
290
00:18:07,190 --> 00:18:10,129
Yeah, that's good.
291
00:18:10,580 --> 00:18:11,150
That's good.
292
00:18:12,140 --> 00:18:12,800
That's good.
293
00:18:17,450 --> 00:18:21,800
He know if he can get the
fog going in front of that.
294
00:18:22,550 --> 00:18:25,070
Again, we had the fog
going in front of that.
295
00:18:28,490 --> 00:18:29,140
Mr.
296
00:18:29,150 --> 00:18:29,450
Awning.
297
00:18:29,450 --> 00:18:30,050
Bye.
298
00:18:47,719 --> 00:18:49,129
somebody looks like water.
299
00:18:51,409 --> 00:18:51,949
Good.
300
00:18:52,820 --> 00:18:57,860
Hey Oh, if you break it
and you bring it all out.
301
00:19:01,135 --> 00:19:02,385
That's nice.
302
00:19:02,865 --> 00:19:03,795
Very powerful.
303
00:19:03,915 --> 00:19:05,145
Very powerful.
304
00:19:05,415 --> 00:19:14,235
No, I use my knife and I create the
texture of Indian, yellow into that, and
305
00:19:14,235 --> 00:19:18,225
I create a powerful, powerful blitz there.
306
00:19:27,915 --> 00:19:28,395
Look at that.
307
00:19:29,235 --> 00:19:29,535
Okay.
308
00:19:31,485 --> 00:19:32,535
Isn't that something?
309
00:19:34,545 --> 00:19:35,925
Oh, Ooh.
310
00:19:36,105 --> 00:19:41,505
Ah, E and that's
fantastic tied to do that.
311
00:19:41,625 --> 00:19:49,035
Use your mighty power to, to create those
kind of paintings with, with so much.
312
00:19:51,795 --> 00:19:53,405
And the nice part is it's a
313
00:19:56,699 --> 00:19:57,959
It is your dream.
314
00:19:58,530 --> 00:20:04,159
You unloaded on the canvas and
sometimes just a little bit of that.
315
00:20:04,159 --> 00:20:11,389
That's all it needs to bring that painting
up to par the here I will just very gently
316
00:20:11,629 --> 00:20:14,899
let the dark stick out a little bit there.
317
00:20:16,860 --> 00:20:18,530
but can you see a Javie?
318
00:20:18,800 --> 00:20:20,750
However, you've worked out
the wonderful painting.
319
00:20:21,555 --> 00:20:22,995
Just a little bit there.
320
00:20:23,595 --> 00:20:29,375
So, but he, wasn't always thinking
this father on and, um, yeah.
321
00:20:31,555 --> 00:20:32,675
And that's wonderful.
322
00:20:35,045 --> 00:20:35,645
Go get that.
323
00:20:36,815 --> 00:20:36,905
Okay.
324
00:20:36,995 --> 00:20:39,965
Can you see, you know, what
creative power can do to you?
325
00:20:41,135 --> 00:20:44,855
I wish you could learn that
then you are original artists.
326
00:20:45,375 --> 00:20:48,764
And all your work is just
once at the time, you never
327
00:20:48,764 --> 00:20:50,295
have two pennies like that.
328
00:20:50,625 --> 00:20:53,925
It's obvious you cannot pin more
pain because when you paint a
329
00:20:53,925 --> 00:20:55,365
painting, that's going forever.
330
00:20:56,385 --> 00:20:58,215
The next dream is the next dream.
331
00:20:58,215 --> 00:20:59,264
It's a different painting.
332
00:20:59,264 --> 00:20:59,685
Again.
333
00:20:59,925 --> 00:21:04,035
You see me on TV or at the most
for 20 years, can you imagine 20
334
00:21:04,035 --> 00:21:10,065
years I'm on TV and it doesn't
end, but I don't know why I only.
335
00:21:10,575 --> 00:21:11,925
I painted so much does.
336
00:21:11,955 --> 00:21:17,475
I think, I know my time has come to
teach more teaching teaching IDs.
337
00:21:17,655 --> 00:21:19,575
The, this is a fantastic ID.
338
00:21:20,085 --> 00:21:23,955
You become very powerful and
everybody thanks for this.
339
00:21:23,955 --> 00:21:25,995
You always called me back as Ross.
340
00:21:25,995 --> 00:21:28,425
Y'all you people, you are my friends.
341
00:21:29,010 --> 00:21:31,590
You always call me back, get on TV.
342
00:21:31,590 --> 00:21:33,360
And I feel very proud about that.
343
00:21:33,600 --> 00:21:37,170
And I wish I could do so much
for you, but this, this IDs
344
00:21:37,200 --> 00:21:40,170
I wish I could let you have.
345
00:21:40,590 --> 00:21:44,340
And then you, you, you grow out to that.
346
00:21:44,580 --> 00:21:48,220
You can start off or I end up that
means you can double your power and
347
00:21:48,240 --> 00:21:52,670
triple your power daddy back there.
348
00:21:53,360 --> 00:21:54,410
That's wonderful.
349
00:21:57,120 --> 00:21:57,419
No.
350
00:21:57,429 --> 00:22:02,760
All of a sudden, all of a sudden
here you get the front up there.
351
00:22:03,030 --> 00:22:05,250
He get needs sometime a big front.
352
00:22:05,820 --> 00:22:09,629
And I just use my, you can
do it with a fan brush.
353
00:22:10,080 --> 00:22:12,060
I can do it for the fan brush.
354
00:22:12,060 --> 00:22:13,260
Maybe that might be best.
355
00:22:13,620 --> 00:22:16,800
The fan brush, passion blue lid,
356
00:22:21,800 --> 00:22:22,550
black.
357
00:22:24,345 --> 00:22:29,505
Kind of a dark, dark, dark color,
and the look at the fan brush.
358
00:22:29,535 --> 00:22:31,785
How can you see against the pilot?
359
00:22:31,785 --> 00:22:33,825
Ho there's even the hair sticking out.
360
00:22:34,335 --> 00:22:36,075
It's just messed it up.
361
00:22:36,075 --> 00:22:36,645
Good.
362
00:22:36,855 --> 00:22:40,275
Messed up that, that fan
brush as much as you can.
363
00:22:40,695 --> 00:22:42,995
And then, and here they want
us to put them really loose.
364
00:22:43,355 --> 00:22:46,685
Like at three years, John, and you
said early Martin, then you hit the
365
00:22:46,685 --> 00:22:52,745
league and that the three heres yawn
and let the peak, but croaker there.
366
00:22:59,435 --> 00:23:00,155
he, that's what I did.
367
00:23:00,185 --> 00:23:02,015
I was at the Fockers
too watching the front.
368
00:23:02,015 --> 00:23:02,405
They're
369
00:23:05,495 --> 00:23:11,765
all, it's a wonderful if he can hit
the Lake early in the morning, uh, and
370
00:23:11,765 --> 00:23:18,245
a knife and you see everyone is steady
half asleep, let the three batches
371
00:23:18,245 --> 00:23:19,535
hang down and make it through it.
372
00:23:20,045 --> 00:23:20,975
It's still a little bit.
373
00:23:21,750 --> 00:23:29,810
Dizzy or drowsy and well, you fired
in very powerful, very powerful.
374
00:23:30,139 --> 00:23:33,139
And then next is the other
little tree standing there.
375
00:23:34,730 --> 00:23:36,530
Very powerful, very powerful.
376
00:23:44,510 --> 00:23:46,340
you'll get that in no time.
377
00:23:46,669 --> 00:23:48,230
You have to Rhonda for that.
378
00:23:48,290 --> 00:23:54,649
Ah, it becomes a far wonderful
background there and, and this in
379
00:23:54,649 --> 00:23:58,340
front, there's no bright colors.
380
00:23:58,370 --> 00:24:03,110
Just make it so that it's really
a tree branches hanging down there
381
00:24:03,110 --> 00:24:05,840
and they're dripping off the mr.
382
00:24:06,780 --> 00:24:11,399
The night fog was in, in the
trees and the branches and,
383
00:24:17,550 --> 00:24:18,750
you know, get there.
384
00:24:20,290 --> 00:24:22,129
Isn't that fantastic.
385
00:24:22,610 --> 00:24:23,149
I don't know.
386
00:24:23,149 --> 00:24:26,930
What's more fanatastic
it's just wonderful.
387
00:24:26,960 --> 00:24:27,740
Look at that.
388
00:24:28,760 --> 00:24:30,530
And no time you get our ship.
389
00:24:30,560 --> 00:24:31,430
Beautiful there.
390
00:24:31,430 --> 00:24:32,210
The SARS.
391
00:24:33,360 --> 00:24:38,220
And then you, it makes you so happy and
by being so happy you have more power.
392
00:24:38,220 --> 00:24:44,580
Your hand is doing far more, uh, powerful
the here and now you just pull it down
393
00:24:44,580 --> 00:24:52,590
here in the vaulter, into the boards and
have a little bit of that's harassed here.
394
00:24:53,460 --> 00:24:54,090
Look at that.
395
00:24:57,740 --> 00:24:59,210
What a powerful painting.
396
00:25:05,870 --> 00:25:07,820
a lot, the power for the painting.
397
00:25:14,330 --> 00:25:21,410
ye no, you use your big brush, pull
it down, make vodka out of that.
398
00:25:22,310 --> 00:25:23,750
Make water out of that.
399
00:25:24,570 --> 00:25:34,450
And do you, you use your knife and you
create a little bit of a tree trunks,
400
00:25:34,470 --> 00:25:39,419
carpet branches hanging down here and
here here's the three towns popping up.
401
00:25:46,200 --> 00:25:46,919
Yeah, a little bit.
402
00:25:46,919 --> 00:25:47,850
There were three towns.
403
00:25:48,030 --> 00:25:49,530
He had everybody go to your town.
404
00:25:50,310 --> 00:25:50,970
He ain't me.
405
00:25:50,970 --> 00:25:51,780
Beggar.
406
00:25:51,870 --> 00:25:52,070
Yeah.
407
00:25:52,110 --> 00:25:52,740
Big girl.
408
00:25:55,020 --> 00:25:55,260
Right.
409
00:25:55,530 --> 00:26:01,440
And now you just put a little
bit of shoreline in there.
410
00:26:01,560 --> 00:26:02,310
Not advise advice.
411
00:26:02,340 --> 00:26:09,330
I use, there's a bit of color from
here and you put the little happy
412
00:26:09,330 --> 00:26:16,680
to shoreline in and look, what you
got is what you see is what you got.
413
00:26:20,085 --> 00:26:24,735
No me and my dude just tear a lot
of copper, copper, little Sparky
414
00:26:24,735 --> 00:26:28,155
moves and there in between there.
415
00:26:29,025 --> 00:26:29,705
And then, sorry.
416
00:26:30,035 --> 00:26:31,925
It's all you have to do.
417
00:26:32,705 --> 00:26:38,105
You can go on and off on
the rune is again a peak.
418
00:26:38,105 --> 00:26:39,515
I like the stick out there.
419
00:26:42,755 --> 00:26:43,535
There we are.
420
00:26:45,485 --> 00:26:46,415
He enjoyed it.
421
00:26:48,540 --> 00:26:51,360
What's a nice stream into the fog.
422
00:26:51,390 --> 00:26:52,980
And I thank you for watching me.
423
00:26:53,910 --> 00:26:54,240
I love.
End .srt file.
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